Released through gamma, the body of work showcases the singer’s growing artistic range while embracing themes of confidence, self-expression, and female empowerment.

With the new album, MOLIY steps into a bigger creative space, blending influences from Afropop, dancehall, alté, and contemporary pop into a cohesive sound that reflects her multicultural identity.

The result is a vibrant collection of songs that effortlessly move across genres while maintaining a distinct musical personality.

One of the standout qualities of BADDIES <3 MOLIY is its impressive list of collaborators. Grammy-winning South African star Tyla joins MOLIY on BODY GO, while Jamaican dancehall heavyweights Shenseea and Skillibeng also make appearances.

Ghanaian rap icon Sarkodie lends his signature style to ACCRA GIRLS, adding another layer to the album’s international appeal.

 

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Throughout the project, MOLIY embraces themes of independence, self-worth, and living life without compromise. Her lyrics celebrate financial freedom, emotional confidence, and enjoying success on her own terms, all delivered through her smooth, playful vocal style.

Songs such as 911 (CALL THE LAW) and JETSKI (FRIKI) capture the carefree energy that runs through the album, combining catchy hooks with vibrant production that makes them natural additions to party and summer playlists.

More than just a collection of songs, BADDIES <3 MOLIY reflects the singer’s artistic evolution. Having previously earned recognition through collaborations, MOLIY now firmly establishes herself as the driving creative force behind a project that is both sonically adventurous and globally appealing.

With its colorful production, cross-cultural collaborations, and empowering message, BADDIES <3 MOLIY positions MOLIY as one of the emerging voices pushing African-inspired pop music to new audiences, while delivering a soundtrack that celebrates confidence, individuality, and fearless self-expression.

Listen to “BADDIES <3 MOLIY” HERE

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The inspirational record celebrates survival, success, and gratitude, reflecting on the remarkable journeys both artists have experienced throughout their careers.

Coming from two artists with decades of influence across the African music landscape, Blessed & Alive carries the feeling of a victory lap. The song highlights themes of perseverance, faith, and staying grounded despite the challenges that come with achieving long-term success.

Built around a smooth Afrobeats rhythm, the track blends warm brass elements, expressive guitar lines, and uplifting melodies to create a sound that feels both nostalgic and refreshing. Its polished production brings back memories of the golden era of African pop while maintaining the modern energy expected from today’s Afrobeats scene.

Rudeboy sets the tone with his powerful vocals, delivering an emotional performance filled with appreciation and reflection. His commanding presence on the chorus captures the message of resilience, as he celebrates the battles overcome and the blessings that have followed throughout his career.

 

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Sarkodie adds his signature touch with a standout rap verse, effortlessly switching between Twi and English as he reflects on his rise from humble beginnings in Tema to becoming one of Africa’s most celebrated hip-hop figures. His contribution adds depth to the record, reinforcing the song’s message of determination and achievement.

More than just a collaboration between two celebrated artists, Blessed & Alive serves as a reminder of the strength of African music and the power of longevity. Rudeboy and Sarkodie deliver a heartfelt anthem that speaks to anyone chasing their dreams, proving that true success is built through patience, resilience, and consistency.

With its inspiring message, timeless production, and strong performances, the track stands as a celebration of legacy while connecting with a new generation of listeners across the continent and beyond.

Listen to “Blessed & Alive” HERE

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The joint release is particularly significant given the pair’s well-documented history of public disagreements and creative distance over the years. However, EVERLASTING signals a clear moment of reconciliation, with both artists setting aside past tensions to deliver what many are already describing as a unifying anthem for Ghanaian music.

Produced by renowned hitmaker MOG Beatz, the record is built on a rich, mid-tempo foundation that fuses traditional Highlife influences with modern dancehall energy. The result is a powerful sonic blend of warm melodies, booming basslines, and triumphant horn sections that give the track a celebratory, almost ceremonial feel.

Sarkodie opens the record with calm authority, opting for a more measured delivery that highlights maturity and experience rather than speed. His verses reflect reflection and leadership, setting the tone for a record that leans heavily into legacy and cultural pride.

Shatta Wale, on his part, takes charge of the hook with his signature gravelly tone, delivering a chant-like chorus that feels built for stadiums and street celebrations alike. His performance adds raw energy to the track, balancing Sarkodie’s composed approach with his own unmistakable intensity.

