The Nigerian singer confirmed the development in a new announcement, revealing that presale tickets had sold out and that the show would move to a bigger venue to accommodate more fans.

“Presale sold out 💜 Venue upgrade due to high demand. On sale starts tomorrow 10am BST,” the announcement read.

The concert was initially set to take place at a venue with a capacity of around 2,000 people. However, reports indicated that more than 11,000 fans had joined the presale queue in less than 12 hours, highlighting the level of interest in the event.

Following the venue change, the Rush hitmaker is now set to perform at O2 Academy Brixton, a venue with a capacity of over 4,000.

The development comes as Ayra Starr continues to grow her international fanbase, building on the success of her music and recent appearances on major global stages.

Fans who missed the presale will have another chance to get tickets when general sales open at 10 a.m. BST on October 16.

Presale sold out 💜
Venue upgrade due to high demand. on sale starts tomorrow 10am bst !!!!!

https://t.co/LjMhHzOXKu https://t.co/mZksJwHDr0

— Celestial being (@ayrastarr) October 15, 2026

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The announcement arrives just a day after the Nigerian singer made history at the NFL International Games in London, becoming the first African artist to headline the halftime show at an NFL international game.

Performing at Tottenham Hotspur Stadium during the Philadelphia Eagles-Jacksonville Jaguars matchup, she opened with “Heaven Baby” and also delivered “Rush” and “Hot Body.”

Since breaking out in 2021, Ayra Starr has continued to expand her global reach, accumulating more than seven billion streams worldwide and over one billion YouTube views. She has also earned two Grammy nominations in the Best African Music Performance category: for “Rush” in 2024 and “Gimme Dat,” her collaboration with Wizkid, in 2025.

The tour begins in Europe on January 20, with Cologne, Germany, as the opening stop. From there, Ayra will travel through Amsterdam, Paris, Milan, Zurich and Brussels before wrapping up the European leg in London on February 2.

 

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She will then cross over to North America, launching the next leg in Houston on March 18 before heading to Dallas the following night. The US dates also include Atlanta, Silver Spring, Boston, Philadelphia, and Brooklyn, where she is scheduled to perform on March 28.

The Canadian leg follows with back-to-back shows in Toronto on March 29 and Montreal on March 30. From there, the tour moves through Chicago, Minneapolis, and Denver before reaching its final stop in San Francisco on April 14.

For fans hoping to secure tickets, presale access begins on Wednesday, while general sales open on Friday. Interested concertgoers can sign up through Live Nation, the tour promoter, using the link shared in Ayra Starr’s announcement.

Although the announced schedule focuses on Europe and North America, the singer has also hinted at plans to connect with her African audience, telling fans she would see them in December. However, the current tour poster does not list any African dates, and no specific shows on the continent have been announced.

Released on August 14 through Mavin Records and Republic Records, Starrgirl provides the foundation for the upcoming tour as Ayra Starr continues to build on her growing international presence.

 

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The Mavin Records singer kicked off her set with “Heaven Baby” before keeping the energy going with her global hit “Rush,” one of the standout moments of the performance.

She followed up with a medley of “Hot Body” and “Ms. Paper,” before performing “Santa” and “Dangerous” to round off a set that showcased her sound and stage presence.

The appearance adds to Ayra Starr’s growing list of international performances, as the singer continues to take Nigerian music to audiences around the world. Her NFL halftime show also offered another moment for Afrobeats to connect with fans on a major global sporting stage.

Watch Ayra Starr’s unforgettable performance.

full @NFL performance here: https://t.co/o2jkXzpF6v

— Celestial being (@ayrastarr) October 11, 2026

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The 14-track project brings together a mix of solo records and high-profile collaborations, marking another important step in his growing career.

The album’s title draws inspiration from football, where the number nine shirt is traditionally worn by a team’s main striker. FOLA has embraced that comparison, positioning himself as the hitmaker expected to deliver when it matters. With 9, he puts that confidence to the test.

