Featuring Jahmiel and Patoranking, Prayer Request II is a motivational anthem about seeking success, strength, and divine protection while chasing excellence.

The lyrics convey gratitude for how far they’ve come, unwavering faith in God amid struggles and opposition, and the drive to achieve prosperity, respect, and lasting impact.

Victor AD, Jahmiel & Patoranking – Prayer Request II Lyrics

Hmm hmm
Ah ah ah ah ah ah
Jah jah
It’s Victor AD
Great man
Patoranking
Come fi tell em
Waya say

Father lord! I wan be the best
Anywhere dem call people
Make dem call me first
Like the birds sit on inna the nest
Father hear my prayer request
Prayer request

Oh lord! I wan be the best
Anywhere dem call people
Make dem call me first
Like the birds sit on inna the nest
Father hear my prayer request
Prayer request

Hey Father mi prayers dem answer
Looking back far wi a come from
The enemies wah si wi under
But mi faith and courage mek mi can’t stop
Mama pray for me, pray for me
They’re tryna drain my energy
Pray for me, pray for me
Jah Jah preserve the way for me
Father you raised me up
Through everything I’ve been through in life
I won’t give up, yuh deh by my side

Prayer request eh!

Father lord! I wan be the best
Anywhere dem call people
Make dem call me first
Like a bird sit on inna the nest
Father hear my prayer request
Prayer request

Oh lord! I wan be the best
Anywhere dem call people
Make dem call me first
Like the birds sit on inna the nest
Father hear my prayer request
Prayer request
So mi gan sa

Boss boss
When mi step inna the street
Everybody just dey
Boss boss
When man ah touch down the road
Man ah pull up inna
Porsche Porsche
All of the people wey look down on mi
Tell dem make dem lost lost

I pray too God
Make he secure the connect
Make problem no pass
Wetin dey mi wallet
My heart desire
I for like to hammer
So when dem bring the bill
I no go dodge
Cause I go get back to you
Na wash
I don forget my token again
Na wash
Dey go I go do am for you
Na wash
Oh lord wetin dey washilate

Father lord! I wan be the best
Anywhere dem call people
Make dem call me first
Like a birds sit on inna the nest
Father hear my prayer request
Prayer request

Oh lord! I wan be the best
Anywhere dem call people
Make dem call me first
Like the birds sit on inna the nest
Father hear my prayer request
Prayer request
So mi gan sa

Boss boss
When mi step inna the street
Everybody just dey
Boss boss
When man ah touch down the road
Man ah pull up inna
Porsche Porsche
All of the people wey look down on mi
Tell dem make dem lost lost

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“African Soldier“ is a stirring anthem that celebrates African pride, unity, and resilience. The lyrics honor the continent’s rich heritage, acknowledge the struggles and sacrifices of past generations, and inspire Africans to stand tall, overcome corruption, and work together for a brighter future.

Patoranking & Buju Banton – African Soldier Lyrics

From the North to the South
To the East to the West
Oooooo woooo
The great continent Alkebulan
(Iyeyeye) is rising to the highest

I’m an African
An African soldier
If you never know
You better know now

I’m an African
An African soldier
Say boy better know
A we run bout ya

Fully govern
Mi stay fully govern
Step pon the scene
Man a humble lion
Holy Zion
Mi say holy Zion
Mi solid as a rock
And mi strong like iron

African fire burning
And that is Jah Jah sign
We coming
Yo this greatness cyan decline
Flowing
This river cannot dry
Oh mama Africa
We tell em this is our time yow

I’m an African
An African soldier
If you never know
You better know now

I’m an African
An African soldier
Say boy better know
A we run bout ya

Alright then
From Cape to Cairo
Sahel to Gabon
Nigeria to Ghana to Sierra Leone
Africa’s wealth belongs to all Africans
There is a fight against evil and corruption
My ancestors bled for generations
The children’s cry for liberation
We left it to our leaders but they’re all compromised
Until we saw a young man who opened our eyes
Africa

I’m an African
An African soldier
If you never know
You better know now

I’m an African
An African soldier
Say boy better know
A we run bout ya

I’m an African

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The single serves as a cornerstone for Patoranking’s 2026 album rollout, leaning into his World Best persona with intent and precision.

