-
From Brotherhood to Barbs: Inside the Explosive Beef Between OdumoduBlvck and Blaqbonez
What began as mutual respect and musical chemistry between two of Nigeria’s leading rap figures, OdumoduBlvck and Blaqbonez, has unravelled into a public and increasingly hostile rap beef, one that now threatens to define this era of Nigerian hip hop.
The latest escalation came through the release of ‘Who’s Really Rapping,’ a hard-hitting single by Blaqbonez featuring rap veteran A-Q, which takes thinly veiled shots at OdumoduBlvck.
The track doesn’t just challenge the current state of Nigerian hip hop; it directly questions the credibility and crown of its self-styled leader. Without mentioning names, the lines are sharp enough to leave no doubts.
Blaqbonez, in his verses, ridicules a rapper “pushing 50” who is still chasing clout, a jab widely interpreted as aimed at OdumoduBlvck, whose age has often been the subject of online jests. The record also attacks supposed superficial dominance, echoing frustration over who holds the lyrical throne.
OdumoduBlvck hasn’t remained silent. While he’s yet to mention Blaqbonez by name in his songs, the shots are unmistakable. His recent album, ‘The Machine Is Coming,’ is loaded with subliminals that suggest betrayal, jealousy, and a war of egos. Tracks like ‘Pussy Niggaz’, ‘Wage War’, and ‘Go Report’ read like open letters to a fallen comrade turned rival.
On the social media platform X, Odumodu has been more direct. From boasting about the chart success of Eziokwu to declaring himself the reigning king of Nigerian rap, his posts have been laced with taunts directed at unnamed “opponents”, again, leaving fans to connect the dots.
“Even if I am not the king of hip hop, you’re not the best,” he spits on Pussy Niggaz — a statement few could interpret as anything other than a shot at Blaqbonez’s well-known claim to being “Africa’s Best Rapper.”
Throwback video of OdumoduBlvck and Blaqbonez bonding. pic.twitter.com/Otu1y41snK
— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) June 23, 2025
Ironically, the pair once shared a brotherhood that extended beyond mutual admiration. In 2023, OdumoduBlvck publicly praised Blaqbonez, even crediting him for inspiring parts of his style.
The camaraderie was cemented by multiple collaborations: ‘Tesla Boy’ (from Eziokwu), ‘Dollarz’ (off Emeka Must Shine), and the fan-favorite ‘Technician’ released in April 2024.
But shortly after Technician, cracks began to show. Industry murmurs hinted at a fallout, but the proof emerged subtly—in cryptic lyrics, social media posts, and silence.
Blaqbonez’s ‘Haibo Freestyle’, dropped in October 2024, took a bold stance, with visuals and lyrics positioning him at the summit and ignoring rivals. Though he didn’t name names, it was widely perceived as the first public move in their deteriorating relationship.
Odumodu replied with ‘Pussy Niggaz’ a month later, intensifying the friction with a barrage of accusations, including claims of betrayal involving a romantic partner and dismissals of musical relevance.
“Okpelenge, break that man like a ruler,” he rapped, using the Pidgin slang “okpelenge” (skinny person), a not-so-subtle dig many linked to Blaqbonez’s appearance.
OdumoduBlvck’s barrage didn’t stop at music. He has repeatedly mocked Blaqbonez’s releases, including a jab at ‘Follow Her’ featuring Kizz Daniel, where he posted, “Nothing can hide wack music.”
He also ramped up his offensive in interviews and freestyles, notably during a recent appearance on Radio Jusmen with his crew, Antiworld Gangstars, where he again criticised Blaqbonez for what he sees as false claims to rap supremacy.
Blaqbonez, for his part, has largely avoided direct responses on social media, choosing instead to let his lyrics do the talking. But after ‘Who’s Really Rapping’ dropped, he broke that silence briefly, urging Odumodu to “take the beef off socials and into the booth,” implying that real rappers settle scores on wax, not with tweets.
This isn’t just a rap beef, it’s a clash of visions. OdumoduBlvck represents a streetwise, genre-defying blend of rap and alternative fusion, often referred to as Okporoko, while Blaqbonez pushes polished, bar-heavy hip hop with pop appeal. Their beef is as much about style and legacy as it is about status.
Odumodu insists the battle is beyond just music. For him, it’s personal, a narrative of betrayal and envy. For Blaqbonez, the conflict appears rooted in competition for the crown, a lyrical showdown over who holds the mic best.
Fans and critics are divided. While some argue that Odumodu should take the beef into a full-blown diss track to match Blaqbonez’s sharp-edged bars, others support his social media-first approach, seeing it as an extension of his brash persona.
In many ways, the feud echoes classic rap rivalries: Nas vs Jay-Z, Vector vs M.I, Ruggedman vs Eedris. And like all great beefs, it has reignited interest in Nigerian hip hop, stirring debates, think-pieces, and endless timelines.
With tensions at an all-time high and both artists seemingly locked in for the long haul, fans are watching closely to see who drops next — and whether this will be resolved with music, maturity, or more mayhem.
One thing’s certain: OdumoduBlvck vs Blaqbonez is no longer just a disagreement. It’s a defining chapter in Nigerian hip hop history.