The cover art alone told a story: bathed in warm sepia tones, Kingsley sits like royalty on a carved wooden throne while Benjamin stands tall behind him beneath a graceful archway. It’s more than a photo; it’s a metaphor for balance, unity, and the timeless dialogue between tradition and evolution that defines their artistry.

The Cavemen have always been torchbearers of highlife, and Cavy in the City feels like both a homecoming and a leap forward.

Across 13 tracks, the brothers paint with sound—groovy basslines, live horns, soulful harmonies, and rich percussion all blending into a lush, immersive experience.

This is highlife reimagined for the modern ear: deeply rooted in African storytelling, yet dressed in the polish of contemporary production. It’s joyful, nostalgic, and unmistakably The Cavemen.

This new chapter builds on the legacy of their earlier albums, Roots (2020) and Love and Highlife (2021)—two projects that didn’t just revive highlife but reintroduced it to a generation raised on Afrobeats. Along the way, they’ve also teamed up with Show Dem Camp and Nsikak David on No Love in Lagos, further proving their versatility and commitment to collaboration.

 

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If those albums were statements of intent, Cavy in the City is a full realisation a record that celebrates the genre’s heritage while exploring its limitless possibilities.

Known for their live instrumentation and spiritual chemistry, the Cavemen make music that feels organic—crafted, not manufactured. Every guitar riff and drum tap carries emotional weight, transforming the mundane into the musical.

While they’ve kept details about guest appearances under wraps, fans are already buzzing with excitement, certain that this album will once again blend intimacy and exuberance in the way only The Cavemen can.

Listening to Cavy in the City feels like journeying through modern African life, its love stories, its chaos, its laughter, and its longing. It’s the sound of Lagos nights and ancestral whispers, of drums echoing through time. Whether you’re navigating traffic, dancing at a wedding, or reflecting quietly on life, this album provides a soundtrack that enriches rather than merely entertains.

 

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But perhaps the true brilliance of Cavy in the City lies in what it represents. In an era when many chase global validation by drifting from their roots, The Cavemen take the opposite route, proving that authenticity is the new modern.

They honour where they come from while showing where African music can go. With this album, they don’t just keep highlife alive they remind us that it never really died.

Cavy in the City isn’t just an album. It’s a love letter to heritage, a testament to craftsmanship, and a declaration that Africa’s oldest rhythms still hold the power to move the world.

Listen to Cavy in The City HERE.

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Nigerian highlife torchbearers The Cavemen are set to return with their highly anticipated third studio album, Cavy in the City, arriving on Thursday, October 31, 2025.

The announcement came on Thursday, October 23, alongside the reveal of the album’s striking cover art, a visual feast that perfectly mirrors the duo’s timeless sound.

In the artwork, brothers Kingsley Okorie and Benjamin James are pictured in a lush, garden-like setting. Kingsley sits regally on a patterned wooden throne, while Benjamin stands poised behind him beneath an arched entryway.

The image, bathed in a warm sepia glow, marries the richness of tradition with the pulse of modern life a visual metaphor for the balance the brothers have long championed in their music.

Cavy in the City follows The Cavemen’s previous critically acclaimed projects, Roots (2020) and Love and Highlife (2021), two albums that redefined contemporary Nigerian highlife and introduced the genre to a younger audience hungry for authenticity.

Their unique blend of Igbo highlife, jazz, and folk, delivered with soulful harmonies and rhythmic precision, has cemented their place as torchbearers of a golden sound reborn.

While the duo has kept details about the tracklist and guest appearances under wraps, excitement is already surging among fans and industry insiders.

Many expect Cavy in the City to expand their storytelling canvas — weaving tales of love, hustle, and cultural pride while embracing the sounds and sentiments of the modern African city.

As the release date draws near, Cavy in the City is shaping up to be one of 2025’s most anticipated African albums, promising a soulful bridge between heritage and the ever-evolving soundscape of today’s Afrobeats generation.

 

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The collaboration stands as a rich blend of tradition and modernity, weaving lush African rhythms with the raw intensity of UK rap.

On “Gatekeepers,” The Cavemen. deliver what they do best: soulful highlife harmonies, rolling basslines, and rhythmic guitar riffs that evoke the golden era of West African music. Their timeless sound forms the heartbeat of the record, grounding it in warmth and cultural authenticity.

Pa Salieu, known for his gritty flow and poetic lyricism, brings an edge that cuts through the track with precision. His verse, layered with reflections on struggle, resilience, and self-belief, adds a striking contrast to The Cavemen’s melodic calm, resulting in a piece that feels both rooted and revolutionary.

