The controversy began after Adekunle Gold released “Life of the Faaji,” a track off his newly dropped Fuji Xtra project. On the song, one particular line quickly caught listeners’ attention: “They love my fuji, this no be Fuji Moto.”

For many fans, the reference was interpreted as a subtle dig at Seyi Vibez’s 2025 project Fuji Moto, which also explored Fuji-inspired street-pop sounds. The comparison immediately triggered online debates, with listeners dissecting possible subtext behind the lyric.

Not long after the discussions gained momentum, Seyi Vibez reacted on X (formerly Twitter), strongly expressing his displeasure. In a series of posts, he directly called out Adekunle Gold in unusually harsh terms.

“Adekunle Gold you’re wack. And your swag is wack. Old fool!” he wrote.

He followed up with additional remarks, escalating the situation further: “Adekunle panda Egbon ofo! Egbon ya.”

The exchange has since fuelled conversations across social media, especially given both artists’ recent focus on Fuji-inspired sounds.

Adekunle Gold’s 2025 Fuji album introduced a refined blend of traditional Fuji elements with Afrobeats and pop, while Seyi Vibez’s Fuji Moto leaned into a more street-pop interpretation of the same influence.

The overlapping themes had already drawn comparisons between both projects, but the latest development has now pushed those comparisons into open tension.

As of the time of reporting, Adekunle Gold has not responded publicly to Seyi Vibez’s comments, leaving fans divided and watching closely for what could happen next in the unfolding exchange.

 

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The event, held on May 1 at Police College Ikeja, drew a vibrant crowd of fans who came out to experience the energy of street culture and live performances from a mix of rising acts and established names.

Midway into the night, the spotlight shifted to a special moment of recognition. Representatives from Audiomack stepped forward to honour Seyi Vibez with multiple plaques, marking his incredible streaming achievements on the platform.

The singer received awards for surpassing 500 million, 1 billion, and 2 billion streams, a feat that officially cements his status as Audiomack’s most-streamed artist.

Riding high on the moment, Seyi Vibez made his entrance with his hit track “Happy,” instantly igniting the crowd. The atmosphere turned electric as fans sang word-for-word, matching his energy throughout the performance.

He kept the momentum going with a string of fan-favourite songs, turning the venue into a chorus of voices and movement.

One of the standout highlights of the night came when he brought out his signee, Muyeez. The duo delivered a lively performance of their collaboration, “Instagram,” adding another memorable moment to an already charged set.

From the roaring crowd to the milestone recognition, the night felt like a full-circle celebration of Seyi Vibez’s journey — one powered by the streets and amplified by his growing global audience.

🚨Seyi Vibez received triple milestone plaques from Audiomack for 2B, 1B and 500M streams at the Mainland Block Party 👏🏽 pic.twitter.com/YyqXslJsgp

— HYPETRIBE (@hypetribeng) May 2, 2026

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According to data from Nigeria’s leading music chart publication, TurnTable Charts, the singer’s debut and sophomore albums have emerged as the most-streamed records since digital music consumption skyrocketed.

At the very top sits Asake’s 2023 sophomore album ‘Work of Art,’ which has racked up a staggering 661.2M streams. Lauded by both fans and critics, the album continues to appear on the upper echelons of streaming charts, proving its enduring appeal. His debut, ‘Mr Money With The Vibe,‘ isn’t far behind, claiming the second spot with 634M streams, while his third album, ‘Lungu Boy‘, secures the sixth position with 387M streams.

This remarkable dominance underscores Asake’s emergence as an era-defining star, one whose music has reshaped Afrobeats’ soundscape while tipping the industry’s commercial balance in his favor. Spotify Nigeria’s recent data further validates this, naming him the most-streamed artist of all time on the platform since its Nigerian launch in 2021.

Asake first broke into the mainstream with his hit EP ‘Ololade Asake‘ in January 2022. With a vibrant blend of energetic rap flows and smooth Fuji-inflected melodies, alongside producer Magicsticks’ masterful use of log drums, he delivered hit singles that propelled him to superstar status.

With three albums in the top 10, Asake is clearly the king of Nigeria’s streaming era and one of the most defining figures in contemporary Nigerian pop music.

While Asake dominates with three entries in the top six, other Nigerian stars also make their mark. Burna Boy logs three albums, with two landing in the top 10: his 2022 hit-filled album ‘Love, Damini‘ at No. 4 (436.8M streams) and 2023’s ‘I Told Them’ at No. 9 (308M streams). His 2020 Grammy-winning album ‘Twice As Tall‘ rounds out his entries at No. 19 (235.3M streams).