Produced by the acclaimed Jazzwad, the track is a seamless fusion of Afro-dancehall and roots reggae, creating a sonic bridge between Nigeria and Jamaica that feels both timeless and timely.

Lyrically, African Soldier moves away from club-ready hits, delving instead into themes of liberation, Black excellence, and the resilience of the diaspora. Patoranking’s melodic grit complements Buju Banton’s gravelly, commanding delivery as they trade verses reflecting the struggles and triumphs of the modern soldier navigating a complex world.

The song is a celebration of empowerment, highlighting the global achievements of African and Caribbean communities.

The production features rich live instrumentation, from deep, walking basslines to sharp brass sections, evoking the spirit of 1990s dancehall while keeping a contemporary Afrobeats polish. By bringing Buju Banton into his musical universe,

Patoranking reinforces the cultural lineage connecting West African percussion with Caribbean rhythms. The result is a track that feels less like a fleeting hit and more like a lasting anthem for the continent.

Ultimately, African Soldier positions Patoranking as a true diplomat of sound. It’s a defining moment in his career, with his advocacy for African unity and pride articulated more clearly than ever.

For fans of conscious Afrobeats and authentic reggae, this collaboration is a masterclass in synergy, proving that when the Gargamel and the Ebonyi King meet, the message carries as much weight as the beat itself.

Listen to African Soldier HERE

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This time, the Nigerian voice of the street expands the spiritual conversation by inviting Jamaican dancehall star Jahmiel alongside original collaborator Patoranking.

The result is a cross-continental fusion of Afrobeats and reggae that delivers a hopeful message of resilience and divine intervention.

The synergy among the three artists is undeniable. Victor AD lays down the soulful, grounded foundation familiar to fans of Wetin We Gain, while Patoranking delivers his signature gritty yet polished verses. Jahmiel adds a fresh layer, infusing the track with authentic dancehall patois that elevates its energy.

Together, the trio crafts a song that feels like a collective plea to the heavens, grounded in the everyday struggles of ordinary people.

Produced once again by the talented Osho Beatz, the instrumental mirrors the reverent yet groovy atmosphere of the original. Bright horns and steady marching percussion echo the unwavering faith conveyed in the lyrics.

The track goes beyond hustle culture, exploring themes of gratitude and the need for spiritual support in a chaotic world, making it a timely release for today’s listeners.

Prayer Request II is more than just a remix—it’s a reaffirmation of a message that has defined Victor AD’s career. Bridging the gap between Warri, Lagos, and Kingston, the song proves that the language of hope transcends borders.

Its uplifting sound is destined to resonate in both church halls and club spaces, serving as a reminder that music, regardless of genre, remains one of the most powerful forms of prayer.

Listen to “Prayer Request II” HERE

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Held in partnership with the African Union Commission, the ceremony once again showcased the continent’s sonic dominance, from Afrobeats and Amapiano to Bongo Flava and Soukous.

The evening was a dazzling display of culture, with high-energy performances, heartfelt tributes, and a red carpet that saw stars stepping out in some of the continent’s finest fashion.

While Nigerian superstars dominated the spotlight, AFRIMA 2025 remained a truly pan-African affair, featuring talent from Rwanda, Senegal, Morocco, South Africa, and beyond.

“Tonight is not just about trophies; it’s about the unity of our culture and the strength of our voice on the global stage,” said AFRIMA President Mike Dada during the opening remarks.

The ceremony blended legendary icons with the “New Wave” of African music, underscoring the continent’s vibrant present and promising future.

Hosts & Media Personalities

• Enioluwa Adeoluwa
• Claudia Naisabwa
• Tosyn (The Style Infidel)
• Ariane Celeste Moua
• Olisa Adibua
• Juliet Ibrahim
• Annie Macaulay

Musicians & Performers

• Rema
• Seyi Vibez
• Shallipopi
• Phyno
• Yemi Alade
• Patoranking
• Falz
• Qing Madi
• Jazzman
• Adewale Ayuba
• Jux
• Cindy Le Coeur
• Gaise Baba
• Kunmie
• Chella
• Element Eleéh
• Weeha

Notable Figures & Dignitaries

• Mike Dada (AFRIMA President)
• Jonny Baxter (British Deputy High Commissioner)
• Simon Field (UK Deputy Head of Mission)
• Ambassador Anna Westerholm (Sweden)
• Toke Benson-Awoyinka (Lagos State Commissioner for Tourism)
• Ayo Animashaun (CEO, HipTV)
• Kenny Ogungbe
• Dayo Adeneye

AFRIMA 2025 was more than an awards show — it was a celebration of African music’s power, diversity, and global influence, uniting performers, industry figures, and dignitaries in a night to remember.

