According to the singer, the idea came from recognising that although Nigeria is rich in creativity, many talented individuals lack access to the infrastructure and education needed to develop their potential fully.

“The Tiwa Savage Music Foundation started as a need. I thought we needed a foundation such as this in Nigeria. We have so much talent and we need to work on building infrastructure, investing in education, so that when people see the talent we have, they see that they also have access.

“We don’t lack talent in Nigeria; we have so much talent. What I want to do is to be able to create access so that people that have the talent can find the right infrastructure, education, and also be a bridge and a pipeline to the rest of the world,” Tiwa said.

The singer, widely celebrated as the Queen of Afrobeats, shared these thoughts while speaking with journalists during the unveiling and official launch of the foundation at The Delborough Hotel in Victoria Island, Lagos, on March 9.

The launch attracted several dignitaries, including Babajide Sanwo-Olu, the governor of Lagos State. In his remarks, the governor said he attended the event to honour Savage and lend his support to the initiative.

“You know what it is about. Today is her day. She’s one of our best, so I have to support her,” the governor said.

 

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The Tiwa Savage Music Foundation is a non-profit organisation focused on equipping aspiring African artists with music education, mentorship, and access to industry connections that can help shape their careers.

As part of its first major initiative, the foundation will host the ‘Berklee In Nigeria: Tiwa Savage Intensive Music Program,’ a four-day training program scheduled to take place in Lagos from April 23 to April 26, 2026. Applications for the program are set to open on March 10, 2026.

Beyond her chart-topping career, the launch of the foundation signals Savage’s commitment to nurturing the next generation of creatives in Africa’s music industry.

“Music changed my life. But talent alone isn’t enough, especially when access is limited. I want to build something that opens people’s eyes to the full scope of what’s possible in music.

The person who composed the score for a film, who creates music for global campaigns, or who uses music as a tool for healing,” Tiwa noted.

With the initiative now underway, the Afrobeats icon is looking beyond personal success and focusing on creating opportunities that could shape the future of African music.

 

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This isn’t just about spotlighting singers. The foundation is built to support the full engine room of the industry: producers, songwriters, sound engineers, executives, and other creative talents who often work behind the scenes.

The goal? To bridge what organizers describe as the gap in access to top-tier music education and professional training across parts of Africa.

Speaking at the launch, Savage reflected on Afrobeats’ explosive global rise — and the urgent need to strengthen the structure behind it.

“Afrobeats has captured the world’s attention but an industry cannot stand on artists alone,” she said. “Behind every global sound is an ecosystem of producers, engineers, entertainment lawyers, publishers, innovators, composers, the person who scores the music to your favourite movie or the person who uses music as a tool for healing. These are the architects of structure, ownership and longevity. If we do not intentionally develop them, we weaken the very house we are trying to grow.”

She drew from her own journey, recalling how studying at Berklee College of Music on scholarship at 24 reshaped her worldview.

“That opportunity changed my perspective,” she said. “It expanded my understanding of global systems, and the power of knowledge behind creativity. It showed me that talent is universal, but access is not.”

Savage also pointed to the rapid evolution of technology — including artificial intelligence — and stressed the importance of preparing African creatives for what’s ahead.

“The question is whether we will be educated leaders in this space, or observers left behind,” she said.

As part of its debut programme, the foundation has partnered with Berklee to bring a four-day intensive training to Nigeria titled Berklee in Nigeria: Tiwa Savage Intensive Music Program. Scheduled for April 23–26, 2026, the initiative will train 100 selected participants in live performance, songwriting, music production, and the business side of music.

 

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The programme will run daily from 10 a.m. to 5 p.m., ending with a live showcase of original work, a closing ceremony, and scholarship presentations. Participants will also receive guidance on further studies through Berklee’s on-campus and online pathways.

Berklee President Jim Lucchese described the initiative as the school’s first “Berklee on the Road” programme in Nigeria.