 

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Lyrically, “Gatekeepers” explores freedom, courage, and the strength to defy convention, themes that resonate deeply with both acts, who’ve built their careers by breaking boundaries and redefining genres in their own right.

The song is lifted off The Cavemen’s forthcoming studio album, Cavy in the City, which is set for release in just a few days. The project marks a new chapter for the duo, as they expand their sound beyond the borders of highlife into a more global Afro-fusion space.

At its core, “Gatekeepers” is more than a collaboration; it’s a meeting point between Lagos and London, a cultural bridge linking West African soul and UK street poetry.

With this release, The Cavemen and Pa Salieu have crafted one of 2025’s most compelling cross-continental moments in music.

Listen to Gatekeepers HERE.

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The title, derived from the Swahili word for “patience,” perfectly encapsulates the project’s core: a portrait of an artist who has taken his time to refine both his craft and message.

Blending Afrobeats, highlife, R&B, and Afro-soul, SABALI unfolds as a deeply personal yet universally resonant narrative of love, resilience, and ambition. It’s the sound of an artist reconnecting with his essence while exploring fresh creative ground.

Peruzzi’s warm, honeyed vocals glide effortlessly over mid-tempo grooves, layered percussion, and lush instrumentation, conjuring imagery of Lagos nights alive with emotion and possibility.

His songwriting remains sharp, introspective, and textured, offering glimpses into quiet triumphs, romantic vulnerability, and the unrelenting pursuit of success.

From the confessional opener “Die It” to the genre-bending “Apala Drill” featuring Davido, Peruzzi builds a sonic universe where patience meets innovation. “Perfect Situation,” a reunion with Davido, Mayorkun, and Dremo, delivers pure DMW nostalgia, while “Cooking Pot” with Jeriq adds a gritty street flair steeped in hustle and swagger.

Each collaboration feels intentional, from “Nuff Respect” featuring Jesse Jagz, which dives into lyrical depth, to “Mad Oh” with The Cavemen, blending contemporary groove with highlife’s timeless warmth. On “You,” featuring Kemuel, Peruzzi slips into melodic tenderness, while “Ecstasy,” with JujuBoy and Nana Kwabena, explores dreamy, transcendent moods.

The album’s second half keeps the energy alive “Legalise” stands out as a heartfelt solo declaration, “Time of My Life” featuring Esoterica ties things together on a celebratory note, and surprise cameos from Timaya, Zlatan, Terri, Bella Shmurda, Gazo, and The Flowolf round out a feature list that bridges generations and genres.

SABALI is more than a comeback; it’s a statement of evolution and endurance. Peruzzi’s deliberate pacing gives space for emotional honesty, proving that patience not only shapes character but also refines artistry.

Already climbing streaming charts and earning critical praise for its emotional depth and collaborative synergy, SABALI reaffirms Peruzzi’s reputation as one of Afropop’s most expressive storytellers, a voice equally at home in moments of reflection and celebration.

Available now on all major platforms, SABALI invites listeners into Peruzzi’s world, a place where patience meets passion, and every beat carries the quiet victory of growth.

Listen to SABALI HERE.

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The announcement, made on Sunday, September 28, 2025, set social media abuzz as fans geared up for its release on October 10.

The project reflects Peruzzi’s range as both a gifted vocalist and songwriter, boasting an impressive lineup of collaborations. He links up with his DMW label boss, Davido, on two tracks, “Apala Drill” and “Perfect Situation.” The latter track also features Mayorkun and Dremo, reuniting the label family on one record.

Other standout collaborations include Zlatan and The Flowolf on El Sucio Guapo, Timaya on ANTR (A Night To Remember), and Bella Shmurda alongside Terri on Normal Person. Jeriq joins Peruzzi on Cooking Pot, Jesse Jagz showcases his lyrical prowess on Nuff Respect, while The Cavemen add their signature highlife touch to Mad Oh.

The album also highlights fresh voices, with JujuBoy and Nana Kwabena on Ecstasy, Kemuel on You, Gazo on Gazo, and Esoterica on Time Of My Life.

Titled after the Hausa word for “patience,” Sabali hints at the deliberate creative process behind the body of work.

For Peruzzi, this release comes after a long break since his last project, raising expectations that Sabali could be one of the standout Afrobeats albums of 2025.

The full album drops on Friday, October 10.

