The incident happened at one of Burna Boy’s recent shows, and the online reaction was swift and divided.

While some fans blasted the move—and even claimed they would skip his upcoming concerts—others argued that falling asleep at a lively concert was unusual in the first place.

Into this heated conversation walked Terry G, offering a perspective that quickly grabbed attention.

In a video shared online, Terry G questioned why anyone would pay for a live show only to dose off mid-performance.

To him, the backlash was simply another example of how public figures are easily targeted for criticism.

He pointed out that in other settings, such behaviour wouldn’t be tolerated for a second. In his words, if someone drifted off in church, ushers would be instructed to rouse them immediately.

But when it happens at a concert, cameras magically appear, ready to cast the musician as the villain.

Terry G’s defence was blunt and unmistakable.

He said: “Una too like to dey hold people accountable just because dem don be public figure. If this thing happen for church and person dey sleep, pastors go tell ushers to wake am. But because he’s a musician, you go his show to sleep so camera fit capture am and spoil his performance.”

To him, the moment wasn’t just about a sleepy couple—it was about how easily narratives can be twisted when a celebrity is involved.

“If it happened in a church and someone was found sleeping, would the pastors not ask the ushers to wake them up, Because he’s musician, you are going to his show to sleep, so the camera can capture that moment and spoil his show”

— Terry G defends Burna Boy https://t.co/NHHChulPV1 pic.twitter.com/aYHdcooMnI

— Vampz (@Hybrid_Ola) November 29, 2025

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Where Stubborn introduced listeners to Victony’s resilience, Very Stubborn dives deeper, stripping away the polished, radio-ready gloss for something rawer, grittier, and more introspective.

The EP leans into the Outlaw persona he’s been cultivating, with cinematic production that marries orchestral swells and distorted 808s, echoing his journey from the streets of Ojo to the threshold of global stardom. Very Stubborn is, in many ways, a sonic diary of a man who refuses to bend.

A standout moment is the previously released Tanko, a fiery collaboration with veteran street icon Terry G. The track crackles with energy, Terry G’s chaotic intensity perfectly counterbalancing Victony’s controlled, melodic delivery. It’s a symbolic passing-of-the-torch moment, bridging the street-hop spirit of the late 2000s with the polished Afrobeats of 2025. Tanko roots Victony firmly in his Nigerian heritage, proving that international acclaim hasn’t diluted his connection to local sounds.

 

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Lyrically, the EP finds Victony in a reflective space. On tracks like Way Home, he examines the isolation that success brings, confronting not just external obstacles but the mental endurance required to navigate a fickle music industry.

His songwriting is sharper and more direct than before, tackling themes of loyalty, betrayal, and perseverance without relying on metaphors an unflinching look at what it means to stay afloat in the spotlight.

Very Stubborn is meticulously sequenced, demanding to be experienced from start to finish. From the high-octane Tanko to the somber, piano-driven closer, the contrast mirrors the duality of his life: the public celebration and the private struggle.

Luv u all for 2025, Thank u.
New E.P , Very Stubborn
Out Now 🎈 pic.twitter.com/achDI5lqJV

— VICTONY (@vict0ny) November 21, 2025

This deliberate structure showcases Victony not just as a hitmaker, but as an artist who understands the power of mood and narrative.

In the end, Very Stubborn is more than a collection of songs; it’s a declaration. In a year dominated by fleeting viral hits, Victony stakes his claim with a project that feels substantial and enduring.

If you thought he was stubborn before, this EP proves he’s only just begun. It’s the sound of an artist fully embracing his identity, his journey, and his place in the music world.

Listen to “Very Stubborn” HERE.

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Nigerian singer Gabriel Oche Amanyi, better known as Terry G, has shared a heartfelt message urging his followers to break free from the cycles of negative self-talk shaped by their childhood experiences.

Posting on his Instagram Stories on Wednesday, September 17, 2025, the self-styled Akpako Master addressed the frequent discouraging remarks he receives online.

He noted that such words are often less about personal judgment and more about deep-rooted conditioning passed down from upbringing.