Other multiple-entry artists include Davido, whose fourth album ‘Timeless‘ ranks fifth (428M streams), while his fifth album ‘5IVE‘ appears at No. 15 despite being released in 2025. Wizkid claims two spots with his sixth album ‘Morayo‘ at No. 10 (301.4M streams) and ‘Made In Lagos‘ at No. 13 (264.1M streams). Seyi Vibez also features twice: ‘Billion Dollar Baby‘ at No. 8 (331.1M streams) and ‘Thy Kingdom Come‘ at No. 17 (245M streams).

Here’s the full rundown of the Top 20 Most Streamed Albums in Nigeria Since 2020:

1. Asake – ‘Work Of Art’ – 661.2M
2. Asake – ‘Mr Money With The Vibe’ – 634.4M
3. Omah Lay – ‘Boy Alone’ – 512.6M
4. Burna Boy – ‘Love, Damini’ – 436.8M
5. Davido – ‘Timeless’ – 428.5M
6. Asake – ‘Lungu Boy’ – 387.4M
7. ODUMODUBLVCK – ‘EZIOKWU’ – 346.6M
8. Seyi Vibez – ‘Billion Dollar Baby’ – 331.1M
9. Burna Boy – ‘I TOLD THEM’ – 308M
10. Wizkid – ‘Morayo’ – 301.4M
11. Young Jonn – ‘Jiggy Forever’ – 271.6M
12. Kizz Daniel – ‘Maverick’ – 266.4M
13. Wizkid – ‘Made In Lagos’ – 264.1M
14. BNXN – ‘Sincerely, Benson’ – 260M
15. Davido – ‘5ive’ – 252.7M
16. Fireboy – ‘Playboy’ – 246.5M
17. Seyi Vibez – ‘Thy Kingdom Come’ – 245M
18. ⁠MohBad – ‘Blessed’ – 241.9M
19. Burna Boy – ‘Twice As Tall’ – 235.3M
20. Rema – ‘HEIS’ – 230.1M

With numbers like these, Asake has cemented his place not just as a streaming titan but as a game-changer for Nigerian music in the digital age.

 

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A five-year retrospective, covering Spotify’s footprint in Nigeria from its launch in early 2021 to 2026, reveals the artists who have not just delivered hits but become the soundtrack to everyday life across Africa’s most populous nation. From Afrobeats heavyweights to “street-pop” sensations, these musicians have dominated playlists and speakers alike.

The top five most-streamed artists on Spotify Nigeria are

1. Asake
2. Wizkid
3. Seyi Vibez
4. Burna Boy
5. Davido

The data highlights a clear evolution in how Nigerians consume music, with indigenous sounds, high-energy Afrobeats, and street anthems leading the way.

Over the last five years, the availability of Nigerian artists on major streaming platforms has surged by over 150%, while total listening hours in the country hit a staggering 1.4 billion in 2025 alone.

These “Big Five” artists have not only set the bar for success but also proved the enduring loyalty of Nigerian audiences. Whether delivering soul-stirring melodies or pulsating street tracks, they’ve helped define the soundtrack of a generation and continue to shape the country’s music narrative.

 

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Each, he says, represents a different layer of his artistry, from global finesse to street-rooted authenticity and raw emotional expression.

In a candid interview on Yanga FM 89.9 Lagos, widely shared on social media, TML Vibez explained how these influences mirror his own evolving sound and identity.

“I get my inspiration from Wizkid, Asake, Olamide, and Seyi Vibez,” he stated, highlighting the quartet’s impact on his melodic, introspective style fused with raw street energy.

🚨TML Vibez Reveals His Biggest Music Inspirations:

Wizkid, Asake, Olamide & Seyi Vibez pic.twitter.com/3vUn99hj4E

— HYPETRIBE (@hypetribeng) January 28, 2026

The revelation also comes amid lingering fan tensions from TML Vibez’s past association with Seyi Vibez. The rising star initially gained prominence under Vibez Inc., Seyi Vibez’s imprint distributed through Dapper Music, dropping hits like “Goated” and “Where I’m From.” However, a messy split in 2025 fueled accusations of betrayal, with some fans branding TML a “Judas” for aligning more closely with Dapper after the separation.

Rumours about contract disputes, revenue disagreements, and blocked releases stirred heated debates online, fracturing the once-united NSNV (No Seyi No Vibez) fanbase.

