Nigerian heavyweights Davido, Rema, and Omah Lay are among the headline names announced for the festival, which is scheduled to take place from June 9 to June 11, 2027, in Portimão, Portugal.

The three-day celebration will bring together leading acts from Afrobeats, Amapiano, dancehall, and other African-influenced genres, continuing Afro Nation’s reputation as a major international platform for African music.

On the lit stage, Davido, Rema, and Congolese superstar Fally Ipupa headline the lineup. Omah Lay and Jamaican singer Shenseea are also billed for the stage, alongside Odeal, Victony, Valiant, Bamby, Rayvanny, and MiMi Kids.

Amapiano will take centre stage on the Piano People Stage, where South African hitmakers Kabza De Small and TxC lead the lineup. Dlala Thukzin joins as a special guest, while Young Stunna, Zee Nxumalo, 031Choppa, W4DE, Xduppy and Al Xapo are also scheduled to perform.

The festival experience will extend into the night with a Lit Stage after-party featuring South Gidi, DJ Maphorisa and DJ Tunez. Over at the Afrotronic VIP Stage, DJs including Caiiro and DJEFF are set to keep the atmosphere going.

Afro Nation Portugal has become a major meeting point for African music and its global audience, attracting performers and fans from different parts of the world.

With Davido, Rema, Omah Lay, Fally Ipupa, and Kabza De Small among the names announced, the 2027 edition is already shaping up as another major showcase of the sounds driving Africa’s global music movement.

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The new track serves as the first preview of the Grammy-winning group’s upcoming studio album, expected in 2027. It also becomes just the second release from CBX, the independent label Clean Bandit launched as their new musical home.

On ‘Company,’ three different sounds meet naturally. Clean Bandit brings their signature electronic and classical-pop touch, while Chlöe adds her polished pop-R&B vocals, and Omah Lay brings the Afro-fusion edge that has become central to his sound.

At its core, the song explores desire, loneliness, and the simple need to have someone around. The production maintains Clean Bandit’s familiar rhythmic precision, but Chlöe’s vocal runs and Omah Lay’s distinct delivery give the record a more contemporary and cross-cultural feel.

Interestingly, the collaboration came together almost by chance. Clean Bandit’s Grace Chatto and Jack Patterson crossed paths with the other artists while several of them were in Los Angeles, eventually turning the encounter into a studio collaboration.

The creative direction also extends to the song’s official video, which uses muted colours to create an intentional contrast with the lively energy of the record itself.

For Clean Bandit and Omah Lay, however, ‘Company’ represents more than a random link-up. Their creative relationship has reportedly been developing over several years, giving the track the feeling of a collaboration that has been waiting for the right moment.

With electronic pop, R&B and Afro-fusion all meeting in one place, ‘Company’ gives listeners an early glimpse into the sound Clean Bandit could explore as they build towards their 2027 album.

Listen to “Company” HERE

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The collaboration blends different musical worlds into one laid-back record, connecting the sounds of Lagos, Kingston, and Miami while maintaining a smooth Afro-fusion identity.

Built around slow, atmospheric production, As We Get High combines elements of Afro-R&B, dancehall, and contemporary hip-hop.

The beat leans heavily on deep bass and spacious instrumentation, creating the kind of late-night mood that works just as well for a chilled beach hangout as it does for a low-lit club setting.

 

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Omah Lay takes the opening spotlight, bringing his familiar emotional delivery and airy vocals to the record. His performance gives the song a reflective edge, setting the mood before BEAM switches things up with a more rhythmic blend of hip-hop and dancehall.

Gyptian then adds his unmistakable reggae presence, giving the track a touch of nostalgia while complementing the younger artists. Despite their different musical backgrounds, the three artists fit surprisingly well into the production, making the collaboration feel seamless rather than forced.

At its core, As We Get High is built around romance, escape and finding moments of peace away from the pressures of everyday life. The song captures that carefree feeling of simply enjoying someone’s company and letting the world fade into the background.

With its cross-cultural lineup and warm, atmospheric sound, As We Get High arrives as a smooth meeting point between Afrobeats, R&B and Caribbean music, offering listeners a fresh soundtrack for the season.