Ahead of the release, FOLA gradually introduced listeners to the project through a series of singles. These included Treat U Right featuring Ayra Starr, attention!, and fine ting (fine $hit). He later joined forces with Bella Shmurda and Zlatan on it’s over, released on September 10 alongside an official music video. The collaboration also serves as the album’s closing track.

Beyond the singles, a few records have already generated interest. Crime reportedly reworks elements of 2Baba’s 2006 classic, If Love Is a Crime, while WAF gained traction online after an unreleased version surfaced on TikTok in May.

The album also boasts an impressive guest list. Davido appears on 2am In Toronto, BNXN features on My Type, and Darkoo joins FOLA on Hold U Down. These collaborations bring different voices into the project while giving listeners more reasons to explore the full tracklist.

Still, 9 arrives with expectations attached. FOLA’s debut album, Catharsis, surpassed 100 million streams and spent several weeks at the top of the Official Nigeria Top 100 Albums chart, helping establish him as one of the artists to watch in the Nigerian music scene.

Since then, he has continued building his catalogue through collaborations with artists including Victony, Bella Shmurda and BNXN. His appearance alongside Davido and Mayorkun on B4 B4 further strengthened his profile.

Now that 9 is out, the focus shifts to what FOLA does next. With a successful debut behind him and an album packed with collaborations and previously teased records, he has another opportunity to show that he can consistently deliver the hits his growing audience expects.

Listen to the “9” album HERE

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Set for release on October 9 through Dangbana Republik and EMPIRE, the 14-track project features an impressive mix of collaborations, bringing together Davido, Ayra Starr, BNXN, Darkoo, Bella Shmurda, and Zlatan.

Sharing the tracklist, FOLA explained that the album was built around personal experiences and a deliberate creative process, with each record carrying its own meaning.

“Made this one with some of my favourite producers, musicians and artists. Every song came from somewhere real, every detail meant something.”

He also shared his hope that the project connects with listeners wherever they might find themselves when it arrives.

“Wherever you are, whatever you’re going through, it is my hope that when you hear it, this album finds you at the right time. 9 is coming.”

The album begins with “awade” before moving into “how many?” Davido then joins FOLA on the third track, “2am in Toronto,” which is also scheduled to arrive ahead of the full album.

Elsewhere, Ayra Starr features on “treat u right,” while BNXN appears on “my type.” Darkoo joins the project on “hold u down,” and Bella Shmurda and Zlatan team up with FOLA for the closing record, “it’s over.”

The complete tracklist for 9 is:

1. awade
2. how many?
3. 2am in toronto — ft. Davido
4. stubborn
5. miss u ii
6. in order
7. treat u right — ft. Ayra Starr
8. attention!
9. fine $hit
10. waf
11. crime
12. my type — ft. BNXN
13. hold u down — ft. Darkoo
14. it’s over — ft. Bella Shmurda x Zlatan

 

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The album title also ties into FOLA’s football-inspired identity. The singer has previously described himself as “the striker,” making the number nine a fitting reference to the position traditionally associated with a center-forward.

There is also a nostalgic touch on the project, with “crime” reportedly incorporating a sample from a classic record by Nigerian music legend 2Baba.

9 follows FOLA’s debut album, Catharsis, and arrives at a point when the singer is building serious momentum around his growing catalogue and live performances.

Before the full project lands, fans will get an early taste of the album through “2am in toronto” with Davido, scheduled for release on Friday.

With a strong guest list and 14 tracks ready to go, FOLA’s 9 is shaping up to be an important next step in his musical journey.

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Nigerian singer Ayra Starr has shared her honest take on relationships, revealing that she would rather end a serious relationship than stay with someone after developing an attraction to another person.

The singer made the admission while answering relationship questions on her Ask Ayra Starr show, where a woman sought her opinion on a similar situation.

According to Ayra Starr, if she were seriously involved with someone and later met another man she considered more attractive, she would choose to end her existing relationship before pursuing anything new.

For the singer, trying to maintain romantic relationships with two people at once would only create unnecessary complications.