Despite the drama, TML Vibez’s acknowledgement of his influences shows a grounded respect for the artists who paved the way, while signalling his intent to carve out a unique path in Afrobeats and street-pop.

TML Vibez on his current relationship with Seyi Vibez in recent interview pic.twitter.com/gH1RdcM1Uu

— NOTJUSTOK (@NOTJUSTOK) January 28, 2026

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The lyrics touch on success, gratitude, faith, and reflections on past struggles, with the “healer” representing a love that restores balance, clarity, and inner calm.

Seyi Vibez & Omah Lay – My Healer Lyrics

Intro
For my life
I was twenty-two
Love of my life, baby, my healer

Verse 1: Omah Lay
Tell me say you did not know that
They never told you
That I like my tea without sugar
You see a fashionista dressed like mad woman
You dey play, dey play with my moolah
I don’t play with my moolah (La-la-la, with my moolah)
I don’t play with my moolah (La-la-la, with my moolah)
My baby is my healer-ler-ler, she’s my healer-ler-ler
When I pray, I pray, na Hallelujah

Chorus: Seyi Vibez
I’ve been seeing the sign for my life
Rocking designer, Alhamdulillah
I was twenty-two, na the last time t’a ríra
Love of my life, baby, my healer
I’ve been seeing thе sign for my life
Rocking designer, Alhamdulillah
I was twеnty-two, na the last time t’a ríra
Love of my life, baby, my healer

Verse 2: Seyi Vibez
O ló nífẹ̀ẹ́ mi lọ́kàn, but you keep pulling my legs
I dey put you for my mind, ọmọ ọba dẹ̀ wà lótọ̀
And now everybody, ó máa ṣe tiẹ̀ lótọ̀
Celebration, pariwo, ọ̀pọ̀, ọ̀pọ̀
O ló nífẹ̀ẹ́ mi lọ́kàn, but you keep pulling my legs
I dey put you for my mind, ọmọ ọba dẹ̀ wà lótọ̀
And now everybody, ó máa ṣe tiẹ̀ lótọ̀
Celebration, pariwo, ọ̀pọ̀, ọ̀pọ̀

Bridge
I’ve been seeing the sign for my life
Rocking designer, Alhamdulillah
I was twenty-two, na the last time t’a ríra
Love of my life, baby, my healer

[Chorus: Seyi Vibez]
I’ve been seeing the sign for my life
Rocking designer, Alhamdulillah
I was twenty-two, na the last time t’a ríra
Love of my life, baby, my healer

[Outro: Choir]
For my life
I was twenty-two (Ooh)
Baby, my healer

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Built on warm Afro-fusion rhythms, atmospheric chords, and soft, airy percussion, My Healer carries a soothing yet deeply emotional energy. Seyi Vibez leans fully into his raw, spiritual delivery, pouring emotion into every line and giving the record a sense of comfort and restoration.

The production is clean and immersive, allowing both artists to glide effortlessly while maintaining that gritty, street-rooted authenticity fans love.

At its core, the song frames love as salvation. Both Seyi Vibez and Omah Lay paint their romantic partners as divine figures and sources of healing, peace, and emotional survival.

Omah Lay opens the track with a reflective verse that immediately sets the mood, drifting through memories of intimacy and vulnerability:

“Tell me say you did not know that /
They never told you /
That I like my tea without sugar /
You see a fashionista dressed like mad woman /
You dey play, dey play with my moolah /
I don’t play with my moolah /
My baby is my healer-ler-ler /
She’s my healer-ler-ler, when I pray /
I pray, na Hallelujah.”

One of the song’s most striking moments is its acapella section, where rich choral harmonies take centre stage, giving My Healer a subtle gospel-like feel that reinforces its theme of spiritual and emotional renewal.

Overall, My Healer is smooth, soulful, and addictive—balancing moody introspection with an easy groove that keeps pulling you back for another listen. It’s the kind of track that sneaks onto your playlist and refuses to leave, regardless of your usual taste.

Listen to ‘My Healer‘ HERE

Watch the music video below:

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Speaking on a recent episode of the What I Know podcast, Sodimu broke down the distinct strengths of the Afrobeats “Big 3,” Davido, Burna Boy, and Wizkid, noting that while all three wield enormous influence, their impact stretches in very different directions beyond music.

According to Sodimu, Burna Boy has cemented himself as a dominant global performer, celebrated for his commanding stage presence and international appeal, while Wizkid enjoys a unique, almost cult-like loyalty from his fanbase.