“The Tiwa Savage Intensive Music Program, our first-ever Berklee on the Road in Nigeria, will continue to increase access to Berklee’s curriculum around the world through the generosity and collaborative spirit of one of our most accomplished and dedicated alums,” Lucchese said. “The program presents a tremendous and unique opportunity for global artists.”

Similarly, Jason Camelio, Berklee’s assistant vice-president for global programmes and partnerships, highlighted the importance of working closely with artists who understand the local scene.

“These educational experiences are best accomplished with the knowledge and expertise of leading artists and alumni. There is no better way to connect with the music community in Nigeria than with Tiwa Savage,” Camelio said.

Applications are open until March 20, 2026, for emerging musicians, producers, and songwriters across Africa. While tuition is fully covered for selected candidates, participants will handle their travel and accommodation expenses in Lagos.

Beyond this first programme, the foundation has a wider vision: to expand awareness of music-related career paths and give young African creatives access to the training and professional development they need to build sustainable, long-term careers.

For Tiwa Savage, it’s more than an initiative — it’s about building the house behind the hit songs.

 

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Reflecting on the lessons she has picked up over the years, the award-winning artiste admitted that her naturally open and trusting personality has, at times, worked to her disadvantage.

In a recent conversation with content creator Korty, Tiwa revealed that she tends to trust people easily and is often transparent with those around her, even when it comes to her private spaces.

The singer explained that she has always been comfortable letting people into her personal world, noting that she rarely keeps emotional or physical distance from friends she genuinely cares about. According to her, this openness is simply part of who she is.

“I trust people easily. I am very trusting in my home; I am very open. I am an open book,” she said.

Tiwa went on to share that her welcoming nature extends beyond casual interactions, adding that she often has no issue accommodating friends, even while travelling.

“I could be in my hotel, and if you are my friend and you want to stay over, you are welcome. That is how open I am,” she added.

However, the music star admitted that such openness has not come without consequences. She revealed that learning to set boundaries has been a difficult but necessary process, one that has unfortunately resulted in the loss of some relationships.

“I am too trusting, maybe. I am learning about boundaries. Once you start setting boundaries, you lose people,” she said.

Tiwa also stressed that drawing these boundaries has become even more crucial since becoming a mother, as she now has more than just herself to protect.

“I am learning how important it is to set boundaries for the safety of my son as well,” she stated.

Her honest reflections have resonated with many fans, highlighting the often unseen emotional work that comes with growth, fame, and motherhood.

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The music star took to her social media page on Sunday to express her admiration, sharing how Kie Kie’s content never fails to lift her spirits.

According to Tiwa, the creator’s originality and smooth delivery make her stand out in an increasingly crowded online world, adding that her videos effortlessly brighten her day.

Tiwa Savage noted that what makes Kie Kie special is not just the quality of her work but the ease with which she delivers it, a combination she believes sets her apart from the rest.

She further emphasized that her praise has nothing to do with gender, stressing that Kie Kie’s recognition is solely based on her talent, hard work, and dedication.

The singer also revealed that whenever she needs laughter or a dose of positivity, Kie Kie is her go-to, describing her as a constant source of joy.

In her message, Tiwa encouraged the content creator to “take her flowers,” declaring her the “Greatest of All Time” for consistently putting out feel-good content that resonates with many.

Adding a playful touch, Tiwa affectionately called her “Twice Kie Kie,” a nickname reflecting her strong influence and wide appeal across audiences.

The glowing endorsement has further cemented Kie Kie’s status as one of Nigeria’s most influential digital creators, with fans celebrating the show of love and support between the two entertainment stars.

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Speaking during an interview with Korty EO, the 45-year-old music star reflected candidly on her romantic past, admitting that most of her relationships have left her disappointed.

“There is hardly any relationship I would look back at and see anything positive. They are all d*cks! Actually, there is one, but he passed away. May his soul rest in peace. He was incredible,” Tiwa said.

The singer explained that her experiences with heartbreak have deeply influenced how she is raising her son, Jamil, particularly in teaching him how to treat women with love and respect.