“Our Nigerian parents really do many of us strong thing,” he wrote. Terry G explained that when people repeat phrases like “you’ll never make it” or “you can’t do this,” they are often echoing the same discouragement they once heard at home.

He emphasised that this ingrained negativity is a significant reason why many adults remain trapped in failure. “It’s time to break that cycle. It’s time to change that mindset,” he urged.

“When you come under my post saying you’ll never make it, that’s not really you speaking, it’s the voice of what you grew up hearing at home” – Singer, Terry G tells critics pic.twitter.com/eDdR9TQSpn

— YabaLeftOnline (@yabaleftonline) September 16, 2025

Terry G’s words struck a chord, offering both a reality check and a call to self-awareness. Known for his high-energy street-pop anthems, the singer has increasingly used his platform to inspire fans to confront personal struggles and embrace positive change.

Although he has kept much of his private life out of the spotlight in recent years, Terry G remains active musically, collaborating with rising talents and experimenting with fresh sounds. While fans await his next release, his latest message serves as a timely reminder that transformation often begins with a shift in mindset.

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Packed with electrifying beats and an infectious hook, Tanko blends Victony’s fresh style with Terry G’s unmistakable eccentric flair, creating a track that’s built to get you moving.

Check out the official lyrics below and sing along to this unforgettable collaboration

Victony & Terry G – Tanko Lyrics

Ayeeeee!

You no go vex
I no dey hear, eh
I no dey send, even kala dey learn
Fuck what they talking about
Fuck what they talking about
Yeah yeah

Somebody say stubborn
I activate oh yeah
If you go shake bumbum
No delay what you talking about
Eh, fuck what they talking about
Hmmmmmm

Cause it’s too many, too many
Too many nights I’m hustling
Too many, too many
Way too many girls, I’m shuffling, Ọlọhun!
I’m too ready to get the paper oh (Paper oh)

Yeah ah ah, egbe! Spiritual! (Huhn)
When I dey wear my dunlop
Oh oh oh oh oh
Na there we start to craze oh
Oh oh oh oh oh
Na there we start to ginger (Ginger)
Stubborn, Ọlọhun
Egbe! Spiritual! (Huhn)
Double leather no be tanko
Oh oh oh oh oh
Na there we start to craze oh
Oh oh oh oh oh
Na there we start to ginger
Me I dey mental since when I dey wear my dunlop
Since when I dey wear my dunlop (Ọlọhun)

(Oooooooh) Kpo kpo kpo kpo
O ya ebelebe see whine for me (Raa)
Fuck up the waist o ya craze for me
Shake pon your booty o ya laba, laba, laba
Whine pon the waist o ya craze for the matter
O ya baby koloma, koloma, koloma
Baby koloma, koloma
Shake your booty, make you whine am go, whine am go, whine am go
Make you whine am go, whine am go, whine am go, oh way
Make we troway (Troway)
Dance your sorrows away
Ẹ ma lọ fi mi we
Ọrọbọ yatọ si lẹpa, lẹpa, lẹpa
Ọrọbọ yatọ si lẹpa
O ya make you ginger the swagger

Too many, too many
Too many nights I’m hustling
Too many, too many
Way too many girls, I’m shuffling, Ọlọhun!
I’m too ready to get the paper oh (Paper oh)

Yeah ah ah, egbe! Spiritual! (Huhn)
When I dey wear my dunlop
Oh oh oh oh oh
Na there we start to craze oh
Oh oh oh oh oh
Na there we start to ginger (Ginger)
Stubborn, Ọlọhun
Egbe! Spiritual! (Huhn)
Double leather no be tanko
Oh oh oh oh oh
Na there we start to craze oh
Oh oh oh oh oh
Na there we start to ginger
Me I dey mental since when I dey wear my dunlop
Since when I dey wear my dunlop (Ọlọhun)

Egbe! Spiritual! (Huhn)
When I dey wear my dunlop
Oh oh oh oh oh
Na there we start to craze oh
Oh oh oh oh oh
Na there we start to ginger (Ginger)
Stubborn!

