Seyi Vibez has kicked off the SWAGUU era with a major streaming milestone, as his newly released album racked up 9.24 million global Spotify streams within its first day.

Released to strong anticipation, the project wasted little time making an impact, with its opening-day numbers further highlighting Seyi Vibez’s growing reach beyond Nigeria.

The album’s performance was even more striking on home soil, where SWAGUU recorded 7.73 million streams on Spotify Nigeria on its opening day.

That figure places the project as the fourth-biggest opening-day debut for an album on Spotify Nigeria, adding another significant streaming achievement to Seyi Vibez’s expanding catalogue.

With the album already delivering impressive numbers within its first 24 hours, Seyi Vibez has given the SWAGUU campaign a strong start as the project continues to reach listeners across Nigeria and beyond.

🚨 Biggest opening day streams of ALL TIME by albums on NG Spotify

1. 12.12M — Morayo @wizkidayo
2. 10.00M — M$NEY @asakemusik
3. 9.29M — 5ive @davido
4. 7.73M — SWAGUU @seyi_vibez 🚨🆕
5. 5.88M — Lungu Boy @asakemusik
6. 5.75M — Oriadé @davido
7. 5.03M — No Sign of Weakness @burnaboy
8. 4.98M — Olamidé @Olamide
9. 4.91M — Timeless @davido
10. 4.51M — REAL, Vol. 1 (EP) @wizkidayo @asakemusik
11. 4.32M — INDUSTRY MACHINE @Odumodublvck_
12. 3.9M — FUJI MOTO @seyi_vibez
13. 3.38M — CLARITY OF MIND @Omah_Lay
14. 3.21M — The Last Wun @1GunnaGunna
15. 3.00M — CAPTAIN @BNXN
16. 2.93M — I Told Them @burnaboy
17. 2.71M — HEIS @heisrema
18. 2.45M — Gen Z @zinoleesky01
19. 2.35M — Catharsis @Folapondis
20. 2.31M — adedamola @fireboydml
21. 2.27M — Work Of Art @asakemusik
22. 2.24M — Children of Africa (EP) @seyi_vibez
23. 2.13M — Starlife @vict0ny
24. 2.08M — S2(EP) @wizkidayo
25. 2.04M — Business @mavoswago
26. 1.86M — Ikigai / 生き甲斐, Vol. 1 @Olamide
27. 1.82M — Starrgirl @ayrastarr
28. 1.81M — Unruly @Olamide

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) September 19, 2026

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The singer confirmed that the new album will arrive on October 16, 2026, giving fans their first full look at what he has been preparing for his next chapter.

True to Kizz Daniel’s collaborative style, Radio Gidi brings together a mix of Nigerian talents and international acts. Among the names featured on the project are FOLA, Young Jonn, Krizbeatz, Wave Choir, Mannywellz, Kunmie, Qing Madi, Jahmiel, Tinie Tempah, Shatta Wale, Seyi Vibez, and BNXN.

The album also brings some interesting pairings. Young Jonn joins Kizz Daniel alongside Krizbeatz and Wave Choir on ‘Owo Oluwa,’ while Qing Madi links up with Jamaican dancehall singer Jahmiel for ‘Enough.’

Another notable collaboration comes on ‘Taba,’ where Kizz Daniel brings together Seyi Vibez and BNXN. Elsewhere, British rapper Tinie Tempah makes an appearance on ‘Brown Paper Bag,’ while Ghanaian dancehall heavyweight Shatta Wale features on ‘Te Amo.’

The 12-track project moves between solo records and collaborations, giving Kizz Daniel plenty of room to showcase different sides of his sound.

Kizz Daniel – Radio Gidi Tracklist

1. 48hrs
2. Lost Time feat. FOLA
3. In the Shower
4. Owo Oluwa feat. Young Jonn, Krizbeatz & Wave Choir
5. Area Code feat. Mannywellz & Kunmie
6. Forever (Can I)
7. Enough feat. Qing Madi & Jahmiel
8. Brown Paper Bag feat. Tinie Tempah
9. ABD
10. Te Amo feat. Shatta Wale
11. December
12. Taba feat. Seyi Vibez & BNXN

With 12 tracks and collaborations stretching from Nigeria to Ghana, Jamaica, the UK and the US, Radio Gidi is shaping up as another major addition to Kizz Daniel’s catalogue.