“I always tell him, you mum suffered oo, make sure you treat any girl like a queen. It is very important for me to raise him as a good man. He is going to make mistakes, he is not perfect. But at the core of him, I want him to be kind,” she added.

Tiwa’s heartfelt remarks have resonated with fans, shedding light on the emotional scars behind her public success and reinforcing her commitment to raising a compassionate and respectful son, despite her own painful experiences with love.

“I’ve had only one positive relationship, but he passed away.”

– Tiwa Savage pic.twitter.com/inM0hNWGbQ

— Pulse Nigeria (@PulseNigeria247) January 18, 2026

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Award-winning Nigerian singer Tiwatope Omolara Savage, widely known as Tiwa Savage, has spoken candidly about the emotional and professional impact motherhood had on her life, revealing deeply personal moments she rarely shares.

In a recent conversation with Korty EO, the 45-year-old music star reflected on her experience after childbirth, admitting that becoming a mother was not as smooth or joyful as many assumed. Tiwa disclosed that she had hoped for a baby girl and struggled emotionally when she was told she had given birth to a boy.

“Honestly, I didn’t bond with my son for the first year or two. I always wanted a girl. They told me it was a boy, and I started crying. So, when he came he was always crying and my body didn’t snap back. I looked horrible. I was supposed to do a campaign with Pepsi at the time and they turned me away. And I just thought this boy has destroyed me. But now, he is my best friend,” she said.

Beyond the emotional strain, Tiwa revealed that motherhood also affected her career at the time, as her physical changes led to missed professional opportunities. However, with time, healing, and growth, her relationship with her son transformed into one of deep love and friendship.

Now a devoted mother to her 10-year-old son, Tiwa says she is intentional about the values she instils in him, particularly how he treats women. Drawing from her own experiences in unhealthy relationships, the singer stressed the importance of raising a respectful and compassionate man.

“I always tell him, you mum suffered oo, make sure you treat any girl like a queen. It is very important for me to raise him as a good man. He is going to make mistakes, he is not perfect. But at the core of him, I want him to be kind,” she added.

Tiwa Savage’s honest reflections have resonated with many fans, sparking conversations around postpartum struggles, societal expectations of women, and the realities of balancing motherhood with a demanding career.

Watch the full video below:

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Speaking on her official Instagram page, the award-winning singer aligned her views with advice from renowned business leader Ibukun Awosika, who often cautions against overindulging children. Savage explained that shielding kids from struggle can weaken their ambition and reduce their drive to pursue meaningful goals later in life.

According to Tiwa, she wants her 10-year-old son to understand the value of effort, discipline, and gratitude, rather than having constant access to luxury. She deliberately exposes him to everyday experiences that foster humility and resilience.

One example she shared is choosing commercial flights and seating Jamil in economy class whenever private travel isn’t necessary.

She recounted a time when her son was visibly unhappy on a commercial flight, complaining about discomfort. Despite his reaction, Savage said these experiences are crucial for helping him appreciate life beyond comfort and privilege, shaping character rather than entitlement.

Beyond travel, she implements a reward-based system at home, requiring Jamil to earn certain privileges, like purchasing online games, through completing chores or achieving good academic results.

Additionally, she limits his access to gadgets, snacks, and sweets during the week, focusing instead on structure and routine.

Faith also plays a central role in her parenting. Tiwa ensures Jamil participates in Bible study every night before bed, aiming to ground him spiritually and morally from an early age.

Savage emphasized that her approach comes from love and intentionality, not strictness. She described Jamil as well-behaved and stressed that her goal is to lay a strong foundation that will guide him as he grows.

By sharing her parenting philosophy publicly, Tiwa has sparked discussions online about raising children in affluent homes and striking a balance between providing comfort and fostering ambition. For her, true success in parenting lies not in what a child is given, but in how well they are prepared for life beyond privilege.

When we fly commercial, I’ve started putting him in economy — Tiwa Savage shares how she’s raising her son with good values. pic.twitter.com/q9gQHuz227

— YabaLeftOnline (@yabaleftonline) January 10, 2026

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Taking to X on January 6, 2026, the singer shared a series of strongly worded posts, making it clear that the situation had gone too far.

