The 15-track project arrives through his Penthauze imprint, marking his first full-length album since 2024’s Full Time Job.

The album brings together an impressive selection of guest artistes from different corners of Nigerian music. Seyi Vibez makes the opening appearance on “Ndu Ka Aku,” followed by Wande Coal on “Ndewo,” Oxlade on “Magret,” and Jeriq on “Ije Enu.” Other featured acts include Lojay, Fireboy DML, Chike, and Flavour, who appears on the previously released “Uzo Ano.”

Production across the project features contributions from Kezyklef, Yung Alpha, Benjamz, and the pairing of Masterkraft and Eagerboy, who worked on “Magret.”

Ahead of the album’s arrival, Phyno had already introduced listeners to some of its material through a series of releases. “Healing” arrived in August 2026, followed by “Beautiful,” which served as the final promotional single. He also released “Na Afa Nna (Freestyle)” and “Uzo Ano” before unveiling the complete project.

 

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Musically, Let That Sink In brings together Phyno’s signature indigenous Igbo rap with elements of highlife, contemporary Afrobeats, hip-hop and R&B. Across its 15 tracks, the rapper moves between his familiar lyrical delivery and more melodic performances, creating room for different sounds and collaborations.

The album also explores themes that go beyond entertainment. While “20 Years To Come” reflects on Nigeria’s realities and the resilience of its people, “Chukwu Okike” takes a more spiritual direction, expressing gratitude and devotion to God. Other tracks touch on relationships, personal growth, faith and everyday experiences.

More than a decade into his career, Phyno has continued to build a strong audience through his distinctive approach to indigenous rap. With Let That Sink In, he brings together the sound that established his name and a new collection of collaborations aimed at connecting with both longtime supporters and newer Afrobeats listeners.

Let That Sink In (LTSI) is now available on major streaming platforms.

Listen to the “Let That Sink In” album HERE

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Fireboy DML explores fresh sounds on his fifth studio album, ZUKO!, a 13-track project that blends Afrobeats with Jamaican dancehall and South African musical influences.

“BY FIRE!” serves as the album’s second track, delivering a defiant message about fearlessness, self-belief, and overcoming obstacles. Fireboy embraces a warrior mentality, expressing his determination to stand his ground, seize opportunities, and refuse to be defeated by his enemies.

Drawing inspiration from biblical figures such as Samson, David, and Elijah, the song highlights his strength, spiritual confidence, and readiness to face whatever comes his way. Read the lyrics below.

Fireboy DML – BY FIRE! Lyrics

I’m a shaker
I’m a goddamn thorn in the flesh
I’m a troublemaker
I’ma do my own thing in my own damn time

Like a king
Till I meet my maker
Won le ba
Any chance wey I get right now, I swear I go take am

It’s a different game, but the same guy
I no fit ever fail, don’t say that
I’m a fighter
I’m a born warrior

I’ll look in the eyes of the tiger
I’m the Samson before Delilah
I’m the David, send down Goliath
Make dem fall back

I’m like that
If you cross my path, I’ll fight back
Back to back, I strike a viper
I’m Elijah, send down the fire

Ke hossana
Holy Ghost fire
Hallelujah meta
Holy Michael, enter
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire

Ke hossana
Holy Ghost fire
Hallelujah meta
Holy Uriel, enter
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire

(Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire)

Ke hossana
Holy Ghost fire
Hallelujah meta
Holy Michael, enter
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire

Ke hossana
Holy Ghost fire
Hallelujah meta
Holy Uriel, enter
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire

Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire
Let the enemy die by fire

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Fireboy DML explores fresh sounds on his fifth studio album, ZUKO!, a 13-track project that blends Afrobeats with Jamaican dancehall and South African musical influences.

“One Man Regiment” is the seventh track on the album, delivering a powerful anthem of ambition, resilience, and self-belief.

Driven by confident rhythms and an energetic sound, the song reflects Fireboy’s determination to rise above setbacks, navigate the challenges of Lagos, and stand firm in the face of envy and betrayal. With faith in God and his eyes fixed on success, he celebrates his journey so far while making it clear that nothing will stop him from moving forward.

Read the lyrics below.