Together, both artistes channel their individual strengths into a unified message that celebrates growth, resilience, and shared influence in shaping Ghana’s modern sound.

Lyrically, EVERLASTING leans into themes of legacy, unity, and reflection on their respective journeys from the underground music scene in Accra to global recognition. Rather than focusing on past controversies, the record emphasises maturity and the importance of preserving cultural impact beyond personal differences.

The collaboration ultimately stands as a symbolic moment for Ghanaian music, one that prioritises brotherhood over rivalry and highlights the enduring influence of both artists in pushing the country’s sound onto the global stage.

Listen to “EVERLASTING” HERE

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According to newly released rankings tracking career awards across local and international platforms, Grammy winner Wizkid sits comfortably at the summit with an impressive 197 awards, making him the most awarded African music act to date.

His longtime contemporary, Davido, follows in second place with 150 career awards, cementing his status as one of Africa’s most consistent hitmakers.

The list reflects the growing global reach of African music, with artists from West, East, and Central Africa all making strong appearances. Ghanaian rap heavyweight Sarkodie claims third place with 121 awards, while Nigeria’s Burna Boy comes in just behind him with 120 accolades. With fresh nominations and recent wins still rolling in, Burna Boy’s tally is expected to rise further.

Also representing Ghana is dancehall star Shatta Wale, who ranks fifth with 115 awards, closely followed by his compatriot Stonebwoy, who has earned 107 awards throughout his career.

East Africa’s influence is felt through Tanzanian superstar Diamond Platnumz, who crosses the 100-award mark with 101 honours, highlighting his impact beyond the region. Veteran Beninese singer and multiple Grammy winner Angélique Kidjo also features among the elite, boasting over 100 career awards, while Congolese music sensation Fally Ipupa completes the top nine with 96 awards.

The ranking not only celebrates individual success but also tells a broader story of Africa’s rising cultural power, as its artists continue to command global stages and recognition.

Africa’s Most Awarded Music Artists

1. Wizkid (Nigeria) – 197 awards
2. Davido (Nigeria) – 150 awards
3. Sarkodie (Ghana) – 121 awards
4. Burna Boy (Nigeria) – 120 awards
5. Shatta Wale (Ghana) – 115 awards
6. Stonebwoy (Ghana) – 107 awards
7. Diamond Platnumz (Tanzania) – 101 awards
8. Angélique Kidjo (Benin) – 100+ awards
9. Fally Ipupa (DR Congo) – 96 awards

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Ghanaian rap legend Sarkodie has opened up about how he manages to stay mentally balanced despite the constant waves of online criticism and social media chaos that come with fame.

In a thoughtful post shared on X (formerly Twitter) on Tuesday, October 15, 2025, the “Non Living Thing” crooner revealed that his peace of mind largely comes from being intentional about what he consumes online.

According to him, the secret lies in tuning out the noise and focusing only on things that truly matter.

“It’s crazy how I pick and choose where to channel my energy. I can go 10 years scrolling past ‘unnecessary’ stories, videos, etc., on social media without ever clicking to watch or read them. I only come online for what I’m truly interested in, try it, it’s beautiful,” he shared.

The rapper’s post came shortly after his electrifying Kumasi concert, which drew thousands of fans and featured performances from several top Ghanaian artists.

While the show earned widespread praise for its production and energy, it also sparked mixed reactions online, a typical occurrence for one of Ghana’s most talked-about entertainers.

Sarkodie’s message appeared to serve as a subtle response to the post-event noise, emphasizing the importance of guarding one’s mental space in an era dominated by online opinions.

For an artist who has spent over a decade at the top of Africa’s rap scene, his words resonate deeply. In an age where social media often amplifies negativity, Sarkodie’s philosophy of digital discipline stands out as both refreshing and instructive.

His post, simple yet profound, underscores a broader truth: sometimes, peace isn’t found by silencing others but by choosing what you give your attention to.

It’s crazy how I pick and choose where to channel my energy. I can go 10 years scrolling past ‘unnecessary’ stories, videos, etc., on social media without ever clicking to watch or read them. I only come online for what I’m truly interested in … try it it’s beautiful

— Sarkodie (@sarkodie) October 15, 2025

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Fans of Ghanaian rap icon Sarkodie were left puzzled in recent days after noticing that two of his albums, Jamz and No Pressure, had suddenly vanished from major digital streaming platforms.

