Below are the nominees for the highly anticipated ceremony, which is scheduled to take place in Canada.

Album of the Year

• Catharsis — Fola
• Clarity of Mind — Omah Lay
• G.O.A.T — Erigga
• Morayo — Wizkid
• The Machine Is Coming — Odumodublvck
• This One Is Personal — Tiwa Savage
• No Sign of Weakness — Burna Boy

Best Rap Single

• 2:02PM in London — Odumodublvck
• ACL — Blaqbonez
• Man2Man — Dremo
• PDSTRN — Moshood
• Nkemakonam — Tuff King
• Wuse Tu — Zaylevelten, Mavo
• John Wick — Zhus Jdo

Song of the Year

• Arike — Kunmie
• Hey Jago — Poco Lee, Shoday & Rahman Jago
• Hot Body — Ayra Starr
• Joy Is Coming — Fido
• MMS — Asake & Wizkid
• With You — Davido & Omah Lay

Afrobeats Single of the Year

• Fun — Rema
• Jogodo — Asake & Wizkid
• Laho — Shallipopi
• With You — Davido & Omah Lay
• You — Fola
• Bundle by Bundle — Burna Boy

Best Performer (Live)

• Adekunle Gold — Live at the National Theatre, Lagos
• Asake — Red Bull Symphonic
• Ayra Starr — Global Citizen Festival 2025
• Johnny Drille — Johnny’s Room Live 6
• Ruger — Live at Indigo at The O2, London (2025)

Best R&B Album

• Before We Became Strangers — Kunmie
• Catharsis — Fola
• Qing Madi — I Am the Blueprint
• Love Is a Kingdom — Tems
• Reflection Station — Tay Iwar
• This One Is Personal — Tiwa Savage

Best Recording of the Year

• Arike — Kunmie
• Amaeya — How Do You?
• Rema — Baby (Is It a Crime)
• Omah Lay & Elmah — Coping Mechanism
• Davido & Omah Lay — With You
• Fola — You

Best Alternative Album

• SDC — Afrika Magik
• Sewa — Detox
• BOJ — Duplicity
• Wizard Chan — Healers Chapel
• Scottyolorin — Olorin Pack
• Zaylevelten — Then 1t Got Crazy

Digital Artiste of the Year

• Asake
• Ayra Starr
• BNXN
• Chella
• Fola
• Mavo
• Seyi Vibez
• Wizkid

Next Rated

• Fido
• Fola
• Llona
• Mavo
• Shoday

Best Male Artiste

• Adekunle Gold
• Asake
• Fola
• Mavo
• Rema
• Wizkid
• Burna Boy

Rookie of the Year

• Amma
• Danpapa GTA
• Firstklaz
• Kidd Carder
• NO11
• Priesst
• OG Abbah

Best R&B Single

• 6:35 — Layefa
• How Do You? — Amaeya
• I Love You — Amma
• What You Need — Tems
• Winter & Summer — Magixx
• You4Me — Tiwa Savage

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Best Vocal Performance (Female)

• Layefa — 6:35
• Amaeya — How Do You?
• Sewa — Lagos Lovin
• Qing Madi — Scumbag
• Liya — Skin to Skin
• Tiwa Savage — You4Me

Best Inspirational Single

• Sunmisola Agbebi & Yinka Okeleye — Amioluwa
• Lawrence Oyor — Favour
• Sinach — Idinma (You Are Good)
• Emma OMG — Ko’rin Iyin (I Will Praise You)
• Gaise Baba & Lawrence Oyor — No Turning Back II
• Mercy Chinwo — We Move

Best Vocal Performance (Male)

• Adekunle Gold — I’m Not Done
• Flavour — Orente
• Magixx — Summer & Winter
• Odeal — Patience
• Syemca — Love Egbugomo
• Tay Iwar — Bad Belle

Producer of the Year

• Magicsticks — Jogodo
• P. Priime — MMS
• Ragee — Hot Body
• Sarz — Getting Paid
• Tempoe — With You

Best Collaboration

• CKay & Mavo — Body (Danz)
• Mavo & Wave$tar — Escaladizzy
• Poco Lee, Shoday & Rahman Jago — Hey Jago
• Odumodublvck & Victony — Pity This Boy
• Davido & Omah Lay — With You
• Mr Eazi & King Promise — See What We’ve Done
• Chief Priest & Spyki — Finally

