The joint release is particularly significant given the pair’s well-documented history of public disagreements and creative distance over the years. However, EVERLASTING signals a clear moment of reconciliation, with both artists setting aside past tensions to deliver what many are already describing as a unifying anthem for Ghanaian music.

Produced by renowned hitmaker MOG Beatz, the record is built on a rich, mid-tempo foundation that fuses traditional Highlife influences with modern dancehall energy. The result is a powerful sonic blend of warm melodies, booming basslines, and triumphant horn sections that give the track a celebratory, almost ceremonial feel.

Sarkodie opens the record with calm authority, opting for a more measured delivery that highlights maturity and experience rather than speed. His verses reflect reflection and leadership, setting the tone for a record that leans heavily into legacy and cultural pride.

Shatta Wale, on his part, takes charge of the hook with his signature gravelly tone, delivering a chant-like chorus that feels built for stadiums and street celebrations alike. His performance adds raw energy to the track, balancing Sarkodie’s composed approach with his own unmistakable intensity.

Together, both artistes channel their individual strengths into a unified message that celebrates growth, resilience, and shared influence in shaping Ghana’s modern sound.

Lyrically, EVERLASTING leans into themes of legacy, unity, and reflection on their respective journeys from the underground music scene in Accra to global recognition. Rather than focusing on past controversies, the record emphasises maturity and the importance of preserving cultural impact beyond personal differences.

The collaboration ultimately stands as a symbolic moment for Ghanaian music, one that prioritises brotherhood over rivalry and highlights the enduring influence of both artists in pushing the country’s sound onto the global stage.

Listen to “EVERLASTING” HERE

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Speaking about his rise in the music industry, the outspoken entertainer dismissed the notion that success must come from outside one’s home country, insisting that the opportunities he received in Ghana played the biggest role in shaping his achievements.

According to the award-winning musician, the support he enjoys from fans, industry stakeholders, and influential figures within the country has enabled him to build a thriving career without relying solely on international markets.

Reflecting on his ambitions, Shatta Wale explained that he has always viewed himself as a global artist capable of competing on the world stage. Despite that international outlook, he maintained that Ghana remains a place where artists can achieve significant financial rewards.

He said:“I’ve always seen myself as this international star that you know I just need to work on my stuff. I can get paid 1million dollars in Ghana. I didn’t get rich anywhere, I got rich in Ghana.”

The singer further revealed that he enjoys considerable respect across different sectors of society, noting that political leaders, government officials, event organisers, and music lovers have consistently shown him support throughout his career.

“I get paid up to $1 million per show in Ghana and the respect I get there is the same respect they give to Jay-Z and Beyoncé, that is why I don’t chase international shows” — Shatta Wale pic.twitter.com/KxJvayma0M

— Instablog9ja (@instablog9ja) June 8, 2026

His comments come amid ongoing conversations about the ability of African artists to build successful careers within their home countries while maintaining global appeal. For Shatta Wale, his story serves as proof that local support and cultural appreciation can be powerful drivers of long-term success.

Over the years, the Ghanaian star has established himself as one of West Africa’s most influential entertainers, earning a loyal fan base and becoming a prominent figure in the continent’s music industry. His latest remarks underscore his belief that Ghana’s entertainment ecosystem has provided him with both the platform and recognition needed to reach his current level of success.

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The track blends two distinct worlds, African dancehall and smooth R&B, creating a sound that feels both fresh and globally appealing. For Shatta Wale, the collaboration marks one of his biggest international moves since his appearance on Beyoncé’s The Lion King: The Gift.

Built on a mid-tempo reggae-infused beat, Ain’t Nobody allows both artists to showcase their strengths. Shatta Wale leans into a more melodic approach, delivering a softer yet still energetic performance. At the same time, John Legend adds his signature smooth vocals, giving the record rich, emotional depth.

Lyrically, the song explores themes of loyalty, love, and devotion, making it easily relatable across different audiences. The chemistry between both artists stands out, with their contrasting styles blending seamlessly over the production.

The announcement of the track on Shatta Wale’s official Facebook page sparked excitement among his loyal “SM” fanbase, many of whom have long hoped to see him collaborate more on the global stage. For John Legend, the record continues his growing interest in African sounds and cross-cultural music partnerships.

