Speaking in a recent interview with American media platform Notion, the award-winning singer described the album as a carefully curated body of work that explores different emotions and experiences while staying true to his signature sound.

“13 songs, all bangers, and I can’t wait for you guys to hear it. There are songs for the ladies, songs for the guys, songs about struggle, and I can’t wait for it to drop,” Davido said of his upcoming album titled ‘ORIADE‘.

The singer had earlier announced that ORIADE will be released on July 31, 2026, unveiling the project through a cinematic teaser shared across his social media platforms. The announcement video featured Davido dressed in regal Yoruba attire, accompanied by a powerful Yoruba praise chant inspired by the album’s title.

Alongside the teaser, he wrote:

“The kingdom expands. Chosen long before the throne.”

The upcoming project will serve as Davido’s sixth studio album and his seventh major project since breaking into the Nigerian music scene over a decade ago. It also marks a departure from tradition, as ORIADE will contain 13 tracks, unlike his previous studio albums, which each featured 17 songs.

Ahead of the album’s release, Davido recently dropped his first single of 2026, I Know Who I Be, featuring South African artists JAZZWRLD and GL Ceejay. The record continues his exploration of South Africa’s emerging three-step sound, building on the musical direction he previously embraced on Nakupenda.

During the same interview, Davido also reflected on performing at the ongoing 2026 FIFA World Cup, expressing pride in representing both Nigeria and Africa despite the Super Eagles’ failure to qualify for the tournament.

“Nigeria didn’t make it to the World Cup, so I was there representing, and the energy was off the roof,” he said.

Davido performed at the FIFA World Cup Countdown Concert in Los Angeles, joining a growing list of African stars featured during the tournament.

Burna Boy performed the official World Cup anthem, Dai Dai, alongside Shakira at the opening ceremony in Mexico, while South African singer Tyla shared the stage with American rapper Future during the United States kick-off ceremony.

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Afrobeats superstar Davido has opened up on the decision to turn one of the world’s biggest sporting events into a platform for social advocacy, revealing why he highlighted the kidnapping of schoolchildren in Nigeria during the 2026 FIFA World Cup.

Speaking in a recent interview with the BBC, the award-winning singer said he felt compelled to draw international attention to the country’s security crisis, insisting that global visibility should be used to amplify the voices of vulnerable Nigerians.

During his appearance at one of the World Cup side events in the United States, Mexico, and Canada, Davido performed wearing a black leather jacket bearing the names of children reportedly abducted in the Oyo school kidnapping incident. The symbolic outfit quickly became one of the most talked-about moments of his performance.

His decision divided public opinion. While many applauded the singer for using his international platform to spotlight the growing insecurity affecting communities across Nigeria, others argued that such issues should not have been showcased before a global audience. Among the critics was popular Hausa praise singer Dauda Adamu Kahutu, widely known as Rarara, who questioned Davido’s patriotism.

Davido, however, rejected the argument that the country’s image should take priority over the safety of its citizens, maintaining that remaining silent was not an option.

“A lot of people don’t really want to talk about what goes on in my country (Nigeria) simply because they want to protect the image, but there’s no image to protect if the little kids are being kidnapped,” Davido said, strongly communicating his stance.

“As much as I was happy to do the World Cup, we also have to understand that things are going on back home in our country, which we have the power to let the world know through our own means. My own means is music and performances, so I used my platform to project what is going on.”

The singer’s remarks reinforce his belief that entertainers have a responsibility to use their influence beyond music, particularly when issues affecting ordinary citizens demand wider attention.

His World Cup statement has continued to fuel conversations about the role of public figures in speaking out on national issues and the balance between patriotism and advocacy.

 

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The award-winning singer announced that his sixth studio project, ORIADE, will officially arrive on July 31, 2026. He broke the news through a cinematic teaser shared across his social media pages, instantly sending fans into a frenzy.

The dramatic visual announcement quickly became a talking point online, with supporters expressing excitement as the countdown to the album officially begins. The project will mark Davido’s return with a full-length body of work following the commercial success of his previous album, 5ive.

Although details surrounding the album remain under wraps, the singer has yet to reveal the official tracklist or any guest appearances expected on the project. That, however, has done little to slow the growing anticipation among music lovers.

