The track is a powerful hip-hop anthem centered on resilience, growth, and hard-earned success.

Through sharp verses and confident delivery, the lyrics reflect overcoming hardship, mastering one’s craft, and boldly stepping into a season of elevation and reward.

Ladipoe & Maglera Doe Boy – Motho Waka Lyrics

Yeah
It’s
Ladies and gentlemen
Ladies and gentlemen
Boys and girls
Whachu knew…..

Ke fetsa tsoga Lagos a ke ko Kasi
Ke fetsa ho kadima tosso for Di pachi
Mashalla we survived these hardships
But inshalla they gone say we popping….
…..Move your body
Olopa wey dey for highway no fit stop
The success go silence the gossip
From Lagos to Josi
It’s popping

Ngwanyana wena o maka
O motwaka
Kao tlatsa nkao fasa
Ngwanyana wena o maka
Oomotwaka
Kao tlatsa nkao fasa

Celebrate
Give dem a reason to celebrate
Blow out the candles we share the cake o
Make all my people dem elevate so
Heavyweight I
Ali Bombaye
On my grown man shit since underage
Taste the sweet success that hunger made
Ask me if I’m ever going back
No way!
No brother
Messi
No 10 on the back of jersey
How we win at home and away on the journey
Made a big bag need to call my attorney
On God
Revival season
Me I just dey cook the rhymes with reason
Everywhere choke na why they’re wheezing
Here’s another toast to life increasing

Ngwanyana wena o maka
O motwaka
Kao tlatsa nkao fasa
Ngwanyana wena o maka
Oomotwaka
Kao tlatsa nkao fasa

Up in here
Omo kilo n pop ni be
Yeah they say they want smoke
But they unprepared
It’s about time
And I’ve come to share
When it’s time to resign I need company shares
You should know
It’s LADIPOE
Who else got drip as sick as the antidote
Who else make your girl slip off her pantyhose
With a core fanbase built on organic growth
Actually
Ain’t nobody in the chat can chat to me
When it comes to rap face facts I’m faculty
Body every track cos I aced anatomy
Still a science student recognize the mastery
Hey chauffeur
Eyes on the road you know that we ain’t sober
Tryna count stacks in the back of the Range
You think it’s game time I think it’s game over

Ngwanyana wena o maka
O motwaka
Kao tlatsa nkao fasa
Ngwanyana wena o maka
Oomotwaka
Kao tlatsa nkao fasa

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Translating to “My Person” in Setswana/Sotho, the title, sets the emotional and thematic tone from the outset—loyalty, identity, and brotherhood beyond borders.

This isn’t a collaboration built for algorithms; it’s a deliberate meeting of two artists cut from the same cloth, bonded by storytelling and lyrical intent rather than trend-chasing.

The production leans into a dark, boom-bap-inspired palette, echoing the lived realities of Lagos’ Mainland and Klerksdorp’s streets. Minimalist yet weighty, the beat rides on a haunting vocal sample and a deep, rolling bassline, leaving ample room for both rappers to flex precision and presence. Ladipoe opens the track with his trademark Leader of the Revival composure—calm, incisive, and self-aware.

His verse reflects on personal growth, industry pressure, and the constant battle to remain authentic in a space that often rewards conformity over character.

Maglera Doe Boy’s entrance shifts the temperature instantly. Rapping in a gripping blend of English and Sotho, his gravel-toned delivery injects raw township realism into the record.

 

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He carries the spirit of the Makazana into the Nigerian sonic landscape, creating a cross-cultural fusion that feels organic rather than forced. Instead of competing for dominance, both artists operate in sync, weaving a shared narrative rooted in the wider African experience. The verses are dense with metaphor and cultural nuance, rewarding listeners who return for deeper meaning.

For Ladipoe, Motho Waka represents more than a feature—it’s a statement of intent. A longtime advocate for pan-African rap unity, he uses this collaboration to seamlessly bridge two of the continent’s most influential hip-hop scenes.

