The song captures the feeling of putting everyday stress aside, linking up with friends, and simply having a good time. Blending Yoruba and English, Young Jonn paints a picture of late-night partying, drinks, good company, and temporarily escaping the pressures of daily life.

With its easy-going lyrics and celebratory mood, “Let It Go” is a feel-good anthem about living in the moment and choosing enjoyment over worry. Read the lyrics below.

Young Jonn – Let It Go Lyrics

Intro
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah

Verse 1
Looking like a very good day to have some fun
Been a long week and you know sey life tough
So I put the update on the group chat so I know who’s there
O ṣe
Give me the Desperado
Make nobody bother me till tomorrow
I’m on my way to go jaye o
Nobody fi know the location

Chorus
Let it go, let it go
Free all my hoodies and let it go
Pass me the cup and let me feel good
Ọmọ, ọmọ let it go
Let it go, let it go
Free your hoodies, let it go
Pass me the cup and let me feel good
Ọmọ, ọmọ let it go

Refrain
Wah wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah

Verse 2
This live is a movie you’re already know
I dey fight my own battle on a low
Desperado wan carry me dey go
E dey carry me dey go non stop
Oh ah, give me the Desperado
Make no body bother me till tomorrow
I’m on my way to the after partey
Nobody fi know the location

Chorus
Let it go, let it go
Free all my hoodies and let it go
Pass me the cup and let me feel good
Ọmọ, ọmọ let it go
Let it go, let it go
Free your hoodies, let it go
Pass me the cup and let me feel good
Ọmọ, ọmọ let it go

Outro
Wah wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah

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One of the standout moments on the project is “Shege,” the third track on the EP. The song takes a more emotional turn as Young Jonn reflects on heartbreak, disappointment, and the difficult decision to walk away from a relationship where his feelings are not returned.

Through its catchy hook and blend of Nigerian Pidgin and Yoruba expressions, “Shege” captures the frustration of being mistreated, the pain of loving someone who does not feel the same way, and the need to eventually choose peace over an unhealthy relationship.

Young Jonn – Shege Lyrics

Intro
Woah-wo-wo-wo-woah, woah
(Ah, Echo)

Chorus
Ọmọ, you show me shege (Shege)
You leave me under the rain (Shege)
So I dey go far away (Shege)
To another person wey bad my way (Shege)
Ọmọ, you show me shege-ge (Shege)
You leave me under the rain (Shege)
So I dey go far away (Shege)
To another person wey bad my way (Shege)
Di-di-da-da-da-di (Shegе)
Da-da-da-da-da-da (Shege)
Do-do-do-do-do-do (Shegе)
Lo-lo-lo-lo-lo-lo (Shege)
Lo-lo-lo-lo-lo-lo (Shege)
Di-di-da-da-da-di (Shege)
Da-da-da-da-da-da (Shege)
Do-do-do-do-do-do (Shege)
Lo-lo-lo-lo-lo-lo (Shege)

Verse 1
Oh, no, no
You dey burst my bololo, bust my dada
Omi ṣòkòlò kò bang’ó ṣe
I been dey find money, buy raba
Ṣe you go fit be your Dangote
But you no wan’ give me sugar (Sugar)
Shoulder (Shoulder)
Your shoulder
You dey mess with my head láti October
Mo dúpẹ́, that is all over
Oh, no, no
Have you ever loved somebody?
Have you ever loved somebody?
And they don’t love you back?
E go wan’ make you mad
Oh, and if you ever need somebody
You better, better not call me
Uh-uh-uh-uh-uh
Ọmọgẹ, do this one

Chorus
Ọmọ, you show me shege (Shege)
You leave me under the rain (Shege)
So I dey go far away (Shege)
To another person wey bad my way (Shege)
Ọmọ, you show me shege-ge (Shege)
You leave me under the rain (Shege)
So I dey go far away (Shege)
To another person wey bad my way (Shege)
Di-di-da-da-da-di (Shege)
Da-da-da-da-da-da (Shege)
Do-do-do-do-do-do (Shege)
Lo-lo-lo-lo-lo-lo (Shege)
Di-di-da-da-da-di (Shege)
Da-da-da-da-da-da (Shege)
Do-do-do-do-do-do (Shege)
Lo-lo-lo-lo-lo-lo (Shege)