 

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With ORIADE now officially on the calendar, expectations are already soaring. Given Davido’s track record of delivering chart-topping records and globally successful albums, many fans believe the project could become one of the biggest African music releases of 2026.

As July 31 draws closer, attention will now shift to what surprises Davido has in store ahead of the album’s release.

 

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The song is filled with references to luxury, wealth, high fashion, and the signature 30BG lifestyle, reinforcing themes of ambition, resilience, and unwavering confidence.

Rather than dwelling on obstacles, the artists focus on celebrating their accomplishments and the mindset that has carried them to the top.

With its catchy delivery and triumphant energy, I Know Who I Be stands as an empowering anthem about knowing your worth, staying true to your vision, and enjoying the fruits of persistence while confidently asserting your place above the competition.

Davido, JAZZWRLD& GL Ceejay – I Know Who I Be Lyrics

Intro
Who am I?
I’m a bad guy
My designer, waka-waka
Balenciaga and Prada
You must have gone insane if you think your story
Your story is my story
I know who I be (I know who I be)

Chorus
Who am I?
I’m a bad guy
My designer, waka-waka
Balenciaga and Prada
You must have gone insane if you think your story
Your story is my story
I know who I be, I know who I be

Verse 1
Watch our doing (Doing)
Number, watch our doing (Doing)
They no fit run am, e too late
Me, I no fit dull am, e too late (Too late)
I go double double, make dem double hustle, ṣá
Tell dem say, I say na 30BG, so na thirty bottles, ṣá

Pre-Chorus
Yeah, enjoyment galori
After hustle, na to chill
Celebration, confetti
Give dеm pressure, Anini
I know who I be (Baddеst)
And there’s no other me
Money plenty, no fugazi
No competi’, no do pass me

Chorus
Who am I?
I’m a bad guy
My designer, waka-waka
Balenciaga and Prada
You must have gone insane if you think your story
Your story is my story
I know who I be, I know who I be
Who am I? I’m a bad guy
My designer, waka-waka
Balenciaga and Prada
You must have gone insane if you think your story
Your story is my story
I know who I be, I know who I be

Verse 2
Full circle mo—, full circle moment (Full circle moment)
Man, I’ll never stop, made me a promise
I feel the love (It’s in abundance)
Legendary, legendary na who I be

Pre-Chorus
Yeah, enjoyment galori (Galori)
After hustle, na to chill
Celebration, confetti
Give dem pressure, Anini
I know who I be (Baddest)
And there’s no other me
Legendary, legendary na who I be

Chorus
Who am I?
I’m a bad guy
My designer, waka-waka
Balenciaga and Prada
You must have gone insane if you think your story
Your story is my story
I know who I be, I know who I be
Who am I?
I’m a bad guy
My designer, waka-waka
Balenciaga and Prada
You must have gone insane if you think your story
Your story is my story
I know who I be, I know who I be
Who am I?
I’m a bad guy
My designer, waka-waka
Balenciaga and Prada
You must have gone insane if you think your story
Your story is my story
I know who I be, I know who I be

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The record sees the Afrobeats superstar team up with South African 3-Step producer JAZZWRLD and rising artist GL_CeeJay, creating a cross-border collaboration that blends West African star power with Southern African production.

Fresh from his appearance on the global stage at the 2026 FIFA World Cup, Davido uses the record to usher in a new era, reflecting on a journey that has seen him spend more than 15 years helping shape Afrobeats into a worldwide phenomenon.

Built around infectious 3-step rhythms, booming basslines, and uplifting melodies, “I Know Who I Be” is both a personal statement and a victory lap, one that celebrates identity, resilience, and the roots that have defined his career.

Speaking about the inspiration behind the record, Davido said:

“I Know Who I Be is more than a song, it’s a reminder that no matter where life takes you, your roots will always be your greatest strength. I know who I be, and after more than 15 years of creating music, the world knows who I am, too.”

Directed by Dammy Twitch and filmed in Nigeria, the accompanying music video expands on that message through a powerful, story-driven narrative. The visual opens with a young man immersed in music before being confronted by his father, who insists that music has no place in their home.

