The project arrives on the back of two well-received singles, Uche Jombo and Isn’t It Beautiful, both of which helped build anticipation for the new body of work. Uche Jombo, inspired by Wizkid’s classic Don’t Dull, became the singer’s biggest commercial success to date, earning widespread attention across streaming platforms and music publications. At the same time, Isn’t It Beautiful offered listeners a more reflective side of his artistry.

Since emerging in 2019, Taves has steadily carved out his own lane by blending Afrobeats, R&B, and alternative pop. His consistency has earned him recognition from major industry platforms, including Apple Music, Billboard, and The Headies, particularly following the release of his 2024 project, Are You Listening? Along the way, he has collaborated with established names such as Show Dem Camp, BNXN, LADIPOE, and L.A.X.

 

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On Popstar SIDE A, Taves continues that evolution with support from producers Arieenati, Spax, OG Sterling, and Samklef. At the same time, Wizkid receives an additional composer credit on one of the project’s standout records.

Across its eight songs, the EP explores the emotional highs and lows of a young man trying to find balance between love, ambition, faith, and personal growth while navigating life in Lagos.

The opening track, Chaos, sets the tone with a story of competing priorities, as Taves wrestles with the demands of a relationship while trying to stay focused on his career. Isn’t It Beautiful and Simone dive deeper into the complexities of romance, examining both the fragile moments that hold relationships together and the irresistible pull of a love that may not be good for him.

 

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Elsewhere, Deliver Me reflects vulnerability and hope, while Uche Jombo shifts the mood with a confident celebration of admiration and attraction. Preaching turns inward, capturing moments of financial struggle and quiet prayers for better days.

Space revisits the pain of losing someone through personal mistakes before Take Me Away closes the project with an honest confession that love still has the power to rewrite the story.

Rather than simply offering a collection of songs, Popstar SIDE A feels like a personal diary set to music. Through themes of love, heartbreak, desire, faith, and self-discovery, Taves presents the most complete picture of himself yet, inviting listeners to grow alongside him while embracing the relationships and experiences that shape who they become.

With this latest release, the fast-rising singer continues to establish himself as one of the most exciting voices among Nigeria’s new generation of Afropop artists.

Listen to “Popstar Side A” HERE

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The 16-track project sees the Nigerian rap star surrounded by an impressive cast of collaborators, including Teni, Ema Onigah, Maglera Doe Boy, Taves, Pa Salieu, GonaBoy, Jastin Martin, Majeeed, Morien, and Ayo Maff.

Together, they help shape an album that effortlessly blends rap, Afrobeats, soul, and contemporary African sounds while allowing LADIPOE’s storytelling to remain front and centre.

Rather than simply delivering punchlines and clever wordplay, the project takes listeners through themes of identity, purpose, ambition, resilience, faith, and personal growth. The result is a body of work that feels deeply personal yet widely relatable, reflecting an artist who has grown both musically and personally.

The journey begins with Chosen, an emotional opener that combines gospel-inspired instrumentation with reflective lyrics before ending on a touching voice note from the rapper’s mother. From that point, the album moves comfortably between moments of vulnerability and celebration, giving listeners different sides of LADIPOE’s artistry.

Songs like Amazing (Freestyle) reaffirm his reputation as one of Africa’s most gifted lyricists, while collaborations across the album introduce fresh textures without taking attention away from his message. Features from Teni, Maglera Doe Boy, Pa Salieu, taves, Majeeed, Jastin Martin, and Ayo Maff each add their own flavour to the listening experience.

 

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One of the project’s biggest highlights is No Level, where LADIPOE joins forces with British rapper Pa Salieu for a confident, hard-hitting performance over energetic production. Elsewhere, tracks such as Many People, Compose, Jo, and Deeper showcase his ability to balance catchy melodies with meaningful songwriting.

Having already generated excitement with earlier releases including Many People, Motho Waka, and NBA, the album expands on that momentum with a more polished and cohesive sound that reflects the rapper’s evolution.