The disappearance sparked widespread speculation online, with some suggesting that the rapper might have sold his catalogue. However, Sarkodie has now addressed the issue, assuring fans that the albums will soon be back online.

Speaking during an Instagram Live session on September 1, 2025, Sarkodie revealed that the albums were taken down due to a technical hiccup during a distribution switch.

“So what is happening is we are doing a re-upload with a new distribution channel. We have a new partnership… but it was supposed to be very smooth, and that couldn’t happen.

So now we took it down, and we have to re-upload. I’m really pushing the team to get it back on. Don’t worry guys,” he explained.

The rapper clarified further that the removal was entirely linked to a transition between distribution partners, stressing that the process “did not go as smoothly as expected.”

Despite the temporary setback, Sarkodie reassured fans that both albums will soon return to streaming platforms, urging supporters to remain patient as his team finalizes the re-upload.

🚨🔥: Sarkodie addresses why some of his tracks disappeared from streaming platforms!#3MusicTV pic.twitter.com/8975gBb6c2

— 3Music TV (@3musicnetworks) September 1, 2025

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• Telecel Ghana Music Awards 2025: Full nominee list officially announced

After weeks of eager anticipation, the nominees for the 26th Telecel Ghana Music Awards (TGMA) have finally been unveiled, setting the stage for one of Ghana’s most prestigious music events in 2025.

The grand announcement was made on Saturday, March 15, 2025, through a live broadcast on TV3 and streamed across the official social media pages of the Ghana Music Awards, ensuring fans worldwide could tune in.

Scheduled for May 3, 2025, at the Accra International Conference Center, this year’s TGMA promises fierce competition as Ghana’s top artists battle for the most coveted accolades in the industry.

The road to TGMA 2025 officially kicked off on January 21, 2025, when nominations opened. Charterhouse, the event organizers, received an overwhelming response, with over 1,500 submissions from more than 130 artists and music groups, spanning a variety of genres. A panel of industry professionals meticulously reviewed the entries, ensuring a rigorous and transparent selection process.

However, the most coveted awards—referred to as the “Big 5″—always spark the most excitement and debate. This year’s nominees for these highly anticipated categories are:

New Artiste of the Year

• Lali x Lola
• Arathejay
• Rap Fada
• Team Eternity
• Beeztrap Kotm
• Kwesi Amewuga

 

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Album of the Year (Nominees yet to be announced)

Record of the Year (Nominees yet to be announced)

Telecel Most Popular Song of the Year

• Asylum – Olive The Boy
• Paris – King Promise
• Lomo Lomo – KiDi Ft. Black Sherif
• Very Soon – Fameye
• Puul – Lasmid
• Defe Defe – Team Eternity Ghana
• Aseda – King Paluta
• Jejereje – Stonebwoy
• January 9 – Black Sherif

Artiste of the Year

• Kweku Smoke
• Team Eternity
• Joe Mettle
• King Paluta
• King Promise
• Stonebwoy
• Black Sherif

 

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Other Notable Categories and Nominees

Best Gospel Music Artiste

• Piesie Esther
• Joe Mettle
• Empress Gifty
• Diana Hamilton
• Team Eternity Ghana
• MOG Music

Best Male Vocal Performance

• Kofi Nuel – Do Not Fear
• Emmanuel Juddah – Aseda
• MOG Music – Ahuoden Fofro
• Ayisi – Can I Live
• Joe Mettle – Oba Awon Oba

Best Female Vocal Performance

• Naana Asiedu (Team Eternity Ghana) – Defe Defe
• Lordina The Soprano – Simply Trusting Everyday
• Esther Godwyll – I Choose To Praise
• Mima Afrika – On Fire
• Titi Owusu – Nobody

Best Hiplife/Hiphop Artiste

• Amerado
• Beeztrap Kotm
• Kweku Smoke
• Black Sherif
• King Paluta
• Sarkodie
• Medikal

Best Rap Performance

• Eno Barony – “No Manual”
• Kweku Smoke – “Holy Ghost”
• Okyeame Kwame – “No Competition”
• Sarkodie – “Brag”
• Lyrical Joe – “5th August”
• Flowking Stone – “King Is Back”