Fireboy DML – ONE MAN REGIMENT Lyrics

Tunnel vision, focus on the prize
I’m a true-born champion
It’s not a competition
Yes, I dey my lane, but I know where me I belong

It’s not a sprint, it’s a marathon
So as you run, just know we only just begun
It’s difficult, but it must be done

I’m on a journey and I can’t go back
Benjamins in billions
How can I stop now when I’ve come so far?
I’ve been strong and diligent
And I stand ten toes, Buffalo Soldier
It’s a one-man regiment
I say right now, nothing can slow me down
I swear, nothing can slow me down
I swear, nothing can slow me down

First and foremost
Everything made sense when I found purpose
I was going in circles
But I know say if I no stop, victory is certain

If I tell you all my stories from way back
Wetin my eyes don see for this Lagos
I no go talk, success the real payback

How many men wan bring me down?
(How many men?)
Hundred percent, I tried to make amends
But they still on my matter consistently

Don’t really care, ’cause man’s already blessed
It’s a celebration, baby, drinks on me
Everyone just wanna take something
It’s a crazy world, mama, pray for me
Oluwa dey for me

I’m on a journey and I can’t go back
Benjamins in billions
How can I stop now when I’ve come so far?
I’ve been strong and diligent
And I stand ten toes, Buffalo Soldier
It’s a one-man regiment
I say right now, nothing can slow me down
I swear, nothing can slow me down
I swear, nothing can slow me down

I’m on a journey and I can’t go back
Benjamins in billions
How can I stop now when I’ve come so far?
I’ve been strong and diligent
And I stand ten toes, Buffalo Soldier
It’s a one-man regiment
I say right now, nothing can slow me down
I swear, nothing can slow me down
I swear, nothing can slow me down

Ota n fo
All the move we dey make, they can’t know
Gimme the shayo, make I pour for the bros
Everybody psycho
Let me see you move, let me see you dance, oh
Oh, bebe
Na me and you tonight, kosere
Gimme the shayo, make I pour for the hoes
Everybody kpaiko

I’m on a journey and I can’t go back

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Fireboy DML explores fresh musical territory on his fifth studio album, ZUKO!, a 13-track project that blends Afrobeats with Jamaican dancehall and South African influences.

“Goddess,” the album’s fourth track, features Lojay and explores intense attraction, romantic desire, and the pursuit of genuine commitment. The song centres on a woman whose beauty captivates both singers, with her flawless skin and striking appearance compared to a goddess and a diamond.

Through playful Yoruba expressions, smooth melodies, and romantic persuasion, Fireboy DML and Lojay express their desire to win her heart, assuring her that she stands out from everyone else and encouraging her to give their connection a chance.

Fireboy DML & Lojay – GODDESS Lyrics

You got the body of a goddess
I like you, baby, sho ma ba mi lo?
Just like your skin, the diamond’s flawless
Promise me you no go whine me
I need you to be honest
Will you give me what you promised?
Omoge, gimme what you promised
What you promised
What you promised

All of them just dey fall in love
Eyan Richard Mofe-Damijo
Titilope ni mo gbe wole
Bolatito lo fe ba mi lo

Shey you get the stamina?
Shey you get the stamina?
Make you no dey whine me now

Jembe, jembe, jembe o
Omoge mi, joor, je ki n jembe o
Shebi mo ti so fun e tele o
Iwo ma nikan ni mo fe fe o, ah
Omoge, tete consider o
Oh, baby, ma je ko wale
Anything you desire o
If you say so
O po n le o

You got the body of a goddess
I like you, baby, sho ma ba mi lo?
Just like your skin, the diamond’s flawless
Promise me you no go whine me
I need you to be honest
Will you give me what you promised?
Omoge, gimme what you promised
What you promised
What you promised

……

You got the body of a goddess
I like you, baby, sho ma ba mi lo?
Just like your skin, the diamond’s flawless
Promise me you no go whine me
I need you to be honest
Will you give me what you promised?
Omoge, gimme what you promised
What you promised
What you promised

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Fireboy DML explores fresh sonic directions on his fifth studio album, ZUKO!, a 13-track project that blends Afrobeats with Jamaican dancehall and South African influences.

“Light of Dawn,” the album’s 11th track, leans into sensuality, intense attraction, and the thrill of physical intimacy.

Through seductive lyrics, playful Nigerian Pidgin, Yoruba expressions, and a catchy, repetitive hook, Fireboy captures the excitement of a passionate encounter where desire and emotional fascination take centre stage. The song reflects a carefree moment of indulgence, as romantic chemistry carries the night through to daybreak.