Verse 2
Person wey dey cry, e dey see road
I give you hundred, give me zero
Now wey my eye don clear
Big getti eye don care
Attitude, na your attitude
Breaking my heart into particles
And I dey particular about you singular
Nobody else dey for my mendular (Ah-ah)
Have you ever loved somebody?
Have you ever loved somebody?
And they don’t love you back?
E go want make you mad
Oh, and if you ever need somebody
You better, better not call me
Uh-uh-uh-uh-uh
Ọmọgẹ, do this one

Chorus
Ọmọ, you show me shege (Shege)
You leave me under the rain (Shege)
So I dey go far away (Shege)
To another person wey bad my way (Shege)
Ọmọ, you show me shege-ge (Shege)
You leave me under the rain (Shege)
So I dey go far away (Shege)
To another person wey bad my way (Shege)
Di-di-da-da-da-di (Shege)
Da-da-da-da-da-da (Shege)
Do-do-do-do-do-do (Shege)
Lo-lo-lo-lo-lo-lo (Shege)
Di-di-da-da-da-di (Shege)
Da-da-da-da-da-da (Shege)
Do-do-do-do-do-do (Shege)
Lo-lo-lo-lo-lo-lo (Shege)

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Closing out the project is “W’s in the Chat,” a lively love song that blends romance, gratitude, and celebration. The track sees Young Jonn appreciate his lover while reflecting on past mistakes and assuring her that he will not leave her hanging again.

With its infectious “W’s in the chat” refrain, playful delivery, and dance-friendly production, Young Jonn brings Dear London to a feel-good finish, celebrating love, togetherness, and living in the moment.

Young Jonn – Ws in The Chat Lyrics

Intro
Kill them all
It’s Young Jonn the wicked producer
Kill them
Jiggy

Chorus
W’s in the chat (In the chat)
My baby bad (My baby bad)
Every night and day, I dey thank God that you’re mine (Thank God that you’re mine)
Ọmọ, whine for me (Come whine for me)
Come do that thing for me, yeah (Come do that thing for me, yeah)

Pre-Chorus
And I won’t leave you hanging like before
You only know you love her when you let her go (Love her when you let her go)
Ọmọ, no leave me hanging on the floor
Someone tell the DJ make he carry go

Chorus
W’s in the chat (In the chat)
My baby bad (My baby bad)
Every night and day, I dey thank God that you’re mine (Thank God that you’re mine)
Ọmọ, whine for me (Come whine for me)
Come do that thing for me, yeah (Come do that thing for me, yeah)
(Turn it up, turn it up, turn it up)

Break
Oh, oh-oh

Verse
You, you my migraine
If I no see you today
Girl, I can’t wait again another day (Another day)
Kò kàn ayé
Me, I no care wetin dem say (Wetin dem say)

Pre-Chorus
And I won’t leave you hanging like before
You only know you love her when you let her go (Love her when you let her go)
Ọmọ, no leave me hanging on the floor
Someone tell the DJ make he carry go

Chorus
W’s in the chat (In the chat)
My baby bad (My baby bad)
Every night and day, I dey thank God that you’re mine (Thank God that you’re mine)
Ọmọ, whine for me (Come whine for me)
Come do that thing for me, yeah (Come do that thing for me, yeah)
(Turn it up, turn it up, turn it up)

Outro
W’s in the chat (In the chat)
My baby bad (My baby bad)
Every night and day, I dey thank God that you’re mine (Thank God that you’re mine)
Ọmọ, whine for me (Come whine for me)
Come do that thing for me, yeah (Omo Ebira, ah-hahaha)
(Kill them all)
(Omo Ebira, ah-hahaha)

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One of the standout moments on the project is “Glass In The Air,” the fifth track, where Young Jonn reflects on his journey, personal struggles, and the highs that come with finally seeing his hard work pay off.

The song paints a picture of an artist celebrating his progress after navigating difficult moments without much support. While the record carries a celebratory mood, Young Jonn also touches on the pressure that comes with success, past experiences, and the loneliness that can sometimes sit behind the achievements.

Through music, drinks, and the company of others, he finds a momentary escape from the weight of responsibility while raising a glass to how far he has come. “Glass In The Air” ultimately captures both sides of success, the joy of making it and the emotional baggage that can follow the journey.