Best Reggae/Dancehall Artiste

• Jupitar
• Samini
• Ras Kuuku
• Epixode
• Stonebwoy
• Rocky Dawuni

Best Music Video

• Fallen Angel – Smallgod (Directed by Babs Direction)
• Auntie Ama – Kofi Kinaata (Directed by Awudu Musa)
• Continental – King Promise (Directed by Meekah Jagun)
• Stonebwoy – Directed by Banini
• P.O.M. (Peace Of Mind) – MzVee (Directed by Rex)
• Keep It Sexy – King Promise (Directed by Rex)

International Collaboration of the Year

• Oba Awon Oba – Joe Mettle Ft. Sunmisola Agbebi
• Ekelebe – Stonebwoy Ft. Odumodublvck
• The Doing Of The Lord – Diana Hamilton Ft. Mercy Chinwo
• Continental – King Promise Ft. Shallipopi
• Drip Remix – Gambo Ft. Edem & Jim Jones
• Jiggle And Whine – Stonebwoy Ft. Spice

African Song of the Year

• Ozeba – Rema
• Biri Marung – Mr Pilato, Ego Slimflow & Tebogo G Mashego Ft. Sje Konka, Focalistic, DJ Maphorisa, Scotts Maphuma & Cowboii
• Tshwalabam – Titom Ft. S.N.E. Yuppe, Burna Boy
• Favorite Girl Remix – Darkoo Ft. Rema
• Love Me Jeje – Tems
• Commas – Ayra Starr

With Stonebwoy determined to defend his Artiste of the Year crown, he faces fierce competition from industry heavyweights like King Paluta, King Promise, Black Sherif, and Joe Mettle. The announcement has already ignited a buzz across social media, with fans passionately rallying behind their favorites.

As Ghana counts down to the 26th Telecel Ghana Music Awards on May 3, 2025, all eyes are on the nominees who have dominated the nation’s music scene over the past year. The highly anticipated event promises an unforgettable night of recognition, electrifying performances, and monumental victories.

Who will claim the top honors? The race is on!

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This high-energy dancehall banger celebrates beauty, attractiveness, and respect rather than just serving as a party anthem. Next Door is already making waves on social media owing to Kojo Black‘s smooth, melodic delivery and Sarkodie‘s razor-sharp lyricism, with fans praising its enticing beat and undeniable vibe.

From the first beat, Next Door captures attention. Ugly & Tough produced the song, which has pulsating dancehall beats, rich Afro-Caribbean undertones, and an addictive hook that makes it tough to sit still. Next Door provides the energy required for movement, whether at a club, at a party, or just hanging out with friends.

 

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A Festival of Beauty and Appreciation

Lyrically, Next Door focuses on the captivating presence of a beautiful woman, the kind that leaves an indelible impression. Kojo Black’s heartfelt lyrics conjure vivid images, and he expresses his awe and admiration openly. The track is a relevant and engaging song because the way he speaks about being enchanted by the “girl next door” resonates with many listeners”.

Sarkodie, who is no stranger to delivering outstanding performances, once again demonstrates why he is one of Africa’s top rappers. His work on Next Door is effortless but powerful, with light-hearted yet aggressive lyrics that enhance the song’s idea. His unrivaled fluidity and ability to ride the beat with accuracy improve the song even more. Fans have applauded his clever wordplay and dynamic presence, which they believe complement Kojo Black’s smooth vocal technique well.

Fans rushed to social media platforms like Twitter, TikTok, and Instagram to share videos of their dance moves, tag Kojo Black and Sarkodie, and express their love for the song, overwhelming social media reactions. The rhythm draws listeners in with its subtle emphasis on Kojo Black‘s vocal appeal and Sarkodie’s lyrical grace, creating a perfect blend of melody and rap.

Listen Here

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• Wizkid is the most awarded African artist — right ahead of Angelique Kidjo

Nigerian Afrobeats sensation Ayodeji Ibrahim Balogun, widely known as Wizkid, remains the most awarded African artist, holding an impressive 158 awards.

The 34-year-old global star boasts an illustrious collection, including two American Music Awards, a Grammy, an MTV Video Music Award, three Soul Train Awards, three Billboard Music Awards, and two iHeartRadio Music Awards.

Wizkid also leads as the African artist with the most BET and MOBO Awards, having secured four BET Awards and six MOBO Awards.

Closely trailing him is Beninese-French music icon Angélique Kidjo, with 140 awards, including an outstanding five Grammy wins.