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Released via Amari Musiq, the track is the lead single from his forthcoming fifth studio album, and it’s a fiery reminder that Patoranking remains one of the genre’s most consistent hitmakers.

Produced by the acclaimed DeeYasso, No Jonze clocks in at a tight 2 minutes and 37 seconds, packing enough energy to fuel an entire dancehall. It’s a masterclass in rhythm and attitude, relentless percussion, pulsing basslines, and festival-ready hooks that evoke the sweaty, magnetic dancehalls of Ajegunle’s golden era, all while keeping pace with today’s Afrobeats soundscape.

Drawing from the improvisational flair of Galala, the rugged, percussion-heavy style that ruled Nigeria’s underground in the late ’90s, Patoranking reimagines it through his unmistakable voice and sharp songwriting.

Written by Patrick Nnaemeka Okorie alongside Michael Ovie Ikaka and Elvis Chimezie Akujobi, the track turns everyday Lagos slang into a philosophy. “No jonze” becomes a mantra of resilience and self-determination, a call to stay alert, keep hustling, and never let opportunities slip.

From the first bounce to its euphoric chorus, No Jonze oozes confidence and grit. It celebrates the spirit of survival and the joy of the grind, seamlessly merging reggae’s soul, Galala’s percussive fire, and Afrobeats’ global polish.

 

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A post shared by Patoranking (@patorankingfire)

The result is a record equally at home in a Lagos street party as it is on an international festival stage—proof again of Patoranking’s uncanny ability to bridge worlds.

Since its release, No Jonze has been racking up praise from fans and tastemakers alike, flooding playlists and timelines with nostalgia and excitement.

Its throwback energy and razor-sharp production have been hailed as a bold reminder of where Nigerian music has come from—and how far it’s still going.

With No Jonze, Patoranking isn’t just revisiting the past; he’s reinventing it. As he gears up for his next album era, this single stands as both a declaration and a promise: the fire is still burning, and the streets are still his kingdom.

Listen to No Jonze HERE.

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Released under Native Records, the LP stretches over an hour of high-octane storytelling, capturing the rapper’s chaotic brilliance while peeling back layers of Nigeria’s music hustle and global ambition.

Executive produced by ODUMODUBLVCK himself alongside a handpicked team of heavyweight producers, INDUSTRY MACHINE amplifies his signature Okporoko sound and an unpredictable mix of gritty street rap, raw emotion, and cultural swagger.

The album ventures into new territory, blending Afrobeats, UK drill, and trap textures without losing its Naija core. It’s a manifesto of self-belief and survival, brimming with social commentary, sonic risk-taking, and the restless pulse of an artist who refuses to conform.

Lyrically, the rapper balances chest-thumping bravado with introspection, tackling betrayal, ambition, and authenticity in the industry’s smoke and mirrors.

The production leans into chaos and somehow refines it, creating an immersive experience that’s both street and spiritual, aggressive and experimental. ODUMODUBLVCK doesn’t just rap; he provokes, narrates, and dismantles norms, offering listeners a glimpse into the engine room of his artistic evolution.

Highlights:

• “UNAWARE” ft. Pa Salieu – a fierce UK-Naija blend of street wisdom and melodic grit.
• “HALLELUJAH” ft. Jeriq, Phyno & Tobe Nwigwe – a spiritual yet triumphant anthem of survival and self-made glory.
• “PAY ME” ft. Zlatan & Stormzy – the combative lead single that set the album’s militant tone.
• “BABY REINDEER” & “BANZA BOY” – moments of pure ODUMODUBLVCK eccentricity and lyrical dominance.

Elsewhere, massive collaborations with Davido, Wizkid, Skepta, Seun Kuti, Nasty C, Tyla, and Portable inject global firepower into the album without diluting its raw, homegrown essence.

