The record marks a noticeable shift from Pheelz’s more upbeat, club-driven sound, instead leaning into a slower, more emotional Afro-soul direction that prioritises honesty and introspection over energy and danceability.

Built on a warm, stripped-back production, “I’M OK” is carried by soft keyboard progressions and understated percussion that create space for both artists to fully explore the song’s emotional weight. The minimalist arrangement ensures the focus stays firmly on the message rather than the instrumentation.

Pheelz delivers one of his most personal performances yet, blending Yoruba, Pidgin, and English as he opens up about mental strain, pressure, and the quiet battles that come with life in the public eye. His delivery feels raw and unfiltered, offering a rare glimpse into vulnerability from behind the scenes of fame.

Tiwa Savage enters with a calming, emotionally grounded presence, elevating the track with her signature warm vocals. Her performance adds a sense of reassurance and strength, turning the hook into something that feels communal rather than individual—an affirmation shared between artist and listener.

Rather than functioning as a conventional commercial release, “I’M OK” plays more like a moment of reflection. It speaks to survival, emotional endurance, and the importance of acknowledging one’s limits in a fast-paced world.

Together, both artists create a record that feels intimate and necessary, reinforcing the idea that sometimes the most powerful statement is simply admitting that you are still standing.

Listen to “I’M OK” HERE

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Celebrated Afrobeats star Tiwa Savage has opened up about the emotional and mental health challenges artists can face within different record label environments, offering a rare glimpse into the less glamorous side of the music industry.

Speaking on a recent episode of the Afrobeats Intelligence podcast hosted by Joey Akan, the singer reflected on her time with Mavin Records and how the experience shaped her understanding of support systems in the industry.

According to Tiwa Savage, she didn’t fully appreciate the level of emotional care and community she had at Mavin until after she moved on to an international label setup.

She described how, during her time at the label, she had a close-knit support system she could rely on whenever she faced public pressure or personal challenges.

“Who you signed to is very important and I didn’t appreciate it until after I left Mavin. Whenever there’s a controversy online I’d run to Don Jazzy’s room, sit on the floor or bed with other Mavin acts and we would talk about it. I would cry if I had to cry and we would get through it. But being with a [foreign] label, they don’t really care about your personal stuff. So, I can’t really go to the Empire office and cry. I miss that part it.”

Her comments highlight the contrast between the more family-like structure she experienced at Mavin Records and the more business-driven approach she encountered elsewhere.

Tiwa Savage’s reflection adds to ongoing conversations about artist welfare, mental health, and the kind of support systems that exist behind the scenes in the global music industry.

“Who you signed with is important but i didn’t appreciate it on till I left mavin record, It like family! Whenever I have issues online I run to Don jazzy Room and he will call everybody together. If I have to cry or whatever but lebel doesn’t really care about your personal… pic.twitter.com/ymnAMmyi5U

— clipstormnaija 👾 (@clipstormnaija) May 20, 2026

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The announcement was made during a vibrant grand finale concert held at the National Theatre in Lagos, where the selected participants wrapped up a week-long creative bootcamp that ran from April 22 to 26, 2026. The programme brought together 120 emerging singers, songwriters, producers, and music professionals, all competing and collaborating across different aspects of music creation.

Designed in partnership with Berklee College of Music, the initiative blended workshops, mentorship sessions, and live collaborations covering performance, songwriting, production, and the business side of music. Faculty members from Berklee—spanning ensembles, percussion, voice, and global music studies—were directly involved in guiding the participants through the process.

The finale itself was nothing short of a showcase. Hosted by Darey Art Alade and Kie Kie, the concert featured live band performances cutting across Afrobeats, R&B, hip-hop, gospel, jazz, and fusion. Highlights of the night included creative renditions of classics like Killing Me Softly and Papaoutai, alongside Afrobeats favourites such as Ayra Starr’s Bloody Samaritan. Guest appearances from groups like Loud Choir and singer Teni added even more energy to the closing showcase.