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Afrobeats Album of the Year

• 5ive — Davido
• Captain — BNXN
• Clarity of Mind — Omah Lay
• Fuji — Adekunle Gold
• Morayo — Wizkid
• No Sign of Weakness — Burna Boy

Best Female Artist

• Ayra Starr
• Qing Madi
• Sewa
• Tems
• Teni
• Tiwa Savage

Lyricist on the Roll

• Blaqbonez — ACL
• Dremo — Man2Man
• Modenine — If You Like Gym (w/ Odumodublvck)
• PDSTRN — Moshood
• Ycee — Man2Man Remix (w/ Dremo)

Best Rap Album

• Tuff King — Black Sheepizen (The 13th Disciple)
• A-Q — GE3 (The Beginning)
• Erigga — G.O.A.T
• JeriQ — King
• Blaqbonez — No Excuses
• Odumodublvck — The Machine Is Coming

Best Street-Hop Artiste

• Famous Pluto — Na Scra
• Kashcoming — All My Money
• Poco Lee — Hey Jago (w/ Shoday & Rahman Jago)
• Seyi Vibez — Shaolin
• Shallipopi — Laho
• Tuff King — Nkemakonam
• Rybeena — Gaddem (w/ Shoday)

International Artiste of the Year

• Ciara
• Dave
• Gunna
• Jazmine Sullivan
• Shenseea
• Tiakola

Best Southern African Artist

• ​Ciza 🇿🇦
• ​DJ Maphorisa 🇿🇦
• ​Jazzwrld 🇱🇸
• ​Kabza De Small 🇿🇦
• ​Tyla 🇿🇦
• ​Uncle Waffles 🇸🇿

​Music Video of the Year

• ​Director Pink — 10 Kilo
• ​TG Omori — Afroculture
• ​DK — Bundle by Bundle
• ​Jyde Ajala — Wizard Chan
• ​Meji Alabi — Who’s Dat Girl
• ​Dammy Twitch — With You

​Best Alternative Song

• ​Cyk Baddie — Luwa.mp4 & Jeleel!
• ​Sewa — Lagos Lovin
• ​Wizard Chan — Oliver
• ​Blnde — Omo To Sexy
• ​Wave$tar — Prada Baby
• ​Obongjayar — Sweet Danger
• ​Chief Priest, Boypee & Zoro Swagbag — Summer Adina

Best West African Artiste

• ​Black Sherif 🇬🇭
• ​Himra 🇨🇮
• ​KiDi 🇬🇭
• ​King Promise 🇬🇭
• ​Moliy 🇬🇭
• ​Wally B. Seck 🇸🇳
• ​Stonebwoy 🇬🇭

This post appeared first on Mp3bullet.ng... Read Original post on Full list of nominees for the 2026 Headies Awards.

On “ISÁLẸ́ ÉKÒÓ,” Odumodublvck reflects on the experiences that shaped him, taking listeners through his journey from a difficult upbringing and life on the streets to success, faith, and self-belief.

The lyrics paint a contrast between a past defined by hardship, violence, and survival and a present marked by wealth, prayer, global recognition, and an unwavering desire to move beyond his circumstances.

The track ultimately captures his growth while maintaining the raw street perspective that has become central to his identity.

Odumodublvck – ISALE EKO Lyrics

Intro
Black Star, Black for life
It′s got to be my time
Oga Sasha Records
Give me room, work
Dexman
Hold on

Verse 1
Na for Isale Eko them born us
(Hey) that time my mama dey flog us
We no dey hear word, who be Jesus?
My Lord
Back then na my gun be my own God
Now I dey pray five times in a day
Make them post say I shoot gun
Mustapha hold one
Pray for the weak, I no want
I just let off
Before them go blow, I just kick off
Before them go cock, I just shoot more

Verse 2
Their kipa ona na (na-na)
Lika like Udala from Roma Okaka (yeah)
Black man in Italia
My brain is on balance, they think I’m the joker
My T-shirt from Primark
In London I scatter (yeah)
Ordinary men don turn dons
Now bomb comes, they want skunk on
We don′t wanna hear their own love song
Everything I customize, bum-bum
BBL silicon (yon)
All of them want to fuck Ayon
Even me I dey run (tire)
All of us wan enter Zion (yon)
Omo pass me the condom
Make I run one before dawn
Odumodu, you love blood
I mistook it for Tom-Tom
I like my own tongue