Young Jonn – Glass In The Air Lyrics

Intro
Kill them
Wi— Wi— Wi— Willis

Chorus
Glass in the air now, congratulation, cheers
Ọmọ, I don believe it, I dey wipe my own tears
When I need somebody, nobody wey dey there
So make them pass me the ṣayọ̀ make my body feel all right
Eh-eh, eh-eh, eh-eh, eh-eh
Yeah, yeah
Make my body feel all right, oh
Eh-eh, eh-eh, eh-eh, eh-eh
Make my body feel all right

Verse
Pass am or light am
Do your body anyhow you like am
Responsibility dey whine me
I want may comе give me manya
Therе’s too much on my shoulder
Pour me a drink and light my cigar
A mọ̀ra wa t’á bá ti rí’ra wa
Tell me what’s going on, my jigga? (Uh-uh, uh-uh)

Chorus
Glass in the air now, congratulation, cheers
Ọmọ, I don believe it, I dey wipe my own tears
When I need somebody, nobody wey dey there
So make them pass me the ṣayọ̀ make my body feel all right
Eh-eh, eh-eh, eh-eh, eh-eh
Yeah, yeah
Make my body feel all right, oh
Eh-eh, eh-eh, eh-eh, eh-eh
Make my body feel all right

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The release comes with a bigger story behind it. After reportedly spending about a decade unable to travel to the UK, the Nigerian singer, songwriter, and producer was granted permission to make the trip for his long-awaited London concert. With that return finally happening, Dear London feels like a musical celebration of the moment.

The EP takes listeners through seven tracks, opening with Destiny and wrapping up with Ws in the Chat. In between are songs such as “By 4,” “Shege,” “Elumelu,” “Glass in the Air,” and “Hold Somebody,” giving the project a blend of romance, ambition, and personal reflection.

One of the project’s notable features is its complete absence of guest appearances. Young Jonn handles all the vocals himself, allowing his melodies, songwriting, and production instincts to take center stage throughout the EP.

Money and ambition remain recurring themes, continuing a thread that has featured heavily across Young Jonn’s music. At the same time, the project explores the more personal side of his London experience, with introspective moments sitting alongside upbeat, rhythm-driven productions.

Dear London follows his 2025 sophomore album, Blue Disco, which opened at No. 1 on Apple Music Nigeria’s albums chart. It also builds on the foundation laid by his 2024 debut album, Jiggy Forever.

Coming shortly after his recent single Let It Go, the new EP adds another chapter to what has been a busy period for Young Jonn. More than just another release, Dear London captures a significant homecoming moment for an artist finally getting his long-awaited London stage.

Listen to “Dear London” HERE

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The singer confirmed that the new album will arrive on October 16, 2026, giving fans their first full look at what he has been preparing for his next chapter.

True to Kizz Daniel’s collaborative style, Radio Gidi brings together a mix of Nigerian talents and international acts. Among the names featured on the project are FOLA, Young Jonn, Krizbeatz, Wave Choir, Mannywellz, Kunmie, Qing Madi, Jahmiel, Tinie Tempah, Shatta Wale, Seyi Vibez, and BNXN.

The album also brings some interesting pairings. Young Jonn joins Kizz Daniel alongside Krizbeatz and Wave Choir on ‘Owo Oluwa,’ while Qing Madi links up with Jamaican dancehall singer Jahmiel for ‘Enough.’

Another notable collaboration comes on ‘Taba,’ where Kizz Daniel brings together Seyi Vibez and BNXN. Elsewhere, British rapper Tinie Tempah makes an appearance on ‘Brown Paper Bag,’ while Ghanaian dancehall heavyweight Shatta Wale features on ‘Te Amo.’

The 12-track project moves between solo records and collaborations, giving Kizz Daniel plenty of room to showcase different sides of his sound.

Kizz Daniel – Radio Gidi Tracklist

1. 48hrs
2. Lost Time feat. FOLA
3. In the Shower
4. Owo Oluwa feat. Young Jonn, Krizbeatz & Wave Choir
5. Area Code feat. Mannywellz & Kunmie
6. Forever (Can I)
7. Enough feat. Qing Madi & Jahmiel
8. Brown Paper Bag feat. Tinie Tempah
9. ABD
10. Te Amo feat. Shatta Wale
11. December
12. Taba feat. Seyi Vibez & BNXN

With 12 tracks and collaborations stretching from Nigeria to Ghana, Jamaica, the UK and the US, Radio Gidi is shaping up as another major addition to Kizz Daniel’s catalogue.

The album is officially scheduled to drop on October 16, 2026.

 

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The Chocolate City hitmaker had been building anticipation for the release through a series of teasers across TikTok and Instagram, giving fans an early taste of what to expect from his upcoming music tape.

Scheduled to arrive on Friday, September 25, 2026, the project comes at a particularly important point in Young Jonn’s current run, with the same date set for his headline concert at OVO Arena Wembley in the UK.

