The singer shared glimpses from the football-inspired party, where the birthday boy enjoyed the day surrounded by friends and loved ones.

Videos from the celebration captured the excitement of the young football enthusiast and his guests, including a moment where Jamil and his friends proudly declared, “Ronaldo is the best,” while posing together for a group picture.

Another heartwarming clip showed Tiwa Savage joining friends and family to sing a birthday song for her son, creating a memorable moment for the birthday boy.

Beyond the celebration, the award-winning singer took time to reflect on motherhood and the special bond she shares with Jamil, whom she affectionately calls JamJam. In a heartfelt message, Tiwa explained that raising her son has deepened her understanding of love, sacrifice and faith.

The singer revealed that the experience of caring for Jamil helped her see a connection between a mother’s unconditional love and God’s love for humanity.

She wrote:

“Guys being mama jam jam has taught me more about God’s love than I ever imagined. The way I worry about him, celebrate him, protect him, forgive him, believe in him … the way I’d give anything (even my own life) for him. It made me stop and think … this sounds so familiar.

“Because if I can love my son this deeply as an imperfect human being, how much more does our perfect Heavenly Father love us?”

She continued:

“Maybe that’s why God calls us His children. Every hug, every prayer, every sacrifice, every moment of unconditional love I feel for Jamil is just a tiny reflection of the love God has always had for us.”

The singer also celebrated her son with a touching birthday tribute, describing him as one of the greatest blessings in her life.

“Happy 11th birthday to my greatest blessing, my answered prayer, my best friend. Watching you grow is one of the greatest privileges of my life.”

“I love you more than words will ever be able to say. And even that love is only a glimpse of how much God loves you, JamJam”

Tiwa Savage and Jamil have consistently shared a close relationship in the public eye, with the singer often speaking about her commitment to raising him with strong values and helping him grow into a compassionate and respectful young man.

 

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The Afrobeats star’s comments have sparked renewed interest among fans, many of whom have revisited the history surrounding the pair’s long-rumoured connection, which had never been fully addressed publicly.

Reflecting on the situation, Tiwa explained that her frustration was not simply about keeping a relationship private but about the way she felt the matter was handled.

According to the singer, both individuals involved were public figures, and she believed the circumstances surrounding their romance should have been approached with more consideration.

She said, “He took Advantage of me. My beef with him was a disrespect. I’m a public figure and he is as well. We had an affair and he did this thing where he was like “I don’t want us to go public, I don’t want people to know”, you know,all that kind of stuff.”

Her remarks have since sparked widespread reactions, with many fans sharing their opinions about privacy, public relationships, and the challenges celebrities face in navigating personal matters under constant public scrutiny.

“Wizkid took Advantage of me. My beef with Wizkid was a disrespect. I’m a public figure and he is as well. We had an affair and he did this thing where he was like “I don’t want us to go public, I don’t want people to know”, you know,all that kind of stuff.”

– Tiwa Savage pic.twitter.com/zLHWnXHJIv

— Rhapsody (@Rhapxodyy) July 21, 2026

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Nigerian music star Tiwa Savage has shared fresh details about the leak of her private video, alleging that her then-boyfriend was responsible and that the incident stemmed from a bet he made with his friends.

The award-winning singer made the revelation during an appearance on the American radio show The Breakfast Club, where she reflected on the emotional impact of the incident that made headlines in 2021.

According to Tiwa Savage, her former partner initially claimed the video had been shared accidentally while he was attempting to save it. However, she later discovered that the circumstances surrounding the leak were very different.

“Even that itself was traumatic because he was my boyfriend, we were in a relationship, and I’m hearing later that it was a bet. So, did you really like me or this was just planned from the beginning,” she said.

The singer admitted that the betrayal was especially painful because it involved someone she trusted. She revealed that the experience has permanently changed how she approaches relationships, explaining that she no longer agrees to meet romantic partners in hotel rooms due to concerns about hidden cameras.

Instead, Savage said she prefers hosting such meetings in places she considers safe and controlled, while also protecting her son from unnecessary public attention.

Speaking about how she handled the controversy, the Afrobeats star admitted she initially tried to mask the pain with humour, even making reference to the incident in her song Loaded. Looking back, however, she believes she never truly processed the emotional trauma at the time.