“If I’m in a serious relationship with a guy and then I find another guy more attractive, I would break up with him instead of dating both of them at the same time. I don’t think you can love two people.. I think you need time to yourself so you can figure it out.”

Ayra Starr also used the platform to speak about the importance of friendships, warning people against losing their social connections simply because they have entered romantic relationships.

She believes being in love should not mean cutting off close friends or allowing a partner to control who you maintain relationships with.

“You should never abandon your friends because you are in love. Your partner should not isolate you from your friends because you are in a relationship. There should be a balance between friendship and relationship in love.”

Her comments have sparked conversations around attraction, commitment, and the balance between romantic relationships and friendships.

Watch the video below:

“If I’m in a serious relationship with a guy and then I find another guy more attractive, I’d break up with him.”🙆💔

— Ayra Starr https://t.co/dEv8oHrA1F

— Proper9ja Boy (@Proper9jaboy) October 6, 2026

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The singer shared this perspective in a new interview with Apple Music, where she reflected on her place in her artistic journey and the importance of giving herself room to grow naturally.

According to Ayra Starr, she has reached a point where she wants to let the experiences and knowledge she has gathered over the years express themselves through her music rather than overthinking the creative process.

“I’m in the phase where it’s important for me to just allow. Everything I’ve accumulated, let me just allow it to show itself. If you’re looking for perfection, there’s literally AI. What makes me human is my imperfections.”

Her comments highlight a more vulnerable side of the singer, who has continued to evolve since breaking into the Nigerian music scene and establishing herself as one of Afrobeats’ increasingly prominent global voices.

Rather than viewing imperfections as something to hide, Ayra Starr appears to be embracing them as part of what makes her artistry personal and authentic.

The singer’s latest perspective also offers insight into the mindset behind her current creative chapter, as she continues to explore new sounds, experiences, and expressions while growing both as an artist and an individual.

🚨 Ayra Starr in a New Interview with Apple Music:

“I’m in the phase where it’s important for me to just allow. Everything I’ve accumulated, let me just allow it to show itself. If you’re looking for perfection, there’s literally AI. What makes me human is my imperfections.” https://t.co/z4md1OJ0gI

— HYPETRIBE (@hypetribeng) September 15, 2026

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Arriving after the success of her 2024 album The Year I Turned 21, the 16-track project captures an artist becoming increasingly comfortable with her global reach while staying connected to the African identity that shaped her sound.

The album’s rollout was anchored by five singles, including collaborations with Wizkid and Rema, alongside the campaign’s lead track, Tornado. Together, the releases offered an early glimpse into the direction Ayra would take across the full project.

Sonically, Starrgirl moves beyond a single Afrobeats formula. Ayra blends Afropop with futuristic electronic textures and Latin-inspired rhythms, creating a sound that feels both familiar and internationally minded. The production features contributions from established names including Shizzi, Johnny Drille, and Ragee, giving the project a polished and expansive feel.

 

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Ayra’s vocals remain one of the album’s strongest elements. She moves comfortably between intimate, restrained moments and bigger, soaring performances, allowing each song to carry its own personality without losing the overall identity of the project.

The album’s international ambition is further reflected in its guest appearances, with collaborations from global acts such as ZAYN and Danny Ocean adding different musical perspectives to the record.

Beyond the production and star-studded features, Starrgirl is also deeply personal. Ayra explores independence, identity, family expectations, and the experience of navigating life as an African woman on an increasingly global stage.

 

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Rather than simply leaning into the expectations that come with pop stardom, she uses the project to define success on her own terms. That confidence gives the album a strong sense of purpose and makes its themes particularly relatable to a younger generation.

With Starrgirl, Ayra Starr presents more than another collection of Afropop songs. She delivers a project that reflects her growth, wider ambitions and increasing confidence as an artist finding her own place within global music.

Listen to “Starrgirl” HERE

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The Mavin Records and Republic Records star announced the release date through a cinematic teaser shared across her social media platforms, where she revealed that the countdown had begun with the caption:

“starrgirl is comingggg. 11 days! are you ready?”