The timing brings both moments together, allowing the new project and the live show to serve as complementary milestones rather than separate events.

On ‘Let It Go’, Young Jonn continues to draw from the musical instincts that have helped shape his career as both an artiste and one of Nigeria’s respected hitmaking producers.

His run as a solo artiste has produced records such as ‘Xtra Cool’ and ‘Dada,’ while his production credits have long established him as an important figure behind some of Afrobeats’ biggest sounds.

The new release therefore feels like more than another standalone single. It arrives as part of a broader transition for Young Jonn, who has successfully moved from being the producer behind major records to commanding attention as a recording artiste and headline performer himself.

‘Let It Go’ also extends the story from his 2025 sophomore album, Blue Disco, which opened at No. 1 on the Apple Music Nigeria albums chart.

With a new tape on the way and a major London concert happening on the same day, Young Jonn is clearly entering another significant phase of his journey and ‘Let It Go’ serves as the first sound of what comes next.

Listen to “Let It Go” HERE

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Translating to “The Hand of God,” the title immediately sets the spiritual tone of the song, with Kizz Daniel reflecting on God’s blessings and guidance while encouraging listeners to remain thankful and careful as they navigate life.

Produced by Krizbeatz, ‘Owo Oluwa’ blends smooth Afrobeats rhythms with uplifting melodies, giving the song an inspirational feel without losing its commercial appeal. Kizz Daniel leads the record with vibrant vocals, while Young Jonn adds his melodic touch, and Wave Choir brings a communal quality that strengthens the praise-filled atmosphere.

The song also carries some history with fans. Snippets of ‘Owo Oluwa’ began making the rounds on TikTok and Facebook around May and June, allowing the track to build anticipation long before its official release.

Musically, Kizz Daniel keeps things lively with groovy percussion, layered melodies and dance-friendly instrumentation, creating enough energy for the record to work beyond a strictly gospel setting.

The release follows his June collaboration with Naira Marley on ‘Ijoba’ and adds another dimension to his recent run of music. It also reunites Kizz Daniel with Young Jonn, with the pair having shared a creative relationship across earlier records.

Since breaking out with ‘Woju’ in 2014, Kizz Daniel has steadily built a catalogue that allows him to move between romantic, celebratory, and inspirational themes. With ‘Owo Oluwa,’ he taps into that versatility once again, delivering a faith-driven record that had already found an audience before its official arrival.

Listen to “Owo Oluwa” HERE

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The label, which is home to artists including BlaqBonez, Young Jonn, and M.I Abaga, addressed the allegations in a statement shared on its official X account on Tuesday.

Chocolate City described the claims as false and irresponsible, insisting that the company has operated independently for more than two decades.

The record label specifically denied having any contractual relationship or affiliation with Universal Music Group while also rejecting suggestions that its operations are funded, controlled or directed by a foreign intelligence agency.

According to Chocolate City, its growth has been built around talent development, hard work, and legitimate commercial partnerships rather than external government or intelligence-agency influence.

The company also stressed that the allegations misrepresent the nature of its ownership and business relationships, reaffirming its identity as a Nigerian-owned independent music company.

The statement comes amid wider conversations on social media about the ownership structures and international relationships of African music companies.

Chocolate City has remained one of the notable names in Nigeria’s entertainment industry, playing a role in the careers of several artistes while expanding its activities across different areas of the African creative economy.

In its response, the label said:

“Our attention has been drawn to false claims circulating about Chocolate City Music. For over 20 years, we have built an independent African business through talent, hard work and legitimate commercial partnerships. Any suggestion that Chocolate City Music is funded, controlled or directed by any foreign intelligence agency or state actor is false and irresponsible.

The content in question also contains a fundamental error: Chocolate City Music has never had, and does not have, any contractual relationship or affiliation with Universal Music Group. Chocolate City Music remains wholly Nigerian-owned, proudly independent, and focused on building lasting value for African creatives and the African creative industries.”

Our attention has been drawn to false claims circulating about Chocolate City Music.

For over 20 years, we have built an independent African business through talent, hard work and legitimate commercial partnerships.

Any suggestion that Chocolate City Music is funded, controlled or directed by any foreign intelligence agency or state actor is false and irresponsible.

The content in question also contains a fundamental error: Chocolate City Music has never had, and does not have, any contractual relationship or affiliation with Universal Music Group.

Chocolate City Music remains wholly Nigerian-owned, proudly independent, and focused on building lasting value for African creatives and the African creative industries.