Listen to “As We Get High” HERE

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Below are the nominees for the highly anticipated ceremony, which is scheduled to take place in Canada.

Album of the Year

• Catharsis — Fola
• Clarity of Mind — Omah Lay
• G.O.A.T — Erigga
• Morayo — Wizkid
• The Machine Is Coming — Odumodublvck
• This One Is Personal — Tiwa Savage
• No Sign of Weakness — Burna Boy

Best Rap Single

• 2:02PM in London — Odumodublvck
• ACL — Blaqbonez
• Man2Man — Dremo
• PDSTRN — Moshood
• Nkemakonam — Tuff King
• Wuse Tu — Zaylevelten, Mavo
• John Wick — Zhus Jdo

Song of the Year

• Arike — Kunmie
• Hey Jago — Poco Lee, Shoday & Rahman Jago
• Hot Body — Ayra Starr
• Joy Is Coming — Fido
• MMS — Asake & Wizkid
• With You — Davido & Omah Lay

Afrobeats Single of the Year

• Fun — Rema
• Jogodo — Asake & Wizkid
• Laho — Shallipopi
• With You — Davido & Omah Lay
• You — Fola
• Bundle by Bundle — Burna Boy

Best Performer (Live)

• Adekunle Gold — Live at the National Theatre, Lagos
• Asake — Red Bull Symphonic
• Ayra Starr — Global Citizen Festival 2025
• Johnny Drille — Johnny’s Room Live 6
• Ruger — Live at Indigo at The O2, London (2025)

Best R&B Album

• Before We Became Strangers — Kunmie
• Catharsis — Fola
• Qing Madi — I Am the Blueprint
• Love Is a Kingdom — Tems
• Reflection Station — Tay Iwar
• This One Is Personal — Tiwa Savage

Best Recording of the Year

• Arike — Kunmie
• Amaeya — How Do You?
• Rema — Baby (Is It a Crime)
• Omah Lay & Elmah — Coping Mechanism
• Davido & Omah Lay — With You
• Fola — You

Best Alternative Album

• SDC — Afrika Magik
• Sewa — Detox
• BOJ — Duplicity
• Wizard Chan — Healers Chapel
• Scottyolorin — Olorin Pack
• Zaylevelten — Then 1t Got Crazy

Digital Artiste of the Year

• Asake
• Ayra Starr
• BNXN
• Chella
• Fola
• Mavo
• Seyi Vibez
• Wizkid

Next Rated

• Fido
• Fola
• Llona
• Mavo
• Shoday

Best Male Artiste

• Adekunle Gold
• Asake
• Fola
• Mavo
• Rema
• Wizkid
• Burna Boy

Rookie of the Year

• Amma
• Danpapa GTA
• Firstklaz
• Kidd Carder
• NO11
• Priesst
• OG Abbah

Best R&B Single

• 6:35 — Layefa
• How Do You? — Amaeya
• I Love You — Amma
• What You Need — Tems
• Winter & Summer — Magixx
• You4Me — Tiwa Savage

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Best Vocal Performance (Female)

• Layefa — 6:35
• Amaeya — How Do You?
• Sewa — Lagos Lovin
• Qing Madi — Scumbag
• Liya — Skin to Skin
• Tiwa Savage — You4Me

Best Inspirational Single

• Sunmisola Agbebi & Yinka Okeleye — Amioluwa
• Lawrence Oyor — Favour
• Sinach — Idinma (You Are Good)
• Emma OMG — Ko’rin Iyin (I Will Praise You)
• Gaise Baba & Lawrence Oyor — No Turning Back II
• Mercy Chinwo — We Move

Best Vocal Performance (Male)

• Adekunle Gold — I’m Not Done
• Flavour — Orente
• Magixx — Summer & Winter
• Odeal — Patience
• Syemca — Love Egbugomo
• Tay Iwar — Bad Belle

Producer of the Year

• Magicsticks — Jogodo
• P. Priime — MMS
• Ragee — Hot Body
• Sarz — Getting Paid
• Tempoe — With You

Best Collaboration

• CKay & Mavo — Body (Danz)
• Mavo & Wave$tar — Escaladizzy
• Poco Lee, Shoday & Rahman Jago — Hey Jago
• Odumodublvck & Victony — Pity This Boy
• Davido & Omah Lay — With You
• Mr Eazi & King Promise — See What We’ve Done
• Chief Priest & Spyki — Finally

