On the collaboration, both artists explore themes of love, attraction, vulnerability, and the desire to build a meaningful relationship. “Best” captures the admiration they have for a special woman while touching on the difficulties that can come with love, including jealousy, busy schedules, personal imperfections, and emotional struggles.

Despite these challenges, Tiakola and Rema reflect on the effort required to maintain a genuine connection, expressing a willingness to grow, become better partners, and build something that can last.

Tiakola & Rema – “Best” Lyrics

Intro: Rema
London
Another banger
Yeah

Pre-Chorus: Rema
You go say I dey whine you when I dey call you, “My baby”
You go say I dey help when I say, “No girl be your mate”
You be one-of-one, oh, how I go use you dey play
If e dey possible, I fit marry you today, oh
Girl, I go marry you today
See the way you dey whine, oh, girl, I dey padi your low waist
Make I put one in, make my G dey call you, “Maye”
Who go top you pass me? Girl, I’m up for the challenge

Chorus: Rema
I know I am a mess, a little drug-obsessed
Go and find you someone else, I’m tryna be thе best
‘Cause, baby, you desеrve it
If I don’t spend the rest of my life with you, oh
I know I am a mess (Oh), a little drug-obsessed (Oh)
Go and find you someone else, I’m tryna be the best (Oh, oh, oh)
‘Cause, baby, you deserve it (Deserve)
If I don’t spend the rest of my life with you, oh

Verse 1: Tiakola
Tu connais, moi, j’suis busy, tout près ou loin d’ici
Même quand les démons m’rendent visite, moi j’pense à ton physique
N’oublie pas que mon cœur résonne mais j’crois que tu m’entends pas
Mon train de vie est rapide mais j’espère que tu l’attends, babé
Pourquoi, tester ? se detester…, ralenti, OG garanti, dégaine d’un affranchi, t’inquiète je t’ai pas menti
Laisse-moi être un homme meilleur
Pour toi je veux être le best, c’est pour ça que j’insiste
Mais nos anges font la sieste, viens on s’aime, on se déteste
On te demande juste de rester, moi j’te demande juste de rest
Laisse-moi être un homme meilleur

Pre-Chorus: Rema
You go say I dey whine you when I dey call you, “My baby” (Whine you, my baby)
You go say I dey help when I say, “No girl be your mate” (Girl be your mate, oh)
You be one-of-one, oh, how I go use you dey play (Dey play, dey play)
If e dey possible, I fit marry you today, oh
Girl, I go marry you today (Marry you today, you)
See the way you dey whine, oh, girl, I dey padi your low waist
Make I put one in, make my G dey call you, “Maye”
Who go top you pass me? Girl, I’m up for the challenge

Verse 2: Tiakola & Rema
Tu me cherches mais je m’amuse à zoner
J’peux la jouer sans toi, une autre va te remplacer la journée
C’que tu veux, j’l’ai déjà donné
Y’a trop de…. (Oh, oh, oh, oh)
You are all I need (Uh-huh), I don’t make enemies (Ọlọhun)
I see this jealousies, …. (Uh, uh)
Brace the storm, girl, you badder
I’ll never turn my back, keep it real with you like that
Girl, girl, what’s on your back
Elle est bonne, elle est déjà sur moi (elle est déjà sur moi)
Y a beaucoup de haine sur moi (beaucoup de haine sur moi)
Ennemie et jalousie sur moi (jalousie sur moi)
Les yeux posés sur my mind
Baby girl toujours on my mind
Baby girl toujours on my mind, on my mind, on my mind, mind, mind
On my mind, on my mind
On my mind, mind, mind

Chorus: Rema & Tiakola
I know I am a mess, a little drug-obsessed
Go and find you someone else, I’m tryna be the best
‘Cause, baby, you deserve it (Baby, you deserve it)
If I don’t spend the rest of my life with you, oh
Pour toi je veux être le best, c’est pour ça que j’insiste
Mais nos anges font la sieste, viens on s’aime, on se déteste
On te demande juste de rester, moi j’te demande juste de rest
Laisse-moi être un homme meilleur

This post appeared first on Mp3bullet.ng... Read Original post on “Best” Lyrics by Tiakola Feat. Rema.