Chorus
Na for Isale Eko them born us
That time my mama dey flog us (ehen, common)
We no dey hear word, who be Jesus?
My Lord
Back then na my gun be my own God (God)
Now I dey pray five times in a day
Make them post say I shoot gun
Mustapha hold one
Pray for the weak, I no want
I just let off
Before them go blow, I just kick off
Before them go cock, I just shoot more

Verse 3
How are you my darling?
Please do not, charlie
Snuff nose with cocaine
When the max say na OD (aight)
I don’t care about it
Who be running am?
Na me?
Na me?
They thought I was gone, (where?)
Now I don backslide
The water dey retract
See two let I’m on crack
Shebi I dey mad
Why them be dey nag?
Since pikin I dey nack
Talk to me like a man
Too much money I′m the bank
Christine might know me well

Outro
My babes are too match
Na for Isale Eko them born me

This post appeared first on Mp3bullet.ng... Read Original post on “ISALE EKO” Lyrics by Odumodublvck.

Dropped as a surprise digital release, the track wastes little time getting to the point, with the rapper packing its 2-minute, 20-second runtime with raw energy and unmistakable Lagos spirit.

From the opening moments, ISÁLẸ́ ÉKÒÓ hits hard. The production leans on pounding bass, restless percussion, and a tense rhythm that creates the perfect setting for ODUMODUBLVCK’s forceful delivery. It is short, direct, and built to hit without unnecessary detours.

The rapper also turns the record inward, reflecting on parts of his journey, his changing relationship with faith and the realities that shaped his early hustle.

His bars are filled with Lagos expressions and street references, giving the song the feel of a personal account told straight from the city’s everyday chaos.

More than just another release, ISÁLẸ́ ÉKÒÓ feels like ODUMODUBLVCK planting his flag in Lagos and celebrating the toughness, ambition, and character that define the city. It adds another uncompromising chapter to what has already been a remarkably active year for the rapper.

Listen to “ISÁLẸ́ ÉKÒÓ” HERE

This post appeared first on Mp3bullet.ng... Read Original post on ODUMODUBLVCK Salutes Lagos With New Single “ISÁLẸ́ ÉKÒÓ”.

In a recent interview, Blaqbonez explained that he and Odumodu were once on good terms before their relationship became strained after they encountered the same woman in 2023.

According to the rapper, both artists met the woman around June or July of that year and developed an interest in her, with each eventually making an attempt to pursue a relationship.

“Me and Odumodublvck used to be cool, we had cordial relationship then. Sometime in 2023, like June or July, we met a girl at the same place at the same time, we were both interested in the girl and both parties made moves to her.”

Blaqbonez said he later became involved with the woman in a non-exclusive relationship that lasted roughly a year. He explained that the relationship eventually came to an end after she told him she no longer believed it was progressing in the direction she wanted.

Blaqbonez finally reveals what caused the fallout with OdumoduBlvck: “It was about a girl… a lie was told, things escalated, and here we are.🤯 pic.twitter.com/gSrUjTKhPq

— Soft Life (@softlife_space) August 18, 2026

The rapper said he later discovered that she had begun dating Odumodu after unexpectedly meeting her at a bar. He claimed that after asking about her relationship status and learning who she was seeing, he decided to completely distance himself from her.

“Days later I ran into her in a bar, and we talked, so I asked her who she was dating, that was when I found out it was Odumodu. I promised her she won’t hear from me again, and we moved on,” he added.

According to Blaqbonez, the situation did not end there. He alleged that Odumodu eventually confronted him over his past relationship with the woman, accusing him of continuing to contact or disturb her.

Blaqbonez said he explained that they had previously been involved but maintained that he had already cut off communication with her and blocked her.

He further recalled a three-way phone conversation involving himself, Odumodu and the woman. According to his account, the woman denied having had a previous relationship with him and also disputed that they had travelled together to Ghana.

Blaqbonez claimed that tensions continued to grow after the incident, eventually turning into repeated online attacks and harassment from Odumodu.

The revelation provides further context to the strained relationship between the two Nigerian rap acts, whose once-friendly association has since developed into a highly publicized feud.