What ties the project together is its consistency. Every track feels connected, telling another part of LADIPOE’s story while celebrating African creativity without sacrificing artistic depth.

By the final record, REVIVAL stands as more than just another rap album; it is a confident statement from an artist continuing to push the boundaries of Nigerian hip-hop and solidifying his place among the continent’s most influential rap voices.

Listen to “Revival” HERE

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Blending infectious melodies with playful lyricism, Uche Jombo is a flirtatious love anthem that celebrates beauty, attraction, and confidence.

Throughout the song, Taves expresses admiration for a captivating woman, delivering charming romantic advances while embracing the carefree energy of a lively party atmosphere.

With its catchy Afro-fusion production, confident delivery, and feel-good vibe, Uche Jombo captures the thrill of pursuing a romantic connection, making it an easy-going anthem about attraction, self-assurance, and living in the moment.

Taves – Uche Jombo Lyrics

Intro
Mm-hmm, mm, mm, mm
Sterling, Ari-

Verse 1
Wọn e le sọpe won mo mi
Tell your friends to come, girl, it’s alright, ragabomi
Middle of the party, I don’t mind, you too like sọji
Gotta undress the scene, make I no lie, ara kan mi
If you really know me, you know

Pre-Chorus
Rora (Rora), rora (Rora)
Uh, yeah, girl, don’t stress, I know you want me
Burst my head, and then, you go down on me, yeah
Rora (Rora), rora (Rora)
Uh, yeah, girl, don’t stress, I know you want me
Burst my head, and then, you go down on me, yeah

Chorus
Ọmọ ele to n jo (Awọn eleyi)
You fine pass Uche Jombo (Oh, awọn eleyi)
And Agbani Darego (Awọn eleyi)
Monalisa bi lolo (Oh, awọn eleyi)
Mm, tonongo (Awọn eleyi)
Wey wan burst my bololo (Oh, awọn eleyi)
Shima no even know, know (Awọn eleyi)
O lọ far, shima, don’t dull (Oh, awọn eleyi)

Verse 2
Fresh down to my socks
Baby girl, you know your ex-boyfriend wanna be like us
Mm, you can touch
Money no long, e reach short pass pinafore sleeve, oh
Baby, jam me for the Carte
‘Cause say, don’t got it like me, nobody like me
I know you can see, you know, ah

Pre-Chorus
Rora (Rora), rora (Rora)
Uh, yeah, girl, don’t stress, I know you want me
Burst my head, and then, you go down on me, yeah
Rora (Rora), rora (Rora)
Uh, yeah, girl, don’t stress, I know you want me
Burst my head, and then, you go down on me, yeah

Chorus
Ọmọ ele to n jo (Awọn eleyi)
You fine pass Uche Jombo (Oh, awọn eleyi)
And Agbani Darego (Awọn eleyi)
Monalisa bi lolo (Oh, awọn eleyi)
Mm, tonongo (Awọn eleyi)
Wey wan burst my bololo (Oh, awọn eleyi)
Shima no even know, know (Awọn eleyi)
O lọ far, shima, don’t dull (Oh, awọn eleyi)

Outro
Awọn eleyi, awọn eleyi wọn bad gan
Awọn eleyi, awọn eleyi wọn bad gan
Awọn eleyi, awọn eleyi wọn bad gan
Awọn eleyi, awọn eleyi wọn bad gan

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Renowned for wearing his emotions on his sleeve, the rising star delivers another record that feels deeply personal while remaining effortlessly easy to enjoy.

Built around mellow instrumentation, soft percussion, and airy production, Uche Jombo creates a relaxed atmosphere that allows Taves’ rich vocals to shine. Every note feels intentional, with his calm delivery bringing warmth and authenticity to a song that is both intimate and instantly replayable.

At its core, the record is a playful celebration of love, attraction, and admiration. Blending flirtation with romance, Taves paints the picture of a woman who has completely captured his attention.