The album is officially scheduled to drop on October 16, 2026.

 

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The album keeps things relatively tight on features, with just one guest appearance across the project. American rapper Quavo joins Seyi Vibez on the title track, ‘Swaguu,’ creating an international link on the closing record.

SWAGUU gets underway with ‘Volume,’ an energetic introduction that sets the pace for a project largely rooted in the street-pop sound Seyi Vibez has continued to develop.

The tracklist moves through songs such as ‘GTA,’ ‘Diamonds,’ ‘Melanin,’ ‘God,’ ‘Pansa,’ ‘Ilome,’ ‘Alagia,’ ‘El Jaja,’ ‘Alubarika,’ ‘Akpan Akpari,’ and ‘Oble,’ before wrapping up with the Quavo-assisted title track.

The album also carries over some familiar material, with previously released songs ‘Back 2 U’ and ‘GTA’ included in the tracklist. While Back 2 U leans into a more emotional street-pop direction, the inclusion of both records gives the new project a sense of continuity.

There are also moments where Seyi Vibez steps away from the relentless hustle energy. ‘God,’ the fifth track, offers a more reflective pause, while songs such as ‘Alubarika’ return to the themes of ambition, survival, and the realities that have become central to his music.

Burna Boy’s presence behind the project is perhaps one of its biggest talking points. Beyond their musical connection, Burna has served as a mentor figure to Seyi Vibez, with the younger singer previously speaking about advice he received from the Grammy winner, including the need to keep moving forward and avoid showing weakness.

For Seyi Vibez, “SWAGUU” adds another chapter to a run that began with his 2019 debut single ‘Anybody’ and accelerated through projects such as Billion Dollar Baby and Thy Kingdom Come.

Following a steady stream of releases and collaborations throughout 2026, SWAGUU arrives as Seyi Vibez continues to expand the sound and identity that have established him as one of Nigeria’s prominent street-pop voices.

Listen to the “Swaguu” album HERE

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The new single arrives shortly after GTA, released in July, and comes as Seyi Vibez shifts attention back to his own catalogue following a run of collaborations and guest appearances.

Produced by Mally Mall, Swam, OnlyForHonesty, and Krisvin Joseph, BACK 2 U takes a smoother route than some of the rapper-singer’s more energetic street records.

The production settles into a warm mid-tempo groove, combining Afrobeats percussion, subtle dancehall touches, and deep bass while leaving plenty of room for Seyi Vibez’s distinctive vocal delivery.

Rather than chasing an overly aggressive sound, the track allows his chants and melodies to sit at the centre of the record. He moves comfortably between Yoruba expressions, street language, and soulful vocal moments, giving the song an intimate quality.

Thematically, BACK 2 U finds Seyi Vibez reflecting on reconciliation, staying connected to his roots and remaining grounded despite the rapid changes that have come with his success.

There is a sense of looking inward as he considers the journey so far and the importance of not losing touch with where he came from.

With BACK 2 U, Seyi Vibez once again shows his ability to turn everyday emotions and street experiences into accessible melodies. It is a laid-back but heartfelt addition to his growing 2026 catalogue.

Listen to “Back 2 U” HERE

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Below are the nominees for the highly anticipated ceremony, which is scheduled to take place in Canada.

Album of the Year

• Catharsis — Fola
• Clarity of Mind — Omah Lay
• G.O.A.T — Erigga
• Morayo — Wizkid
• The Machine Is Coming — Odumodublvck
• This One Is Personal — Tiwa Savage
• No Sign of Weakness — Burna Boy

Best Rap Single

• 2:02PM in London — Odumodublvck
• ACL — Blaqbonez
• Man2Man — Dremo
• PDSTRN — Moshood
• Nkemakonam — Tuff King
• Wuse Tu — Zaylevelten, Mavo
• John Wick — Zhus Jdo

Song of the Year

• Arike — Kunmie
• Hey Jago — Poco Lee, Shoday & Rahman Jago
• Hot Body — Ayra Starr
• Joy Is Coming — Fido
• MMS — Asake & Wizkid
• With You — Davido & Omah Lay

Afrobeats Single of the Year

• Fun — Rema
• Jogodo — Asake & Wizkid
• Laho — Shallipopi
• With You — Davido & Omah Lay
• You — Fola
• Bundle by Bundle — Burna Boy