Blaqbonez reveals that OdumoduBlvck allegedly kept calling and confronting him over a girl he had already ended things with. 👀😳 pic.twitter.com/rawqH7KfNP

— Soft Life (@softlife_space) August 18, 2026

This post appeared first on Mp3bullet.ng... Read Original post on Blaqbonez Opens Up on Rift With Odumodublvck.

The single arrives as a vibrant offering built to dominate parties, clubs, and playlists with its infectious energy.

Designed with the dance floor in mind, Okpeke (Dance For Me) delivers an upbeat fusion of pulsating percussion, catchy synth melodies, and deep basslines that immediately pull listeners into its lively atmosphere. The production moves effortlessly between melodic moments and explosive rhythmic sections, ensuring the momentum never fades.

Joeboy takes charge of the song’s melodic foundation, delivering a memorable chorus and silky verses that showcase the romantic style fans have come to love. His smooth delivery gives the record an easy-going appeal before making way for a dramatic energy shift.

That shift comes with ODUMODUBLVCK, who storms onto the track with his unmistakable rap style. Bringing raw intensity and commanding lyricism, the rapper injects a gritty street flavour that contrasts perfectly with Joeboy’s softer approach, creating a dynamic blend that keeps the record exciting from start to finish.

 

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DJ Neptune’s ability to pair artists from different musical backgrounds once again proves to be one of his biggest strengths. Rather than allowing one sound to overshadow the other, he carefully balances Afropop melodies with hard-hitting rap, producing a collaboration that feels seamless and natural.

Beyond its infectious hooks and energetic production, Okpeke (Dance For Me) highlights the growing versatility within Nigeria’s music scene, where contrasting styles can come together to create records with broad appeal. The chemistry between Joeboy and ODUMODUBLVCK gives the single a unique identity that stands out in today’s crowded music landscape.

With its vibrant production, memorable performances, and undeniable party appeal, Okpeke (Dance For Me) is well-positioned to become a favourite among DJs and music lovers alike, further reinforcing DJ Neptune’s reputation for crafting collaborations that connect with audiences across different sounds and generations.

Listen to “Okpeke (Dance For Me)” HERE 

This post appeared first on Mp3bullet.ng... Read Original post on DJ Neptune Recruits Joeboy, ODUMODUBLVCK for ‘Okpeke (Dance For Me)’.

According to the report, the lawsuit was filed through Punuka Attorneys & Solicitors in a legal memorandum dated July 7, 2026.

The filing accuses Odumodublvck, whose real name is Tochukwu Gbubemi Ojogwu, of carrying out a sustained campaign of online publications and conduct that allegedly damaged Blaqbonez’s reputation, business interests and public image.

Part of the legal memorandum states:

“Our Client has suffered and continues to suffer significant loss and damage as a direct consequence of your unlawful conduct.”

Blaqbonez’s legal team further alleges that Odumodublvck repeatedly made or amplified statements describing the rapper as a “sexual abuser” and “sexual abusing bastard.” The filing contends that the statements are false, malicious and defamatory, and have caused serious harm to the artist’s reputation.

As part of the suit, Blaqbonez is asking the court to declare the publications defamatory and grant several reliefs, including a perpetual injunction restraining Odumodublvck from making or encouraging further defamatory statements or threats.

The claimant is also requesting an order directing the removal of the alleged defamatory posts from all of Odumodublvck’s social media platforms, as well as a public retraction and apology to be published on his verified accounts and pinned for at least 30 consecutive days.

In addition, the lawsuit seeks a public notice asking Odumodublvck’s supporters to refrain from harassing or intimidating Blaqbonez.

Beyond the ₦2 billion sought as general damages for alleged injury to his reputation, goodwill, and commercial standing, Blaqbonez is also claiming an additional ₦500 million in aggravated damages, arguing that the alleged publications were repeated and malicious.

The suit further seeks ₦50 million to cover legal costs, alongside any additional relief the court may consider appropriate.

The court documents also contain allegations of harassment, assault, battery, unlawful interference, and threats to Blaqbonez’s safety. However, those claims have not been tested before the court.

At the time of publication, Odumodublvck had not publicly responded to the lawsuit. The allegations outlined in the court filings represent Blaqbonez’s claims, and the case remains pending before the courts.

 

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This post appeared first on Mp3bullet.ng... Read Original post on Blaqbonez Files ₦2 Billion Defamation Suit Against Odumodublvck.