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Afrobeats Album of the Year

• 5ive — Davido
• Captain — BNXN
• Clarity of Mind — Omah Lay
• Fuji — Adekunle Gold
• Morayo — Wizkid
• No Sign of Weakness — Burna Boy

Best Female Artist

• Ayra Starr
• Qing Madi
• Sewa
• Tems
• Teni
• Tiwa Savage

Lyricist on the Roll

• Blaqbonez — ACL
• Dremo — Man2Man
• Modenine — If You Like Gym (w/ Odumodublvck)
• PDSTRN — Moshood
• Ycee — Man2Man Remix (w/ Dremo)

Best Rap Album

• Tuff King — Black Sheepizen (The 13th Disciple)
• A-Q — GE3 (The Beginning)
• Erigga — G.O.A.T
• JeriQ — King
• Blaqbonez — No Excuses
• Odumodublvck — The Machine Is Coming

Best Street-Hop Artiste

• Famous Pluto — Na Scra
• Kashcoming — All My Money
• Poco Lee — Hey Jago (w/ Shoday & Rahman Jago)
• Seyi Vibez — Shaolin
• Shallipopi — Laho
• Tuff King — Nkemakonam
• Rybeena — Gaddem (w/ Shoday)

International Artiste of the Year

• Ciara
• Dave
• Gunna
• Jazmine Sullivan
• Shenseea
• Tiakola

Best Southern African Artist

• ​Ciza 🇿🇦
• ​DJ Maphorisa 🇿🇦
• ​Jazzwrld 🇱🇸
• ​Kabza De Small 🇿🇦
• ​Tyla 🇿🇦
• ​Uncle Waffles 🇸🇿

​Music Video of the Year

• ​Director Pink — 10 Kilo
• ​TG Omori — Afroculture
• ​DK — Bundle by Bundle
• ​Jyde Ajala — Wizard Chan
• ​Meji Alabi — Who’s Dat Girl
• ​Dammy Twitch — With You

​Best Alternative Song

• ​Cyk Baddie — Luwa.mp4 & Jeleel!
• ​Sewa — Lagos Lovin
• ​Wizard Chan — Oliver
• ​Blnde — Omo To Sexy
• ​Wave$tar — Prada Baby
• ​Obongjayar — Sweet Danger
• ​Chief Priest, Boypee & Zoro Swagbag — Summer Adina

Best West African Artiste

• ​Black Sherif 🇬🇭
• ​Himra 🇨🇮
• ​KiDi 🇬🇭
• ​King Promise 🇬🇭
• ​Moliy 🇬🇭
• ​Wally B. Seck 🇸🇳
• ​Stonebwoy 🇬🇭

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He has now become one of only five Nigerian artists to record songs with over 100 million streams across three different projects on Spotify, a rare achievement that highlights both consistency and wide global reach.

This accomplishment places him in an elite circle alongside Burna Boy, Davido, Tems, and Omah Lay, a lineup that essentially defines the modern streaming powerhouses out of Nigeria.

The numbers are powered by some of his most impactful records to date. “Joha,” off his breakout project Mr. Money With The Vibe, recently crossed the 100 million-stream mark, further extending the album’s already massive digital footprint.

Another standout, “Lonely At The Top” from Work of Art, continues to stand tall as one of the defining Afrobeats records of the decade, both commercially and culturally.

With multiple projects now producing nine-figure streaming songs, Asake’s catalog is showing rare staying power.

Each rollout seems to reinforce the same point: his rise isn’t just about viral moments or short-term hits, but a sustained presence in the upper tier of Nigerian music’s global export machine.

🚨 Asake now has a song with 100M streams on 3 projects 🤩

— He joins Burna Boy, Davido, Tems & Omah Lay as the only Nigeran artists to achieve this on Spotify 👏🏽 pic.twitter.com/N8U5q943U5

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) June 21, 2026

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While reflecting on the Afrobeats albums that have shaped his generation, the Understand hitmaker gave a heartfelt shoutout to Burna Boy, specifically highlighting his 2018 project Outside.