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The collaboration is more than just a surprise feature; it is a bold cultural statement. By reaching into the archives of Nigeria’s street-pop heritage and pulling Terry G back into the spotlight, Victony pays homage to the foundations of Afrobeats while still asserting the genre’s ever-evolving future.

Powered by adrenaline-pumping production from The Elements, Bantu, and Blaise Beatz, Tanko is a dancefloor-ready anthem with a thumping rhythm and frenetic energy. It’s an uptempo banger that fuses Victony’s polished, contemporary Afrobeats flair with the unfiltered, chaotic magic that Terry G has always brought to the table.

The chemistry is immediate and striking. Victony’s delivery is sharp and modern, but rather than clash, it finds harmony with Terry G’s raw, unmistakable vocal intensity. The result is a sound that doesn’t feel like a compromise, it feels like a convergence. A musical handshake between generations.

 

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What sets Tanko apart is the organic synergy between both artists. Rather than feeling like a calculated throwback or forced reunion, the track plays out as a genuine exchange, one built on mutual respect and an understanding of each other’s artistic essence.

It also mirrors a growing movement within Afrobeats where younger acts are reaching out to collaborate with the pioneers who laid the groundwork. This revivalist approach not only expands the sonic palette of the genre but also helps preserve its lineage for a new audience.

For longtime fans of Terry G, Tanko is a nostalgic reminder of the street-hop king’s reign, while for new listeners, it’s a refreshing introduction to a voice that once dominated Nigeria’s party scene. In either case, the track hits its mark: energetic, memorable, and undeniably fun.

Victony continues to show that he’s not just pushing boundaries; he’s building bridges. With Tanko, he proves that the past and present of Afrobeats don’t have to compete; they can collaborate.

Listen to Tanko HERE.

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The track is scheduled to hit all major streaming platforms on Friday, August 8, 2025.

The announcement was made on Wednesday, August 6, via Victony’s official social media pages. Accompanied by a captivating teaser video, the post gave fans a behind-the-scenes look at both artists in the studio.

The preview clip, infused with an infectious, upbeat rhythm, has already sparked widespread anticipation for the full release.

This collaboration marks a bold and symbolic fusion of eras, with Victony, a fast-rising force in modern Afrobeats, teaming up with Terry G, the legendary Akpako Master whose signature eccentricity and high-energy sound defined a generation.

For Victony, “Tanko” adds to his growing list of genre-crossing collaborations and further cements his reputation as a fearless innovator. For Terry G, the track signals a triumphant return to the mainstream spotlight, bridging the gap between old-school street-pop and contemporary Afrobeats.

Music lovers and critics alike are eager to hear how these two distinct styles will blend on a single track. If the teaser is anything to go by, “Tanko” promises to deliver a sonic experience that’s both nostalgic and refreshingly new.

“Tanko” Ft. Terry G
Out Friday! 🏄🏾‍♂️⚽️ pic.twitter.com/y99IHmgeE1

— VICTONY (@vict0ny) August 6, 2025

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Nigerian singer and producer Terry G has finally addressed the long-standing controversy surrounding his involvement in the 2009 hit single ‘Pass Me Your Love,’ originally owned by fellow artist AY.Com.

For years, Terry G, who was featured on the song has been criticized for frequently performing the track at concerts and events, with critics accusing him of hijacking the success of the record and overshadowing AY.Com’s contribution.

The debate, which has persisted for over a decade, recently resurfaced on social media, prompting a response from the ‘Free Madness‘ crooner.

Taking to his official X (formerly Twitter) account, Terry G dismissed the allegations as unfounded and rooted in ignorance.

“To those saying I stole ‘Pass Me Your Love’ from AY.Com, that’s pure ignorance. So I don’t have the right to perform a song I featured on? Your favorite artists do it all the time, but when it’s me, it becomes a problem. Hypocrisy at its finest,” he wrote.

Terry G further clarified that he never claimed ownership of the track and never included it in any of his albums. He attributed the lingering controversy to public misunderstanding rather than any deliberate wrongdoing on his part.

“Some of you ruined AY’s moment with your noise, not me. As for my shine, nobody can block it. You no reach,” he added.