Critics have already dubbed INDUSTRY MACHINE a defining moment for Nigerian rap, a project that merges the underground’s rebellious heart with Afrobeats’ mainstream magnetism. It’s daring, dense, and drenched in attitude, a fearless expansion of what African rap can sound like on the world stage.

Now streaming on all major platforms, INDUSTRY MACHINE is ODUMODUBLVCK at his most ambitious, unfiltered, unstoppable, and unmistakably in control of the narrative.

Listen to the “Industry Machine” album HERE

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The track is scheduled for release on Wednesday, October 15, 2025, and fans are already buzzing with excitement.

The award-winning star made the announcement on Thursday, October 2, sharing a vibrant teaser video that quickly went viral across social media.

The song’s title, lifted from Nigerian slang “Jonze” (meaning to act carelessly or without seriousness), offers a clear message of focus and determination.

With ‘No Jonze,’ Patoranking appears ready to inspire listeners to keep their eyes on the prize—both in life and on the dance floor.

In the preview clip, the singer commands attention in a military-style olive green ensemble, complete with beret and gloves, while breaking into spirited dance moves against a rustic brick backdrop.

The snippet also reveals the track’s infectious energy, weaving together Reggae, Dancehall, and Afrobeats—a sound fans have come to recognize as Patoranking’s signature blend.

Delivered in his trademark mix of English and Pidgin, the chorus drives home the theme of seriousness, giving the phrase ‘No Jonze‘ an anthemic feel.

Over the years, Patoranking has mastered the art of balancing socially conscious storytelling with high-energy party starters, a versatility that keeps him at the forefront of African music.

With ‘No Jonze‘ already drawing attention ahead of its release, many are tipping it to become the next big anthem on the continent.

As the countdown to October 15 begins, anticipation is soaring for what promises to be another powerful addition to Patoranking’s hit-filled catalogue.

 

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A post shared by Patoranking (@patorankingfire)

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The Nigerian rap heavyweight has unveiled the official tracklist for his much-anticipated album Industry Machine, and fans can’t stop buzzing.

Set for release on October 6, the project is already shaping up to be one of the boldest, most star-studded albums of the year.

Far from being just another release, Industry Machine reads like a global cultural moment. With 23 tracks and a lineup that spans Nigeria, Africa, the UK, and the US, Odumodublvck is assembling an unprecedented roster of collaborators to establish his name on the world stage.

From Afrobeat royalty Seun Kuti to Afrobeats giants Davido and Wizkid, alongside UK rap kings Skepta, Stormzy, and Giggs, plus global stars like Saweetie and Justin Quiles, the feature list alone proves Odumodublvck is swinging for history.

Blending Afrobeats, hip-hop, grime, Afro-fusion, and street energy, Industry Machine promises to be more than music; it’s a movement. With this project, Odumodublvck is positioning himself not just as an artist but as a voice of a generation.

Release Date: October 6
Album: Industry Machine
Tracks: 23
Vibe: Global takeover.

Confirmed Features:

• Davido
• Wizkid
• Seun Kuti
• Pa Salieu
• Psycho YP
• Anti World Gangstars
• Skepta
• Justin Quiles
• Saweetie
• Stormzy
• Zlatan
• Reminisce
• Modenine
• Patoranking
• Chike
• Prettyboy D-O
• Giggs
• Cash Cobain
• Ayo Maff
• Phyno
• Jeriq
• Smada
• Tobe Nwigwe

🚨 OFFICIAL TRACKLIST 🚨

👤 ODUMODUBLVCK
💽 INDUSTRY MACHINE
📆 6TH OCTOBER

FEATURING:
▫️PA SALIEU
▫️DAVIDO
▫️WIZKID
▫️SEUN KUTI
▫️PSYCHO YP
▫️ANTI WORLD GANGSTARS
▫️SKEPTA
▫️JUSTIN QUILES
▫️SAWEETIE
▫️STORMZY
▫️ZLATAN
▫️REMINISCE
▫️MODENINE
▫️PATORANKING
▫️CHIKE
▫️PRETTYBOY… pic.twitter.com/JZH2p6sAns

— The Debut Hub (@thedebuthub) September 25, 2025

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Nigerian rapper and singer Odumodublvck has ignited fresh excitement in the music industry with the unveiling of the “Side A” tracklist for his highly anticipated album, Industry Machine.