“See, don’t play with Burna Boy… it’s definitely one of Burna’s. My favorite Burna album is Outside. I’m not going to say it’s the greatest, but it’s my favorite,” he said.

For Omah Lay, Outside stands out as a defining body of work in Burna Boy’s catalogue—one that played a key role in shaping the artist’s global identity and pushing Afrobeats further onto the world stage.

 

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But the conversation didn’t end on a reflective note. In the same interview, Omah Lay shifted into a more assertive stance when discussing his own place in the genre.

“I am the greatest Afrobeats artiste of the decade. I am the greatest,” he declared.

He was quick, however, to clarify that his definition of greatness isn’t tied to commercial success or popularity metrics.

“Well, you can say numbers, and personality, and the level of fame, and stardom, maybe you would not consider me. When it comes to the art itself, I am the greatest.”

The comments once again highlight Omah Lay’s dual persona—deeply appreciative of the artists who paved the way, while still unapologetically confident about his own artistic identity and contribution to the sound of a new Afrobeats generation.

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Speaking during a recent chat with Capital Xtra, the “Understand” hitmaker doubled down on the statement with full confidence while also drawing a clear line around what he meant.

“I am the greatest Afrobeats artiste of the decade. I am the greatest,” he said.

However, Omah Lay quickly clarified that his claim wasn’t based on commercial success, streaming numbers, or popularity metrics that usually define mainstream dominance in music. Instead, he said his focus is strictly on artistry.

“Well, you can say numbers, and personality, and the level of fame, and stardom, maybe you would not consider me. When it comes to the art itself, I am the greatest.”

The Port Harcourt-born star has made similar remarks in the past, even previously describing himself as “Nigeria’s best artiste of the last 20 years,” a statement that has often divided opinion among fans and industry observers.

While debates around “greatness” in Afrobeats continue to surface from different artists, Omah Lay’s latest comments add another layer to the ongoing conversation about how success in the genre should truly be measured—artistry, numbers, or overall cultural impact.

 

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In a recent interview with FADER, the singer addressed the controversy surrounding his February 2024 London concert, where he invited a female fan on stage for a suggestive dance performance to his hit song “Bend You.” The moment quickly went viral after it was revealed that the woman’s boyfriend was present in the crowd.

Rather than expressing sympathy, Omah Lay admitted he was frustrated by the boyfriend’s reaction, suggesting he should have embraced the moment instead of taking offence.

He said:

“I was pissed. I was pissed at the guy for a minute. This is a girl who had a chance to be on stage with one of her favorite artists. This is a life-changing opportunity. If I were him, I’d be recording it and being happy for my girl,”

Omah Lay addressed the viral video dancing with a fan on stage that led to a break up with her and her boyfriend”

“This is a life-changing opportunity. If I were him, I’d be recording it and being happy for my girl. She’s coming back to you after the song is over! It’s art. It’s… pic.twitter.com/i30MQ8LfIk

— The FADER (@thefader) April 7, 2026

The singer maintained that the performance was purely artistic and brief, insisting the situation was blown out of proportion by the boyfriend’s response.

“She’s coming back to you after the song is over! It’s art. It’s one minute max. Why don’t you just enjoy it? But he was acting like a victim, like somebody ‘took his girl.’ That just shows that you guys don’t have anything concrete. I was disappointed in the guy. Like, bro, what are you doing? We’re just dancing in front of 10,000 people. It’s art. Why are you dying over that feeling like a victim?”

🚨 Omah Lay speaking about the song “Julia” off his new album (Via Interview with FADER) 🗣️

— Me? I’m a genius. Those are the things I felt uncomfortable accepting for the longest time. “Julia” is an old sound. Remember when I came out and said somebody stole the idea for my… pic.twitter.com/6sFlYwgAlo

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) April 7, 2026

The incident had drawn heavy attention online at the time, with many sympathising with the boyfriend who became the subject of public ridicule. Omah Lay’s latest comments have once again stirred mixed reactions, with some critics describing his stance as insensitive.

Beyond the viral moment, the Port Harcourt-born artist also opened up about challenges within the music industry. He revealed that a fellow Afrobeats act once took inspiration from his sound in a way that forced him to rethink and rebuild an entire project.