If confirmed, the duo would join an already impressive lineup of Nigerian artists associated with the project, including Burna Boy and Rema, further underlining the growing global reach of Afrobeats and Nigerian music.

Burna Boy recently featured on the tournament’s lead anthem, “Daï Daï,” alongside global pop icon Shakira, while Rema was reported to have appeared on another World Cup track titled “Goals” with Lisa and Anitta.

According to the reported tracklist making the rounds online, Ayra Starr is set to collaborate with American rapper Latto on a song titled “Show Me.” The track is expected to blend Ayra’s signature Afropop melodies with Latto’s energetic rap delivery, creating one of the album’s most anticipated international collaborations.

The reported feature arrives at a significant period in Ayra Starr’s career, following her recent success on the international stage and growing recognition beyond Africa.

🚨 OUT This Friday 🚨

👥 Ayra Starr & Latto

📀 Show Me

*Off the 2026 World Cup Album pic.twitter.com/nwZKuD5V5k

— Ayra Starr HQ (@ayrastarrhq) June 1, 2026

Meanwhile, Odumodublvck is said to be preparing for one of the most surprising collaborations on the project. Reports claim the Abuja-born rapper will appear alongside Brazilian football icon Ronaldinho and Latin music stars Justin Quiles and Lenny Tavárez.

For Odumodublvck, whose music frequently references football culture and legendary players, the reported collaboration would represent a unique meeting point between sport and entertainment on one of the world’s biggest platforms.

While FIFA has yet to officially confirm the full tracklist, the reports have already generated excitement among fans eager to see African artists continue to play a prominent role in the soundtrack of the 2026 FIFA World Cup.

NEW OFFICIAL FIFA WORLD CUP 2026 TRACK FEATURING ⬇️

RONALDINHO
ODUMODUBLVCK
JUSTIN QUILLES
LENNY TAVARES

OUT THIS WEEK🚨 pic.twitter.com/l7rNU8DSM2

— NOTJUSTOK (@NOTJUSTOK) June 1, 2026

Should the rumours prove accurate, the tournament album could become another landmark moment for Nigerian music, placing some of the country’s biggest stars alongside leading names from across the global music industry.

This post appeared first on Mp3bullet.ng... Read Original post on 2 Nigerian artists to join Burna & Rema on the 2026 World Cup album.

Built around a catchy guitar-driven loop, the record finds both artists addressing critics while reaffirming loyalty to their roots and the streets that shaped their rise. The sound leans heavily into gritty rap textures fused with indigenous street-hop energy, creating a restless, chant-like anthem that has quickly begun trending on TikTok.

On “Motion Sickness,” ODUMODUBLVCK delivers his signature deep-toned, aggressive flow, layering intense street storytelling with raw conviction. Zlatan complements him with his trademark bounce, slang-heavy delivery, and infectious rhythm, adding a lighter but equally impactful counterbalance to the record’s intensity.

The track continues ODUMODUBLVCK’s strong 2026 run, following his earlier release “THEY LOVE ME” and arriving after his expansive 23-track debut album INDUSTRY MACHINE, which closed out 2025 with a heavyweight lineup of collaborators including Skepta, Wizkid, Stormzy, Davido, Saweetie, Cash Cobain, Pa Salieu, Giggs, Patoranking, Seun Kuti, and Zlatan.

Lyrically, “Motion Sickness” is packed with street-coded confidence and braggadocio, with both artists trading bars about success, envy, and survival in a competitive industry. ODUMODUBLVCK’s verse leans into intense imagery and emotional grit, while Zlatan injects humour and street wisdom through his energetic ad-libs and punchlines.

“My sweet oroma/ She can go nuts if I use my hot head (Hot head)/ My enemies cry, e don too much e go full for bucket/ Dem go still apply Aboniki balm if dem feel my success/ Odumodublvck guide o, motion too much, ọmọ motion sickness,”

With its viral momentum and street-rooted authenticity, “Motion Sickness” further cements both artists as key voices in Nigeria’s evolving rap and street-hop landscape, blending raw storytelling with mainstream appeal.

Listen to “Motion Sickness” HERE

This post appeared first on Mp3bullet.ng... Read Original post on ODUMODUBLVCK & Zlatan Go Hard On “Motion Sickness”.