The announcement arrives just days after the singer shared a personal health update with fans, revealing that she recently underwent a complicated surgery that required her to step back from public appearances to focus on recovery.

 

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Despite the setback, Ayra Starr encouraged her loyal fanbase, known as the Mobstarrs, to continue supporting the album as she prepared for its arrival.

The newly released teaser offers an early glimpse into the visual direction of STARRGIRL. In the clip, Ayra Starr is seen wearing a striking blue mini dress as she walks through a city street before climbing a fire escape and overlooking the skyline.

The video concludes with glowing stars forming the album’s title across the night sky, while a previously unheard song plays in the background, giving fans a preview of the project’s evolving sound.

STARRGIRL follows the release of its lead single, Tornado, featuring FOLA, which dropped in June and introduced listeners to the album’s new creative era. With the full project now just days away, anticipation continues to build among fans eager to hear Ayra Starr’s next musical chapter.

As one of Afrobeats’ fastest-rising global stars, Ayra Starr has consistently expanded her artistic range with each release. The upcoming album is expected to further showcase her growth as both a songwriter and performer while marking her official return following her recent health recovery.

With the release date now locked in, STARRGIRL is poised to become another defining moment in Ayra Starr’s career as she continues to strengthen her place among the leading voices shaping the global Afrobeats movement.

 

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The appointment also sees her become the first woman to executive produce a soundtrack of this scale, further expanding her influence beyond recording and performing.

In addition to overseeing the soundtrack’s creative direction, Tems recorded three brand-new original songs for the project, giving fans fresh music while helping shape the sonic identity of one of the year’s most anticipated movie releases.

The soundtrack also boasts an impressive lineup of Nigerian stars, with Ayra Starr, BNXN, and Fireboy DML contributing to the project. Their inclusion, alongside Tems’ leadership, reinforces the growing influence of Afrobeats on the global entertainment stage.

Acclaimed filmmaker Gina Prince-Bythewood revealed why Tems was the natural choice to lead the soundtrack, applauding her creativity and the quality of the final body of work.

“I wanted Tems to curate the soundtrack. I wanted her to executive produce it. She’s actually the first woman to executive produce a soundtrack at this level, which is incredible. She put together an epic soundtrack. There are absolutely no skips… The soundtrack is so amazing, and I’m so proud of Tems, who had never done this before and created something truly extraordinary.”

The director’s praise highlights the confidence placed in Tems to create a soundtrack capable of matching the scale and emotion of the film. Her new role reflects a significant step in her artistic journey, showcasing her ability to lead major creative projects beyond the recording studio.

Adding further star power to the production, Burna Boy has been appointed executive music consultant, working alongside Tems to help shape the overall musical direction of the soundtrack.

 

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Speaking on the collaborative effort behind the project, Prince-Bythewood also shared details of the carefully assembled lineup.

“Then Burna Boy came on board as the executive music consultant. We’ve got three new Tems tracks. We’ve got Fireboy DML, BNXN (Benson), and Ayra Starr.”

Adapted from Tomi Adeyemi’s bestselling fantasy novel, Children of Blood and Bone has already generated enormous anticipation ahead of its release. With some of Nigeria’s biggest music stars contributing to its soundtrack, the film is expected to make an even stronger impact globally, while further cementing Afrobeats’ growing presence in Hollywood and international cinema.

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The latest streaming rankings reinforce the country’s commanding presence in African music, as Nigerian acts once again led the conversation across the genre.

Only one song outside the Nigerian music ecosystem managed to break into the top five, highlighting the widespread appeal of Afro-R&B created by Nigerian artists.

Leading the chart is “VENUS“ by Faceless and SERØTONIN, which finished the year as Africa’s most-streamed R&B song on Spotify. Close behind is Rema’s “Baby (Is It a Crime),“ a record that has maintained impressive momentum since its release earlier in the year.

Fast-rising singer Kunmie secured the third spot with “Arike,” while Fola and Kizz Daniel teamed up for “Lost,” which landed fourth on the list. Completing the top five is the collaboration between Ayra Starr and Wizkid, “Gimme Dat.“

With Nigerian artists occupying 80 percent of the rankings, the list reflects the country’s continued dominance of the continent’s streaming landscape and the growing international appetite for Afro-R&B.