She said she now accepts that she was a victim of the situation rather than someone responsible for what happened.

Savage also dismissed claims that the leaked video was a publicity stunt designed to promote her career.

“They thought I did it for PR. A lot of people thought, ‘Ah, she’s not relevant anymore and she’s doing this.’ And I’m like, Guys, trust me, if I wanted to do that, I would have had better lighting.”

The singer further disclosed that attempts to pursue legal action over the incident were eventually abandoned because the process became emotionally overwhelming, requiring her to repeatedly relive the painful experience.

Watch the full interview below:

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His fourth studio project, KING COAL, is a 15-track statement from an artist who understands his place in Afrobeats history and isn’t afraid to remind everyone why he earned it.

Rather than chasing trends, Wande Coal leans into what has always made him exceptional: his unmistakable voice. Effortlessly weaving between smooth R&B melodies, dancehall rhythms, and rich fújì influences, he delivers a project that celebrates experience while embracing the present. KING COAL finds the veteran singer sounding refreshed, confident, and completely in control, proving that longevity in music comes from evolution, not imitation.

One of the album’s biggest strengths is the way it balances maturity with youthful energy. Wande revisits familiar themes of love, confidence, and personal growth, but this time from the perspective of an artist who has already conquered the mountain.

Songs like DEM GO PAY inject humour and contemporary flair into the project, showing that he can comfortably tap into newer sounds without sacrificing his identity.

The collaborations are another major highlight. The chemistry between Wande Coal and Wizkid on Oshe feels effortless, while Tiwa Savage brings warmth and elegance to Must Be Love.

The project also shines when it introduces a new generation of stars. Qing Madi delivers one of the album’s most memorable moments on DEARLY, while Ruger and BNXN complement Wande perfectly on GBESUNMO, creating a seamless blend of established excellence and youthful creativity.

Elsewhere, Dera adds infectious street energy to MONEY, while Fido injects playful charisma into Sure for Me, ensuring the album remains engaging from beginning to end.

More than just another release, KING COAL is a reminder of why Wande Coal continues to occupy a special place in African music. It avoids relying on nostalgia, instead offering a fresh, well-crafted body of work that bridges generations without losing its authenticity.

Rich in vocal quality, thoughtful collaborations and timeless songwriting, the album reinforces Wande Coal’s legacy as one of the true architects of modern Afrobeats—and a singer whose influence continues to echo across every new era of the genre.

Listen to “King Coal” HERE

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This project pushes beyond familiar Afrobeats boundaries into a more experimental and performance-driven direction.

Released under the Rii Collective, the project reflects a dual identity the artist has been shaping over time: the energetic, fashion-forward performer on one side and the meticulous studio craftsman known for hit-making precision on the other.

Together, both sides merge into a single body of work that prioritises expression, live instrumentation, and emotional depth over conventional streaming formulas.

The EP unfolds like a carefully curated sonic journey, drawing from an unexpected mix of influences, including bebop jazz textures, hip-hop bounce, zouk rhythms, and 3-step house patterns.

Rather than sticking to a single sonic lane, A Rii Set moves freely across genres, presenting itself as a fluid listening experience built for both reflection and performance spaces.

Among its standout moments is the disco-inspired DIRTY DIANA RIDDIM, a playful and groove-heavy record inspired by Pheelz’s admiration for his guitar.

The energy shifts again on GONGO ASO, where he links up with Young Jonn for a vibrant, high-tempo collaboration that leans into pure celebratory rhythm. Meanwhile, OGA, featuring street voices Shoday and Oshamo, brings a grittier, crowd-driven edge that speaks directly to the streets.

Beyond the energetic records, the EP also leans into deeper emotional territory. The previously teased I’M OK, featuring vocal powerhouse Tiwa Savage, stands out as a reflective moment centred on resilience, healing, and inner strength.

On the closing track RIDE OR DIE, South African singer Ami Faku delivers a soulful performance that wraps the project in a soft, melancholic tone.

Overall, A Rii Set positions Pheelz in a more expansive creative space, one where genre boundaries fade, and personal expression takes full control. It is a body of work that leans heavily on artistry, live energy, and emotional honesty, reinforcing his evolution from hit producer to full-fledged sonic storyteller.