Davido, however, was described as an artist whose reach transcends entertainment.

“The Big 3 are all doing music for different reasons,” Sodimu said. “Burna Boy has conquered the stage, and he is very good. Wizkid is special. But Davido surpasses music.”

Sodimu argued that Davido’s deep grassroots connection, philanthropy, and ability to relate across social and economic classes could easily translate into political success if he ever chose to run for public office.

“If Davido ran for governor today, he would win. But I don’t think Burna Boy could win as a governor,” he added.

The comments echo earlier predictions by media entrepreneur and former senator Ben Murray-Bruce, who once suggested that Davido could eventually become governor of Osun State.

Such speculation is further fuelled by Davido’s political lineage, as his uncle, Ademola Adeleke, is the current governor of Osun State, reinforcing the belief that the Afrobeats superstar’s influence could one day extend fully into Nigerian politics.

“Burna Boy has conquered the stage and is good live. Wizkid is special. Davido surpasses music; if he ran for Governor today, he will win. I don’t think Burna Boy could win as Governor.”

– Seyi Sodimu pic.twitter.com/I5aMoDYDv7

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) January 19, 2026

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The track will drop on Wednesday, January 21, 2026, marking the first collaboration between two of Nigeria’s most distinctive and influential voices.

Tipped as one of the biggest Nigerian releases of the new year, My Healer arrives at a pivotal point in both artists’ careers and is already generating intense anticipation across the music industry.

For Omah Lay, the song signals a long-awaited return to the spotlight. After the global success of his Boy Alone (Deluxe) project in 2023, the Port Harcourt-born singer kept a relatively low profile throughout 2025. Aside from a handful of standout features, most notably on Davido’s Spotify-topping hit “With You,” Lay stepped back from the release cycle, leaving fans eager for the next evolution of his signature “purple” sound. My Healer now positions him firmly back at the center of the conversation.

Seyi Vibez, on the other hand, enters 2026 as a fully independent powerhouse. The “Chance (Na Ham)” hitmaker made headlines in late 2024 after his widely publicised exit from Dapper Music. Following a complete social media wipe and a rebrand under his self-owned Vibez Inc. imprint, My Healer stands as his first major collaborative statement since reclaiming creative control.

Sonically, the collaboration promises a compelling fusion of styles. Omah Lay’s introspective, emotionally charged Afro-fusion meets Seyi Vibez’s gritty street-pop energy, known for its spiritual undertones, Islamic chants, and pulsating percussion. Early reports suggest the track leans toward a mid-tempo, therapeutic groove, living up to its title by blending vulnerability, resilience, and raw emotion.

As the first blockbuster Nigerian pairing of 2026, industry observers are already predicting a strong debut on the Billboard U.S. Afrobeats Songs chart, with the record expected to resonate deeply across both mainstream and street audiences.

“My Healer” will be available on all major streaming platforms this Wednesday, setting the tone for what could be a defining year in Afrobeats.

 

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Held in partnership with the African Union Commission, the ceremony once again showcased the continent’s sonic dominance, from Afrobeats and Amapiano to Bongo Flava and Soukous.

The evening was a dazzling display of culture, with high-energy performances, heartfelt tributes, and a red carpet that saw stars stepping out in some of the continent’s finest fashion.

While Nigerian superstars dominated the spotlight, AFRIMA 2025 remained a truly pan-African affair, featuring talent from Rwanda, Senegal, Morocco, South Africa, and beyond.

“Tonight is not just about trophies; it’s about the unity of our culture and the strength of our voice on the global stage,” said AFRIMA President Mike Dada during the opening remarks.

The ceremony blended legendary icons with the “New Wave” of African music, underscoring the continent’s vibrant present and promising future.

Hosts & Media Personalities

• Enioluwa Adeoluwa
• Claudia Naisabwa
• Tosyn (The Style Infidel)
• Ariane Celeste Moua
• Olisa Adibua
• Juliet Ibrahim
• Annie Macaulay

Musicians & Performers

• Rema
• Seyi Vibez
• Shallipopi
• Phyno
• Yemi Alade
• Patoranking
• Falz
• Qing Madi
• Jazzman
• Adewale Ayuba
• Jux
• Cindy Le Coeur
• Gaise Baba
• Kunmie
• Chella
• Element Eleéh
• Weeha

Notable Figures & Dignitaries

• Mike Dada (AFRIMA President)
• Jonny Baxter (British Deputy High Commissioner)
• Simon Field (UK Deputy Head of Mission)
• Ambassador Anna Westerholm (Sweden)
• Toke Benson-Awoyinka (Lagos State Commissioner for Tourism)
• Ayo Animashaun (CEO, HipTV)
• Kenny Ogungbe
• Dayo Adeneye

AFRIMA 2025 was more than an awards show — it was a celebration of African music’s power, diversity, and global influence, uniting performers, industry figures, and dignitaries in a night to remember.