In doing so, he reinforces the idea that African rap reaches its highest potential when it draws strength from its own stories, languages, and realities.

Gritty, purposeful, and deeply authentic, Motho Waka is a record for the purists and the progressives alike. It’s not just a standout collaboration, it’s a cultural marker and an essential entry in the 2026 hip-hopiano canon.

Listen to Motho Waka HERE

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The record finds both artists operating in their element: Ladipoe, with his razor-sharp wordplay and poetic precision, and Ayo Maff, with his raw, magnetic vocal energy. Together, they deliver a motivational anthem rooted in resilience and self-belief.

At its core, NBA embodies the relentless drive to rise above struggle the hunger to transform pain into progress. Ladipoe lays down reflective verses that capture the mindset of a dreamer who refuses to stay down, while Ayo Maff adds the street grit that keeps the message grounded and relatable. The result is an inspiring balance between introspection and energy, intellect and instinct.

Production-wise, NBA thrives on a fusion of Afrobeats rhythm and rap-style percussion, giving it a sound that’s both global and local smooth enough for playlists, but tough enough for the streets. It’s music for those who hustle hard, think smart, and never lose sight of the bigger picture.

With NBA, Ladipoe and Ayo Maff prove that the evolving blend of rap and street-hop continues to be one of Afrobeats’ most exciting frontiers in 2025. It’s not just a record — it’s a mantra for every dreamer who’s ever said, “Never broke again.”

Listen to NBA (Never Broke Again) HERE

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Renowned for his intricate wordplay and genre-blending style, LADIPOE delivers a track that feels both personal and universally resonant. Folasade is a mellow Afro-rap gem that fuses laid-back Afrobeats rhythms with soulful storytelling.

The track is named after a muse, real or symbolic, and explores themes of love, vulnerability, and emotional complexity. With every verse, LADIPOE’s “Lifelines” stands out, turning poetic reflections into catchy, head-nodding grooves.

Accompanied by a lyric video tailor-made for his loyal “chop mouth crew,” Folasade invites listeners to savor every bar, every metaphor. It’s a continuation of LADIPOE’s mastery of balancing depth with replayability, making music that’s as easy to vibe to as it is to dissect.

 

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Folasade follows LADIPOE’s strong 2024 run, including Compose featuring Taves and Hallelujah with Rozzz and Morello. While his breakout 2021 hit Feeling (with BNXN) remains a streaming juggernaut with over 80 million streams, Folasade signals a new phase: more nuanced, more melodic, and even more emotionally engaging.

Since becoming the first rapper signed to Mavin Records in 2017, LADIPOE has continuously pushed the boundaries of Nigerian hip-hop, merging it with Afropop, R&B, and spoken word. Folasade is another reminder of his artistic evolution and cultural significance, bridging the gap between rap purists and mainstream Afrobeat audiences.

Folasade is available now on all major platforms. Whether you’re drawn to heartfelt storytelling or simply a fan of poetic rap layered over lush production, this track is a must-listen.

Listen to Folasade HERE.

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• Styl-Plus sparks excitement as they return to the studio with Ladipoe

Nigerian music fans were hit with a wave of sweet nostalgia and fresh excitement as a surprise video of legendary R&B trio Styl-Plus vibing in the studio went viral across social media.

In the now-trending clip, Shifi Emoefe, Zeal Onyecheme, and Tunde Akinsanmi—the iconic voices behind timeless hits like Olufunmi—are seen back in their element, performing their beloved classic with effortless grace and brotherly chemistry.

But the moment didn’t stop at nostalgia—rapper Ladipoe added a modern twist by dropping a smooth rap verse mid-performance, seamlessly fusing his signature poetic flow with the group’s silky harmonies. The unexpected link-up had fans in their feelings, lighting up the internet with calls for a Styl-Plus comeback or a full-blown collaboration.