Early reactions suggest that the song strikes a balance between the raw, street-driven energy of Ghana’s music scene and the polished feel of American R&B. Ain’t Nobody ultimately stands as a cultural bridge—one that highlights how African artists are increasingly shaping the global soundscape.

Listen to Ain’t Nobody HERE

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The EP features six solid records: “Boss A Di Whole Place,” “Rise Anyway,” “Born Fi Par,” “VIP Girl,” “Worldwide Whine,” and “Lonely Victory.” Each track is steeped in authentic dancehall energy, drawing heavily from street realities, personal triumphs, and the unbreakable spirit of the ghetto.

Never one for half-measures, Shatta Wale uses Echoes of the Ghetto as a bold statement of intent. Subtitled African Dancehall, the project marks a deliberate shift away from the more commercial Afropop sounds he has explored in recent years.

Instead, it is a gritty, unapologetic return to the sounds of Nima and the streets of Accra that shaped him. Throughout the EP, Shatta amplifies the voices of the marginalized, transforming the project into a sonic manifesto for the hustlers, survivors, and dreamers of the ghetto.

Sonically, the EP is a masterclass in hard-hitting African dancehall. Heavy, distorted basslines, sharp snares, and aggressive minimalist rhythms dominate the production, creating an urgent, street-ready sound.

This is not music designed for polished lounges or luxury clubs, but for neighbourhood speakers, dancehall yards, and raw street energy. Shatta Wale’s raspy, commanding delivery cuts through every track, with his Shatta Movement energy fully intact and undeniable.

My secret key 🔑
Some people watch you to learn, others hate—but at the end of the day, they are all fans 🤣😜👑🥂

At least they comment with their illusory opinions 😂😂 #EOTGEP
The Undisputed Dancehall Album 2026🔥 pic.twitter.com/9Asr74G0jA

— SHATTA WALE (@shattawalegh) January 14, 2026

Lyrically, Echoes of the Ghetto stands as some of Shatta Wale’s most reflective work in years. Beyond the familiar bravado and defiance toward critics, he delves into themes of social inequality, police harassment, survival, and youth resilience.

He positions himself as a “Ghetto Prophet,” urging listeners to remain focused and determined despite systemic challenges. The blend of Patois, Ga, and Twi adds a deeply local and authentic texture, making the project feel like a direct voice note from the heart of the streets.

At a time when many artists are chasing global crossover appeal, Shatta Wale’s decision to double down on ghetto-rooted dancehall is both bold and refreshing. Echoes of the Ghetto proves he doesn’t rely on external validation to remain relevant; his strength lies in the streets that continue to stand with him. More than just an EP, the project is a reaffirmation of identity, culture, and purpose.

For the Shatta Movement, Echoes of the Ghetto isn’t just music, it’s a statement, a reminder that African Dancehall is alive, defiant, and still has powerful stories to tell.

Listen to “Echoes of the African Ghetto” HERE.

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According to newly released rankings tracking career awards across local and international platforms, Grammy winner Wizkid sits comfortably at the summit with an impressive 197 awards, making him the most awarded African music act to date.

His longtime contemporary, Davido, follows in second place with 150 career awards, cementing his status as one of Africa’s most consistent hitmakers.

The list reflects the growing global reach of African music, with artists from West, East, and Central Africa all making strong appearances. Ghanaian rap heavyweight Sarkodie claims third place with 121 awards, while Nigeria’s Burna Boy comes in just behind him with 120 accolades. With fresh nominations and recent wins still rolling in, Burna Boy’s tally is expected to rise further.

Also representing Ghana is dancehall star Shatta Wale, who ranks fifth with 115 awards, closely followed by his compatriot Stonebwoy, who has earned 107 awards throughout his career.

East Africa’s influence is felt through Tanzanian superstar Diamond Platnumz, who crosses the 100-award mark with 101 honours, highlighting his impact beyond the region. Veteran Beninese singer and multiple Grammy winner Angélique Kidjo also features among the elite, boasting over 100 career awards, while Congolese music sensation Fally Ipupa completes the top nine with 96 awards.