The track blends Tiakola’s melodic French rap with Rema’s distinct Afrobeats sound, creating an easy mix of singing, rap, and infectious rhythms. Produced in London, the song gives both artists room to lean into the melodic approach that has become a key part of their music.

Best is part of the 17-track WpointM, which marks another step in Tiakola’s solo journey. Across the project, he moves between French rap and Afrobeats while drawing inspiration from his Congolese roots.

The collaboration had already generated some buzz before the album arrived. Tiakola previously teased his link-up with Rema through the video for Upa Solide, giving fans an early glimpse of what was coming.

Beyond Rema, WpointM features appearances from British singer Jorja Smith, Theodora, Bné and Congolese group Zaïko Langa Langa. The album also follows WpointM – 93120, a six-track pre-release project that dropped on September 24 and included Upa Solide alongside Winter Melo Music featuring Leto.

For Rema, Best adds another international collaboration to an already expanding catalogue. The Nigerian star continues to make moves across different markets, with his growing global profile also reflected in his announced appearance at Afro Nation Portugal 2027 alongside Davido and Fally Ipupa.

With both artists bringing their own flavour to the record, Best feels like a natural meeting point between Tiakola’s European sound and Rema’s global Afrobeats appeal.

Listen to “Best” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Tiakola and Rema Bring Their Styles Together on “Best”.

Nigerian heavyweights Davido, Rema, and Omah Lay are among the headline names announced for the festival, which is scheduled to take place from June 9 to June 11, 2027, in Portimão, Portugal.

The three-day celebration will bring together leading acts from Afrobeats, Amapiano, dancehall, and other African-influenced genres, continuing Afro Nation’s reputation as a major international platform for African music.

On the lit stage, Davido, Rema, and Congolese superstar Fally Ipupa headline the lineup. Omah Lay and Jamaican singer Shenseea are also billed for the stage, alongside Odeal, Victony, Valiant, Bamby, Rayvanny, and MiMi Kids.

Amapiano will take centre stage on the Piano People Stage, where South African hitmakers Kabza De Small and TxC lead the lineup. Dlala Thukzin joins as a special guest, while Young Stunna, Zee Nxumalo, 031Choppa, W4DE, Xduppy and Al Xapo are also scheduled to perform.

The festival experience will extend into the night with a Lit Stage after-party featuring South Gidi, DJ Maphorisa and DJ Tunez. Over at the Afrotronic VIP Stage, DJs including Caiiro and DJEFF are set to keep the atmosphere going.

Afro Nation Portugal has become a major meeting point for African music and its global audience, attracting performers and fans from different parts of the world.

With Davido, Rema, Omah Lay, Fally Ipupa, and Kabza De Small among the names announced, the 2027 edition is already shaping up as another major showcase of the sounds driving Africa’s global music movement.

This post appeared first on Mp3bullet.ng... Read Original post on Davido, Rema, Omah Lay Lead Afro Nation Portugal 2027 Lineup.

The new track arrives at a busy point in Rema’s career, following a series of international collaborations and major performances that have further strengthened his global presence.

This time, however, the singer puts the spotlight back on himself with a solo record that leans into a lighter and more playful side of his artistry.

Produced by Rvssian and London, “Oh No” rides on a lively Afro-fusion production built around bouncing percussion, deep bass, and airy synths. The instrumental gives Rema plenty of room to switch between smooth melodies, playful delivery, and his familiar ad-libs.

On the lyrical side, Rema explores attraction, nightlife, and the impulsive energy that comes with getting caught up in the moment. He blends English and Pidgin with catchy melodic phrases, creating a hook designed to stick after just a few listens.

Unlike some of his more experimental records, “Oh No” keeps things relatively straightforward, allowing the song’s infectious rhythm and Rema’s personality to do most of the work.

The single is already making its way across streaming platforms and social media, adding another upbeat entry to Rema’s 2026 run as he continues to balance his experimental instincts with his ability to create accessible pop records.

Listen to “Oh No” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Rema Keeps 2026 Run Going With New Single, “Oh No”.

Below are the nominees for the highly anticipated ceremony, which is scheduled to take place in Canada.