Clever references to celebrated Nigerian icons such as Uche Jombo and Agbani Darego add a distinctly local flavor, while the lyrics explore confidence, infatuation, and the thrill of pursuing someone special against the backdrop of a carefree, feel-good atmosphere.

Rather than serving as a literal tribute, the song uses Uche Jombo’s name as a creative symbol of beauty, elegance, and admiration. Through simple yet expressive storytelling, Taves transforms everyday emotions into a polished Afro-R&B record that feels both contemporary and timeless.

With Uche Jombo, Taves continues to carve out his own lane within Nigeria’s fast-rising Afro-fusion scene. The single reflects his growth as both a songwriter and vocalist, combining emotional honesty with refined production to create a memorable listening experience.

It’s another impressive addition to his growing catalogue and further proof that he remains one of the most exciting young talents shaping the future of African music.

Listen to “Uche Jombo” HERE

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The track radiates a late-night energy, brimming with desire, confidence, and magnetic attraction as Taves pursues a girl who drives him “crazy.”

With its nod to nightlife, club vibes, and the dance between love, attention, and fame, the song fuses Afropop rhythms with playful romance and party themes, making it a perfect feel-good anthem for fans craving vibrant, energetic tunes.

Taves – Popstar Party Lyrics

You drive me crazy and out of my mind
Please don′t stop it
Please don’t stop it no
You drive me crazy and out of my mind
Please don′t stop it
Please don’t stop it no

Baby
Is it because
Small thing you say you no show me love
If na whining
Girl you better stop
Cause 2am I’m hitting the club
Know I’m sexy
That′s me
Shey you no see finessing
Impressive
I had to leave a message
In person
That′s why I’m on the highway speeding
Hope the shots don′t finish at the

Popstar party
Odo you for come down jam me
Cause all my niggas famous
You should know us
If you don’t
Your friends do
It′s a bonus
Know it’s jumping at the

Popstar party
Odo you for come down jam me
Cause all my niggas famous
You should know us
If you don′t
Your friends do
It’s a bonus
Know it’s jumping at the

You drive me crazy and out of my mind
Please don′t stop it
Please don′t stop it no
You drive me crazy and out of my mind
Please don’t stop it
Please don′t stop it no
No tension me
One too many shots dey my body

Odoyewu
Right song got you whining on me
It’s why I no reason when say you no love me
You know you do
Come tell me how e go be
Cause anything you need
Bae you know say e dey available
Whine pon me passionately
For the setting we dey
You know the shots don′t finish at the

Popstar party
Odo you for come down jam me
Cause all my niggas famous
You should know us
If you don’t
Your friends do
It′s a bonus
Know it’s jumping at the
Popstar party
Odo you for come down jam me
Cause all my niggas famous

You should know us
If you don’t
Your friends do
It′s a bonus
Know it′s jumping at the
You drive me crazy and out of my mind
Please don’t stop it
Please don′t stop it no
You drive me crazy and out of my mind

Please don’t stop it
Please don′t stop it no
You drive me crazy (crazy)
You drive me crazy (crazy)
You drive me crazy (crazy)

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Following the momentum of his two-track project W2Y and standout collaborations with Tiwa Savage and DJ Spinall, “Popstar Party” sees Taves confidently stepping into his fully realized sound, vibrant, upbeat, and unapologetically celebratory.

Produced by Wondah, Arieenati, and SirBastien, the track fuses late-night euphoria with sleek, contemporary production, reflecting Taves’ evolving artistry.

Its catchy hooks and infectious rhythm perfectly complement his melodic delivery, creating a mood-boosting anthem for fans of Afrobeat and global pop alike.

“Popstar Party” captures the essence of a young African popstar embracing his moment, blending confidence with fun and an international flair.

With its irresistible energy and feel-good vibes, the single is poised to become both a fan favorite and a club anthem, further solidifying Taves’ rising status in Nigeria’s music scene.

As Taves continues to expand his creative footprint, “Popstar Party” underscores his ability to command attention and keep audiences coming back for more.