During a livestream with Nigerian content creator Enzo, the rapper claimed that many artists intentionally alter their age details to improve their chances of landing record deals, brand partnerships, and commercial opportunities.

According to him, the pressure in the industry often pushes artistes to appear younger, especially because some labels and brands place limits on the age bracket they are willing to invest in.

He said: “I am 32 and I don’t bother myself for getting things right at this age. A lot of artists reduce their age because of record labels and partnership deals. You know a lot of investors in the music industry wouldn’t want to invest in older artists,” he explained.

Odumodublvck’s comments highlight a recurring conversation around image, marketability, and perception in the entertainment industry, where youth is often linked to long-term commercial potential.

His remarks have since added to ongoing debates about transparency and the pressures artists face while trying to break into or sustain success in a highly competitive music landscape.

“I’m 32 and I don’t bite myself for getting things right at this age. A lot of artists reduce their age cause of record labels and partnership deals. You know a lot of investors in the music industry wouldn’t want to invest on older artists”

—Odumodublvck tells Enzo👀 pic.twitter.com/Vo1XlAoWY4

— Beri🌚 (@beri_grizou) April 15, 2026

This post appeared first on Mp3bullet.ng... Read Original post on Odumodublvck Stirs Controversy as He Shares Music Industry Secrets.

Released under Oosha Records and EMPIRE, the record is produced by hitmaker Yung Willis and arrives as a high-energy blend of street gospel and club-ready Afro-street sound. Driven by heavy basslines and a fast-paced rhythm, the track fuses spiritual gratitude with raw, unfiltered street energy.

Zlatan opens the song with his trademark Zanku flair, layering playful ad-libs and infectious confidence over the beat, while still delivering a verse that carries surprising lyrical sharpness. ODUMODUBLVCK follows with his signature deep-toned intensity, injecting grit and commanding presence that elevates the record’s street appeal.

At the center of it all is Fido, whose melodic yet rhythmic delivery ties both contrasting styles together. His performance ensures the track remains accessible to mainstream listeners while still resonating strongly with the street audience that both featured artists dominate.

Despite its spiritual title, “Dance For Jesus” leans heavily into dancefloor energy, creating a bold contrast between its theme of gratitude and its high-octane production. The irony has not gone unnoticed by fans, adding to the song’s viral appeal.

Already gaining traction online, the record is trending across social media platforms, especially TikTok, where a dance challenge has begun to spread rapidly. It also reflects a growing 2026 trend where artists blend religious or spiritual themes with street-hop intensity to create music that is both celebratory and energetic.

With its mix of faith, fun, and street credibility, “Dance For Jesus” stands out as one of the year’s most talked-about releases.

Listen to “Dance For Jesus” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Fido Drops “Dance For Jesus” With Zlatan & ODUMODUBLVCK.

The lyrics combine introspective moments with raw toughness, reflecting themes of loyalty, dominance, and the constant vigilance required to navigate a hostile environment.

6uff & Odumodublvck – 10 Minutes Lyrics

Praaaaaa
Kala
6uff
Fuck
Yeah

Roll one fat cannabis
Smoke am in 10 minutes
Then start to reminisce
Unlock my memories
Mama dey pray for me
Make I no dey cemetery
Secured amenities
Protect from enemies

Mount like a statue
Virgil van dijk with the tackle
Nonchalant smoking my backwood
Ingest my favorite capsule
A street disciple
Join force with my opps it’s bad move
Egbon na once you go kaput
Tested and approved

Roll one fat cannabis
Smoke am in 10 minutes
Then start to reminisce
Unlock my memories
Mama dey pray for me
Make I no dey cemetery
Secured amenities
Protect from enemies

Protect my enemies
I am their nemeses
Protect from enemies
Yes, how many make de come (po po po po po)
Hehehe me I don carry iron
Yeah

Iron sharpen iron
ODUMODU why you carry gallon
6uff I wan check one polling station down the road
Make I show you code
Fuel your fire
Give you ballot
Omo no need for election
If I lose my opps go need enough protection

Bang your daddy
Bang your mummy
Bang everybody
Even bang your puppy
Chihuahua dey make noise
Pit bull attack
Wawa oya raise voice
Abj get boys
Ballers shooters even killers
Get choice
But all of us choose Cana
Jamie carragher
Cap a lot you can get clattered
For Casablanca I been roll hashish
Unruly pattern
Backy dey my shin guard
Igbo dey my teeth
Everything na him I need

Roll one fat cannabis
Smoke am in 10 minutes
Then start to reminisce
Unlock my memories
Mama dey pray for me
Make I no dey cemetery
Secured amenities
Protect from enemies

Clear road
6uff

This post appeared first on Mp3bullet.ng... Read Original post on “10 Minutes” Lyrics by 6uff Feat. Odumodublvck.