Album of the Year

• Catharsis — Fola
• Clarity of Mind — Omah Lay
• G.O.A.T — Erigga
• Morayo — Wizkid
• The Machine Is Coming — Odumodublvck
• This One Is Personal — Tiwa Savage
• No Sign of Weakness — Burna Boy

Best Rap Single

• 2:02PM in London — Odumodublvck
• ACL — Blaqbonez
• Man2Man — Dremo
• PDSTRN — Moshood
• Nkemakonam — Tuff King
• Wuse Tu — Zaylevelten, Mavo
• John Wick — Zhus Jdo

Song of the Year

• Arike — Kunmie
• Hey Jago — Poco Lee, Shoday & Rahman Jago
• Hot Body — Ayra Starr
• Joy Is Coming — Fido
• MMS — Asake & Wizkid
• With You — Davido & Omah Lay

Afrobeats Single of the Year

• Fun — Rema
• Jogodo — Asake & Wizkid
• Laho — Shallipopi
• With You — Davido & Omah Lay
• You — Fola
• Bundle by Bundle — Burna Boy

Best Performer (Live)

• Adekunle Gold — Live at the National Theatre, Lagos
• Asake — Red Bull Symphonic
• Ayra Starr — Global Citizen Festival 2025
• Johnny Drille — Johnny’s Room Live 6
• Ruger — Live at Indigo at The O2, London (2025)

Best R&B Album

• Before We Became Strangers — Kunmie
• Catharsis — Fola
• Qing Madi — I Am the Blueprint
• Love Is a Kingdom — Tems
• Reflection Station — Tay Iwar
• This One Is Personal — Tiwa Savage

Best Recording of the Year

• Arike — Kunmie
• Amaeya — How Do You?
• Rema — Baby (Is It a Crime)
• Omah Lay & Elmah — Coping Mechanism
• Davido & Omah Lay — With You
• Fola — You

Best Alternative Album

• SDC — Afrika Magik
• Sewa — Detox
• BOJ — Duplicity
• Wizard Chan — Healers Chapel
• Scottyolorin — Olorin Pack
• Zaylevelten — Then 1t Got Crazy

Digital Artiste of the Year

• Asake
• Ayra Starr
• BNXN
• Chella
• Fola
• Mavo
• Seyi Vibez
• Wizkid

Next Rated

• Fido
• Fola
• Llona
• Mavo
• Shoday

Best Male Artiste

• Adekunle Gold
• Asake
• Fola
• Mavo
• Rema
• Wizkid
• Burna Boy

Rookie of the Year

• Amma
• Danpapa GTA
• Firstklaz
• Kidd Carder
• NO11
• Priesst
• OG Abbah

Best R&B Single

• 6:35 — Layefa
• How Do You? — Amaeya
• I Love You — Amma
• What You Need — Tems
• Winter & Summer — Magixx
• You4Me — Tiwa Savage

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Best Vocal Performance (Female)

• Layefa — 6:35
• Amaeya — How Do You?
• Sewa — Lagos Lovin
• Qing Madi — Scumbag
• Liya — Skin to Skin
• Tiwa Savage — You4Me

Best Inspirational Single

• Sunmisola Agbebi & Yinka Okeleye — Amioluwa
• Lawrence Oyor — Favour
• Sinach — Idinma (You Are Good)
• Emma OMG — Ko’rin Iyin (I Will Praise You)
• Gaise Baba & Lawrence Oyor — No Turning Back II
• Mercy Chinwo — We Move

Best Vocal Performance (Male)

• Adekunle Gold — I’m Not Done
• Flavour — Orente
• Magixx — Summer & Winter
• Odeal — Patience
• Syemca — Love Egbugomo
• Tay Iwar — Bad Belle

Producer of the Year

• Magicsticks — Jogodo
• P. Priime — MMS
• Ragee — Hot Body
• Sarz — Getting Paid
• Tempoe — With You

Best Collaboration

• CKay & Mavo — Body (Danz)
• Mavo & Wave$tar — Escaladizzy
• Poco Lee, Shoday & Rahman Jago — Hey Jago
• Odumodublvck & Victony — Pity This Boy
• Davido & Omah Lay — With You
• Mr Eazi & King Promise — See What We’ve Done
• Chief Priest & Spyki — Finally