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Speaking during a TikTok livestream, Rexxie claimed that Seyi Vibez was eager to spark a public back-and-forth with Asake, suggesting that the move was driven by a desire for clout rather than any genuine conflict.

He went on to describe Seyi Vibes’ rise in the music industry as largely “orchestrated,” arguing that the singer’s team carefully planned it.

According to the producer, those efforts to push a rivalry narrative ultimately fell flat because Asake refused to engage.

“Seyi Vibes’ blow was an orchestration and a bit of divine arrangement. It was orchestrated in the sense that those behind him planned it. It was well-planned.

Let’s not deceive ourselves. Seyi Vibes and his team even tried to force a beef with Asake but got snubbed. I don’t want to go into the details but, understandably, Seyi Vibes’ blow was orchestrated,” he stated.

Rexxie’s comments have since sparked debate among fans online, with many weighing in on the idea of manufactured rivalries in the music industry and how far some artists are willing to go in the race for relevance.

“Seyi vibez tried to even beef asake, but Asake no give ham face…… Seyi Vibez blow was pure grace and orchestration, like it was planned”

— Rexxie via TikTok live pic.twitter.com/g5M9PJ0ydF

— Dami’ Adenuga (@DAMIADENUGA) January 5, 2026

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With a new year in sight, the tech giant released its official list, capturing the digital trails music lovers left behind as they chased melodies, meanings, and the artists who moved them.

This year’s search trends paint a vivid picture of Nigeria’s ever-evolving musical appetite—one that stretches from pulsing Afrobeats to soul-stirring gospel, to the global reach of hip-hop.

It’s a blend as diverse as the nation itself, showing which sounds sparked curiosity and which names dominated conversations both online and offline.

Most Searched Songs in Nigeria – 2025

Leading the pack is a song that speaks directly to the soul. Google’s 2025 End-of-Year Trends crowned “Oluwatosin (Jesus Is Enough)” by Tkeyz featuring SteveHills as Nigeria’s most-searched song.

Its rise mirrors the country’s deep love for inspirational music tracks that offer comfort, uplift spirits, and echo in prayer rooms and playlists alike.

The rest of the list is a colourful mix of street anthems, Afrobeats favourites, and viral moments. Among them:

• “Joy Is Coming” — Fido
• “With You” — Davido ft. Omah Lay
• Shallipopi’s buzzing hit “Laho”
• “My Darling” — Chella
• Rema’s “Fun”
• “Arike”
• “Pity This Boy”
• Teni’s “Money”

These titles didn’t just trend—they shaped moments, sparked searches, and stayed on repeat across the country.

Most Searched Personalities (Artists) 2025

On the artist side, one name stood taller than the rest. Juma Jux, the Tanzanian sensation, emerged as Nigeria’s most-searched musician of the year—proof that his sound travelled far beyond borders and found a home in Nigerian playlists.

He wasn’t alone on the list. Others who commanded the nation’s attention include:

• Mr Eazi, ever the genre-blender and cultural force
• Mavo, whose breakout run made him impossible to ignore
• Fola, one of Afrobeats’ fastest-rising voices
• And a mix of actors, directors, and global celebrities such as Aaron Pierre, Chika Ike, Kim Sae Ron, Peju Ogunmola, and Teyana Taylor

Each name tells its own story of relevance, virality, or artistic momentum.

Most Searched Lyrics in Nigeria – 2025

When it came to lyrics, one song towered above the rest: “With You” by Davido featuring Omah Lay. Its emotional pull, cultural weight, and widespread replay value made it Nigeria’s most-searched lyrics query of the year.

Other lyrics that sent Nigerians to Google include:

• “Oluwatosin”
• XXXTentacion’s “Hope”
• “Joy Is Coming” — Fido
• “Favour It Surrounds Me Like a Shield”
• “Arike”
• XXXTentacion’s “Vice City”
• “Laho”
• “Shaolin” — Seyi Vibez
• “Day by Day” — Simi ft. Kizz Daniel

Still, none matched the tidal wave of interest behind Davido and Omah Lay’s collaboration, sealing its place as one of 2025’s defining musical moments.

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