Speaking at the event, Tiwa Savage described the moment as both emotional and historic, emphasizing the foundation’s mission to bridge the gap between Nigerian talent and world-class music education.

“Seeing these young musicians take the stage at the National Theatre was a deeply emotional and proud moment for me. When we started the Tiwa Savage Music Foundation, the goal was to bring the world’s highest standards of music education home to Nigeria, and seeing 18 of our students receive life-changing scholarships to Berklee in Boston is proof that our talent is truly global. This is only the beginning of our mission to ensure that African creatives have the tools, the structure, and the platform to lead the world stage.”

Representing Berklee, Dean of Admissions Damien Bracken also praised the programme, noting how it encouraged collaboration and long-term artistic growth among participants.

The training was led by a team of Berklee faculty, including Dennis Montgomery, Yoron Israel, Tyrone Chase, Nichelle Mungo, Anthony Nembhard, and Jason Camelio, who oversees global programmes and partnerships.

With industry figures in attendance and 18 scholarships secured, the initiative has now positioned itself as a powerful bridge between Nigerian talent and global music education—one that could shape the next generation of African creatives on an international scale.

 

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While discussing the vision driving her latest initiative, the award-winning singer explained that her focus goes beyond spotlighting emerging talent. Instead, she wants to build a stronger foundation for the people who will ultimately shape the future of the industry, those working behind the scenes as well as those on stage.

At 46, Tiwa reflected on her own journey, acknowledging that although music transformed her life, raw talent alone is rarely enough to guarantee long-term success in an industry where access and structure often determine outcomes.

She put it this way:

“Music changed my life but talent alone isn’t enough especially when access is limited. I want to open people’s eyes to the full scope of what’s possible in music. I don’t just want to launch artists; I want to build leaders, producers, executives and owners who will shape the future of the music industry. Our alumni will become film composers, label executives and mentors who reinvest in the next generation. If a young musician from a small neighbourhood can say the foundation changed their life, then we’ve achieved something meaningful,” Savage said

Her message paints a bigger picture, one where success in music isn’t just about becoming a star but about creating systems that allow others to rise, too.

For Tiwa Savage, the goal is clear: build something that lasts, empowers, and eventually feeds back into the next generation of creatives.

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According to the singer, the idea came from recognising that although Nigeria is rich in creativity, many talented individuals lack access to the infrastructure and education needed to develop their potential fully.

“The Tiwa Savage Music Foundation started as a need. I thought we needed a foundation such as this in Nigeria. We have so much talent and we need to work on building infrastructure, investing in education, so that when people see the talent we have, they see that they also have access.

“We don’t lack talent in Nigeria; we have so much talent. What I want to do is to be able to create access so that people that have the talent can find the right infrastructure, education, and also be a bridge and a pipeline to the rest of the world,” Tiwa said.

The singer, widely celebrated as the Queen of Afrobeats, shared these thoughts while speaking with journalists during the unveiling and official launch of the foundation at The Delborough Hotel in Victoria Island, Lagos, on March 9.

The launch attracted several dignitaries, including Babajide Sanwo-Olu, the governor of Lagos State. In his remarks, the governor said he attended the event to honour Savage and lend his support to the initiative.

“You know what it is about. Today is her day. She’s one of our best, so I have to support her,” the governor said.

 

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The Tiwa Savage Music Foundation is a non-profit organisation focused on equipping aspiring African artists with music education, mentorship, and access to industry connections that can help shape their careers.

As part of its first major initiative, the foundation will host the ‘Berklee In Nigeria: Tiwa Savage Intensive Music Program,’ a four-day training program scheduled to take place in Lagos from April 23 to April 26, 2026. Applications for the program are set to open on March 10, 2026.

Beyond her chart-topping career, the launch of the foundation signals Savage’s commitment to nurturing the next generation of creatives in Africa’s music industry.

“Music changed my life. But talent alone isn’t enough, especially when access is limited. I want to build something that opens people’s eyes to the full scope of what’s possible in music.

The person who composed the score for a film, who creates music for global campaigns, or who uses music as a tool for healing,” Tiwa noted.