— CHOCOLATE CITY MUSIC (@choccitymusic) September 15, 2026

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The former hitmaking producer has steadily built a new identity as a recording artiste, blending his production instincts with catchy melodies and energetic records.

On Hold Somebody, he once again taps into the emotional side of relationships while keeping the sound firmly rooted in the dancefloor.

Produced by Jhay2unez and Ragee, the song comes alive with fast-moving Amapiano log drums, vibrant synths, and driving Afrobeats percussion. The production maintains a constant pulse, giving Young Jonn enough space to switch between melodic passages and his trademark raspy delivery.

At the heart of the song is a simple but relatable desire for affection and companionship. Young Jonn sings about wanting someone close while navigating the excitement and distractions of modern life.

His delivery brings both vulnerability and energy to the record, especially in the catchy chorus, where he turns a personal craving for connection into something listeners can easily sing and dance along to.

With Hold Somebody, Young Jonn continues to show why his transition from behind-the-scenes producer to front-facing pop star has been one of the more interesting stories in contemporary African music.

The new single fits comfortably into his growing collection of upbeat records, making it a natural pick for weekend link-ups, parties, car rides, and festival stages.

Listen to “Hold Somebody” HERE

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Released through OUTLAWIVILLE, the 15-track album captures an artist who has grown beyond simply crafting catchy melodies, now stepping confidently into a wider pop space on his own terms.

Produced by Shay “Gideon” Royale and Elochukwu Ububa, STARLIFE moves with a polished and layered sound. Afrobeats rhythms sit comfortably alongside atmospheric synths, detailed percussion, and softer pop textures, giving the album enough variety without losing its identity.

Across the project’s solo records, including the previously released SLICK and 2FRESH, Victony leans into his airy, falsetto-driven vocals and melodic instincts. He is joined by BNXN on WHO THIS, while Blaqbonez and YKB appear on the title track. BabyboyAV features on PINO, Young Jonn joins ARMED & DANGEROUS; and FOLA contributes to TWIN.

 

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Beyond the production and collaborations, STARLIFE spends a lot of time looking inward. Victony touches on love, fame, the realities that come with being more visible globally, and the resilience needed to keep moving after overcoming difficult chapters.

Rather than forcing everything into conventional pop formulas, he tells these stories more naturally and conversationally, allowing moments of confidence and vulnerability to exist side by side.

The result is a project that feels like a clear progression from Stubborn. STARLIFE presents Victony with greater creative control, a broader sonic palette, and a stronger sense of who he wants to be as an artist. It is another important step in his journey and one that shows just how much his sound and perspective continue to evolve.

Listen to the “STARLIFE” Album HERE

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This project pushes beyond familiar Afrobeats boundaries into a more experimental and performance-driven direction.

Released under the Rii Collective, the project reflects a dual identity the artist has been shaping over time: the energetic, fashion-forward performer on one side and the meticulous studio craftsman known for hit-making precision on the other.

Together, both sides merge into a single body of work that prioritises expression, live instrumentation, and emotional depth over conventional streaming formulas.

The EP unfolds like a carefully curated sonic journey, drawing from an unexpected mix of influences, including bebop jazz textures, hip-hop bounce, zouk rhythms, and 3-step house patterns.

Rather than sticking to a single sonic lane, A Rii Set moves freely across genres, presenting itself as a fluid listening experience built for both reflection and performance spaces.

Among its standout moments is the disco-inspired DIRTY DIANA RIDDIM, a playful and groove-heavy record inspired by Pheelz’s admiration for his guitar.

The energy shifts again on GONGO ASO, where he links up with Young Jonn for a vibrant, high-tempo collaboration that leans into pure celebratory rhythm. Meanwhile, OGA, featuring street voices Shoday and Oshamo, brings a grittier, crowd-driven edge that speaks directly to the streets.

Beyond the energetic records, the EP also leans into deeper emotional territory. The previously teased I’M OK, featuring vocal powerhouse Tiwa Savage, stands out as a reflective moment centred on resilience, healing, and inner strength.

On the closing track RIDE OR DIE, South African singer Ami Faku delivers a soulful performance that wraps the project in a soft, melancholic tone.

Overall, A Rii Set positions Pheelz in a more expansive creative space, one where genre boundaries fade, and personal expression takes full control. It is a body of work that leans heavily on artistry, live energy, and emotional honesty, reinforcing his evolution from hit producer to full-fledged sonic storyteller.

Listen to “A Rii Set” HERE

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