Listen to “A Rii Set” HERE

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Driven by vibrant Afrobeats rhythms and infectious melodies, Energy is a feel-good record that celebrates confidence, romance, ambition, and the joy of living life on your own terms.

The song blends playful lyrics with upbeat production, creating an atmosphere that encourages listeners to embrace positivity regardless of the pressures around them.

Throughout the track, the artists touch on themes of attraction, financial success, personal growth, and the rewards of hard work. At the same time, the song emphasizes the importance of staying relaxed, enjoying the moment, and maintaining a positive mindset while pursuing bigger goals.

Tiwa Savage, Wande Coal & Mavo – Energy Lyrics

Baby mobilize me
Give me body snokonoko
Wahala dey kilolo dey
Baby dey order I go pay
Baby you dey work me, baby you dey work me
Bolobolo

Energy n para jor (abeg)
Omo no’mo kpa (abeg)
I no be carpenter (abeg)
Omo komo kpa (abeg)
Oh uh mina (abeg)
Early morning for singapa (abeg)
Oga make you no think am kpa

I say
Relax
E go better
Oh oh mina
Why you go dey reason far
You dey talk say you go reach the star
You say “Guy
Just dey do your part
Leave that worry for gutter
Japa

Energy n para jor (abeg)
Omo no’mo kpa (abeg)
I no be carpenter (abeg)
Omo komo kpa (abeg)
Oh uh mina (abeg)
Early morning for singapa (abeg)
Oga make you no think am kpa

Iskaba
Imole Mushin
Woni PE emi imole Mushin
Wo’n damo damo, wo’n damo bi owo
Wo’n damo damo , wo’n damo bi owo
Black diamond no pimple, omo na fine boy
Fine boy
Ara’n be lowo mi, brymo, brymo
Mo fun lowo ko lo polanco
Awon omo PE mi ni rich and wacko, sogbo

Energy n para jor (abeg)
Omo no’mo kpa (abeg)
I no be carpenter (abeg)
Omo komo kpa (abeg)
Oh uh mina (abeg)
Early morning for singapa (abeg)
Oga make you no think am kpa

Me I no dey cap
I dey come conquer
Shey you hear stutter?
Shey you hear stammer?
Say before she lap I go buy frontal
I go buy Tonka
Say na she dey cause quanta with her bakassi
Junyawatanbe……

Won ni ko possible
Wo’ni America ni Wande tin bo
Wo’ni wo’n wa mi ni London mo’n bo
Bawo ni ma se ko orin ti won se ni gbo
Omo ju omo loooo
BA ti e je, ma fi rhymes BA ti e je
I’ve been long in the game
Mo ti wa ti PE seh
I be don for the game, mo ti wa ti PE se!
Omo ju omo looooooo

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Dropped on May 29, 2026, the project arrives as a bold statement of intent, showcasing an artist steadily stepping into her full creative identity.

Known for her soulful blend of Afrobeat, R&B, and global influences, Qing Madi continues to carve out a unique lane in the Nigerian music landscape. Her sound is often defined by emotional depth, smooth vocal delivery, and a natural ability to connect with both local and international audiences.

On “Barely Legal,” she expands that identity even further, pulling together an impressive lineup of heavyweight collaborators that spans multiple generations of Nigerian music. The EP features appearances from Tiwa Savage, BNXN, Victony, Zinoleesky, Zlatan, Flavour, Wande Coal, Rotimi, and Eemoh, creating a rich blend of styles and influences.

Sonically, the project moves fluidly across Afrobeats, soulful melodies, and contemporary African rhythms. Tracks like “Come Slide” highlight her ability to float effortlessly over modern production while maintaining her signature softness and emotional clarity.

Beyond its sound, “Barely Legal” carries a deeper narrative of growth, confidence, love, and youthful expression. It captures a transitional phase in both life and artistry, where curiosity meets ambition and experimentation meets direction.

What makes the EP particularly notable is how it bridges generations. With veterans like Tiwa Savage, Flavour, and Wande Coal appearing alongside newer voices such as Victony and Zinoleesky, the project becomes a meeting point between legacy and the future of Afrobeats.