“Legends and lyricists, what more can we ask for?” one fan wrote, echoing the sentiments of many who grew up on Styl-Plus’ soulful ballads that soundtracked countless love stories and heartbreaks in the early 2000s.

The heartwarming video, originally shared by Ladipoe himself, marks a rare and emotional appearance for the trio—once Nigeria’s most beloved boy band and pioneers of urban R&B in West Africa.

Whether this signals a one-off jam or the beginning of a full-fledged revival, one thing is clear: Styl-Plus still holds the magic—and the fans are more than ready for the encore.

 

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The star-studded event gathered the brightest talents in the Nigerian and African music industry, celebrating excellence, creativity, and hard work across various categories.

From breakthrough acts to established legends, the night was filled with memorable moments as artists were recognized for their outstanding contributions over the past year.

Here’s the full list of winners at the 2025 Headies Awards:

Next Rated Award

QING MADI

SHALLIPOPI

ODUMODUBLVCK WINNER

AYO MAFF

NASBOI

Rookie of the Year award

Zerrydl WINNER

Taves

Kaestyle

Llona

 

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Soundtrack of the Year

Eledumare

Lose to Gain

Kill Boro

Orissa

Emotions

Tribe Called Judah Soundtrack WINNER

Best Recording Of The Year

Tems — Burning WINNER

Seyi Vibez — Different Pattern

Burna Boy — Higher

Ayra Starr & Giveon — Last Heartbreak Song

Sarz & Lojay — Billions

Best Vocal Performance (Male)

Lojay – “Billions” WINNER

Omah Lay – “Moving”

Anendlessocean – “Gratitude”

Johnny Drille – “For You”

Timi Dakolo – “Ke Na Ke So”

Best Rap Single

Shallipopi & Odumodublvck — Cast WINNER

Odumodublvck, Bloody Civilian & Wale — Blood on the Dance Floor

Ladipoe Ft Rozzz & Morrell — Hallelujah

Magnito — Canada

JERIQ — Ije Nwoke

Viewers’ Choice

Young Jonn, Kizz Daniel & Seyi Vibez — Big Big Things

Hyce, Boypee, Brown Joel & Davido — Ogechi remix

Chike & Mohbad — Egwu WINNER

Kizz Daniel — Showa

Seyi Vibez — Different Pattern

Rema — OZEBA Tems — Love me Jeje

Shallipopi & Odumodublvck — Cast

Ayo Maff & Fireboy DML — Dealer

Flavour — Big Baller

Producer of the Year

Sarz — Happiness

London — OZEBA WINNER

Rema/Producer X/Cubeatz/Deatz/Klimperboy — HEHEHE

Magicsticks — Basquiat

Dibs — Different Pattern

Digital Artiste of the Year

Ayra Starr

Rema

Shallipopi

Tems

Davido WINNER

Kizz Daniel

Asake

Song of the Year

Showa – Kizz Daniel

Commas – Ayra Starr

Egwu – Chike and Mohbad

Lonely at the Top – Asake WINNER

Ozeba – Rema

Big Baller – Flavour

 