“Stuff like that can put people in a bad mental state where they are unable to ‘come back alive.’ You spend so much time figuring out a new sound, you share it with a friend for a collaboration, and they twist it in such a genius way that you can’t even go back and say, “Yo, this is my sh*t.'”

His revelations add another layer to ongoing conversations about creativity, ownership, and emotional resilience in the music industry, as fans continue to dissect both his artistic choices and outspoken opinions.

Omah Lay reflects on having his album “stolen”:

“Stuff like that can put people in a bad mental state where they are unable to ‘come back alive.’

You spend so much time figuring out a new sound, you share it with a friend for a collaboration, and they twist it in such a genius… pic.twitter.com/a85d3UIz3c

— The FADER (@thefader) April 7, 2026

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Nigerian star Omah Lay has released his sophomore album, Clarity of Mind, alongside the lyrics to its tenth track, “I Am.”

On I Am, Omah Lay blends confidence with introspection, exploring themes of self-identity, individuality, and personal power. The lyrics highlight his belief in standing out and embracing his unique vibe and success, while subtly revealing the inner struggles and thoughts he keeps beneath the surface.

Omah Lay – I Am Lyrics

Intro
Oh, oh-oh-oh, oh, oh
Oh, oh-oh-oh, oh, oh
Oh-oh-oh, oh, oh, oh-oh
Oh, oh-oh-oh, oh, oh
Oh, oh-oh-oh, oh, oh
Oh-oh-oh, oh, oh, oh-oh (Lekaa Beats)

Chorus
I am (Am)
I am who I am (Am), I am who I am (Am)
I am who I am, I am
I am (Am)
I am who I am (Am), I am who I am (Am)
I am who I am, I am
I am, nobody fresh like I am (I am)
Nobody sweet like I am (I am)
Nobody cool like I am, I am
I am, nobody high like I am
Nobody vibe like I am, nobody do it like I am, I am, oh, oh

Post-Chorus
I am, oh, oh, I am, oh, oh
Everybody know say smoking is dangerous
But, once I see marijuana, I go light am
Money is the root of evil but every day I pack am, oh
Hey, there’s too many thoughts in my head
But I keep it all to myself
Better keep your ass in your place
You don’t know who you’re fucking with
There’s too many thoughts in my head
Better keep your ass in your place
You don’t know who you’re fucking with
You don’t know who you’re fucking with

Refrain
My baby say she want a piece of my love
I told her, “Shut up, come and take
Come and, come and, come and take”
No other person be like me
My baby say she want all of my money
I told her, “Shut up, come and take
E no fit finish, come and take”
No other person be like me (You’re fucking with)
My baby say she want a piece of my love
I told her, “Shut up, come and take
Come and, come and, come and take”
No other person be like me
My baby say she want all of my money
I told her, “Shut up, come and take
E no fit finish, come and take”
No other person be like me

Chorus
I am (Am)
I am who I am (Am), I am who I am (Am)
I am who I am, I am
I am (Am)
I am who I am (Am), I am who I am (Am)
I am who I am, I am
I am, nobody fresh like I am (I am)
Nobody sweet like I am (I am)
Nobody cool like I am, I am
I am, nobody high like I am
Nobody vibe like I am, nobody do it like I am, I am, oh, oh

Post-Chorus
I am, oh, oh, I am, oh, oh
Everybody know say smoking is dangerous
But, once I see marijuana, I go light am
Money is the root of evil but every day I pack am, oh
Hey, there’s too many thoughts in my head
But I keep it all to myself
Better keep your ass in your place
You don’t know who you’re fucking with
There’s too many thoughts in my head
Better keep your ass in your place
You don’t know who you’re fucking with
You don’t know who you’re fucking with

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On Coping Mechanism, Omah Lay and Elmah deliver an emotional record centered on navigating inner pain and finding comfort through connection.

The lyrics speak to staying strong, being open about struggles, and offering reassurance to those going through difficult moments, adding a heartfelt layer to the album’s message.