According to data from Nigeria’s leading music chart publication, TurnTable Charts, the singer’s debut and sophomore albums have emerged as the most-streamed records since digital music consumption skyrocketed.

At the very top sits Asake’s 2023 sophomore album ‘Work of Art,’ which has racked up a staggering 661.2M streams. Lauded by both fans and critics, the album continues to appear on the upper echelons of streaming charts, proving its enduring appeal. His debut, ‘Mr Money With The Vibe,‘ isn’t far behind, claiming the second spot with 634M streams, while his third album, ‘Lungu Boy‘, secures the sixth position with 387M streams.

This remarkable dominance underscores Asake’s emergence as an era-defining star, one whose music has reshaped Afrobeats’ soundscape while tipping the industry’s commercial balance in his favor. Spotify Nigeria’s recent data further validates this, naming him the most-streamed artist of all time on the platform since its Nigerian launch in 2021.

Asake first broke into the mainstream with his hit EP ‘Ololade Asake‘ in January 2022. With a vibrant blend of energetic rap flows and smooth Fuji-inflected melodies, alongside producer Magicsticks’ masterful use of log drums, he delivered hit singles that propelled him to superstar status.

With three albums in the top 10, Asake is clearly the king of Nigeria’s streaming era and one of the most defining figures in contemporary Nigerian pop music.

While Asake dominates with three entries in the top six, other Nigerian stars also make their mark. Burna Boy logs three albums, with two landing in the top 10: his 2022 hit-filled album ‘Love, Damini‘ at No. 4 (436.8M streams) and 2023’s ‘I Told Them’ at No. 9 (308M streams). His 2020 Grammy-winning album ‘Twice As Tall‘ rounds out his entries at No. 19 (235.3M streams).

Other multiple-entry artists include Davido, whose fourth album ‘Timeless‘ ranks fifth (428M streams), while his fifth album ‘5IVE‘ appears at No. 15 despite being released in 2025. Wizkid claims two spots with his sixth album ‘Morayo‘ at No. 10 (301.4M streams) and ‘Made In Lagos‘ at No. 13 (264.1M streams). Seyi Vibez also features twice: ‘Billion Dollar Baby‘ at No. 8 (331.1M streams) and ‘Thy Kingdom Come‘ at No. 17 (245M streams).

Here’s the full rundown of the Top 20 Most Streamed Albums in Nigeria Since 2020:

1. Asake – ‘Work Of Art’ – 661.2M
2. Asake – ‘Mr Money With The Vibe’ – 634.4M
3. Omah Lay – ‘Boy Alone’ – 512.6M
4. Burna Boy – ‘Love, Damini’ – 436.8M
5. Davido – ‘Timeless’ – 428.5M
6. Asake – ‘Lungu Boy’ – 387.4M
7. ODUMODUBLVCK – ‘EZIOKWU’ – 346.6M
8. Seyi Vibez – ‘Billion Dollar Baby’ – 331.1M
9. Burna Boy – ‘I TOLD THEM’ – 308M
10. Wizkid – ‘Morayo’ – 301.4M
11. Young Jonn – ‘Jiggy Forever’ – 271.6M
12. Kizz Daniel – ‘Maverick’ – 266.4M
13. Wizkid – ‘Made In Lagos’ – 264.1M
14. BNXN – ‘Sincerely, Benson’ – 260M
15. Davido – ‘5ive’ – 252.7M
16. Fireboy – ‘Playboy’ – 246.5M
17. Seyi Vibez – ‘Thy Kingdom Come’ – 245M
18. ⁠MohBad – ‘Blessed’ – 241.9M
19. Burna Boy – ‘Twice As Tall’ – 235.3M
20. Rema – ‘HEIS’ – 230.1M

With numbers like these, Asake has cemented his place not just as a streaming titan but as a game-changer for Nigerian music in the digital age.

 

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