Undeterred, the aspiring artist secretly leaves to pursue his passion in the recording studio, a storyline that echoes Davido’s own determination to follow the path that ultimately transformed his life.

As the video unfolds, the story shifts from personal ambition to legacy, celebrating the people who have been instrumental throughout Davido’s rise.

Alongside appearances from JAZZWRLD and GL_CeeJay, the visual also features key members of his long-standing inner circle, including manager Asa Asika, creative director Black Tycoone, close associate Lati, stylist Hollyandroo, and several others whose presence reflects the loyalty, friendships, and unwavering support that have accompanied his journey from aspiring musician to global superstar.

More than just another release, “I Know Who I Be” serves as a reminder of the road Davido has travelled, honoring his beginnings while confidently stepping into the next phase of an already remarkable career.

Listen to “I Know Who I Be” HERE

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The Afrobeats superstar announced that the new track, titled “I Know Who I Be,” will arrive on Friday, June 26, 2026, marking what already feels like the beginning of a fresh era in his rollout strategy and creative direction.

He made the reveal via social media, pairing the announcement with a message that instantly sparked excitement among fans and hinted at a larger narrative unfolding:

“The journey to the throne begins. 👑 My next single I Know Who I Be releases Friday June 26th 2026.”

The statement alone has already set the tone for what listeners expect to be a more assertive, statement-driven phase in his career, especially coming off his recent project, 5ive.

The timing suggests this new release may serve as the first major signal of his next musical direction.

On the collaboration front, “I Know Who I Be” brings together Davido and two South African talents, Jazzwrld and GL Ceejay, continuing his trend of cross-border synergy between West and Southern African sounds.

While full details about the song’s sound and production are still under wraps, anticipation is already building around how the trio’s styles will connect.

Davido’s Afrobeats energy combined with the South African influence from his collaborators sets the expectation for a record that could travel widely across the continent and beyond.

With the release date now locked in, attention naturally shifts to June 26, where fans will finally get to see what “the journey to the throne” truly sounds like in full.

 

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He has now become one of only five Nigerian artists to record songs with over 100 million streams across three different projects on Spotify, a rare achievement that highlights both consistency and wide global reach.

This accomplishment places him in an elite circle alongside Burna Boy, Davido, Tems, and Omah Lay, a lineup that essentially defines the modern streaming powerhouses out of Nigeria.

The numbers are powered by some of his most impactful records to date. “Joha,” off his breakout project Mr. Money With The Vibe, recently crossed the 100 million-stream mark, further extending the album’s already massive digital footprint.

Another standout, “Lonely At The Top” from Work of Art, continues to stand tall as one of the defining Afrobeats records of the decade, both commercially and culturally.

With multiple projects now producing nine-figure streaming songs, Asake’s catalog is showing rare staying power.

Each rollout seems to reinforce the same point: his rise isn’t just about viral moments or short-term hits, but a sustained presence in the upper tier of Nigerian music’s global export machine.

🚨 Asake now has a song with 100M streams on 3 projects 🤩

— He joins Burna Boy, Davido, Tems & Omah Lay as the only Nigeran artists to achieve this on Spotify 👏🏽 pic.twitter.com/N8U5q943U5

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) June 21, 2026

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Speaking during an interview with TVC, the outspoken musician questioned the continued dominance of the “Big 3” conversation in Nigerian music, arguing that the industry’s focus should shift towards younger acts who are currently shaping the sound and direction of contemporary Afrobeats.

According to Brymo, the long-running narrative surrounding established stars such as Wizkid, Davido, and Burna Boy has kept them at the centre of industry discussions, potentially limiting recognition for emerging talents.

The singer singled out Rema as the artist he believes should currently be regarded as Nigeria’s leading pop star, citing the younger generation’s growing influence on both local and international audiences.

He said:

“We need to stop talking about how the new artists don’t have lyrical substance and focus on how some artists want to lock down the industry for themselves with the ‘Big 3’ narrative and continue reigning forever. They should shift aside. Right now, Rema should be the biggest pop star in the country without any doubt. All this talk about Wizkid, 2Face, Olamide, Burna Boy. Why? In the Pop scene?? Wetin dem dey sing? You can plug the radio but nobody likes your stuff anymore. Move aside, evolve.”