Omah Lay & Elmah – Coping Mechanism Lyrics

Chorus: Elmah
Smile for me, don’t be, don’t be sad
I can see it in your countenance, in your countenance
Smile for me, don’t be, don’t be sad
I can see it in your countenance, there’s something on your mind

Verse 1: Elmah
Am I wrong?
‘Cause I stand for what I believe, am I wrong?
Said it exactly as it is
They thought I was abusing it
They thought that I was losing it, am I wrong?
I know how you feel, I know what you need
I could be the shoulder you can cry on, am I wrong?
Me, I’ll never let them take away my peace
I want you to know you’re not alone, you’re with me

Chorus: Elmah
Smile for me, don’t be, don’t bе sad
I can see it in your countenance, in your countenancе
Smile for me, don’t be, don’t be sad
I can see it in your countenance, there’s something on your mind

Verse 2: Omah Lay
All I want (All I)
Feel good inside
All I want by any means
Unhappiness is hurting me (Ah)
I can’t feel my shoulders anymore (Ah)
Is it ’cause I carry all the load?
So I go on tour around the world
Looking for where I might belong
Everyday smiling, nicely, highest vibration

Chorus: Elmah & Omah Lay
Smile for me, don’t be, don’t be sad
I can see it in your countenance, in your countenance
Smile for me, don’t be, don’t be sad (My pillow)
I can see it in your countenance, there’s something on your mind (My pillow)

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On Amen, Omah Lay closes the project on a reflective and spiritual note. The song carries themes of prayer, gratitude, and a desire for peace and success, as he expresses hope for financial stability while leaning on divine guidance and protection throughout his journey.

Omah Lay – AMEN Lyrics

Intro
Mad!

Verse 1
I don’t listen to what they say
I trust my angels to cover me
All I want for the rest of my life is some peace of mind
Enough money to purchase anything when I wan buy
So help me God

Chorus
Amen, amen, amen, oh, amen
Amen, amen, amen (So help me God)
Amen, amen, amen, oh, amen
Amen, amen, amen, amen

Verse 2
It’s a very little something I want
More money for me inside pocket
Say the thing wey be my own, make I no beg
Count my blessings every day, make I no forget
Woah, woah woah, woah woah
No go let me block my head, oh, I refuse, oh
Wetin dey kill Ninja na too much over skill oh
Protect my step, brand new Louis Vuitton oh
As I dey throw my leg, one by one, so help me God

Chorus
Amen, amen, amen, oh, amen
Amen, amen, amen
Amen, amen, amen, oh, amen
Amen, amen, amen, amen (So help me God)
Amen, amen, amen, oh, amen (Oh, oh, oh, oh, oh)
Amen, amen, amen
Amen, amen, amen, oh, amen (Ah, ah, ah, ah, ah)
Amen, amen, amen, amen (So help me God)

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On Julia, Omah Lay leans into a deeply reflective mood, exploring loneliness, longing, and emotional attachment.

The song captures the feeling of missing someone special, where even in moments of luxury and enjoyment, everything still points back to her presence.

Omah Lay – JULIA Lyrics

Chorus
Julia, Julia, Julia, Julia
Yesterday, I had all the table to myself oh
Every little thing, e just dey remind me of you
You know the matter, show, my baby, show, my baby, show
My baby, show, my baby, show
Julia, Julia, Julia, Julia
Every little thing, e just dey remind me of you
You know the matter, show, my baby, show, my baby, show
My baby, show, my baby, show (Oh)

Refrain
Oh, hallelujah, oh, hallelujah (Oh, hallelujah, oh, hallelujah)
Every money na for spending (Every money na for spending)
Hosanna, Hosanna (Hosanna, Hosanna)
Every day na for enjoyment (Every day na for enjoyment)

Verse
Right now, I want to go (Outside)
‘Cause my facials looking perfect for (Cameras)
I book tablе for twenty people (Last night)
How I еnded up being by myself (The whole time)
Julia, you know, I’d rather be alone than with anyone else

Chorus
Julia, Julia, Julia, Julia
Yesterday, I had all the table to myself oh
Every little thing, e just dey remind me of you
You know the matter, show, my baby, show, my baby, show
My baby, show, my baby, show
Julia, Julia, Julia, Julia
Every little thing, e just dey remind me of you
You know the matter, show, my baby, show, my baby, show
My baby, show, my baby, show

Outro
Julia, Julia

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