Fireboy DML – “LIGHT OF DAWN” Lyrics

Got me wasted
Maybe na wetin I drink
Maybe na wetin I smoke
Maybe na you got me faded

Tell me wetin you need
Tell me what you’re waiting for
Omoge, gbemidebe (debe)
I’m yours for the taking
And I no go rest
Until I see you naked
(Until I see you naked)

You make me bite my tongue
Bring that dress that I like along
We’re getting old, but the night is young
You’re not mine, but that’s not for long

You got me writing songs
It’s getting dark, so we light a joint
I don’t care if it’s right or wrong
Follow me go till the light of dawn, yeah

Wanna make you go
Heee iyeeee
Uuu oooh
Iyeeee
Ouuuuuu

Wanna make you go
Heee iyeeee
Uuu oooh
Iyeeee
Ouuuuuu

Touch me all over
I wanna be your champion lover
Love it when you move and bend it like yoga
That’s my woman

African romance
Make the matter no cast
Baby
Shey you dey see say mi o sere?
It’s been a minute, but I’m staring
Your body so thick and your face so pretty

You make me bite my tongue
Bring that dress that I like along
We’re getting old, but the night is young
You’re not mine, but that’s not for long

You got me writing songs
It’s getting dark, so we light a joint
I don’t care if it’s right or wrong
Follow me go till the light of dawn, yeah

Wanna make you go
Heee iyeeee
Uuu oooh
Iyeeee
Ouuuuuu

Wanna make you go
Heee iyeeee
Uuu oooh
Iyeeee
Ouuuuuu

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“Fighting” by Fireboy DML is the closing track on his fifth studio album, ZUKO!, a 13-track project. The introspective song finds the singer opening up about resilience, inner struggles, and the emotional pressure of trying to appear strong while dealing with personal challenges.

As the album’s final track, it offers a vulnerable reflection on the battles people face behind closed doors. Read the lyrics below.

Fireboy DML – FIGHTING Lyrics

It’s not an easy life, but that’s okay by me
As long as my friends and my family stay by me
And my diamonds stay shining

Grateful for days like this
When there’s tears in my eyes, but yet I stay fighting
Wear a fake smile and step on the stage like this
I no know why I dey like this

I’m on the road now
I’m still fighting for my life, I’m still a soldier
I’m still smoking all the time, I can’t stay sober
I’m still saying I’ll be fine, but I don’t know now
Ooh, ohhh

I’m all alone now
I’m still fighting for my life, I’m still a soldier
I’m still smoking all the time, I can’t stay sober
I’m still saying I’ll be fine, but I don’t know now
Ooh, ohhh

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Nigerian rapper Phyno has revealed the title, release date, and guest lineup for his forthcoming album, Let That Sink In, which is scheduled for release on October 30, 2026.

The project boasts an exciting mix of collaborators, with Seyi Vibez, Wande Coal, Oxlade, Lojay, Fireboy DML, Chike and Jeriq all set to make appearances. The lineup brings together artistes from different corners of the Nigerian music scene, adding another layer of anticipation to Phyno’s upcoming release.

Let That Sink In marks Phyno’s next studio album following Full Time Job, which dropped on October 4, 2024. The new project will give fans another opportunity to hear the rapper’s latest material as he prepares to return with a fresh body of work.

With the album arriving on October 30, attention now turns to how Phyno brings his selected collaborators together and the sound he delivers on the project.

 

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During a recent interview session on X, the YBNL star explained that he had hoped to make the album more collaborative, but things did not fall into place as planned. Rather than force collaborations, he chose to let the project take shape naturally.

“It just didn’t work out, I swear to God. And I just felt like that’s how it’s meant to be for this particular project. I genuinely wanted it to be very collaborative but it just didn’t work out. I don’t force vibes,” he said.

According to Fireboy, the lack of features was not a deliberate decision from the beginning. Instead, he embraced how the recording process unfolded, allowing ZUKO! to stand on its own without guest contributions.

🚨 Fireboy DML on the minimal collaborations on “ZUKO!”

— “It just didn’t work out, I swear to God. And I just felt like that’s how it’s meant to be for this particular project. I genuinely wanted it to be very collaborative but it just didn’t work out. I don’t force vibes” https://t.co/tYIphVubWC

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) October 19, 2026

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Released through YBNL Nation and EMPIRE, the album arrives two years after Adedamola, his 2024 project, and finds Fireboy embracing a more confident creative direction over an eclectic mix of instrumentals.

The new body of work features Nigerian acts Lojay and Judah Earl, Jamaican dancehall star Masicka, and South African talents JAZZWRLD and Thukuthela. Their contributions bring different musical textures to a project that further reflects Fireboy’s evolution since his debut.

The album opens with Dear Father, featuring Judah Earl, before moving into By Fire! and CLAAT!, featuring Masicka. Other collaborations include GODDESS with Lojay and IMALI with JAZZWRLD and Thukuthela.

 

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The remaining tracks are C’EST LA VIE, ONE MAN REGIMENT, KILOWI, ONAZO!, S.L.U.T (SEX LOVE UNDERSTANDING TRUST), LIGHT OF DAWN, MIMI NAWE and FIGHTING.