The announcement, made on Thursday, September 18, 2025, via his social media account, came with a cryptic caption: “LIKE A THIEF IN THE NIGHT. SIDE A. INDUSTRY MACHINE.” The post revealed nine songs, setting off a wave of fan reactions and sparking industry-wide conversation.

The tracklist begins with the album’s title song, Industry Machine, before diving into a string of heavyweight collaborations. Among the most talked-about is Grooving, which pairs Afrobeats superstar Davido with Afrobeat legend Seun Kuti, a collaboration already tipped as one of the project’s standout moments.

Other major features include South African pop sensation Tyla on Jameson, rap heavyweight Nasty C on Shot On One, and street-hop star Portable on Ika Pay Pass. Additional appearances from Pa Salieu, Phyno, Patoranking, and veteran rapper Reminisce round out the first half of the album.

 

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A post shared by Odumodu Blvck (@odumodublvck)

Odumodublvck, born Tochukwu Ojogwu, described “Side A” as only half of the project, hinting that an equally loaded “Side B” is yet to be revealed. This tease has fueled speculation about even bigger surprises to come, with fans eagerly anticipating which other names could feature.

The eclectic lineup underscores Odumodublvck’s reputation for unpredictability and versatility, seamlessly blending genres, eras, and cultures. The album artwork, stamped with a Parental Advisory label, also suggests that he will retain the raw, unfiltered style that has set him apart in Nigeria’s rap scene.

With Industry Machine still only partially unveiled, the buzz continues to build. If “Side A” is anything to go by, Odumodublvck’s new album could prove to be more than just another release—it may well be a defining cultural moment.

LIKE A THIEF IN THE NIGHT.

SIDE A.

INDUSTRY MACHINE. pic.twitter.com/ae43Ew28eB

— INDUSTRY MACHINE ⚙️ (@Odumodublvck_) September 18, 2025

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Popular Afro-pop artist Patoranking has paid a moving tribute to his late younger sister, Chioma, and her husband, George Onuabuchi, drawing widespread sympathy from fans and colleagues in the entertainment industry.

The singer shared a poignant message on Instagram, his first public expression since the tragic loss. Accompanying a heartfelt caption, “Only heaven knows,” Patoranking honored the memory of his loved ones, sparking an outpouring of condolences and support online.

Chioma and George were victims of a devastating explosion at their home, an incident that has left Patoranking and his family grappling with profound grief. The heartbreaking event took the lives of the couple and has since drawn widespread attention and prayers for the family.

The funeral service for Chioma and George was recently held in their hometown, Uburu, Ohaozara, Ebonyi State. The somber ceremony witnessed a gathering of family and well-wishers who came to bid farewell to the departed.

This loss marks a deeply painful chapter in the singer’s life, as fans and industry peers continue to extend their heartfelt condolences during this difficult time.

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The police in Ebonyi State have confirmed that a gas explosion caused the death of a couple in their Abakaliki residence, contrary to widespread social media claims suggesting an inverter or dynamite explosion.

According to the police, an initial investigation revealed that the explosion, which took the lives of Mr. George and Mrs. Chioma Obasi, was caused by a gas leak. Chioma was the sister of popular Afrobeats singer Patoranking.

The explosion severely injured the couple, who were rushed to a hospital in Abakaliki by their neighbors. Tragically, Chioma died five days after the incident, while her husband, George, passed away shortly afterward, according to a family source who spoke to the Daily Post.

The couple is survived by their three-year-old son, who was upstairs watching cartoons with his father’s phone at the time of the explosion.

Since the incident, conflicting reports have circulated regarding the cause. Some speculated it was an inverter battery explosion, while others suggested foul play, with claims of a dynamite blast due to the couple recently celebrating their new home.

A neighbor believed the explosion was more likely caused by a bomb, citing the extensive damage to the ground floor of the building, including shattered electronics, broken windows, and destroyed doors.

However, police spokesperson Joshua Ukandu debunked the bomb theory, confirming it was a gas explosion, likely caused by a gas leak and ignited by a spark when a door was opened.

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