Ghanaian rap legend Sarkodie takes third place with 120 accolades, featuring 30 Ghana Music Awards, three Soundcity Music Video Awards, three Headies, two BET Awards, and an MTV Africa Music Award.

Burna Boy follows in fourth place with 96 awards, comprising three Nigeria Entertainment Awards, nine Headies, one MTV Africa Music Award, three BET Awards, and an MTV Europe Music Award.

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Following the success of ‘OLOLUFE‘ in September, ‘Jailer‘ delves into the themes of love, friendship, and the sometimes elusive search for a soulmate, brought to life by JAE5’s infectious, rhythmic production.

Victony opens the track with a catchy chorus, delivering silky vocals that lay the groundwork for Sarkodie’s compelling verses.

With his seamless flow and heartfelt lyrics, Sarkodie brings a relatable narrative, portraying the notion that the perfect partner might be closer than we think.

Listen Up!!

Reflecting on the track, he shared, “Sometimes the right one for you is right next to you, but we keep searching elsewhere… Jailer is a very deep story line, and I know a lot of people have experienced it or something similar.”

As an Afrobeats anthem, ‘Jailer’ not only highlights the collaboration between two of West Africa’s most celebrated artists but also continues to elevate African music globally, connecting with listeners through universal themes and an unforgettable beat.

STREAM AND GET HERE

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This milestone project builds on his impressive string of successful singles, including the internationally acclaimed “Ku Lo Sa” and its remix featuring American singer-songwriter Camila Cabello.

*OFA (Oxlade From Africa)* is a 16-track album showcasing a diverse mix of sounds and star-studded collaborations. The album features renowned artists like Flavour, Wande Coal, Sarkodie, Fally Ipupa, Dave, Dave, Popcaan, Bobi Wine, Ojahbee, and Tomi Owo, reflecting Oxlade’s ability to bridge various musical genres.

With infectious rhythms, catchy melodies, and well-crafted lyrics, the album highlights Oxlade’s vocal versatility and his seamless collaboration with artists from across the globe.

Oxlade shared his excitement on Instagram, saying, “Just a random lere boy fulfilling his dreams. Dear oxygenes; Today is the day my dreams come to life. This album is a piece of my heart, and I’m so grateful for your unwavering support throughout this journey. Welcome to a new dispensation; OFA THE ALBUM OUT NOW!”

 

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Listeners are in for an exhilarating and empowering journey with ‘OFA‘, a project that transcends demographics and is bound to be loved by fans of great music.

With this debut album, Oxlade has further cemented his status as one of the finest vocalists in the Nigerian music industry, offering an impressive body of work that adds to his growing legacy.

Listen Up!!

STREAM AND GET HERE

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Ghanaian dancehall star Shatta Wale recently took aim at Sarkodie during a TikTok Live session, criticizing the rapper’s choice of a Porsche Panamera as his dream cars

Sarkodie has frequently mentioned this luxury vehicle in his music, expressing his admiration for it. However, Shatta Wale questioned the practicality of this choice, dismissing it as unwise.

Shatta Wale shared that he prefers not to spend money on expensive cars, instead focusing on investing in real estate.

He boasted about the number of houses he has built, emphasizing that, in his view, real estate is a more valuable investment than cars.

He argued that cars hold little significance for him, despite having purchased several over the years, including multiple Range Rovers, a Benz, and a Land Cruiser. He implied that these vehicles are not true assets, as they tend to depreciate in value over time.

Panamera be your dream car? Shatta Wale questions Sarkodie and brags about buying several houses but despite his wealth, he won't buy expensive cars like a Lamborghini, Bugatti, or Rolls Royce to impress anyone. pic.twitter.com/GUr5VpxEdz

— EDHUB🌍ℹ (@eddie_wrt) August 16, 2024

Whenever these two A-list artists clash, they capture the public’s attention, often leading to the release of diss tracks. Shatta Wale previously targeted Sarkodie in a diss track titled “Little Tip,” where he fiercely criticized the rapper. Sarkodie responded with “Advice,” a track widely regarded as a more powerful retort.

Since then, Shatta Wale has seized every opportunity to attack Sarkodie, as well as other musicians. Sarkodie, however, has been more restrained in his responses, often using music collaborations to subtly address Shatta Wale’s remarks. Known for his naturally reserved demeanor, Sarkodie rarely responds directly to his critics.

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