Best Performer (Live)

• Adekunle Gold — Live at the National Theatre, Lagos
• Asake — Red Bull Symphonic
• Ayra Starr — Global Citizen Festival 2025
• Johnny Drille — Johnny’s Room Live 6
• Ruger — Live at Indigo at The O2, London (2025)

Best R&B Album

• Before We Became Strangers — Kunmie
• Catharsis — Fola
• Qing Madi — I Am the Blueprint
• Love Is a Kingdom — Tems
• Reflection Station — Tay Iwar
• This One Is Personal — Tiwa Savage

Best Recording of the Year

• Arike — Kunmie
• Amaeya — How Do You?
• Rema — Baby (Is It a Crime)
• Omah Lay & Elmah — Coping Mechanism
• Davido & Omah Lay — With You
• Fola — You

Best Alternative Album

• SDC — Afrika Magik
• Sewa — Detox
• BOJ — Duplicity
• Wizard Chan — Healers Chapel
• Scottyolorin — Olorin Pack
• Zaylevelten — Then 1t Got Crazy

Digital Artiste of the Year

• Asake
• Ayra Starr
• BNXN
• Chella
• Fola
• Mavo
• Seyi Vibez
• Wizkid

Next Rated

• Fido
• Fola
• Llona
• Mavo
• Shoday

Best Male Artiste

• Adekunle Gold
• Asake
• Fola
• Mavo
• Rema
• Wizkid
• Burna Boy

Rookie of the Year

• Amma
• Danpapa GTA
• Firstklaz
• Kidd Carder
• NO11
• Priesst
• OG Abbah

Best R&B Single

• 6:35 — Layefa
• How Do You? — Amaeya
• I Love You — Amma
• What You Need — Tems
• Winter & Summer — Magixx
• You4Me — Tiwa Savage

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Best Vocal Performance (Female)

• Layefa — 6:35
• Amaeya — How Do You?
• Sewa — Lagos Lovin
• Qing Madi — Scumbag
• Liya — Skin to Skin
• Tiwa Savage — You4Me

Best Inspirational Single

• Sunmisola Agbebi & Yinka Okeleye — Amioluwa
• Lawrence Oyor — Favour
• Sinach — Idinma (You Are Good)
• Emma OMG — Ko’rin Iyin (I Will Praise You)
• Gaise Baba & Lawrence Oyor — No Turning Back II
• Mercy Chinwo — We Move

Best Vocal Performance (Male)

• Adekunle Gold — I’m Not Done
• Flavour — Orente
• Magixx — Summer & Winter
• Odeal — Patience
• Syemca — Love Egbugomo
• Tay Iwar — Bad Belle

Producer of the Year

• Magicsticks — Jogodo
• P. Priime — MMS
• Ragee — Hot Body
• Sarz — Getting Paid
• Tempoe — With You

Best Collaboration

• CKay & Mavo — Body (Danz)
• Mavo & Wave$tar — Escaladizzy
• Poco Lee, Shoday & Rahman Jago — Hey Jago
• Odumodublvck & Victony — Pity This Boy
• Davido & Omah Lay — With You
• Mr Eazi & King Promise — See What We’ve Done
• Chief Priest & Spyki — Finally

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Afrobeats Album of the Year

• 5ive — Davido
• Captain — BNXN
• Clarity of Mind — Omah Lay
• Fuji — Adekunle Gold
• Morayo — Wizkid
• No Sign of Weakness — Burna Boy

Best Female Artist

• Ayra Starr
• Qing Madi
• Sewa
• Tems
• Teni
• Tiwa Savage

Lyricist on the Roll

• Blaqbonez — ACL
• Dremo — Man2Man
• Modenine — If You Like Gym (w/ Odumodublvck)
• PDSTRN — Moshood
• Ycee — Man2Man Remix (w/ Dremo)

Best Rap Album

• Tuff King — Black Sheepizen (The 13th Disciple)
• A-Q — GE3 (The Beginning)
• Erigga — G.O.A.T
• JeriQ — King
• Blaqbonez — No Excuses
• Odumodublvck — The Machine Is Coming