The ranking not only celebrates individual success but also tells a broader story of Africa’s rising cultural power, as its artists continue to command global stages and recognition.

Africa’s Most Awarded Music Artists

1. Wizkid (Nigeria) – 197 awards
2. Davido (Nigeria) – 150 awards
3. Sarkodie (Ghana) – 121 awards
4. Burna Boy (Nigeria) – 120 awards
5. Shatta Wale (Ghana) – 115 awards
6. Stonebwoy (Ghana) – 107 awards
7. Diamond Platnumz (Tanzania) – 101 awards
8. Angélique Kidjo (Benin) – 100+ awards
9. Fally Ipupa (DR Congo) – 96 awards

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Known for her warm vocals and emotive storytelling, the singer uses this project to weave together Afrobeats, R&B, and highlife into a soundscape that mirrors the emotions and energy of late-night hours.

After Midnight is a personal milestone, following her acclaimed EPs Seed (2020) and My Diary (2022), which produced hits like Forever and Flames with Davido.

The new album reflects her evolution as both a singer and songwriter, paying homage to her roots—her father, Nana Acheampong, is a Ghanaian highlife legend while also drawing inspiration from R&B, hip-hop, and pop.

The concept of the album is rooted in Gyakie’s creative process: most songs were written during the stillness of the night, which she describes as her most peaceful and inspiring moments.

This gives the project a duality of soulful reflection balanced with vibrant, celebratory energy. Tracks like Sankofa carry deep emotional weight, while House Party featuring Young Jonn offers infectious, dance-ready vibes.

The project also boasts a star-studded lineup of collaborators. American R&B act 6LACK joins her on Damn U, Shatta Wale infuses dancehall fire into Harmattan, while UK rapper Headie One delivers grit on I’m Not Taken.

Other features include Omar Sterling on Luv and Y2K Love, Kojey Radical on Party Galore, and Young Jonn on House Party. Each artist was deliberately chosen to align with Gyakie’s vision, creating a seamless fusion of global sounds.

 

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Beyond its sound, After Midnight is rich with themes of love, heartbreak, healing, and freedom. Gyakie revealed she penned most of the songs herself, often beginning with a mood or emotion before shaping melodies and lyrics around it. This organic process gives the album an authenticity that resonates deeply.

Critics have praised After Midnight for its cinematic depth and emotional resonance, describing it as Gyakie’s most ambitious work yet.

The album’s visuals, directed by Alex Piper, who has worked with the likes of Rema and Travis Scott, capture her journey from rising star to global force. With nearly 200 million Spotify streams from her earlier projects, Gyakie’s debut full-length is expected to propel her even further on the international stage.

 

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Speaking on the album, Gyakie expressed her hope that listeners will find “healing, enjoyment, love, or peace of mind” in her songs. To mark the release, she has confirmed her annual Live Experience with Gyakie concert and hinted at an upcoming tour that may include more collaborations.

After Midnight is available on all major streaming platforms, offering fans a soulful, late-night journey into Gyakie’s evolving artistry.

Listen to After Midnight HERE.

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According to a report by the BBC, the singer’s arrest is tied to issues surrounding a luxury Lamborghini Urus he acquired in 2019. The yellow vehicle, worth over $150,000, had earlier been seized following claims by US authorities that it was purchased with proceeds from a criminal enterprise.

The case is linked to a wider probe involving Nana Kwabena Amuah, a Ghanaian serving a seven-year jail term in the United States for orchestrating multi-million-dollar fraud schemes.

Court filings in the US revealed that Amuah and his accomplices defrauded about 70 organizations by posing as legitimate vendors. The FBI and US Justice Department have since identified the Lamborghini as part of the $4 million illicit proceeds tied to the fraud network.

The Economic and Organised Crime Office (EOCO) confirmed that Shatta Wale was invited for questioning regarding the vehicle. After several hours of interrogation, he was granted bail of ₵10 million with two sureties.

Investigators disclosed that the artist failed to provide valid documents proving legal ownership of the car, except for a customs declaration form bearing Amuah’s name. Wale allegedly told investigators that he bought the vehicle “off the street” from an individual simply known as Zak, whose full identity and contact information he no longer possesses.