 

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The countdown to the 2025 edition of the All Africa Music Awards (AFRIMA) has officially begun, with this year’s competition tipped to be one of the fiercest in the history of the continental showcase.

On Wednesday, August 27, the International Committee of AFRIMA, in partnership with the African Union Commission, released the nominees’ list, spotlighting African music heavyweights and rising stars across the continent.

Global Afrobeats icons Davido and Burna Boy will face off against Congolese legend Fally Ipupa, Moroccan hitmaker El Grande Toto, South African DJ Maphorisa, and Egyptian superstar Amr Diab. They will also compete with a fresh wave of emerging acts including Shallipopi, Himra, Moliy, Ayra Starr, Tanzanian crooner Juma Jux, and Senegal’s Mia Guissé.

Organizers revealed that AFRIMA 2025 received a record-breaking 10,717 submissions, the highest in its 12-year history. After 10 days of rigorous screening, a 13-member jury trimmed the entries down to 343 nominees spread across 40 categories, representing Africa’s regions and its diaspora.

Speaking on the unveiling, AFRIMA jury member Delani Makhalima hailed the growth of African music: “For years our voices were not heard, but today African music is global. This is AFRIMA, the biggest music entity on the continent.”

The 2025 awards ceremony is scheduled to hold in Lagos from November 25 to 30. The week-long programme will feature signature events such as the AFRIMA Music Village, the Africa Music Business Summit, the Nominees Party, and will climax with the grand finale on November 30.

The prestigious awards night will be broadcast live to audiences in more than 84 countries.

See full list of nominees below:

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Their first offering of 2025, the track is a jubilant prelude to their upcoming third studio album, Cavy in the City, expected later this year.

Rooted in the brothers’ signature blend of traditional highlife rhythms, soulful melodies, and earthy instrumentation, Dancing Shoes is a celebration of movement, joy, and human connection.

From Kingsley Okorie’s groovy bass lines to Benjamin James’ textured percussion and smooth vocals, the track channels nostalgia while feeling undeniably contemporary—inviting listeners to escape into a communal, feel-good dance experience.

 

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Lyrically, Dancing Shoes is simple but evocative, with lines like:

“Put on your dancing shoes, no need to worry / Tonight, we move, forget your sorrow.”
This reinforces the duo’s core philosophy—music as therapy and celebration, grounded in African cultural heritage and stripped of commercial excess.

The release comes with a sense of momentum. Teased earlier in the week on social media with clips of the duo rehearsing and playful hints like “Ready your feet!”, the song dropped at midnight to enthusiastic fan reactions.

It also sets the stage for their North American tour, with Cavy in the City tour stops in Montreal (May 2) and Toronto (May 4), where the track is poised to shine live—given The Cavemen’s reputation for spiritually uplifting performances that blend live instrumentation with call-and-response audience interaction.

 

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Since their breakout debut Roots (2020), which earned them the Headies award for Best Alternative Album, and their 2024 follow-up Love and Highlife, The Cavemen have remained fiercely self-produced and devoted to preserving and reimagining highlife’s legacy. Dancing Shoes continues this mission, offering a track that feels both ancestral and refreshingly modern.

Listen to Dancing Shoes here.

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Nigerian music superstar Davido has added another accolade to his impressive career as the video for his hit song ‘Na Money‘ clinched the “Best Costume/Styling (Craft)” award at the prestigious Berlin Fashion Film Festival.

‘Na Money,‘ featuring Grammy-winning legend Angelique Kidjo and Nigerian highlife duo The Cavemen, is the third standout single from Davido’s acclaimed ‘Timeless‘ album.

Shot in the stunning city of Paris, the video, directed by Dammy Twitch and produced by Blessing Uzzi, offers a luxurious and culturally rich experience. It features Davido hosting friends and family at a grand chateau, with intricate costume designs and breathtaking visuals that celebrate African heritage in a modern light.

The video has been widely praised for its stunning wardrobe choices, which blend traditional African aesthetics with contemporary fashion.

The recognition at the Berlin Fashion Film Festival highlights the creative synergy between music and visual storytelling, as well as Davido’s commitment to raising the bar in showcasing African culture on the global stage.

The Berlin Fashion Film Festival is a prominent event that celebrates excellence in fashion and film, bringing together industry leaders from around the world. Known for spotlighting innovative storytelling and artistic collaborations, the festival is part of the larger Berlinale, one of the most respected cultural hubs since 1951.