Best Street-Hop Artiste

• Famous Pluto — Na Scra
• Kashcoming — All My Money
• Poco Lee — Hey Jago (w/ Shoday & Rahman Jago)
• Seyi Vibez — Shaolin
• Shallipopi — Laho
• Tuff King — Nkemakonam
• Rybeena — Gaddem (w/ Shoday)

International Artiste of the Year

• Ciara
• Dave
• Gunna
• Jazmine Sullivan
• Shenseea
• Tiakola

Best Southern African Artist

• ​Ciza 🇿🇦
• ​DJ Maphorisa 🇿🇦
• ​Jazzwrld 🇱🇸
• ​Kabza De Small 🇿🇦
• ​Tyla 🇿🇦
• ​Uncle Waffles 🇸🇿

​Music Video of the Year

• ​Director Pink — 10 Kilo
• ​TG Omori — Afroculture
• ​DK — Bundle by Bundle
• ​Jyde Ajala — Wizard Chan
• ​Meji Alabi — Who’s Dat Girl
• ​Dammy Twitch — With You

​Best Alternative Song

• ​Cyk Baddie — Luwa.mp4 & Jeleel!
• ​Sewa — Lagos Lovin
• ​Wizard Chan — Oliver
• ​Blnde — Omo To Sexy
• ​Wave$tar — Prada Baby
• ​Obongjayar — Sweet Danger
• ​Chief Priest, Boypee & Zoro Swagbag — Summer Adina

Best West African Artiste

• ​Black Sherif 🇬🇭
• ​Himra 🇨🇮
• ​KiDi 🇬🇭
• ​King Promise 🇬🇭
• ​Moliy 🇬🇭
• ​Wally B. Seck 🇸🇳
• ​Stonebwoy 🇬🇭

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The singer took to X again, challenging his former label boss to address the accusations directly rather than allowing the matter to fade from public attention.

Shallipopi maintained that he was willing to have the conversation openly and wanted the issues surrounding his earnings and other concerns properly addressed.

In one of his posts, the singer called on Dapper to confront the matter, arguing that repeated occurrences should not be dismissed as isolated incidents.

“Once it’s a mistake. Two times is a coincidence. Three times its a pattern. Dapper, come outside right now.”

Once it’s a mistake
Two times is a coincidence
Three time it’s a pattern

Dapper come outside right now

— Shallipopi (@plutomaniapopi) August 17, 2026

Shallipopi followed up with another strongly worded message, stressing that he was determined to see the dispute through to its conclusion.

“I would rather d!e than allow this case to d!e down. Come out, let’s talk face to face.”

For this case to die make I just die bro

— Shallipopi (@plutomaniapopi) August 17, 2026

His latest comments come after Dapper recently responded to allegations raised by Shallipopi, Seyi Vibez, and other former artists associated with him.

Shallipopi also claimed that he had provided evidence connected to the dispute to the Economic and Financial Crimes Commission (EFCC), indicating that he wants the allegations subjected to formal investigation rather than remaining a subject of social media exchanges.

The singer further suggested that his situation was not an isolated case, alleging that several other artists had experienced similar unresolved issues with the executive. According to Shallipopi, close to 10 artists have raised concerns relating to their dealings with Dapper.

He also alleged that Dapper had avoided direct communication with him since 2024, claiming that previous efforts to settle the matter privately had failed to produce a resolution.

This dapper guy still come online come lie🤣
😂 u come defend ke, dapper we are almost 10 artist now saying similar stuff, please pay your lawyers well cause this war u go swim for gutter

— Shallipopi (@plutomaniapopi) August 16, 2026

Dapper boys dey find u🙏 come outside make we talk face to face make we appear for EFCC make we appear for court since 2024 u rip me I have not set my eyes on u, u have been running, running and running, hiding behind your keyboard and all the stolen money, I’m not a pussy boy, I…

— Shallipopi (@plutomaniapopi) August 17, 2026

Dapper, however, has maintained that he has nothing to conceal and that records concerning the allegations are already in the hands of the relevant authorities.

“I have nothing to hide. The records exist. The authorities have them. Let the process establish the truth.”

The executive has also rejected claims made by his former artists, accusing them of presenting what he described as false narratives while insisting that those who left his label did so voluntarily.

With both sides maintaining their positions, the dispute now appears to be moving beyond social media exchanges, with attention turning to the evidence and any formal proceedings that may ultimately establish what transpired.