“They should shift aside, It’s a pop scene, they should evolve, leave the mainstream alone for young people.”

“Rema should be the biggest pop star in the country without any doubt”

— Brymo on the Big 3/Big 4 👀 pic.twitter.com/Pz8rNDoCHU

— THE DEBUT HUB (@thedebuthub) June 16, 2026

Brymo’s remarks have since generated mixed reactions across social media, with some fans agreeing that newer artists deserve greater recognition, while others defended the contributions and continued relevance of Afrobeats veterans.

The debate around the “Big 3” has remained one of the most discussed topics in Nigerian music over the years, often centring on the achievements and influence of Wizkid, Davido, and Burna Boy.

However, the rapid rise of artists such as Rema, Ayra Starr, Asake, and others has increasingly fuelled conversations about a changing of the guard within the industry.

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The presidential candidate Peter Obi has commended Nigerian music star Davido for using his global platform to draw attention to the country’s security challenges during the 2026 FIFA World Cup countdown concert.

Davido’s performance at the internationally televised event generated widespread conversation after the singer appeared on stage wearing an outfit bearing the names of schoolchildren reportedly still being held in captivity. The gesture quickly resonated with many Nigerians, sparking discussions about the role of celebrities in raising awareness on national issues.

Reacting via his X account, Obi described the singer’s actions as a powerful demonstration of patriotism, noting that the Afrobeats superstar chose to use a major international stage to amplify concerns about insecurity rather than focusing solely on entertainment.

According to the former Anambra State governor, Davido’s appearance carried a message that extended beyond music and performance, helping to keep attention on the plight of victims and their families.

In his statement, Obi wrote:

“Davido’s impactful gesture in drawing global attention to Nigeria’s security challenges warrants commendation. He prominently displayed the names of schoolchildren who had been held captive for an extended period, advocating for their safe return. By utilising his international platform, Davido effectively highlighted Nigeria’s security crisis, transcending mere entertainment.”

The comments have since attracted reactions online, with many Nigerians applauding the singer for using one of football’s biggest global events to highlight an issue affecting communities across the country.

Davido, who was among the headline performers at the FIFA World Cup countdown concert, continues to be one of Africa’s most influential music exports. His appearance at the event further reinforced his global reach while demonstrating how entertainment can be used to bring attention to pressing social concerns.

For many observers, the moment served as a reminder that artists can leverage their visibility not only to entertain audiences but also to amplify conversations on issues that matter beyond the stage.

The Commendable Act of Nigerian Artists at the World Cup

Nigeria’s absence from the World Cup, as I previously stated, stems not from a lack of talent but from a conspicuous deficiency in political leadership that has failed to create an enabling environment for talent…

— Peter Obi (@PeterObi) June 14, 2026

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The record arrives as part of the official build-up soundtrack to the FIFA World Cup 2026, blending Afrobeats, pop, and electronic dance influences into a celebratory anthem centred on unity, identity, and global connection through football.

From the opening moments, the song leans into a vibrant, festival-ready energy. Major Lazer provide a bouncy, rhythm-heavy production that fuses global dance elements with Afro-inspired percussion, creating a sound built for stadiums, watch parties, and worldwide celebrations.

Davido brings his signature charisma and melodic flow to the track, delivering infectious vocals that add warmth and unmistakable Afrobeats flavour. His performance anchors the record with energy and familiarity, ensuring its appeal remains deeply rooted in African rhythm while still reaching a global audience.

Nelly Furtado complements the blend with her smooth, nostalgic vocal tone, adding emotional depth and a reflective pop texture that broadens the song’s international feel. Her contribution helps tie the record’s theme of “home” to a more universal sense of belonging and memory.

Lyrically and conceptually, No Place Like Home celebrates the emotional bond between people and their roots, especially in the context of a global tournament that brings diverse cultures together under one shared passion. It captures the excitement of football while also highlighting identity, community, and togetherness.

With its fusion of Afrobeats bounce, pop melodies, and dance-driven production, the track stands as a fitting soundtrack for one of the world’s biggest sporting events. It is built for big moments—stadium chants, fan celebrations, and global watch parties—while still maintaining a strong emotional core.