Reacting to the development, Shatta Wale’s management clarified that his detention was strictly linked to “tax obligations,” avoiding any direct mention of the US fraud allegations. In a statement shared online, they assured fans that the artist voluntarily honoured EOCO’s invitation and that his legal team is cooperating with the authorities.

Authorities in Ghana and the United States are reportedly working together to repatriate the Lamborghini to the US for restitution to Amuah’s victims. This development comes as part of broader efforts to dismantle international fraud operations, with recent cases seeing Ghanaian nationals extradited to the US over a $100 million internet scam involving romance fraud and phishing attacks.

Meanwhile, fans of Shatta Wale have been urged to remain calm as the investigation continues.

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Grammy-winning Afrobeats superstar Wizkid has been confirmed as a special guest for the much-anticipated Afro+ Fest set to take place in Washington, D.C.

The cultural celebration, organized by Events DC, will light up the RFK Festival Grounds on Sunday, August 31, 2025.

Recognized as one of the leading showcases for African music and creativity, Afro+ Fest brings together a vibrant mix of artists shaping today’s global soundscape. The event’s mission to spotlight the wealth of talent from Africa and its diaspora has cemented its place as a must-attend experience for fans of the genre.

Wizkid will join an already star-studded bill headlined by Gunna and Asake, alongside big names such as Machel Montano, Shenseea, Uncle Waffles, Shatta Wale, and Wande Coal, among others. His inclusion as a special guest adds even more excitement to the festival.

As one of the most influential voices in Afrobeats, Wizkid has played a defining role in elevating the genre on the world stage. His chart-topping tracks and high-profile collaborations have not only broken records but also opened international doors for countless African artists.

With Wizkid’s magnetic stage presence and Afro+ Fest’s dedication to cultural excellence, the 2025 edition promises unforgettable performances and an electrifying celebration of African music and heritage.

Wizkid has been announced as a SPECIAL GUEST for the Afro+ Fest in DC this August 🔥🦅 https://t.co/KF0F3aaNOH pic.twitter.com/LDdQsDXqKT

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) August 13, 2025

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Ghanaian dancehall star Shatta Wale recently took aim at Sarkodie during a TikTok Live session, criticizing the rapper’s choice of a Porsche Panamera as his dream cars

Sarkodie has frequently mentioned this luxury vehicle in his music, expressing his admiration for it. However, Shatta Wale questioned the practicality of this choice, dismissing it as unwise.

Shatta Wale shared that he prefers not to spend money on expensive cars, instead focusing on investing in real estate.

He boasted about the number of houses he has built, emphasizing that, in his view, real estate is a more valuable investment than cars.

He argued that cars hold little significance for him, despite having purchased several over the years, including multiple Range Rovers, a Benz, and a Land Cruiser. He implied that these vehicles are not true assets, as they tend to depreciate in value over time.

Panamera be your dream car? Shatta Wale questions Sarkodie and brags about buying several houses but despite his wealth, he won't buy expensive cars like a Lamborghini, Bugatti, or Rolls Royce to impress anyone. pic.twitter.com/GUr5VpxEdz

— EDHUB🌍ℹ (@eddie_wrt) August 16, 2024

Whenever these two A-list artists clash, they capture the public’s attention, often leading to the release of diss tracks. Shatta Wale previously targeted Sarkodie in a diss track titled “Little Tip,” where he fiercely criticized the rapper. Sarkodie responded with “Advice,” a track widely regarded as a more powerful retort.

Since then, Shatta Wale has seized every opportunity to attack Sarkodie, as well as other musicians. Sarkodie, however, has been more restrained in his responses, often using music collaborations to subtly address Shatta Wale’s remarks. Known for his naturally reserved demeanor, Sarkodie rarely responds directly to his critics.

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Ghanaian artist Shatta Wale is set to perform at Emmanuel Adebayor’s retirement concert in Lome, Togo. The event, known as the Jubilee Concert, is part of a series of programs celebrating Adebayor’s retirement from professional football. The former Arsenal and Tottenham Hotspur striker officially retired last year but postponed his retirement celebrations to June 2024.