While she admitted she had previously ignored what she described as a sustained attempt to discredit her, Tiwa said mentioning her child crossed an unforgivable line.

“@TheDamiForeign you see that I never cared about your paid agenda to bring me down and you’ve been doing it for a long time. You talking about my child is crossing the line. Dami with my FULL CHEST e no go better for you. You even posted that you wanted me to die young…. Back to sender,” she wrote.

@TheDamiForeign you see that I never cared about your paid agenda to bring me down and you’ve been doing it for a long time. You talking about my child is crossing the line. Dami with my FULL CHEST e no go better for you. You even posted that you wanted me to die young…. Back to…

— Tiwa Savage ⚔️ (@TiwaSavage) January 6, 2026

Clearly angered, the award-winning singer followed up with a stern warning, drawing a firm boundary around her family.

“@TheDamiForeign I dare you to post anything about my child again and THIS WILL MOVE BEYOND TWITTER.”

She also took a swipe at the influencer’s motives, questioning the fixation on her name.

“@TheDamiForeign the obsession with me is loud but your relevance is missing.”

Tiwa Savage’s outburst comes after years of the influencer repeatedly sharing clips and content aimed at her online.

According to the singer, the attacks have intensified in recent times, leaving her with no choice but to respond publicly and defend her child.

The posts have since sparked widespread reactions online, with many fans rallying behind the singer and praising her for drawing a clear line when it comes to her family.

@TheDamiForeign I dare you to post anything about my child again and THIS WILL MOVE BEYOND TWITTER

— Tiwa Savage ⚔️ (@TiwaSavage) January 6, 2026

@TheDamiForeign the obsession with me is loud but your relevance is missing

— Tiwa Savage ⚔️ (@TiwaSavage) January 6, 2026

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Afrobeats star Tiwa Savage shared a deeply emotional moment with fans while performing her hit song “Somebody’s Son” at the WeLoveYa Festival in Cotonou, Benin Republic.

In a video that has since gone viral, the award-winning singer was seen visibly overwhelmed with emotion as she sang, struggling to hold back tears.

At one point, Tiwa briefly paused the performance to gather herself before continuing, a moment that left many in the audience moved.

Fans at the venue and across social media described the scene as raw, heartfelt, and relatable, noting how the lyrics of Somebody’s Son—which touch on love, vulnerability, and emotional longing, appeared to resonate deeply with the singer at that moment.

Many supporters pointed out that the performance reflected Tiwa Savage’s personal journey and emotional strength beyond the glamour of stardom.

The touching scene served as a reminder that behind the fame and spotlight, artists experience real emotions and personal struggles, just like everyone else.

The emotional performance came shortly after a separate incident in Ghana where Tiwa had publicly expressed frustration over sound issues during a show, making her Cotonou appearance even more poignant for fans.

Despite earlier hiccups on the tour, the WeLoveYa Festival was a memorable night, also featuring electrifying performances from King Promise and Omah Lay, further cementing the event as a standout celebration of African music and artistry.

Watch the video below:

The emotions took over 🥹 Tiwa Savage got emotional while performing “Somebody’s Son” last night at #WeLoveYaFestival in Cotonou 🇧🇯 pic.twitter.com/Kn990DXXKm

— 𝗧𝗶𝘄𝗮 Savage World⚔️ (@savagesourcee) December 28, 2025

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On Christmas Day, the award-winning singer was captured in a viral video gifting each of her dinner guests $500. The clip quickly made rounds on social media, drawing mixed reactions from fans and commentators who analysed the gesture from different angles.

While some users questioned the decision, noting that the dinner appeared to be attended by high-profile guests who are already financially comfortable, others argued that the money could have been redirected to the less privileged in the spirit of the season.

However, many fans came to Tiwa Savage’s defence, applauding her generosity and emphasizing that kindness can be expressed in different ways. Supporters noted that the gesture reflected the joy of giving and the celebratory essence of Christmas.