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Unveiled on Thursday, October 30, the announcement captures the duo’s signature creativity and depth. The vibrant cover art shows Tec and Ghost surrounded by intricate, symbolic illustrations that echo the album’s Afrocentric and spiritual themes.

The 17-track project, which includes three interludes, boasts an impressive roster of collaborators from across Africa and beyond.

Fans can look forward to Tems on You Get Me, BOJ and Joey B on Normally, Ajebutter22 on Small Chops & Champers, Moonchild Sanelly on Magik, Moelogo on Lifestyle, Winny on Pele, and Mereba on Masterkey. Other contributors, such as Taves, Lusanda, and Lulu, further enrich the album’s diverse soundscape.

Production credits read like a who’s who of African talent, featuring Guiltybeatz, Spax, Genio, and Yinka Bernie, with mastering by Gerhard Westphalen.

The album is already generating strong anticipation, as fans expect SDC to deliver another thought-provoking body of work, following their acclaimed Clone Wars mixtape series and Palmwine Music album projects, which played a key role in shaping Nigeria’s Alté and conscious rap movements.

With Afrika MAGIK, Show Dem Camp appear ready to dive even deeper into African narratives through storytelling, rhythm, and collaboration. Given their track record, this release is shaping up to be one of the standout rap projects of 2025.

 

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Released amid a flurry of heavyweight African music drops, including Burna Boy’s No Sign of Weakness and ODUMODUBLVCK’s surprise release, Tiwa steps away from the noise to deliver a deeply intimate record that feels more like a diary than just an album.

The rollout began on August 1 when Tiwa shared a striking visual on Instagram: seated on a pile of colorful mattresses, boombox in hand, hinting at the raw honesty the project would hold.

Recorded over two years in Nashville, Malibu, and Lagos, the album gradually built anticipation through singles like You4Me and On A Low featuring Skepta, both of which drew praise for their soulful R&B textures.

Running at 42 minutes, This One Is Personal blends Afrobeats, soul, and Afro-fusion into a cohesive sonic journey. Tiwa keeps collaborations minimal, making every guest appearance purposeful—Skepta on the dark-toned On A Low, Taves on the smooth Addicted, and James Fauntleroy on the touching Change.

Standout solo cuts include the emotive, piano-led “I’m Done” and the fiery “You’re Not the First (You’re Just the Worst),” each track showcasing Savage’s unmatched vocal strength and storytelling ability.

 

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Executive produced by Tiwa herself alongside Vannessa Amadi-Ogbonna and Mystro, the album carries an international polish without losing its personal edge.

Although some critics argue that the sparse features may limit its mainstream appeal, the project’s emotional depth gives it strong replay value and potential for long-term resonance. The next phase, its visuals, will determine how far this story travels commercially.

Now available across all streaming platforms, This One Is Personal is not just Tiwa Savage’s boldest statement yet—it’s her most human. Whether celebrated as a classic or debated for its stripped-down approach, one thing is certain: this album demands to be felt as much as it is heard.

Listen to This One Is Personal HERE.

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Afrobeats queen Tiwa Savage has lifted the veil on the official tracklist for her much-anticipated album, This One Is Personal, set for release on August 29, 2025.

The 15-track project is described as one of her most heartfelt and emotionally charged works yet, weaving themes of love, resilience, and self-discovery.

Song titles like Angel Dust, Scared of Love, and You’re Not the First (You’re Just The…) hint at raw vulnerability and deep personal reflections. An interlude of the same name, This One Is Personal, anchors the album’s identity.

The album boasts heavyweight collaborations, including UK rap star Skepta, Grammy-winning songwriter James Fauntleroy, and Nigerian rising act Taves, a lineup that promises a fusion of Afrobeats with rap, R&B, and soulful influences.

For over a decade, Tiwa Savage has cemented her place as one of Afrobeats’ most powerful voices, constantly redefining sound and storytelling. With this new project, she looks poised to deliver another career-defining moment.

In a surprise gesture to fans, Tiwa also announced a free concert in London to celebrate the release.