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Songwriter of the Year

Simi — Stranger

Qing Madi — Vision WINNER

Llona — Can’t Breathe

Bloody Civilian — Family Meeting

Wizard Chan — Stages of Life

Music Video Of the Year

Rema — Charm

Olamide — Metaverse

Blaqbonez — Like Ice Spice

Kcee — Ojapiano

Chike & Mohbad — Egwu WINNER

Kizz Daniel — Showa

Davido, The Cavemen & Angelique Kidjo — Na Money

Beat Street Hop Artiste

Seyi Vibez — Different Patterns

Ayo Maff & Fireboy DML — Dealer

Shallipopi & Odumodublvck — Cast

Zhus JDO — Johnbull

Mohbad — Ask About Me WINNER

Afrobeats Single of the Year

Young Jonn, Kizz Daniel & Seyi Vibez — Big Big Things

Kizz Daniel & Davido — Twe Twe Remix Chike & Mohbad — Egwu

Asake — Remember

Hyce, Boypee & Brown Joel Ft Davido — Ogechi remix

Flavour — Big Baller WINNER

Afrobeats Album of the Year

Stubborn – Victony

Work of Art – Asake

The Year I Turned 21 – Ayra Starr

Heis – Rema WINNER

Jiggy Forever – Young Jonn

Best East African Artiste of the Year

Bien

Diamond Platnumz

Juma Jux WINNER

Bruce Melodie

Azawi

 

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Popular Nigerian rapper, Ladipoe has shared his perspective on financial expectations in relationships, stating that men often feel a natural obligation to provide.

Speaking on The Midday Show, the artist addressed the widely discussed “billing culture,” where men are expected to bear most financial responsibilities in relationships. However, he expressed skepticism about some of the viral narratives online regarding unreasonable financial demands from women.

“I really wonder if people are telling the truth with the stories they say online because if you’re with a reasonable person, it usually works itself out. If I invite you to dinner, I’m paying. I don’t understand why there’s even a conversation about it. I feel like I don’t believe people’s stories, I don’t think that they’re true,” he stated.

Ladipoe further explained that while men naturally feel inclined to provide, he is unsure whether this expectation is entirely positive or negative.

“As a guy, there’s this energy that you need to provide. I don’t know if that’s a positive thing or not. A man needs to realise that there’s more beyond just being able to provide, but it’s an important characteristic or criteria in a relationship.”

 

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However, he also acknowledged the importance of reciprocity in relationships, revealing that his current partner makes efforts to give to him as well, which strengthens his desire to provide for her in return.

“Except for my mum or an aunty or family, no woman has ever sent me money. There was this one time when my big cousin sent me 60 dollars, I was in college at the time. That’s the one time I can probably remember, asides my mum, no girl.

That’s why I’m with the person I’m with, she gives me things ‘just because.’ She pours into me as well, and that’s what drives me to say I want to provide for this person, but nobody wants to be taken advantage of.”

Ladipoe’s comments have sparked discussions on social media about the balance of financial responsibilities in relationships and the evolving expectations of both men and women.

Watch the full interview below:

This post appeared first on Mp3bullet.ng... Read Original post on Ladipoe Speaks on Money and Relationships.

The track is already resonating with fans across streaming platforms, reaffirming LadiPoe’s status as one of the most insightful lyricists in the industry.

Produced by the talented Duke, I No Be God masterfully blends introspective storytelling with a rich, captivating instrumental. LadiPoe’s signature smooth flow and deep lyricism shine through as he explores themes of love, responsibility, and self-awareness.

The song’s message is clear from the opening lines: no matter how much he cares, he cannot do everything. “I no be God, I be somebody son,” he admits, setting the tone for an honest conversation about human limitations. While he reassures his loved one—“I get shoulder whenever you worry”—he also acknowledges that he, too, carries his own burdens: “My shoulder’s for you but the weight on it alone isn’t mine.”

At its core, I No Be God is a deeply reflective piece, offering a powerful reminder that love and responsibility come with their own weight.

LadiPoe’s ability to weave such profound messages into his music is a testament to his artistry and lyrical depth.

Now available on all major streaming platforms, I No Be God is a must-listen for fans of meaningful music. Tune in and experience the brilliance of LadiPoe’s latest offering.

Listen to “I No Be God” here

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Nigerian rap heavyweight Ladipoe is set to make his much-anticipated return to the music scene with a brand-new single, “I No Be God,” scheduled for release on the 21st of March 2025.

Famed for his introspective lyricism and effortless flow, Ladipoe has built a reputation for delivering music that resonates deeply with listeners.

While he has kept details of the song under wraps, the title, I No Be God, suggests a profound and reflective theme, possibly touching on humility, self-awareness, and the complexities of the human experience.