As the video continues to circulate online, the moment has sparked broader conversations about generosity, privilege, and how public figures choose to give back during the festive season.

Tiwa Savage spreading joy, sharing $500 each to everyone after the Christmas dinner she hosted 💵🎄❤️ pic.twitter.com/N5TCWKpZol

— 𝗧𝗶𝘄𝗮 Savage World⚔️ (@savagesourcee) December 25, 2025

Speaking openly during a recent show, the award-winning singer said she was placed under uncomfortable pressure to meet the company’s executive in person. According to her, the message was clear: accept the invitation or lose the deal.

Tiwa noted that the incident exposed a harsh truth about the entertainment industry one where inappropriate expectations can easily overshadow an artist’s talent and achievements.

“I realized they don’t value my talent,” she confessed, explaining how the endorsement was immediately withdrawn after she chose not to comply.

The singer said the experience left her deeply shaken, forcing her to confront the unfair standards often placed on female artists.

The revelation also gave Tiwa a moment to spotlight the hidden struggles entertainers face behind the scenes, particularly women who are frequently pressured in ways that have nothing to do with their craft. She emphasised that respect for creativity and professionalism must take precedence over any unhealthy or unethical demands.

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Their first collaboration was magic in motion: Duncan’s earthy Port Harcourt highlife bumping shoulders with Tiwa’s silky R&B elegance. Be Happy doesn’t just recreate that synergy; it extends it, like a continuation of a story fans never wanted to end.

From the moment the beat kicks in, you know whose kitchen this meal was cooked in. The production is classic Duncan Mighty, with thick, rolling basslines that move like river waves and percussion patterns that echo the heartbeat of the Niger Delta. It’s warm, textured, and proudly analog in a digital era where so many songs feel copy-pasted.

There’s no amapiano log drum or electronic clutter here; instead, Duncan builds a groove that feels alive, the kind of beat that naturally commands waistlines into motion.

At its core, Be Happy is a simple, comforting message wrapped in melody: things may be hard, but joy is still allowed. The lyrics speak to resilience, finding celebration in everyday moments even when life feels heavy. Duncan Mighty delivers his parts with his usual mix of English and Ikwerre, his voice booming like a town crier delivering good news.

Tiwa Savage then slips in with her velvet-soft lines, balancing the rugged highlife sound with a smooth pop shine. Their chorus lands like a chant, repetitive enough to stick instantly and powerful enough to lift moods in any room.

 

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Tiwa’s performance is a reminder of why she wears her queen status so easily. On a track this steeped in highlife, she blends in effortlessly, her vocals weaving through Duncan’s raw energy without competing for space.

It sounds like two veterans who know each other’s rhythms, trading lines and laughing between takes. That ease — that unforced harmony — is what makes the song glow.

As New Music Friday rolls in, Be Happy stands tall as the “Elders’ Offering” — the song that won’t necessarily trend on TikTok but will rule every December gathering with adults, families, and lovers of classic Nigerian grooves.

While the younger crowd may be chasing the latest street-pop bangers, this is the music that will soundtrack weddings, homecomings, December parties, and slow evening hangs.

 

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In the end, Be Happy does exactly what its title promises. It reminds listeners of the power of music to uplift, heal, and gather people. Duncan Mighty proves again why his legacy remains untouched, and Tiwa Savage shows, once more, why she is one of the few who can walk into any genre and shine.

Together, they’ve given us the perfect year-end reminder: dance a little, love deeply, and choose joy wherever you find it.

Listen to Be Happy HERE.

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It was a year where Afrobeats grew louder, faster, and wider than ever, with Nigeria sitting confidently at the center of the map.

And as the data rolled in, three familiar giants stood tall at the forefront of this wave: Wizkid, Davido, and Ayra Starr. Their numbers read like chapters from a story about dominance, discovery, and global reach.