As August 29 approaches, anticipation is running high globally for what could be one of Tiwa’s most defining musical chapters yet.

TIWA SAVAGE
TRACKLIST FOR "THIS ONE IS PERSONAL"

🤝 Featuring Skepta, James Fauntleroy & Taves

OUT ON AUGUST 29 ⏳ pic.twitter.com/tYHXQDTdmU

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) August 24, 2025

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The star-studded event gathered the brightest talents in the Nigerian and African music industry, celebrating excellence, creativity, and hard work across various categories.

From breakthrough acts to established legends, the night was filled with memorable moments as artists were recognized for their outstanding contributions over the past year.

Here’s the full list of winners at the 2025 Headies Awards:

Next Rated Award

QING MADI

SHALLIPOPI

ODUMODUBLVCK WINNER

AYO MAFF

NASBOI

Rookie of the Year award

Zerrydl WINNER

Taves

Kaestyle

Llona

 

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Soundtrack of the Year

Eledumare

Lose to Gain

Kill Boro

Orissa

Emotions

Tribe Called Judah Soundtrack WINNER

Best Recording Of The Year

Tems — Burning WINNER

Seyi Vibez — Different Pattern

Burna Boy — Higher

Ayra Starr & Giveon — Last Heartbreak Song

Sarz & Lojay — Billions

Best Vocal Performance (Male)

Lojay – “Billions” WINNER

Omah Lay – “Moving”

Anendlessocean – “Gratitude”

Johnny Drille – “For You”

Timi Dakolo – “Ke Na Ke So”

Best Rap Single

Shallipopi & Odumodublvck — Cast WINNER

Odumodublvck, Bloody Civilian & Wale — Blood on the Dance Floor

Ladipoe Ft Rozzz & Morrell — Hallelujah

Magnito — Canada

JERIQ — Ije Nwoke

Viewers’ Choice

Young Jonn, Kizz Daniel & Seyi Vibez — Big Big Things

Hyce, Boypee, Brown Joel & Davido — Ogechi remix

Chike & Mohbad — Egwu WINNER

Kizz Daniel — Showa

Seyi Vibez — Different Pattern

Rema — OZEBA Tems — Love me Jeje

Shallipopi & Odumodublvck — Cast

Ayo Maff & Fireboy DML — Dealer

Flavour — Big Baller

Producer of the Year

Sarz — Happiness

London — OZEBA WINNER

Rema/Producer X/Cubeatz/Deatz/Klimperboy — HEHEHE

Magicsticks — Basquiat

Dibs — Different Pattern

Digital Artiste of the Year

Ayra Starr

Rema

Shallipopi

Tems

Davido WINNER

Kizz Daniel

Asake

Song of the Year

Showa – Kizz Daniel

Commas – Ayra Starr

Egwu – Chike and Mohbad

Lonely at the Top – Asake WINNER

Ozeba – Rema

Big Baller – Flavour

 

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Songwriter of the Year

Simi — Stranger

Qing Madi — Vision WINNER

Llona — Can’t Breathe

Bloody Civilian — Family Meeting

Wizard Chan — Stages of Life

Music Video Of the Year

Rema — Charm

Olamide — Metaverse

Blaqbonez — Like Ice Spice

Kcee — Ojapiano

Chike & Mohbad — Egwu WINNER

Kizz Daniel — Showa

Davido, The Cavemen & Angelique Kidjo — Na Money

Beat Street Hop Artiste

Seyi Vibez — Different Patterns

Ayo Maff & Fireboy DML — Dealer

Shallipopi & Odumodublvck — Cast

Zhus JDO — Johnbull

Mohbad — Ask About Me WINNER

Afrobeats Single of the Year

Young Jonn, Kizz Daniel & Seyi Vibez — Big Big Things

Kizz Daniel & Davido — Twe Twe Remix Chike & Mohbad — Egwu

Asake — Remember

Hyce, Boypee & Brown Joel Ft Davido — Ogechi remix

Flavour — Big Baller WINNER

Afrobeats Album of the Year

Stubborn – Victony

Work of Art – Asake

The Year I Turned 21 – Ayra Starr

Heis – Rema WINNER

Jiggy Forever – Young Jonn

Best East African Artiste of the Year

Bien

Diamond Platnumz

Juma Jux WINNER

Bruce Melodie

Azawi

 

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Nigerian Afropop sensation L.A.X has officially unveiled the tracklist for his forthcoming album Nobody Like Zaza, set for release on April 10, 2025—and the buzz is real.