In a more pointed remark, Terry G suggested that the controversy itself—not his actions—may have played a role in derailing AY.Com’s career, a comment that has since ignited fresh debate online.

To those saying I stole ‘Pass Me Your Love’ from https://t.co/sfxswhXp87— that’s pure ignorance. So I don’t have the right to perform a song I collaborated on? Your favourite artists do it all the time, but when it’s me, it becomes a problem. Hypocrisy at its finest.
And no, I…

— Terry G (@IamTerryg) July 8, 2025

Fans remain divided, with some defending Terry G’s right to perform a song he featured on, while others argue that his prominence on the track contributed to AY.Com’s fade from the spotlight.

“Pass Me Your Love” was one of the standout hits of the late 2000s in Nigeria, and the renewed conversation is casting fresh light on one of Afropop’s most contentious collaborations from that era.

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Controversial Nigerian singer and hitmaker Terry G has finally addressed longstanding rumours suggesting that his music career declined after he rebranded himself as Terry Gzus.

Taking to his Instagram page, the Free Madness crooner posted a bold image of himself accompanied by a clarifying message. In the caption, Terry G tackled the criticism head-on, stating that his name change did not signal the end of his career but rather marked a divine redirection.

“Gzus doesn’t mean Jesus Christ, it means the God in me — fearless, chosen, and unapologetic,” he wrote, firmly distancing the name from any religious misinterpretation.

Responding to claims that the rebrand was responsible for his reduced visibility in the industry, Terry G emphasised that a name cannot alter divine purpose, declaring, “What’s ordained can’t be cancelled.”

Known for his eccentric style and energetic sound, Terry G, born Gabriel Oche Amanyi, has often been the subject of conversation due to his unorthodox persona and spiritual expressions.

While some fans speculated that his career took a hit post-rebrand, the singer insists he never lost his essence he simply evolved.

Terry G’s message comes as both a response and a reaffirmation of his identity, serving notice that he remains very much a part of the music landscape, on his terms.

 

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Nigerian singer and music producer Terry G has called out the widespread culture of dismissing veteran artists, describing the attitude as not only disrespectful but deeply harmful to the growth of the music industry.

In a recent public statement, the Free Madness crooner questioned why Nigerian society is quick to tell older musicians that their time has passed, unlike in the West, where musical legends continue to receive admiration well into their later years.

“I hear people say, ‘Your time don pass!’—and it sounds like brain damage,” Terry G said, taking aim at the short-term memory often shown toward legacy artists in Nigeria.

He contrasted the mindset with global reverence for long-standing icons like Jay-Z and Beyoncé, who continue to receive praise for their decades of influence.

“But here in Africa, especially Nigeria, we’re quick to discard our own. That’s why we believe our ancestors were evil, while Western ancestors are seen as gods. It’s time to break free from that mindset,” he added.

Terry G went further to stress that relevance in the entertainment space isn’t just about age but about continuous personal development and impact.

“If you don’t keep adding value to yourself and those around you, your worth will fade—no matter how great you once were. We must do better.”

His message has sparked an online conversation about how Nigerian society treats its musical pioneers, with many echoing his sentiments and calling for a cultural shift that recognizes the contributions of older artists instead of sidelining them.

For Terry G, the issue runs deeper than entertainment; it’s a reflection of how African society often undervalues legacy, history, and longevity.

I hear people say, “Your time don pass!”—and it sounds like brain damage.

In the West, legends are respected for life. No one calls jayz or Beyoncé outdated. Their impact is honored.

But here in Africa, especially Nigeria, we’re quick to discard our own. That’s why we believe… pic.twitter.com/jIGJl7XTUB

— Terry G (@IamTerryg) June 25, 2025

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Taking to his X (formerly Twitter) page, the Akpako Master declared that his influence broke cultural barriers, allowing today’s artists to comfortably display marijuana use in their music videos and public content.

“No hard feelings, it’s all love, but no forget say if no be my sacrifice, none of your fav go get liver to smoke Igbo for screen,” Terry G posted.

The comment quickly drew mixed reactions, sparking a fiery debate online. While some of his fans hailed him as a trailblazer who pushed boundaries with his unfiltered persona and wild stage presence, many others disagreed.