Davido’s win underscores his influence beyond music, solidifying his position as a cultural ambassador for Africa. Fans have lauded the artist for consistently pushing creative boundaries and delivering high-quality visuals.

You can view the full list of winners here.

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The album explores CKay’s diverse artistic range, weaving together themes of love, fleeting moments, and introspective self-discovery.

Opening with the track “THAT FEELING,” CKay adopts a carefree, nonchalant persona, conveying a desire for casual connections and lighthearted encounters.

However, this contrasts with the more profound longing for a meaningful and committed relationship in the track “RIDE OR DIE,” showcasing CKay’s emotional complexity.

‘EMOTIONS‘ blends infectious melodies and compelling rhythms with CKay’s signature poignant lyrics, offering listeners an immersive experience.

Collaborations with artists like Olamide, Ty Dolla $ign, The Cavemen, and Nora Fatehi add variety and richness to the project, each guest bringing their unique flair to the mix.

With its twelve tracks, ‘EMOTIONS‘ offers a comprehensive journey through love, loss, and personal growth. CKay’s ability to craft songs that resonate deeply with listeners is evident throughout the album, making it a must-listen for fans of Afrobeats and emotive music.

Listen Up!!

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Nigerian singer-songwriter CKay has continued to build anticipation for his much-awaited sophomore album “Emotions” by providing fans with updates regarding its release.

On October 11, 2024, CKay took to social media to share news about the album, which was originally set for release on September 28 but was postponed to October 18.

To make up for the delay, CKay revealed an updated tracklist that includes 12 songs, with notable tracks like “In My Bed,” “EGWU EJI,” and “WAHALA,” featuring Nigerian rapper Olamide. ‘

The album also includes collaborations with international stars such as TY Dolla $ign, Nora Fatehi, and The Cavemen, adding to the excitement surrounding the project.

The revised tracklist introduces a new song titled “ADDICTED,” featuring The Cavemen, while Olamide is featured on two tracks, “WAHALA” and “VANITY.”

The updates have sparked renewed enthusiasm among fans, who are eagerly counting down to the album’s release, just one week away.

CKay’s “Emotions” promises to deliver a captivating mix of sounds, with its stellar lineup of collaborations adding to the anticipation.

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As fans look forward to “Emotions,” there is great anticipation for how CKay will further develop his sound and explore new themes.

With the release date approaching, excitement is building, and fans are eager for more details about what “Emotions” will offer.

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Building on the anticipation generated by their lead single of the same name and the standout track “Johni,” the full project has now been unveiled.

Consisting of ten tracks, “No Love in Lagos” takes listeners on a sonic journey through the intricacies of love, life, and the realities of fake love in the vibrant city of Lagos.

The album seamlessly blends the hip-hop prowess of Show Dem Camp with the soulful harmonies of The Cavemen, complemented by the unique touch of Nsikak David.

Collaborations with artists like Obongjayar, Ruti, Moelogo, Tim Lyre, and Sanaa add richness to the project, showcasing the trio’s ability to connect with diverse musical talents. “No Love in Lagos” is more than just an album—it’s a cultural statement, capturing the dynamic energy and complexities of life in Lagos.

With this project, Show Dem Camp, The Cavemen, and Nsikak David have set a new benchmark for collaborative efforts in the Nigerian music scene. “No Love in Lagos” is a testament to their individual artistry and their collective ability to create something truly extraordinary.

Listen Up!!

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The intriguing tune delves into the complexities of love and relationships in the vibrant, yet often cynical, heart of Lagos.

The song’s title, “No Love In Lagos,” sets the stage for a poignant exploration of modern love in a bustling metropolis.

It paints a picture of a city where fleeting connections and a focus on appearances often overshadow genuine connection.

Through their lyrics, the artists delve into the difficulty of finding real love amidst a culture of partying and instant gratification.

“No Love In Lagos” is a much-awaited collaboration, especially between the duos SDC and The Cavemen.

Show Dem Camp, known for their impressive social commentary, seamlessly blend their style with the captivating harmonies of The Cavemen.

Nsikak David adds another layer of depth to the track. Each artist brings their A-game, resulting in a catchy and thought-provoking song.

The arrival of “No Love In Lagos” suggests that there might be more to expect from this collaboration.

The partnership between Show Dem Camp and The Cavemen has sparked speculation about a full-length project on the horizon.

With their contrasting yet complementary styles, a collaborative album could be a remarkable moment in the Nigerian music scene.

Listen Up!!

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