With a track record of crafting thought-provoking verses and storytelling-driven hits, the anticipation for Ladipoe’s comeback is at an all-time high.

Fans and music lovers alike are eager to see how I No Be God will further cement his status as one of Nigeria’s most lyrically gifted rappers.

As the countdown begins, excitement is building for what promises to be an impactful and inspiring release from the Mavin Records star.

I No Be God THIS FRIDAY #BYKT pic.twitter.com/U7eIkcjr7B

— LADIPOE (@LadiPoe) March 18, 2025

Recall, Ladipoe was asked, “What are your thoughts on the recent beef between Wizkid and Davido?”

Ladipoe suggested that the feud between Afrobeats giants Wizkid and Davido might be a strategic move to promote their music.

During his interview with City 105.1 FM, the rapper pointed out that such rivalries often serve as promotional tactics in the music industry, garnering attention and sparking public interest.

While Ladipoe admitted that he disapproved of this approach, he acknowledged its effectiveness in keeping both artists in the spotlight.

He hinted that the ongoing tension between the two superstars could be part of a calculated strategy to maintain relevance and fuel excitement around their music.

This post appeared first on Mp3bullet.ng... Read Original post on Ladipoe Set to Make a Powerful Return with New Single.

The eligibility period for this year’s awards spanned from April 1, 2023, to July 31, 2024, during which numerous Nigerian artists released remarkable projects—some of which were recognized, while others were surprisingly overlooked.

However, the Headies faces unique challenges, notably its recurring scheduling delays and execution issues. In this article, we examine some of the most striking omissions from the 17th Headies nomination list.

(Note: This analysis assumes that all omitted works were submitted for consideration.)

• Best Recording of the Year

Nominated:

– TEMS—“Burning”
– SEYI VIBEZ—’Different Pattern’
– BURNA BOY—’Higher‘
– AYRA STARR & GIVEON—’Last Heartbreak Song’
– SARZ feat. LOJAY – ‘Billions‘

Notable Snubs:
– Asake—“Lonely At The Top”
– OdumoduBlvck—”Blood On The Dance Floor”

Asake’s ‘Lonely At The Top‘ was arguably the defining track from his sophomore album ‘Work of Art,’ boasting a refined composition that stood out during the review period. OdumoduBlvck’s ‘Blood On The Dance Floor’ was another masterfully crafted record, making its omission surprising.

• Producer of the Year

Nominated:

– SARZ—’ Happiness‘
– LONDON—’Ozeba’
– MAGICSTICKS—’Basquiat‘
– REMA/PRODUCER X/CUBEATZ/DEATZ/KLIMPERBOY—’Hehehe‘
– DIBS—’Different Pattern‘

Notable Snubs:

– P.Priime
– Jay Synths
– Blaise Beatz
– KZITO

P.Priime had an exceptional year, contributing significantly to Rema’s ‘HEIS‘ album. Jay Synths, who crafted Flavour’s ‘Big Baller‘ (nominated for Song of the Year), and Kizz Daniel’s ‘Ojapiano,’ also deserved consideration. Blaise Beatz’s work on ‘Twe Twe‘ and KZITO’s contributions to Victony’s ‘Pier 46′ further highlight the gap in the nominations.

• Best Collaboration

Nominated:

– Tiwa Savage feat. Asa—’Emotions‘
– OdumoduBlvck, Bloody Civilian & Wale—’Blood On The Dance Floor’
– Shallipopi feat. OdumoduBlvck—’Cast‘
– Chike & Mohbad—’Egwu‘
– Qing Madi & BNXN—’Ole‘
– Kizz Daniel & Davido – ‘Twe Twe Remix‘
– Wizkid feat. Zlatan—’IDK‘

Notable Snubs:

– BNXN & Ruger – “Poe”

The collaborative track ‘Poe‘ by BNXN and Ruger was a standout hit, making its absence from this category quite unexpected.