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Afrobeats Album of the Year

• 5ive — Davido
• Captain — BNXN
• Clarity of Mind — Omah Lay
• Fuji — Adekunle Gold
• Morayo — Wizkid
• No Sign of Weakness — Burna Boy

Best Female Artist

• Ayra Starr
• Qing Madi
• Sewa
• Tems
• Teni
• Tiwa Savage

Lyricist on the Roll

• Blaqbonez — ACL
• Dremo — Man2Man
• Modenine — If You Like Gym (w/ Odumodublvck)
• PDSTRN — Moshood
• Ycee — Man2Man Remix (w/ Dremo)

Best Rap Album

• Tuff King — Black Sheepizen (The 13th Disciple)
• A-Q — GE3 (The Beginning)
• Erigga — G.O.A.T
• JeriQ — King
• Blaqbonez — No Excuses
• Odumodublvck — The Machine Is Coming

Best Street-Hop Artiste

• Famous Pluto — Na Scra
• Kashcoming — All My Money
• Poco Lee — Hey Jago (w/ Shoday & Rahman Jago)
• Seyi Vibez — Shaolin
• Shallipopi — Laho
• Tuff King — Nkemakonam
• Rybeena — Gaddem (w/ Shoday)

International Artiste of the Year

• Ciara
• Dave
• Gunna
• Jazmine Sullivan
• Shenseea
• Tiakola

Best Southern African Artist

• ​Ciza 🇿🇦
• ​DJ Maphorisa 🇿🇦
• ​Jazzwrld 🇱🇸
• ​Kabza De Small 🇿🇦
• ​Tyla 🇿🇦
• ​Uncle Waffles 🇸🇿

​Music Video of the Year

• ​Director Pink — 10 Kilo
• ​TG Omori — Afroculture
• ​DK — Bundle by Bundle
• ​Jyde Ajala — Wizard Chan
• ​Meji Alabi — Who’s Dat Girl
• ​Dammy Twitch — With You

​Best Alternative Song

• ​Cyk Baddie — Luwa.mp4 & Jeleel!
• ​Sewa — Lagos Lovin
• ​Wizard Chan — Oliver
• ​Blnde — Omo To Sexy
• ​Wave$tar — Prada Baby
• ​Obongjayar — Sweet Danger
• ​Chief Priest, Boypee & Zoro Swagbag — Summer Adina

Best West African Artiste

• ​Black Sherif 🇬🇭
• ​Himra 🇨🇮
• ​KiDi 🇬🇭
• ​King Promise 🇬🇭
• ​Moliy 🇬🇭
• ​Wally B. Seck 🇸🇳
• ​Stonebwoy 🇬🇭

This post appeared first on Mp3bullet.ng... Read Original post on Full list of nominees for the 2026 Headies Awards.

Arriving after the success of her 2024 album The Year I Turned 21, the 16-track project captures an artist becoming increasingly comfortable with her global reach while staying connected to the African identity that shaped her sound.

The album’s rollout was anchored by five singles, including collaborations with Wizkid and Rema, alongside the campaign’s lead track, Tornado. Together, the releases offered an early glimpse into the direction Ayra would take across the full project.

Sonically, Starrgirl moves beyond a single Afrobeats formula. Ayra blends Afropop with futuristic electronic textures and Latin-inspired rhythms, creating a sound that feels both familiar and internationally minded. The production features contributions from established names including Shizzi, Johnny Drille, and Ragee, giving the project a polished and expansive feel.

 

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Ayra’s vocals remain one of the album’s strongest elements. She moves comfortably between intimate, restrained moments and bigger, soaring performances, allowing each song to carry its own personality without losing the overall identity of the project.

The album’s international ambition is further reflected in its guest appearances, with collaborations from global acts such as ZAYN and Danny Ocean adding different musical perspectives to the record.

Beyond the production and star-studded features, Starrgirl is also deeply personal. Ayra explores independence, identity, family expectations, and the experience of navigating life as an African woman on an increasingly global stage.