Whenever Nigerians hit play in 2025, one project consistently pulled them back in: Wizkid’s Morayo. Crowned Nigeria’s Most-Streamed Album, the project proved again why Wizkid remains one of the country’s most trusted hitmakers. Morayo didn’t trend; it lingered. It stayed. It became a soundtrack.

Close behind was Davido’s 5ive, sitting firmly in second place. Davido’s fanbase remains a force, loyal, loud, and influential. His song “With You” (feat. Omah Lay) rose beyond a regular hit, becoming Nigeria’s Most-Shared Song of 2025, flooding TikTok feeds, Instagram stories, and midnight playlists.

Below them, the album chart continued a strong Nigerian narrative:

• BNXN’s Captain
• Burna Boy’s No Sign of Weakness

And then there was Asake, pulling off what only a few can boast of: three albums in Nigeria’s Top 10. Proof that Mr. Money isn’t just making music; he’s shaping an era.

While the men dominated the album charts, Nigeria’s women carved out their own history.

For another year running, Ayra Starr claimed the title of Nigeria’s Most-Streamed Woman. Her rise is no longer a rise; it is an arrival. Joining her on the list were Tems, Qing Madi, Tiwa Savage, and others, showing that the Nigerian female wave is not slowing; it’s multiplying.

A New Generation Steps Up

2025 also opened its doors to fresh, exciting voices.

Artists like Fido, Kunmie, Faceless, and FOLA broke into the Top 10 songs, with Fido’s “Joy Is Coming” staking a claim at No. 2. Their success proves that Nigerian listeners are ready for new stories, new cadences, and new stars.

Meanwhile, Smur Lee continued her climb with a genre-blending sound, and gospel breakout Sunmisola reminded everyone that in Nigeria, gospel isn’t a niche; it is cultural fuel.

If local dominance impressed you, the global stats will floor you.

Spotify revealed that worldwide listening of Nigerian music grew by 22% this year. That’s not a rise. That’s a cultural shift.

At the top of the export list sits Burna Boy, followed closely by Tems, Rema, Ayra Starr, and Wizkid, a powerful top five.

And for the third straight year, Rema’s “Calm Down” (with Selena Gomez) remains the most-exported Nigerian song. A global anthem refusing to step aside.

Nigerians spent over 1.3 billion hours streaming music in 2025.
Local music consumption grew by 82%.

Spotify’s Head of Music, Phiona Okumu, summed it up perfectly:
Nigeria’s music scene is “absolutely thriving.”

And she’s right. This year felt like a declaration, one that says Afrobeats isn’t the future. It is the now.

Spotify Wrapped 2025—Full Lists

Most Streamed Artists (Nigeria, 2025)

1. Wizkid
2. Seyi Vibez
3. Asake
4. Burna Boy
5. ODUMODUBLVCK
6. BNXN
7. FOLA
8. Davido
9. Rema
10. Olamide

Most Streamed Female Artists (Nigeria, 2025)

1. Ayra Starr
2. Tems
3. Smur Lee
4. Billie Eilish
5. SZA
6. Darkoo
7. Qing Madi
8. Tiwa Savage
9. Rihanna
10. Sunmisola Agbebi

Most Streamed Songs (Nigeria, 2025)

1. With You (feat. Omah Lay) – Davido, Omah Lay
2. Joy Is Coming – Fido
3. Arike – Kunmie
4. Venus – Faceless, Serotonin
5. PITY THIS BOY (with Victony) – ODUMODUBLVCK, Victony
6. lost – FOLA, Kizz Daniel
7. Laho – Shallipopi
8. Kese (Dance) – Wizkid
9. Very Soon – BNXN
10. Funds (feat. ODUMODUBLVCK & Chike) – Davido, Odumodublvck, Chike

Most Streamed Albums (Nigeria, 2025)

1. Morayo – Wizkid
2. 5ive – Davido
3. Captain – BNXN
4. No Sign Of Weakness – Burna Boy
5. catharsis – FOLA
6. Olamidé – Olamide
7. THE MACHINE IS COMING – ODUMODUBLVCK

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