The achievement also underscores the consistency of Nigerian musicians in producing records that resonate with audiences across Africa and beyond.

Top 5 Most-Streamed R&B Songs on Spotify in Africa (2025):

1. VENUS — Faceless, SERØTONIN
2. BABY (IS IT A CRIME) — Rema
3. ARIKE — Kunmie
4. LOST — Fola, Kizz Daniel
5. GIMME DAT — Ayra Starr, Wizkid

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Through heartfelt lyrics and soothing melodies, the song reflects the excitement of getting close to someone special while expressing a sincere commitment to treating them with care, kindness, and appreciation.

Beyond its romantic appeal, “Treat U Right” also touches on themes of self-respect, ambition, and emotional balance. FOLA and Ayra Starr emphasize the value of personal growth and inner peace, portraying a relationship where both partners uplift one another, share common goals, and inspire each other to become their best selves.

FOLA & Ayra Starr – treat u right Lyrics

Intro
Champion

Chorus: FOLA
Mo like bo ṣe move diẹ diẹ, ah, ayy
Sayin’ I won’t treat you right
Mo ni o bole n be, my bae
When I want some, bá mi tú lẹ́ bẹ, má ṣi
T’á bá dé, má já, kó take it easy
Má la orí mi mọ́ ilẹ̀ nlè

Verse 1: FOLA
Ẹ wá wó bó ṣe tóbi tó, mílíkì pọ̀, kill sombo
Oh, joromi o, don’t keep me waitin’, I’ve been lookin’ at this, ọmọ (Baby)
And if you follow me go, mo máa mú ẹ mọ̀’nà
Mo ti jẹ́ k’órí mẹ kpé
Ah, kò tó di pé máa kọ’jú mi s’ọ̀nà

Chorus: FOLA
Mo like bo ṣe move diẹ diẹ, ah, ayy
Sayin’ I won’t treat you right
Mo ni o bole n be, my bae
When I want some, bá mi tú lẹ́ bẹ, má ṣi
T’á bá dé, má já, kó take it easy
Má la orí mi mọ́ ilẹ̀ nlè

Verse 2: Ayra Starr
Look, livin’ expensive
You know it’s plenty, and I know you wanna show me off
Mu taro Jet Li, I no do wrestling
Ṣe you ready? Show me love (Show me love)
Love, memories and old facеs, I know we all need someone
But I valuе my peace, I’m lowkey, make nobody come come whine me
Could’ve been drama, no, I don’t do that
I need to know if I could love you back
‘Cause I’m in motion and I’m chasing money
I wanna know if you can handle that
I’d rather be rich because I want to (Want to)
I no go forgive you if you fumble (Fumble)
And when it’s cold outside, we can cuddle
Make them use our love do example

Chorus: FOLA & Ayra Starr
Mo like bo ṣe move diẹ diẹ, ah, ayy
Saying I won’t treat you right
Mo ni o bole n be, my bae (I love you bad, I no go lie)
When I want some, bá mi tú lẹ́ bẹ, má ṣi
T’á bá dé, má já, kó take it easy
Má la orí mi mọ́ ilẹ̀ nlè (Baby, yeah)

Outro: FOLA & Ayra Starr
Mo like bo ṣe move diẹ diẹ, ah, ayy
Saying I won’t treat you right
Mo ni o bole n be, my bae (Oh, hmm, I love you bad, I no go lie)
When I want some, bá mi tú u lẹ́ bẹ, má ṣì
T’á bá dé, má já, kó take it easy
Má la orí mi mọ́ ilẹ̀ ńlẹ̀ (Hmm-hmm-hmm)
It’s you, it’s you (Má lọ rí mi mọ́lẹ̀ ńlẹ̀)
Oh, it’s you, it’s you, oh (Má la orí mi mọ́ ilẹ̀ ńlẹ̀)

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