 

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Rather than simply leaning into the expectations that come with pop stardom, she uses the project to define success on her own terms. That confidence gives the album a strong sense of purpose and makes its themes particularly relatable to a younger generation.

With Starrgirl, Ayra Starr presents more than another collection of Afropop songs. She delivers a project that reflects her growth, wider ambitions and increasing confidence as an artist finding her own place within global music.

Listen to “Starrgirl” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Ayra Starr Unveils Her Third Studio Album, “Starrgirl”.

The release comes shortly after Rema’s major appearance alongside global stars LISA and Anitta on the official FIFA World Cup theme song, but “TEA” finds the Nigerian star back in familiar territory. Instead of leaning into the grand scale of his recent global collaboration, he returns to the club and festival-ready energy that has become central to his identity.

Produced by Mustard, London, and Sean Momberger, the record is driven by deep bass, Caribbean-inspired percussion, and atmospheric synths that give it a dark and spacious feel. The production leaves plenty of room for Rema to experiment with his vocals, moving between rhythmic chants, restrained low-register moments, and soaring melodies.

 

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On the lyrical side, Rema turns TEA into a playful display of confidence. The title doubles as a metaphor for gossip, success, and the kind of heat he believes his competition cannot handle. Rather than overcomplicating the message, he uses a mixture of English and Pidgin to boast about his lifestyle, global reach, and continued dominance while maintaining the carefree attitude of someone comfortable with his position.

That relaxed confidence is perhaps the song’s biggest attraction. Rema does not sound like an artist trying to prove himself; instead, TEA carries the energy of a performer fully aware of the space he occupies and simply enjoying the moment.

The song has also begun generating buzz across social media, with snippets and dance-related content quickly surfacing on platforms such as TikTok and Instagram. Its infectious rhythm gives it the kind of immediate appeal that can easily move from online trends to clubs, parties, and festival stages.

With TEA, Rema once again demonstrates his knack for turning unconventional sounds into globally accessible records. The single adds another energetic chapter to his 2026 campaign while reinforcing his reputation as one of Afrobeats’ most adventurous and commercially effective hitmakers.

Listen to “TEA” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Rema Returns to His Rave Lord Era With New Single ‘TEA’.

FIFA has unveiled an impressive lineup of global music stars and entertainers set to perform throughout the 2026 FIFA World Cup, with fans expected to witness one of the biggest entertainment spectacles in the tournament’s history.

The expanded World Cup, which will be co-hosted by the United States, Mexico, and Canada, kicks off on June 11 in Mexico City before concluding with the final on July 19 at the New York/New Jersey Stadium.

In a first for the competition, FIFA will stage three separate opening ceremonies across the host nations. Mexico City will host the opening celebration on June 11, while Toronto and Los Angeles will each hold their own ceremonies on June 12, showcasing music and culture from around the world.

FIFA confirms first-ever World Cup final halftime show

One of the biggest innovations at the 2026 FIFA World Cup will be the introduction of a halftime show during the final.

The historic performance, scheduled for July 19 at the New York/New Jersey Stadium, will be headlined by global superstars Madonna, Shakira and BTS.

The halftime spectacle will be curated by Coldplay frontman Chris Martin in collaboration with Global Citizen. Beyond entertainment, the show is expected to support the FIFA Global Citizen Education Fund, an initiative designed to raise $100 million to improve access to education and football opportunities for children worldwide.

Confirmed performers for the 2026 FIFA World Cup

FIFA has confirmed the following artists and entertainers as part of the tournament’s entertainment program:

• Alejandro Fernández
• Belinda
• Danny Ocean
• J Balvin
• Lila Downs
• Los Ángeles Azules
• Maná
• Tyla
• Alanis Morissette
• Alessia Cara
• Elyanna
• Jessie Reyez
• Michael Bublé
• Nora Fatehi
• Sanjoy
• Vegedream
• William Prince
• Katy Perry
• Future
• Anitta
• LISA
• Rema
• Madonna
• Shakira
• BTS
• Justin Bieber
• Jennifer Hudson (National Anthem)
• Post Malone
• Coldplay
• PS22 Chorus
• Sesame Street characters
• Tom Cruise
• IShowSpeed
• Robbie Williams
• Nicole Scherzinger
• Laura Pausini

With world-renowned musicians, actors and entertainers set to take part across multiple ceremonies, the 2026 FIFA World Cup is shaping up to deliver an unforgettable blend of football and entertainment on a global stage.