The album promises an electrifying mix of Afrobeats, Amapiano, and modern African rhythms, offering a rich and immersive sonic journey for fans both at home and abroad.

Nobody Like Zaza boasts a stellar lineup of collaborators, with heavyweights like Fireboy DML, Pheelz, Niniola, Ajebo Hustlers, Joeboy, and Young Jonn lending their unique flavors. L.A.X also spotlights rising stars such as Ayo Maff, Taves, Bhadboi OML, and hit producer Magicsticks, injecting a youthful, vibrant energy into the project.

 

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With such a dynamic blend of talent, the album is poised to blur genre lines—serving up everything from high-energy bangers to soul-stirring ballads and reflective tracks, all anchored by L.A.X’s smooth vocals and undeniable hit-making instinct.

Nobody Like Zaza is expected to be a genre-bending masterpiece with this varied lineup, showing L.A.X’s trademark slick vocals and hit-making talents.

As April 10 draws closer, excitement is mounting for what many believe could be one of 2025’s standout Afropop releases. L.A.X is clearly in his bag, and Nobody Like Zaza might just be the album that elevates him to new heights.

 

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The eligibility period for this year’s awards spanned from April 1, 2023, to July 31, 2024, during which numerous Nigerian artists released remarkable projects—some of which were recognized, while others were surprisingly overlooked.

However, the Headies faces unique challenges, notably its recurring scheduling delays and execution issues. In this article, we examine some of the most striking omissions from the 17th Headies nomination list.

(Note: This analysis assumes that all omitted works were submitted for consideration.)

• Best Recording of the Year

Nominated:

– TEMS—“Burning”
– SEYI VIBEZ—’Different Pattern’
– BURNA BOY—’Higher‘
– AYRA STARR & GIVEON—’Last Heartbreak Song’
– SARZ feat. LOJAY – ‘Billions‘

Notable Snubs:
– Asake—“Lonely At The Top”
– OdumoduBlvck—”Blood On The Dance Floor”

Asake’s ‘Lonely At The Top‘ was arguably the defining track from his sophomore album ‘Work of Art,’ boasting a refined composition that stood out during the review period. OdumoduBlvck’s ‘Blood On The Dance Floor’ was another masterfully crafted record, making its omission surprising.

• Producer of the Year

Nominated:

– SARZ—’ Happiness‘
– LONDON—’Ozeba’
– MAGICSTICKS—’Basquiat‘
– REMA/PRODUCER X/CUBEATZ/DEATZ/KLIMPERBOY—’Hehehe‘
– DIBS—’Different Pattern‘

Notable Snubs:

– P.Priime
– Jay Synths
– Blaise Beatz
– KZITO

P.Priime had an exceptional year, contributing significantly to Rema’s ‘HEIS‘ album. Jay Synths, who crafted Flavour’s ‘Big Baller‘ (nominated for Song of the Year), and Kizz Daniel’s ‘Ojapiano,’ also deserved consideration. Blaise Beatz’s work on ‘Twe Twe‘ and KZITO’s contributions to Victony’s ‘Pier 46′ further highlight the gap in the nominations.