Critics and listeners alike are already pointing to the EP as a pivotal moment in Qing Madi’s rise, one that could position her for even broader international recognition in the near future.

Ultimately, “Barely Legal” is more than just a sophomore project. It is a declaration that Qing Madi is not only growing but also intentionally shaping her space within the global music conversation through bold collaborations and an unmistakable Afro-fusion identity.

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Produced by acclaimed hitmaker Krisbeatz, the track brings together an exciting blend of voices across different eras of Afrobeats. Tiwa links up with legendary singer Wande Coal and rising Gen Z artist Mavo, creating a dynamic mix that feels both nostalgic and fresh at the same time.

Built on infectious Afrobeat rhythms, playful delivery, and upbeat production, “Energy” leans into themes of joy, ambition, romance, and self-assurance.

The record paints a lifestyle of confidence and celebration while also acknowledging the hustle and pressures of everyday life. At its core, it encourages listeners to stay grounded, chase success, and protect their peace while enjoying the ride.

First teased during an exclusive preview at the 2026 MOBO Awards, the song signals the beginning of a new era for Tiwa Savage. It also serves as the lead offering from her upcoming project, hinting at a more intentional and purpose-driven creative direction.

Speaking on the inspiration behind the track, Tiwa Savage describes it as a reflection of inner strength and personal evolution.

She says, “Energy is about stepping into your power and owning who you are without apology,” she says. “It’s about confidence, ambition, and protecting your energy while staying focused on becoming everything you’re meant to be.”

The release comes during a defining period in her career. Earlier in 2026, Tiwa Savage expanded her impact beyond music by launching the Tiwa Savage Music Foundation in collaboration with Berklee College of Music, further cementing her commitment to developing young African talent.

Through the initiative, 18 students were awarded scholarships worth a combined $2.1 million, giving them access to world-class music education and career development opportunities.

With “Energy,” Tiwa Savage once again reinforces her role as a bridge between generations in Afrobeats. The collaboration with Wande Coal and Mavo delivers a bright, feel-good anthem packed with swagger, optimism, and infectious rhythm a statement that she remains firmly in control of both her sound and her legacy.

Listen to “Energy” HERE

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The record marks a noticeable shift from Pheelz’s more upbeat, club-driven sound, instead leaning into a slower, more emotional Afro-soul direction that prioritises honesty and introspection over energy and danceability.

Built on a warm, stripped-back production, “I’M OK” is carried by soft keyboard progressions and understated percussion that create space for both artists to fully explore the song’s emotional weight. The minimalist arrangement ensures the focus stays firmly on the message rather than the instrumentation.

Pheelz delivers one of his most personal performances yet, blending Yoruba, Pidgin, and English as he opens up about mental strain, pressure, and the quiet battles that come with life in the public eye. His delivery feels raw and unfiltered, offering a rare glimpse into vulnerability from behind the scenes of fame.

Tiwa Savage enters with a calming, emotionally grounded presence, elevating the track with her signature warm vocals. Her performance adds a sense of reassurance and strength, turning the hook into something that feels communal rather than individual—an affirmation shared between artist and listener.

Rather than functioning as a conventional commercial release, “I’M OK” plays more like a moment of reflection. It speaks to survival, emotional endurance, and the importance of acknowledging one’s limits in a fast-paced world.

Together, both artists create a record that feels intimate and necessary, reinforcing the idea that sometimes the most powerful statement is simply admitting that you are still standing.

Listen to “I’M OK” HERE

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Celebrated Afrobeats star Tiwa Savage has opened up about the emotional and mental health challenges artists can face within different record label environments, offering a rare glimpse into the less glamorous side of the music industry.

Speaking on a recent episode of the Afrobeats Intelligence podcast hosted by Joey Akan, the singer reflected on her time with Mavin Records and how the experience shaped her understanding of support systems in the industry.

According to Tiwa Savage, she didn’t fully appreciate the level of emotional care and community she had at Mavin until after she moved on to an international label setup.

She described how, during her time at the label, she had a close-knit support system she could rely on whenever she faced public pressure or personal challenges.