This post appeared first on Mp3bullet.ng... Read Original post on FIFA Confirms Massive Lineup for World Cup Halftime Show.

The latest streaming rankings reinforce the country’s commanding presence in African music, as Nigerian acts once again led the conversation across the genre.

Only one song outside the Nigerian music ecosystem managed to break into the top five, highlighting the widespread appeal of Afro-R&B created by Nigerian artists.

Leading the chart is “VENUS“ by Faceless and SERØTONIN, which finished the year as Africa’s most-streamed R&B song on Spotify. Close behind is Rema’s “Baby (Is It a Crime),“ a record that has maintained impressive momentum since its release earlier in the year.

Fast-rising singer Kunmie secured the third spot with “Arike,” while Fola and Kizz Daniel teamed up for “Lost,” which landed fourth on the list. Completing the top five is the collaboration between Ayra Starr and Wizkid, “Gimme Dat.“

With Nigerian artists occupying 80 percent of the rankings, the list reflects the country’s continued dominance of the continent’s streaming landscape and the growing international appetite for Afro-R&B.

The achievement also underscores the consistency of Nigerian musicians in producing records that resonate with audiences across Africa and beyond.

Top 5 Most-Streamed R&B Songs on Spotify in Africa (2025):

1. VENUS — Faceless, SERØTONIN
2. BABY (IS IT A CRIME) — Rema
3. ARIKE — Kunmie
4. LOST — Fola, Kizz Daniel
5. GIMME DAT — Ayra Starr, Wizkid

This post appeared first on Mp3bullet.ng... Read Original post on Nigerian Artists Dominate Spotify’s Most-Streamed R&B Songs in 2025.

Speaking during an interview with TVC, the outspoken musician questioned the continued dominance of the “Big 3” conversation in Nigerian music, arguing that the industry’s focus should shift towards younger acts who are currently shaping the sound and direction of contemporary Afrobeats.

According to Brymo, the long-running narrative surrounding established stars such as Wizkid, Davido, and Burna Boy has kept them at the centre of industry discussions, potentially limiting recognition for emerging talents.

The singer singled out Rema as the artist he believes should currently be regarded as Nigeria’s leading pop star, citing the younger generation’s growing influence on both local and international audiences.

He said:

“We need to stop talking about how the new artists don’t have lyrical substance and focus on how some artists want to lock down the industry for themselves with the ‘Big 3’ narrative and continue reigning forever. They should shift aside. Right now, Rema should be the biggest pop star in the country without any doubt. All this talk about Wizkid, 2Face, Olamide, Burna Boy. Why? In the Pop scene?? Wetin dem dey sing? You can plug the radio but nobody likes your stuff anymore. Move aside, evolve.”

“They should shift aside, It’s a pop scene, they should evolve, leave the mainstream alone for young people.”

“Rema should be the biggest pop star in the country without any doubt”

— Brymo on the Big 3/Big 4 👀 pic.twitter.com/Pz8rNDoCHU

— THE DEBUT HUB (@thedebuthub) June 16, 2026

Brymo’s remarks have since generated mixed reactions across social media, with some fans agreeing that newer artists deserve greater recognition, while others defended the contributions and continued relevance of Afrobeats veterans.

The debate around the “Big 3” has remained one of the most discussed topics in Nigerian music over the years, often centring on the achievements and influence of Wizkid, Davido, and Burna Boy.

However, the rapid rise of artists such as Rema, Ayra Starr, Asake, and others has increasingly fuelled conversations about a changing of the guard within the industry.

This post appeared first on Mp3bullet.ng... Read Original post on Brymo Calls for New Era in Afrobeats, Says ‘Big 3’ Narrative Should End.

The countdown to the 2026 FIFA World Cup has taken another exciting step forward with FIFA officially revealing the complete tracklist for its highly anticipated tournament album.