Fireboy first established his sound with his 2019 debut album, Laughter, Tears and Goosebumps, which notably arrived without guest features. Since then, projects such as APOLLO (2020), Playboy (2022) and Adedamola (2024) have charted his progression as an artist willing to explore different styles and musical identities.

Ahead of the release, the singer shared THE RED COUCH SESSION: ZUKO! on YouTube, offering fans a closer look at the album’s concept, title, and rollout.

With ZUKO!, Fireboy adds another chapter to his catalogue, bringing together sounds from different parts of the world while continuing to expand his musical identity.

Listen to the “Zuko!” album HERE

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Released through YBNL and EMPIRE, the track sees the Nigerian singer embrace South Africa’s dance-driven 3-Step sound, adding another layer to his growing catalogue of cross-continental collaborations.

Rather than sticking to the familiar Afrobeats framework, Fireboy lets the South African production lead, bringing stronger electronic, dance-floor energy to his melodic vocals.

JAZZWRLD and Thukuthela also bring their experience from South Africa’s evolving 3-Step and Afro-house scene to the record. Their collaboration has been gaining momentum locally, particularly after the success of ‘The Most Wanted,’ giving IMALI a connection to a sound currently making waves in the country.

For Fireboy, the record marks another shift in direction. It follows his recent collaboration with Jamaican artist Masicka on ‘CLAAT!’, continuing a run of releases that have seen him experiment with sounds beyond his usual Afrobeats base.

‘IMALI’ also arrives as anticipation continues to build around Fireboy’s upcoming fifth album, ZUKO. The song gives listeners another indication of the sonic territory he could explore on the project while highlighting the increasing musical exchange between Nigeria and South Africa.

With Nigerian artists increasingly embracing South Africa’s electronic and dance-oriented sounds, Fireboy’s latest release adds another example of how Afrobeats continues to draw inspiration from different parts of the African music landscape.

Listen to “Imali” HERE

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The YBNL star disclosed this during a live Twitch session while reflecting on his songwriting journey and some of the records he worked on before establishing himself as one of Nigeria’s leading Afrobeats artists.

According to Fireboy, he was part of the songwriting process for Immediately, released by Mystro featuring Wizkid in 2018. The revelation adds an interesting layer to his career, considering the song arrived before his own breakthrough and mainstream recognition.

Fireboy would later gain widespread attention with Jealous, the record that helped introduce his distinctive sound to a much larger audience and set the stage for his rise as a recording artiste.

Beyond his connection to Wizkid, the singer also revealed that he had written songs for another major Nigerian star, Tiwa Savage, during his earlier songwriting years.

However, Fireboy did not reveal the titles of the songs he reportedly wrote for the Afrobeats queen.

The revelation highlights a lesser-known chapter of Fireboy’s journey, showing that his musical career extended beyond performing and recording long before he became a household name.

Since breaking into the mainstream, Fireboy has gone on to release successful albums, earn major collaborations and establish himself as one of the prominent voices of contemporary Nigerian music.

“I wrote “Immediately” by Mystro featuring Wizkid. I have also written songs for and with Tiwa Savage”

– Fireboy DML on his songwriting 🚨 https://t.co/b6xGopQYQ4

— NOTJUSTOK (@NOTJUSTOK) September 13, 2026

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Released as a meeting point between contemporary Afropop and modern dancehall, the song finds both artists leaning into their strengths while creating a lively cross-cultural blend. Fireboy brings his smooth melodies and polished vocal delivery, while Masicka adds the raw edge and intensity associated with Jamaica’s dancehall scene.

Produced by Ramii, CLAAT! is built around a hard-driving bassline, sharp percussion, and a fast-moving rhythm that gives the record an immediate club-ready feel. The production leaves enough space for both singers to establish their personalities without either side overpowering the other.

Fireboy sets things in motion with a soulful performance and an infectious hook, balancing themes of attraction with the confident swagger that has become part of his musical identity. Masicka follows with a more rugged delivery, switching the energy up with his unmistakable dancehall cadence and Jamaican patois.

 

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At the heart of the record is a story about attraction, confidence, street credibility, and enjoying the rewards that come with hard work. Rather than feeling like a forced international collaboration, the chemistry between both artists comes naturally, with their contrasting styles fitting neatly into the same sonic space.

CLAAT! ultimately works because Fireboy’s melodic Afropop approach and Masicka’s gritty dancehall energy complement rather than compete with each other. The result is a vibrant Lagos-meets-Kingston record that feels equally at home on a dancefloor, in the streets, or blasting through a car speaker.

Listen to “Claat!” HERE

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