• Afrobeats Single of the Year

Nominated:

– Young Jonn feat. Kizz Daniel & Seyi Vibez—’Big Big Things‘
– Kizz Daniel—’Twe Twe Remix’
– Chike feat. Mohbad—’Egwu‘
– Asake—’Remember‘
– Hyce, Boypee & Brown Joel feat. Davido—’Ogechi Remix‘
– Flavour—’Big Baller’

Notable Snub:

– Kcee—”Ojapiano”

As one of the biggest Afrobeats hits of the eligibility period, Kcee’s ‘Ojapiano‘ had a significant cultural and commercial impact. Its omission is arguably one of the most glaring oversights.

• Lyricist on the Roll

Nominated:

– A-Q—’Mogadishu”
– M.I Abaga—’Chocolate City Cypher‘
– Blaqbonez—’Chocolate City Cypher’
– Ladipoe—’Hallelujah‘
– Alpha Ojini—’Efeleme‘

Notable Snub:

– OdumoduBlvck

With tracks like ‘MC Oluomo’ and ‘Saint Obi,’ OdumoduBlvck demonstrated superior lyricism, making his exclusion from this category quite puzzling.

• Rookie of the Year

Nominated:

– Llona
– Kaestyle
– Taves
– ZerryDL

Notable Snubs:

– TML Vibez
– Muyeez

Both artists made an impact in the Nigerian mainstream with their breakout projects, and many expected at least one to secure a nomination.

• Best Street-Hop Artist

Nominated:

– Seyi Vibez—’Different Patterns’
– Ayo Maff feat. Fireboy DML – ‘Dealer’
– Shallipopi feat. OdumoduBlvck—’Cast‘
– Zhus Jdo—’Johnbull‘
– Mohbad—’Ask About Me’

Notable Snub:

– Kashcoming

With ‘How Low’ and his DJ YK-assisted ‘Oblee,’ Kashcoming left a mark on the street-hop scene, making his exclusion surprising.

• Song of the Year

Nominated:

– Kizz Daniel—’Showa‘
– Ayra Starr—’Commas‘
– Chike & Mohbad—’Egwu‘
– Asake—’Lonely At The Top’
– Rema—’Ozeba‘
– Flavour—’Big Baller’

Notable Snub:

– Kcee—”Ojapiano”

Given its immense popularity, ‘Ojapiano’s‘ absence is particularly notable. The track revitalized Kcee’s career and introduced the Igbo flute (Oja) into the Amapiano wave.

• Artiste of the Year

Nominated:

– Davido
– Ayra Starr
– Asake
– Rema
– Tems
– Burna Boy

Notable Snubs:

– Seyi Vibez
– Kizz Daniel

Seyi Vibez and Kizz Daniel had stellar years, with their projects delivering some of the biggest Nigerian hits. Their exclusion raises questions about the selection criteria.

• Final Thoughts

The Headies, while an essential platform for recognizing musical excellence, continues to grapple with issues of execution and timing. The lack of a fixed calendar year creates eligibility confusion, resulting in inconsistencies.

For instance, Omah Lay’s ‘Moving‘ was nominated despite falling outside the window, and Phyno’s ‘Full Time Job’ was initially listed, then removed after backlash.

Additionally, while new categories were introduced, others—such as Alternative/Traditional Song & Album—were axed without explanation, sidelining a significant portion of Nigerian talent.

For the Headies to maintain credibility and grow in prestige, the organizers must refine their processes, adhere to a structured timeline, and ensure transparency in their selections.

Only then can it truly serve as a definitive reflection of Nigeria’s evolving music landscape.

This post appeared first on Mp3bullet.ng... Read Original post on 17th Headies Nominations: Snubs, Surprises, and Oversights.

Nigerian rapper Ladipoe has shared his thoughts on the ongoing feud between Afrobeats superstars Wizkid and Davido, which has been a hot topic in Nigerian pop culture.