No hard feelings,it’s all love,but no forget say if no be my sacrifice,none of your fav go get liver to smoke Igbo for screen 🤣

— Terry G (@IamTerryg) June 22, 2025

Critics were quick to push back, pointing to Afrobeat legend Fela Anikulapo-Kuti, who was famously open about his cannabis use as far back as the 1970s, long before Terry G’s rise to prominence in the late 2000s. Others also cited the likes of Majek Fashek, Daddy Showkey, and other veterans known for their unconventional lifestyles and defiant image in Nigerian pop culture.

Still, Terry G’s claim has reopened discussions around censorship, self-expression, and the evolution of rebellious artistry in Nigerian entertainment. While his influence—particularly in the Free Madness era—is widely acknowledged for reshaping street music with chaotic energy and eccentric visuals, many argue that the normalisation of on-screen smoking long predates his time.

As debates rage on across various platforms, one thing is clear: Terry G has once again managed to stir the pot, reminding fans and critics alike of his polarising impact on the industry.

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• Terry G says it’s disrespectful to compare him to Portable

Nigerian street pop icon Terry G has broken his silence on the ongoing comparisons between him and controversial street-hop star Portable, calling them “disrespectful.”

In a post shared on his X account on April 14, 2025, Terry G stated plainly:

“Make una no dey compare me to anyone abeg. I get music wey una still dey dance to after 10 years. Respect that.”

The statement comes in response to constant fan chatter that likens his eccentric style, street influence, and chaotic energy to that of Portable, who has gained notoriety not only for his music but for his frequent run-ins with the law.

Since his breakout days with tracks like “Free Madness”, Terry G carved out a lane with his genre-bending sound, blending Galala, White Garment gospel vibes, hip-hop, and madcap energy that defined a generation. His nickname, Akpako Master, became synonymous with the madness and innovation he brought to Nigerian pop music.

Portable, on the other hand, has been dominating headlines since 2021, often for reasons beyond music. His raw street style, viral catchphrases, and headline-grabbing controversies have made him a social media sensation—and earned him comparisons to Terry G.

But Terry G isn’t having it.

“I See a Bit of Me in Him… But Don’t Compare”

Though Terry G had earlier acknowledged on the Honest Bunch Podcast that he sees a part of himself in Portable, he seems to draw the line at being placed on the same pedestal. The distinction? Legacy.

“I’ve created classics that still rock parties today,” Terry G noted in past interviews. “That’s not something everyone can say.”

Interestingly, despite the tension, the two have worked together before. Portable featured Terry G on his 2023 single “Ogbafia,” and both appeared on C Prince’s “Koba.”

However, Portable is currently remanded in a correctional facility in Kwara State, following a petition by Fuji legend Saheed Osupa, who accused him of criminal defamation, threats, and incitement.

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During his appearance on the Afrobeats Podcast, Terry G provided insights into why he failed to clear his collaboration ‘Mary Jane’ with Wizkid and why he was asked to take down the song.

Terry G, a seminal figure in Nigerian street pop, explained that during his earlier days in the music industry, collaborations were often based on love and respect among colleagues, with no formalities or need for clearance before releasing songs. He shared with host Adesope in pidgin, “When we did the song, it was all about love and there was nothing like clearance.”

However, Terry G acknowledged that the music business has evolved, emphasizing the importance of professionalism and obtaining necessary clearances in today’s industry landscape.

He revealed that Wizkid’s lawyers had contacted his management, requesting the removal of ‘Mary Jane’ from circulation. In response, Terry G instructed his team to take down the song.

The release of ‘Mary Jane’ in 2024 surprised fans, given that the song was recorded many years ago, leading to speculation about whether it had been cleared by Wizkid.

Despite the takedown notice, Terry G expressed continued admiration for Wizkid, describing him as the Jay Z of his generation and emphasizing his respect for the Grammy-winning artist.

In addition to discussing the clearance issue, Terry G also reflected on the inspiration behind his eccentric style of music that propelled him to mainstream success during the interview with Adesope on the Afrobeats Podcast.

Watch the full interview below:

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