“Who you signed to is very important and I didn’t appreciate it until after I left Mavin. Whenever there’s a controversy online I’d run to Don Jazzy’s room, sit on the floor or bed with other Mavin acts and we would talk about it. I would cry if I had to cry and we would get through it. But being with a [foreign] label, they don’t really care about your personal stuff. So, I can’t really go to the Empire office and cry. I miss that part it.”

Her comments highlight the contrast between the more family-like structure she experienced at Mavin Records and the more business-driven approach she encountered elsewhere.

Tiwa Savage’s reflection adds to ongoing conversations about artist welfare, mental health, and the kind of support systems that exist behind the scenes in the global music industry.

“Who you signed with is important but i didn’t appreciate it on till I left mavin record, It like family! Whenever I have issues online I run to Don jazzy Room and he will call everybody together. If I have to cry or whatever but lebel doesn’t really care about your personal… pic.twitter.com/ymnAMmyi5U

— clipstormnaija 👾 (@clipstormnaija) May 20, 2026

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The announcement was made during a vibrant grand finale concert held at the National Theatre in Lagos, where the selected participants wrapped up a week-long creative bootcamp that ran from April 22 to 26, 2026. The programme brought together 120 emerging singers, songwriters, producers, and music professionals, all competing and collaborating across different aspects of music creation.

Designed in partnership with Berklee College of Music, the initiative blended workshops, mentorship sessions, and live collaborations covering performance, songwriting, production, and the business side of music. Faculty members from Berklee—spanning ensembles, percussion, voice, and global music studies—were directly involved in guiding the participants through the process.

The finale itself was nothing short of a showcase. Hosted by Darey Art Alade and Kie Kie, the concert featured live band performances cutting across Afrobeats, R&B, hip-hop, gospel, jazz, and fusion. Highlights of the night included creative renditions of classics like Killing Me Softly and Papaoutai, alongside Afrobeats favourites such as Ayra Starr’s Bloody Samaritan. Guest appearances from groups like Loud Choir and singer Teni added even more energy to the closing showcase.

Speaking at the event, Tiwa Savage described the moment as both emotional and historic, emphasizing the foundation’s mission to bridge the gap between Nigerian talent and world-class music education.

“Seeing these young musicians take the stage at the National Theatre was a deeply emotional and proud moment for me. When we started the Tiwa Savage Music Foundation, the goal was to bring the world’s highest standards of music education home to Nigeria, and seeing 18 of our students receive life-changing scholarships to Berklee in Boston is proof that our talent is truly global. This is only the beginning of our mission to ensure that African creatives have the tools, the structure, and the platform to lead the world stage.”

Representing Berklee, Dean of Admissions Damien Bracken also praised the programme, noting how it encouraged collaboration and long-term artistic growth among participants.

The training was led by a team of Berklee faculty, including Dennis Montgomery, Yoron Israel, Tyrone Chase, Nichelle Mungo, Anthony Nembhard, and Jason Camelio, who oversees global programmes and partnerships.

With industry figures in attendance and 18 scholarships secured, the initiative has now positioned itself as a powerful bridge between Nigerian talent and global music education—one that could shape the next generation of African creatives on an international scale.

 

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While discussing the vision driving her latest initiative, the award-winning singer explained that her focus goes beyond spotlighting emerging talent. Instead, she wants to build a stronger foundation for the people who will ultimately shape the future of the industry, those working behind the scenes as well as those on stage.

At 46, Tiwa reflected on her own journey, acknowledging that although music transformed her life, raw talent alone is rarely enough to guarantee long-term success in an industry where access and structure often determine outcomes.

She put it this way:

“Music changed my life but talent alone isn’t enough especially when access is limited. I want to open people’s eyes to the full scope of what’s possible in music. I don’t just want to launch artists; I want to build leaders, producers, executives and owners who will shape the future of the music industry. Our alumni will become film composers, label executives and mentors who reinvest in the next generation. If a young musician from a small neighbourhood can say the foundation changed their life, then we’ve achieved something meaningful,” Savage said

Her message paints a bigger picture, one where success in music isn’t just about becoming a star but about creating systems that allow others to rise, too.

For Tiwa Savage, the goal is clear: build something that lasts, empowers, and eventually feeds back into the next generation of creatives.

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