The rivalry was reignited when Wizkid launched a series of unexpected tweets, making derogatory comments about Davido, sparking widespread discussion among fans and industry observers.

In a recent interview with City 105.1 FM, Ladipoe was asked about the situation. He revealed that he doesn’t believe the feud is genuine. Ladipoe expressed scepticism about the rivalry, suggesting that the tension between Wizkid and Davido might not be as serious as it seems, implying that the public’s perception could be exaggerated or misunderstood.

Ladipoe was asked, “What are your thoughts on the recent beef between Wizkid and Davido?”

Ladipoe suggested that the feud between Afrobeats giants Wizkid and Davido might be a strategic move to promote their music.

During his interview with City 105.1 FM, the rapper pointed out that such rivalries often serve as promotional tactics in the music industry, garnering attention and sparking public interest.

While Ladipoe admitted that he disapproved of this approach, he acknowledged its effectiveness in keeping both artists in the spotlight. He hinted that the ongoing tension between the two superstars could be part of a calculated strategy to maintain relevance and fuel excitement around their music.

Ladipoe said; “Honest truth, honestly, I have no idea. And why I say so is because this is not the first time that there has been something like this between these two juggernaut artistes y’know.

So, who is to say? And I’m not personally close to either of them to be able to look behind the veil. I’ve been somebody that has gotten to admire them from afar. I’ve definitely shaken Wizkid’s hand a couple of times.

I’ve shaken David’s hand a couple of times. And in both ways, I respect them.

You know what I feel? I fall in the fanbase that feels that they are just too savvy and business minded to not one day say “pull up, Davido and Wizkid concert or Wizkid and Davido concert”.

I just feel like una dey whine me. That’s my own personal feeling: una dey whine me. They are too big to not see the business opportunity in front of them. So, that’s my take. But whether it’s real or not, who is to say?

Beef for promoting stuff is an old tactic. It’s effective. I don’t love it personally, but it’s tried and tested, and it works. It’s not my preferred strategy, but it works.”

Watch the video below:

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The track seamlessly combines Ladipoe’s sharp lyricism with Taves‘ captivating vocals, creating an experience that’s both engaging and enjoyable.

Check out the official lyrics to the song below.

Ladipoe & Taves – Compose Lyrics

Got the city going up when we dey touchdown
Pray my two feet go never touch ground
Yeah, another party in my compound
They way you bend it make a nigga feel like Runtown

Ballerina
Body moving like a ballerina
Then we sk skrr in the Panamera
Know say when you party with me you need stamina

Body bad o Michael Jackson
Body bad don’t need a caption
Make she no unleash the dragon
Fit to start a chain reaction

Odo
You wan make my head explode
I say a prayer on my knees and toes
As I see you, I dey compose
No be say I no wan do the most
So if you feel me make I know
Before I start to carry overload
Cause you wan make my head explode
I say a prayer on my knees and toes

Whenever dem see me for the streets
They be hailing me and struggling to speak
I just leave them in the breeze
Baby are you coming when we leave
All I ask is that you hold on to your wig
Cause the temperature is peak

Se tan come dey bounce on me
And if you get wahala
Ko gbe soun kan
Girl no worry
I dey I dey

Know say oil dey my head
E dey show for the dreads
E dey show for your body
Girl the closer you get
Still I keep it compose
Fine boy no dey beg
But you turning me into a bomb threat
I swear

Odo
You wan make my head explode
I say a prayer on my knees and toes
As I see you, I dey compose
No be say I no wan do the most
So if you feel me make I know
Before I start to carry overload
Cause you wan make my head explode
I say a prayer on my knees and toes

Odo
You wan make my head explode
I say a prayer on my knees and toes
As I see you, I dey compose
No be say I no wan do the most
So if you feel me make I know
Before I start to carry overload
Cause you wan make my head explode
I say a prayer on my knees and toes

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