With the initiative now underway, the Afrobeats icon is looking beyond personal success and focusing on creating opportunities that could shape the future of African music.

 

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This isn’t just about spotlighting singers. The foundation is built to support the full engine room of the industry: producers, songwriters, sound engineers, executives, and other creative talents who often work behind the scenes.

The goal? To bridge what organizers describe as the gap in access to top-tier music education and professional training across parts of Africa.

Speaking at the launch, Savage reflected on Afrobeats’ explosive global rise — and the urgent need to strengthen the structure behind it.

“Afrobeats has captured the world’s attention but an industry cannot stand on artists alone,” she said. “Behind every global sound is an ecosystem of producers, engineers, entertainment lawyers, publishers, innovators, composers, the person who scores the music to your favourite movie or the person who uses music as a tool for healing. These are the architects of structure, ownership and longevity. If we do not intentionally develop them, we weaken the very house we are trying to grow.”

She drew from her own journey, recalling how studying at Berklee College of Music on scholarship at 24 reshaped her worldview.

“That opportunity changed my perspective,” she said. “It expanded my understanding of global systems, and the power of knowledge behind creativity. It showed me that talent is universal, but access is not.”

Savage also pointed to the rapid evolution of technology — including artificial intelligence — and stressed the importance of preparing African creatives for what’s ahead.

“The question is whether we will be educated leaders in this space, or observers left behind,” she said.

As part of its debut programme, the foundation has partnered with Berklee to bring a four-day intensive training to Nigeria titled Berklee in Nigeria: Tiwa Savage Intensive Music Program. Scheduled for April 23–26, 2026, the initiative will train 100 selected participants in live performance, songwriting, music production, and the business side of music.

 

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The programme will run daily from 10 a.m. to 5 p.m., ending with a live showcase of original work, a closing ceremony, and scholarship presentations. Participants will also receive guidance on further studies through Berklee’s on-campus and online pathways.

Berklee President Jim Lucchese described the initiative as the school’s first “Berklee on the Road” programme in Nigeria.

“The Tiwa Savage Intensive Music Program, our first-ever Berklee on the Road in Nigeria, will continue to increase access to Berklee’s curriculum around the world through the generosity and collaborative spirit of one of our most accomplished and dedicated alums,” Lucchese said. “The program presents a tremendous and unique opportunity for global artists.”

Similarly, Jason Camelio, Berklee’s assistant vice-president for global programmes and partnerships, highlighted the importance of working closely with artists who understand the local scene.

“These educational experiences are best accomplished with the knowledge and expertise of leading artists and alumni. There is no better way to connect with the music community in Nigeria than with Tiwa Savage,” Camelio said.

Applications are open until March 20, 2026, for emerging musicians, producers, and songwriters across Africa. While tuition is fully covered for selected candidates, participants will handle their travel and accommodation expenses in Lagos.

Beyond this first programme, the foundation has a wider vision: to expand awareness of music-related career paths and give young African creatives access to the training and professional development they need to build sustainable, long-term careers.

For Tiwa Savage, it’s more than an initiative — it’s about building the house behind the hit songs.

 

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Reflecting on the lessons she has picked up over the years, the award-winning artiste admitted that her naturally open and trusting personality has, at times, worked to her disadvantage.

In a recent conversation with content creator Korty, Tiwa revealed that she tends to trust people easily and is often transparent with those around her, even when it comes to her private spaces.

The singer explained that she has always been comfortable letting people into her personal world, noting that she rarely keeps emotional or physical distance from friends she genuinely cares about. According to her, this openness is simply part of who she is.

“I trust people easily. I am very trusting in my home; I am very open. I am an open book,” she said.

Tiwa went on to share that her welcoming nature extends beyond casual interactions, adding that she often has no issue accommodating friends, even while travelling.

“I could be in my hotel, and if you are my friend and you want to stay over, you are welcome. That is how open I am,” she added.

However, the music star admitted that such openness has not come without consequences. She revealed that learning to set boundaries has been a difficult but necessary process, one that has unfortunately resulted in the loss of some relationships.