Ultimately, No Place Like Home (FIFA World Cup 2026) delivers a cross-continental collaboration that balances sound and sentiment, reflecting both the global reach of the World Cup and the growing influence of Afrobeats on the world stage.

Listen to “No Place Like Home” HERE

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The countdown to the 2026 FIFA World Cup has taken another exciting step forward with FIFA officially revealing the complete tracklist for its highly anticipated tournament album.

Set for release on June 5, the Official FIFA World Cup 2026 Album brings together some of the biggest names in global music for an ambitious 18-track project that reflects the worldwide appeal of football. Spanning Afrobeats, hip-hop, Latin music, pop, dancehall, country, and K-pop, the album is shaping up to be one of the most diverse musical collections ever associated with a World Cup.

African artists feature prominently throughout the project, highlighting the continent’s growing influence on the global music landscape.

Leading the charge is Burna Boy, who joins international superstar Shakira on “Dai Dai,” the tournament’s official theme song.

Nigerian sensation Rema appears on “Goals” alongside BLACKPINK star LISA and Brazilian hitmaker Anitta, while Davido teams up with Major Lazer and Nelly Furtado on “No Place Like Home.”

South African global star Tyla also secures a major feature on “Game Time” with American rap heavyweight Future, while Ayra Starr represents Nigeria on “Show Me,” a collaboration with US rapper Latto.

The album also includes contributions from established names such as Daddy Yankee, Stormzy, French Montana, 21 Savage, Alejandro Fernández, Shaggy, Ava Max, and The Rolling Stones, reflecting FIFA’s ambition to create a soundtrack that resonates across cultures and continents.

Official FIFA World Cup 2026 Album Tracklist

• Goals — LISA, Anitta and Rema
• Game Time — Future and Tyla
• Illuminate — Jessie Reyez and Elyanna
• Echo — Daddy Yankee and Shenseea
• Por Ella — Los Ángeles Azules and Belinda
• Three Nations — 21 Savage, Nata Cano and French Montana
• No Place Like Home — Major Lazer, Nelly Furtado and Davido
• In the Stars (Remix) — The Rolling Stones
• Show Me — Ayra Starr and Latto
• Mi Mexico Lindo — Alejandro Fernández
• Blessings — Stormzy, Fridayy and Angel
• Energy — Ava Max and BIA
• Lighter — Jelly Roll and Carín León
• Siir Siir — Nora Fatehi, Vegedream and Sanjoy
• Partidazo — Danny Ocean
• Champion — IShowSpeed
• Love Always Wins — Shaggy, Cimafunk and Zema
• Dai Dai — Shakira and Burna Boy

As anticipation builds for kick-off, the soundtrack promises to provide fans with an equally memorable musical experience to accompany the world’s biggest sporting event.

 

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The award-winning singer is set to feature on a song titled “No Place Like Home,” a collaboration that brings together Davido, internationally renowned electronic music collective Major Lazer, and Canadian pop star Nelly Furtado.

The announcement marks yet another significant milestone in Davido’s growing international journey, further reinforcing his status as one of Africa’s most influential musical exports.

His inclusion on the World Cup project comes shortly after FIFA confirmed him as one of the headline performers for the FIFA World Cup 2026 Countdown Concert scheduled to take place at the Crypto.com Arena in Los Angeles. The event is expected to serve as one of the tournament’s biggest pre-kickoff celebrations.

 

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Over the years, Davido has played a key role in expanding the global reach of Afrobeats, earning international acclaim through chart-topping releases, sold-out performances, and collaborations with artists across multiple continents. His presence on the World Cup album reflects the continued rise of African music within mainstream global culture.

The FIFA World Cup 2026 album is expected to be one of the tournament’s most diverse musical projects yet, reportedly bringing together artists from different regions, genres, and cultural backgrounds in celebration of the world’s biggest football competition.

Davido joins a growing number of African artists linked to the project, highlighting the continent’s increasing influence on major global entertainment and sporting platforms.

For the Nigerian superstar, appearing on an official FIFA World Cup soundtrack represents another landmark moment in a career already defined by international recognition and cultural impact. As football and music once again come together on a global stage, “No Place Like Home” is expected to be one of the standout records on an album designed to unite fans from every corner of the world.

 

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