The Jubilee celebrations will begin on June 19 with a youth marathon and a special female football tournament. The main event will be a grand concert at the Stade de Kegue in Lome, featuring performances by Shatta Wale and other renowned artists. Shatta Wale confirmed his participation in a video shared on Adebayor’s TikTok page.

When Adebayor retired last year, he released a press release saying: “My professional career has come to an end. We have lived together moments of joy and intense emotions, in my respective clubs as well as with the selection of the Togolese National Team.

“At this moment when I am preparing to open a new page of my life, I would like to express my gratitude to everyone, from near or far. A great way to celebrate this moment would be to invite you all to the jubilee that the SEA Foundation is organizing to mark the end.

“Join me in June 2024 for this grandiose event which will take the form of a sports festival for the promotion of values of peace, stability and cohesion between the peoples of Africa. Several activities are on the program for this jubilee, culminating in a gala match which will bring together in Lomé the big names in the world of football.”

@e_adebayor Validate the love of those who understand your value and leave the rest who love to devalue you. It’s levels to this Sh** Where you think you are, We have already been and laid the path for you.⭐️✨⭐️❤️ #SEA #❤️❤️ #⭐️⭐️ ♬ original sound – Sheyi Emmanuel Adebayor

Adebayor’s career began at Togolese side AC Merlan Lome before moving to Europe to join FC Metz. His illustrious career included stints at Monaco, Real Madrid, and several Premier League clubs such as Arsenal, Manchester City, Tottenham Hotspur, and Crystal Palace. He also played for Turkish teams Istanbul Basaksehir and Kayserispor, and South American club Olimpia Asuncion. Adebayor returned to Togo to play for AC Semmasi before retiring from professional football.

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London’s Lighthouse Theatre witnessed an electrifying night of music on Monday, May 6, 2024, as Ghanaian music icons Daddy Lumba, Medikal, and Samini headlined a remarkable Legends Night.

The audience was treated to a diverse musical journey, ranging from traditional Ghanaian rhythms to contemporary Afrobeats and hip-hop, as artists like Shatta Wale, Joint 77, and Medikal graced the stage alongside the legends.

With over 30 albums to his name, Daddy Lumba’s profound impact on Ghanaian music was celebrated throughout the evening, with each performer paying homage to his legacy.

Shatta Wale‘s surprise performance and heartfelt tribute to Daddy Lumba, echoed by other notable artists like Sarkodie and Stonebwoy, garnered a standing ovation, highlighting the enduring influence of these music legends.

The Legends Night in London not only celebrates Ghana’s rich musical heritage but also serves as a unifying event, bringing together fans and music enthusiasts from around the globe to rejoice in the growth and vitality of Ghanaian music.

 

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Ghanaian sensation Medikal has achieved a groundbreaking milestone in his music journey, packing London’s iconic O2 Indigo venue with a capacity crowd of 2,800 for his inaugural UK headline performance on May 3, 2024.

In a historic first for Ghanaian music, Medikal’s electrifying presence on stage drew fans from far and wide, illuminating the O2 Indigo with a celebration of his unparalleled talent and global impact.

Joined by esteemed peers such as Sarkodie and Shatta Wale, Medikal’s sold-out show solidifies his status as a frontrunner in the Ghanaian music scene.

Renowned for his dynamic rap delivery and infectious energy, Medikal’s rise to fame has been further propelled by his latest album, “Planning & Plotting,” sparking an overwhelming demand for tickets to his London debut.

Renowned entertainment analyst Yaw Boadu-Ayeboafoh emphasized the significance of Medikal’s achievement: “This milestone is monumental, not only for Medikal but for the entire Ghanaian music industry. It sets a precedent and inspires others to aim for similar heights.”

Medikal sold out O2 arena 🔥🔥 pic.twitter.com/vRzr9OSig8

— BeautyPill🦚💙 (@_ADWOA10) May 3, 2024

The resounding success of Medikal’s sold-out concert underscores the growing global appeal of Ghanaian music and promises exciting opportunities for the artist and his peers as they continue to make their mark on the international stage.

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