This post appeared first on Mp3bullet.ng... Read Original post on Shallipopi Challenges Dapper Damm to Address Ongoing Dispute.

Packed with intensity, the track captures the artist’s signature blend of street wisdom and melodic delivery.

Drawing inspiration from the unpredictable nature of the popular video game Grand Theft Auto, the lyrics see Seyi Vibez reflect on the highs and lows of his journey. He explores the realities of fame, financial success, and personal growth while acknowledging the role of faith in helping him overcome obstacles.

Along the way, the song touches on ambition, resilience, romance, and the determination to keep moving forward despite life’s challenges, ultimately delivering a message of gratitude, confidence, and perseverance.

Seyi Vibez – “GTA” Lyrics

I don go many places
I don see many faces
Real life GTA
Mo da bi grand theft auto
Gamer!
I don go many places
I don see many faces
Real life GTA
Mo da bi grand theft auto

Automatically baby
Automatically baby
Mo ma jẹṣẹ yẹn
Toyin Tomato

Uh uh (Uh uh)
Baby mọ pe aye pọ gan-an
I can never joke with this your love
Carry me go, carry me comot
Anything you want ba mi sọrọ
Uh uh uh
No suffocation
I dey go jẹjẹ o ọmọ Eko
Carry me for yansh sisi Debo
Oh, Fujiana

Mo ya wo kọrin ki n to ṣaṣela
Right now Ẹmi Mimọ bale mi
All white dressed and I wan party
Awọn ọmọ oro n cho wọn wọ Frank Muller
Mo ta tan sibẹ ki n le gba mulla
Latọmọde mo ti jọba
Latọmọde mo ti jọba, ah
Fujiana ko ṣe normal

I don go many places
I don see many faces
Real life GTA
Mo da bi grand theft auto
Gamer!
I don go many places
I don see many faces
Real life GTA
Mo da bi grand theft auto

Automatically baby
Automatically baby
Mo ma jẹṣẹ yẹn
Toyin Tomato

Jẹjẹ iwọ lo ma jere Iṣẹ rẹ
Akaba tun dẹ la wa fi gbera
Baba lo ma mọ bo ṣe jẹ
Ilahi la n pe o dẹ ma gbe e wa
Ẹ ran mi niṣẹ mo dẹ n jẹ ẹ
Akaba tun dẹ la wa fi gbera
Baba lo ma mọ bo ṣe jẹ
Ilahi la n pe o dẹ ma gbe e wa

Jẹjẹ iwọ lo ma jere Iṣẹ rẹ
Akaba tun dẹ la wa fi gbera
Baba lo ma mọ bo ṣe jẹ
Ilahi la n pe o dẹ ma gbe e wa
Ẹ ran mi niṣẹ mo dẹ n jẹ ẹ
Akaba tun dẹ la wa fi gbera
Baba lo ma mọ bo ṣe jẹ
Ilahi la n pe o dẹ ma gbe e wa

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Released through NSNV Inc. and EMPIRE, the record draws inspiration from the popular Grand Theft Auto video game series, using its themes of speed, risk, and survival as a reflection of the realities of street ambition.

Produced by longtime collaborator Larry Lanes, GTA arrives with a powerful sonic identity built around explosive Afrosounds and gritty street-hop influences. The production combines heavy basslines, sharp percussion patterns, and an unpredictable rhythm that creates a fast-moving atmosphere for Seyi Vibez to showcase his energetic performance style.

The singer takes full advantage of the production, delivering his trademark chants, layered ad-libs, and commanding vocal runs that keep the track moving from start to finish. His performance carries the urgency and confidence that have become central to his growing influence within the Nigerian music scene.

 

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Lyrically, Seyi Vibez paints a picture of life driven by ambition, survival, and the pursuit of success. He blends Yoruba expressions, modern street language, and vivid storytelling to highlight the struggles and determination of those navigating difficult environments while chasing bigger dreams.

Rather than following conventional formulas, GTA leans into the raw energy and unpredictability that have helped define Seyi Vibez’s artistry. The song embraces his ability to connect with listeners through honest narratives and infectious street anthems.

With its aggressive production, memorable delivery, and relatable message of hustle and resilience, GTA further strengthens Seyi Vibez’s reputation as one of the most consistent voices in Nigeria’s new generation of artists, continuing his run of records that connect deeply with fans across different spaces.