Set for release on June 5, the Official FIFA World Cup 2026 Album brings together some of the biggest names in global music for an ambitious 18-track project that reflects the worldwide appeal of football. Spanning Afrobeats, hip-hop, Latin music, pop, dancehall, country, and K-pop, the album is shaping up to be one of the most diverse musical collections ever associated with a World Cup.

African artists feature prominently throughout the project, highlighting the continent’s growing influence on the global music landscape.

Leading the charge is Burna Boy, who joins international superstar Shakira on “Dai Dai,” the tournament’s official theme song.

Nigerian sensation Rema appears on “Goals” alongside BLACKPINK star LISA and Brazilian hitmaker Anitta, while Davido teams up with Major Lazer and Nelly Furtado on “No Place Like Home.”

South African global star Tyla also secures a major feature on “Game Time” with American rap heavyweight Future, while Ayra Starr represents Nigeria on “Show Me,” a collaboration with US rapper Latto.

The album also includes contributions from established names such as Daddy Yankee, Stormzy, French Montana, 21 Savage, Alejandro Fernández, Shaggy, Ava Max, and The Rolling Stones, reflecting FIFA’s ambition to create a soundtrack that resonates across cultures and continents.

Official FIFA World Cup 2026 Album Tracklist

• Goals — LISA, Anitta and Rema
• Game Time — Future and Tyla
• Illuminate — Jessie Reyez and Elyanna
• Echo — Daddy Yankee and Shenseea
• Por Ella — Los Ángeles Azules and Belinda
• Three Nations — 21 Savage, Nata Cano and French Montana
• No Place Like Home — Major Lazer, Nelly Furtado and Davido
• In the Stars (Remix) — The Rolling Stones
• Show Me — Ayra Starr and Latto
• Mi Mexico Lindo — Alejandro Fernández
• Blessings — Stormzy, Fridayy and Angel
• Energy — Ava Max and BIA
• Lighter — Jelly Roll and Carín León
• Siir Siir — Nora Fatehi, Vegedream and Sanjoy
• Partidazo — Danny Ocean
• Champion — IShowSpeed
• Love Always Wins — Shaggy, Cimafunk and Zema
• Dai Dai — Shakira and Burna Boy

As anticipation builds for kick-off, the soundtrack promises to provide fans with an equally memorable musical experience to accompany the world’s biggest sporting event.

 

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This post appeared first on Mp3bullet.ng... Read Original post on FIFA Unveils Official 2026 World Cup Album Tracklist.

Positioned as one of the lead singles for the Official FIFA World Cup 2026 soundtrack, the record is powered by an elite production lineup featuring Grammy-winning producer Cirkut, alongside Bava, PinkSlip, and Brazilian duo Tropkillaz. The result is a polished, cross-continental sound built to reflect the global spirit of football’s biggest stage.

Musically, “Goals” is structured as a fusion of three distinct sonic identities. It blends the precision and rapid-fire edge of K-pop, the heavy, bass-driven bounce of Brazilian funk, and the rhythmic, melodic pulse of Afrobeats into one cohesive, stadium-ready anthem.

Each artist is given a defined space within the track’s progression. LISA opens with a sharp, confident rap performance that sets the tone with intensity and control. Anitta follows with a multilingual section that flows effortlessly between English, Spanish, and Portuguese, adding both flair and global accessibility. Rema closes the record with a vibrant, swagger-filled verse that anchors the song in Afrobeats energy and youthful confidence.

Lyrically, the track leans heavily into football-inspired imagery, using the sport as a metaphor for ambition, discipline, and the pursuit of greatness. The message is universal—focused on dreams, resilience, and the drive to win both on and off the pitch.

Accompanying the release is a cinematic music video directed by Chris Villa, set inside a high-energy football cage and intercut with dynamic street football sequences featuring freestyle players. The visual reinforces the track’s global, competitive spirit while highlighting its cultural diversity.

With a scheduled headline performance at the World Cup opening ceremony at SoFi Stadium in Los Angeles on June 12, “Goals” stands as a symbolic moment of global pop unity—bringing together three continents, three genres, and three superstar voices on one shared stage.

Listen to “Goals” HERE

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