“I am too trusting, maybe. I am learning about boundaries. Once you start setting boundaries, you lose people,” she said.

Tiwa also stressed that drawing these boundaries has become even more crucial since becoming a mother, as she now has more than just herself to protect.

“I am learning how important it is to set boundaries for the safety of my son as well,” she stated.

Her honest reflections have resonated with many fans, highlighting the often unseen emotional work that comes with growth, fame, and motherhood.

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The music star took to her social media page on Sunday to express her admiration, sharing how Kie Kie’s content never fails to lift her spirits.

According to Tiwa, the creator’s originality and smooth delivery make her stand out in an increasingly crowded online world, adding that her videos effortlessly brighten her day.

Tiwa Savage noted that what makes Kie Kie special is not just the quality of her work but the ease with which she delivers it, a combination she believes sets her apart from the rest.

She further emphasized that her praise has nothing to do with gender, stressing that Kie Kie’s recognition is solely based on her talent, hard work, and dedication.

The singer also revealed that whenever she needs laughter or a dose of positivity, Kie Kie is her go-to, describing her as a constant source of joy.

In her message, Tiwa encouraged the content creator to “take her flowers,” declaring her the “Greatest of All Time” for consistently putting out feel-good content that resonates with many.

Adding a playful touch, Tiwa affectionately called her “Twice Kie Kie,” a nickname reflecting her strong influence and wide appeal across audiences.

The glowing endorsement has further cemented Kie Kie’s status as one of Nigeria’s most influential digital creators, with fans celebrating the show of love and support between the two entertainment stars.

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Speaking during an interview with Korty EO, the 45-year-old music star reflected candidly on her romantic past, admitting that most of her relationships have left her disappointed.

“There is hardly any relationship I would look back at and see anything positive. They are all d*cks! Actually, there is one, but he passed away. May his soul rest in peace. He was incredible,” Tiwa said.

The singer explained that her experiences with heartbreak have deeply influenced how she is raising her son, Jamil, particularly in teaching him how to treat women with love and respect.

“I always tell him, you mum suffered oo, make sure you treat any girl like a queen. It is very important for me to raise him as a good man. He is going to make mistakes, he is not perfect. But at the core of him, I want him to be kind,” she added.

Tiwa’s heartfelt remarks have resonated with fans, shedding light on the emotional scars behind her public success and reinforcing her commitment to raising a compassionate and respectful son, despite her own painful experiences with love.

“I’ve had only one positive relationship, but he passed away.”

– Tiwa Savage pic.twitter.com/inM0hNWGbQ

— Pulse Nigeria (@PulseNigeria247) January 18, 2026

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Award-winning Nigerian singer Tiwatope Omolara Savage, widely known as Tiwa Savage, has spoken candidly about the emotional and professional impact motherhood had on her life, revealing deeply personal moments she rarely shares.

In a recent conversation with Korty EO, the 45-year-old music star reflected on her experience after childbirth, admitting that becoming a mother was not as smooth or joyful as many assumed. Tiwa disclosed that she had hoped for a baby girl and struggled emotionally when she was told she had given birth to a boy.

“Honestly, I didn’t bond with my son for the first year or two. I always wanted a girl. They told me it was a boy, and I started crying. So, when he came he was always crying and my body didn’t snap back. I looked horrible. I was supposed to do a campaign with Pepsi at the time and they turned me away. And I just thought this boy has destroyed me. But now, he is my best friend,” she said.

Beyond the emotional strain, Tiwa revealed that motherhood also affected her career at the time, as her physical changes led to missed professional opportunities. However, with time, healing, and growth, her relationship with her son transformed into one of deep love and friendship.

Now a devoted mother to her 10-year-old son, Tiwa says she is intentional about the values she instils in him, particularly how he treats women. Drawing from her own experiences in unhealthy relationships, the singer stressed the importance of raising a respectful and compassionate man.