Listen to “GTA” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Seyi Vibez Drops High-Energy New Single ‘GTA’.

The collaboration brings together two figures whose influence extends deep into Nigeria’s youth culture. With Poco Lee serving as a key tastemaker in street entertainment and Seyi Vibez continuing his rise as one of the leading voices of modern street-pop, the partnership feels like a natural meeting point of music, movement, and culture.

At its core, Opera Mini draws inspiration from a familiar symbol for many Nigerians. Borrowing its title from the once-popular mobile browser that helped millions access the internet with limited data, the song taps into a wave of nostalgia while connecting with the realities of everyday life and ambition.

The production wastes little time making its presence felt. Driven by pounding street-hop drums, energetic percussion, and sharp synth melodies, the instrumental creates an atmosphere that mirrors the fast pace of life in Lagos. The record is loud, energetic, and designed to keep listeners engaged from start to finish.

Seyi Vibez takes center stage with a commanding performance, delivering his verses in a signature chant-like style that blends street language with cultural and spiritual references. His vocal approach injects the track with authenticity, reinforcing the connection between the music and the communities it represents.

Beyond its infectious rhythm, Opera Mini carries a message that resonates with many young Nigerians. The title becomes a metaphor for navigating challenges, finding opportunities in difficult circumstances, and staying connected to one’s goals despite obstacles. Through this lens, the song transforms into a celebration of determination, resourcefulness, and the hustle mentality that defines countless success stories.

With its high-energy production, relatable themes, and undeniable street appeal, Opera Mini arrives as more than just a collaboration. It is a soundtrack for the movers, dreamers, and go-getters who continue to push forward, making it a strong contender for playlists, street parties, festivals, and dance challenges alike

Listen to “Opera Mini” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Poco Lee & Seyi Vibez Light Up the Streets With “Opera Mini”.

The controversy began after Adekunle Gold released “Life of the Faaji,” a track off his newly dropped Fuji Xtra project. On the song, one particular line quickly caught listeners’ attention: “They love my fuji, this no be Fuji Moto.”

For many fans, the reference was interpreted as a subtle dig at Seyi Vibez’s 2025 project Fuji Moto, which also explored Fuji-inspired street-pop sounds. The comparison immediately triggered online debates, with listeners dissecting possible subtext behind the lyric.

Not long after the discussions gained momentum, Seyi Vibez reacted on X (formerly Twitter), strongly expressing his displeasure. In a series of posts, he directly called out Adekunle Gold in unusually harsh terms.

“Adekunle Gold you’re wack. And your swag is wack. Old fool!” he wrote.

He followed up with additional remarks, escalating the situation further: “Adekunle panda Egbon ofo! Egbon ya.”

The exchange has since fuelled conversations across social media, especially given both artists’ recent focus on Fuji-inspired sounds.

Adekunle Gold’s 2025 Fuji album introduced a refined blend of traditional Fuji elements with Afrobeats and pop, while Seyi Vibez’s Fuji Moto leaned into a more street-pop interpretation of the same influence.

The overlapping themes had already drawn comparisons between both projects, but the latest development has now pushed those comparisons into open tension.

As of the time of reporting, Adekunle Gold has not responded publicly to Seyi Vibez’s comments, leaving fans divided and watching closely for what could happen next in the unfolding exchange.

 

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The event, held on May 1 at Police College Ikeja, drew a vibrant crowd of fans who came out to experience the energy of street culture and live performances from a mix of rising acts and established names.

Midway into the night, the spotlight shifted to a special moment of recognition. Representatives from Audiomack stepped forward to honour Seyi Vibez with multiple plaques, marking his incredible streaming achievements on the platform.

The singer received awards for surpassing 500 million, 1 billion, and 2 billion streams, a feat that officially cements his status as Audiomack’s most-streamed artist.

Riding high on the moment, Seyi Vibez made his entrance with his hit track “Happy,” instantly igniting the crowd. The atmosphere turned electric as fans sang word-for-word, matching his energy throughout the performance.

He kept the momentum going with a string of fan-favourite songs, turning the venue into a chorus of voices and movement.

One of the standout highlights of the night came when he brought out his signee, Muyeez. The duo delivered a lively performance of their collaboration, “Instagram,” adding another memorable moment to an already charged set.