• Best Collaboration

Nominated:

– Tiwa Savage feat. Asa—’Emotions‘
– OdumoduBlvck, Bloody Civilian & Wale—’Blood On The Dance Floor’
– Shallipopi feat. OdumoduBlvck—’Cast‘
– Chike & Mohbad—’Egwu‘
– Qing Madi & BNXN—’Ole‘
– Kizz Daniel & Davido – ‘Twe Twe Remix‘
– Wizkid feat. Zlatan—’IDK‘

Notable Snubs:

– BNXN & Ruger – “Poe”

The collaborative track ‘Poe‘ by BNXN and Ruger was a standout hit, making its absence from this category quite unexpected.

• Afrobeats Single of the Year

Nominated:

– Young Jonn feat. Kizz Daniel & Seyi Vibez—’Big Big Things‘
– Kizz Daniel—’Twe Twe Remix’
– Chike feat. Mohbad—’Egwu‘
– Asake—’Remember‘
– Hyce, Boypee & Brown Joel feat. Davido—’Ogechi Remix‘
– Flavour—’Big Baller’

Notable Snub:

– Kcee—”Ojapiano”

As one of the biggest Afrobeats hits of the eligibility period, Kcee’s ‘Ojapiano‘ had a significant cultural and commercial impact. Its omission is arguably one of the most glaring oversights.

• Lyricist on the Roll

Nominated:

– A-Q—’Mogadishu”
– M.I Abaga—’Chocolate City Cypher‘
– Blaqbonez—’Chocolate City Cypher’
– Ladipoe—’Hallelujah‘
– Alpha Ojini—’Efeleme‘

Notable Snub:

– OdumoduBlvck

With tracks like ‘MC Oluomo’ and ‘Saint Obi,’ OdumoduBlvck demonstrated superior lyricism, making his exclusion from this category quite puzzling.

• Rookie of the Year

Nominated:

– Llona
– Kaestyle
– Taves
– ZerryDL

Notable Snubs:

– TML Vibez
– Muyeez

Both artists made an impact in the Nigerian mainstream with their breakout projects, and many expected at least one to secure a nomination.

• Best Street-Hop Artist

Nominated:

– Seyi Vibez—’Different Patterns’
– Ayo Maff feat. Fireboy DML – ‘Dealer’
– Shallipopi feat. OdumoduBlvck—’Cast‘
– Zhus Jdo—’Johnbull‘
– Mohbad—’Ask About Me’

Notable Snub:

– Kashcoming

With ‘How Low’ and his DJ YK-assisted ‘Oblee,’ Kashcoming left a mark on the street-hop scene, making his exclusion surprising.

• Song of the Year

Nominated:

– Kizz Daniel—’Showa‘
– Ayra Starr—’Commas‘
– Chike & Mohbad—’Egwu‘
– Asake—’Lonely At The Top’
– Rema—’Ozeba‘
– Flavour—’Big Baller’

Notable Snub:

– Kcee—”Ojapiano”

Given its immense popularity, ‘Ojapiano’s‘ absence is particularly notable. The track revitalized Kcee’s career and introduced the Igbo flute (Oja) into the Amapiano wave.

• Artiste of the Year

Nominated:

– Davido
– Ayra Starr
– Asake
– Rema
– Tems
– Burna Boy

Notable Snubs:

– Seyi Vibez
– Kizz Daniel

Seyi Vibez and Kizz Daniel had stellar years, with their projects delivering some of the biggest Nigerian hits. Their exclusion raises questions about the selection criteria.

• Final Thoughts

The Headies, while an essential platform for recognizing musical excellence, continues to grapple with issues of execution and timing. The lack of a fixed calendar year creates eligibility confusion, resulting in inconsistencies.

For instance, Omah Lay’s ‘Moving‘ was nominated despite falling outside the window, and Phyno’s ‘Full Time Job’ was initially listed, then removed after backlash.

Additionally, while new categories were introduced, others—such as Alternative/Traditional Song & Album—were axed without explanation, sidelining a significant portion of Nigerian talent.

For the Headies to maintain credibility and grow in prestige, the organizers must refine their processes, adhere to a structured timeline, and ensure transparency in their selections.

Only then can it truly serve as a definitive reflection of Nigeria’s evolving music landscape.

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