“I always tell him, you mum suffered oo, make sure you treat any girl like a queen. It is very important for me to raise him as a good man. He is going to make mistakes, he is not perfect. But at the core of him, I want him to be kind,” she added.

Tiwa Savage’s honest reflections have resonated with many fans, sparking conversations around postpartum struggles, societal expectations of women, and the realities of balancing motherhood with a demanding career.

Watch the full video below:

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Speaking on her official Instagram page, the award-winning singer aligned her views with advice from renowned business leader Ibukun Awosika, who often cautions against overindulging children. Savage explained that shielding kids from struggle can weaken their ambition and reduce their drive to pursue meaningful goals later in life.

According to Tiwa, she wants her 10-year-old son to understand the value of effort, discipline, and gratitude, rather than having constant access to luxury. She deliberately exposes him to everyday experiences that foster humility and resilience.

One example she shared is choosing commercial flights and seating Jamil in economy class whenever private travel isn’t necessary.

She recounted a time when her son was visibly unhappy on a commercial flight, complaining about discomfort. Despite his reaction, Savage said these experiences are crucial for helping him appreciate life beyond comfort and privilege, shaping character rather than entitlement.

Beyond travel, she implements a reward-based system at home, requiring Jamil to earn certain privileges, like purchasing online games, through completing chores or achieving good academic results.

Additionally, she limits his access to gadgets, snacks, and sweets during the week, focusing instead on structure and routine.

Faith also plays a central role in her parenting. Tiwa ensures Jamil participates in Bible study every night before bed, aiming to ground him spiritually and morally from an early age.

Savage emphasized that her approach comes from love and intentionality, not strictness. She described Jamil as well-behaved and stressed that her goal is to lay a strong foundation that will guide him as he grows.

By sharing her parenting philosophy publicly, Tiwa has sparked discussions online about raising children in affluent homes and striking a balance between providing comfort and fostering ambition. For her, true success in parenting lies not in what a child is given, but in how well they are prepared for life beyond privilege.

When we fly commercial, I’ve started putting him in economy — Tiwa Savage shares how she’s raising her son with good values. pic.twitter.com/q9gQHuz227

— YabaLeftOnline (@yabaleftonline) January 10, 2026

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Taking to X on January 6, 2026, the singer shared a series of strongly worded posts, making it clear that the situation had gone too far.

While she admitted she had previously ignored what she described as a sustained attempt to discredit her, Tiwa said mentioning her child crossed an unforgivable line.

“@TheDamiForeign you see that I never cared about your paid agenda to bring me down and you’ve been doing it for a long time. You talking about my child is crossing the line. Dami with my FULL CHEST e no go better for you. You even posted that you wanted me to die young…. Back to sender,” she wrote.

@TheDamiForeign you see that I never cared about your paid agenda to bring me down and you’ve been doing it for a long time. You talking about my child is crossing the line. Dami with my FULL CHEST e no go better for you. You even posted that you wanted me to die young…. Back to…

— Tiwa Savage ⚔️ (@TiwaSavage) January 6, 2026

Clearly angered, the award-winning singer followed up with a stern warning, drawing a firm boundary around her family.

“@TheDamiForeign I dare you to post anything about my child again and THIS WILL MOVE BEYOND TWITTER.”

She also took a swipe at the influencer’s motives, questioning the fixation on her name.

“@TheDamiForeign the obsession with me is loud but your relevance is missing.”

Tiwa Savage’s outburst comes after years of the influencer repeatedly sharing clips and content aimed at her online.

According to the singer, the attacks have intensified in recent times, leaving her with no choice but to respond publicly and defend her child.

The posts have since sparked widespread reactions online, with many fans rallying behind the singer and praising her for drawing a clear line when it comes to her family.

@TheDamiForeign I dare you to post anything about my child again and THIS WILL MOVE BEYOND TWITTER

— Tiwa Savage ⚔️ (@TiwaSavage) January 6, 2026

@TheDamiForeign the obsession with me is loud but your relevance is missing

— Tiwa Savage ⚔️ (@TiwaSavage) January 6, 2026

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