From the roaring crowd to the milestone recognition, the night felt like a full-circle celebration of Seyi Vibez’s journey — one powered by the streets and amplified by his growing global audience.

🚨Seyi Vibez received triple milestone plaques from Audiomack for 2B, 1B and 500M streams at the Mainland Block Party 👏🏽 pic.twitter.com/YyqXslJsgp

— HYPETRIBE (@hypetribeng) May 2, 2026

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According to data from Nigeria’s leading music chart publication, TurnTable Charts, the singer’s debut and sophomore albums have emerged as the most-streamed records since digital music consumption skyrocketed.

At the very top sits Asake’s 2023 sophomore album ‘Work of Art,’ which has racked up a staggering 661.2M streams. Lauded by both fans and critics, the album continues to appear on the upper echelons of streaming charts, proving its enduring appeal. His debut, ‘Mr Money With The Vibe,‘ isn’t far behind, claiming the second spot with 634M streams, while his third album, ‘Lungu Boy‘, secures the sixth position with 387M streams.

This remarkable dominance underscores Asake’s emergence as an era-defining star, one whose music has reshaped Afrobeats’ soundscape while tipping the industry’s commercial balance in his favor. Spotify Nigeria’s recent data further validates this, naming him the most-streamed artist of all time on the platform since its Nigerian launch in 2021.

Asake first broke into the mainstream with his hit EP ‘Ololade Asake‘ in January 2022. With a vibrant blend of energetic rap flows and smooth Fuji-inflected melodies, alongside producer Magicsticks’ masterful use of log drums, he delivered hit singles that propelled him to superstar status.

With three albums in the top 10, Asake is clearly the king of Nigeria’s streaming era and one of the most defining figures in contemporary Nigerian pop music.

While Asake dominates with three entries in the top six, other Nigerian stars also make their mark. Burna Boy logs three albums, with two landing in the top 10: his 2022 hit-filled album ‘Love, Damini‘ at No. 4 (436.8M streams) and 2023’s ‘I Told Them’ at No. 9 (308M streams). His 2020 Grammy-winning album ‘Twice As Tall‘ rounds out his entries at No. 19 (235.3M streams).

Other multiple-entry artists include Davido, whose fourth album ‘Timeless‘ ranks fifth (428M streams), while his fifth album ‘5IVE‘ appears at No. 15 despite being released in 2025. Wizkid claims two spots with his sixth album ‘Morayo‘ at No. 10 (301.4M streams) and ‘Made In Lagos‘ at No. 13 (264.1M streams). Seyi Vibez also features twice: ‘Billion Dollar Baby‘ at No. 8 (331.1M streams) and ‘Thy Kingdom Come‘ at No. 17 (245M streams).

Here’s the full rundown of the Top 20 Most Streamed Albums in Nigeria Since 2020:

1. Asake – ‘Work Of Art’ – 661.2M
2. Asake – ‘Mr Money With The Vibe’ – 634.4M
3. Omah Lay – ‘Boy Alone’ – 512.6M
4. Burna Boy – ‘Love, Damini’ – 436.8M
5. Davido – ‘Timeless’ – 428.5M
6. Asake – ‘Lungu Boy’ – 387.4M
7. ODUMODUBLVCK – ‘EZIOKWU’ – 346.6M
8. Seyi Vibez – ‘Billion Dollar Baby’ – 331.1M
9. Burna Boy – ‘I TOLD THEM’ – 308M
10. Wizkid – ‘Morayo’ – 301.4M
11. Young Jonn – ‘Jiggy Forever’ – 271.6M
12. Kizz Daniel – ‘Maverick’ – 266.4M
13. Wizkid – ‘Made In Lagos’ – 264.1M
14. BNXN – ‘Sincerely, Benson’ – 260M
15. Davido – ‘5ive’ – 252.7M
16. Fireboy – ‘Playboy’ – 246.5M
17. Seyi Vibez – ‘Thy Kingdom Come’ – 245M
18. ⁠MohBad – ‘Blessed’ – 241.9M
19. Burna Boy – ‘Twice As Tall’ – 235.3M
20. Rema – ‘HEIS’ – 230.1M

With numbers like these, Asake has cemented his place not just as a streaming titan but as a game-changer for Nigerian music in the digital age.

 

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