The single arrives as a vibrant offering built to dominate parties, clubs, and playlists with its infectious energy.

Designed with the dance floor in mind, Okpeke (Dance For Me) delivers an upbeat fusion of pulsating percussion, catchy synth melodies, and deep basslines that immediately pull listeners into its lively atmosphere. The production moves effortlessly between melodic moments and explosive rhythmic sections, ensuring the momentum never fades.

Joeboy takes charge of the song’s melodic foundation, delivering a memorable chorus and silky verses that showcase the romantic style fans have come to love. His smooth delivery gives the record an easy-going appeal before making way for a dramatic energy shift.

That shift comes with ODUMODUBLVCK, who storms onto the track with his unmistakable rap style. Bringing raw intensity and commanding lyricism, the rapper injects a gritty street flavour that contrasts perfectly with Joeboy’s softer approach, creating a dynamic blend that keeps the record exciting from start to finish.

 

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DJ Neptune’s ability to pair artists from different musical backgrounds once again proves to be one of his biggest strengths. Rather than allowing one sound to overshadow the other, he carefully balances Afropop melodies with hard-hitting rap, producing a collaboration that feels seamless and natural.

Beyond its infectious hooks and energetic production, Okpeke (Dance For Me) highlights the growing versatility within Nigeria’s music scene, where contrasting styles can come together to create records with broad appeal. The chemistry between Joeboy and ODUMODUBLVCK gives the single a unique identity that stands out in today’s crowded music landscape.

With its vibrant production, memorable performances, and undeniable party appeal, Okpeke (Dance For Me) is well-positioned to become a favourite among DJs and music lovers alike, further reinforcing DJ Neptune’s reputation for crafting collaborations that connect with audiences across different sounds and generations.

Listen to “Okpeke (Dance For Me)” HERE 

This post appeared first on Mp3bullet.ng... Read Original post on DJ Neptune Recruits Joeboy, ODUMODUBLVCK for ‘Okpeke (Dance For Me)’.

According to the report, the lawsuit was filed through Punuka Attorneys & Solicitors in a legal memorandum dated July 7, 2026.

The filing accuses Odumodublvck, whose real name is Tochukwu Gbubemi Ojogwu, of carrying out a sustained campaign of online publications and conduct that allegedly damaged Blaqbonez’s reputation, business interests and public image.

Part of the legal memorandum states:

“Our Client has suffered and continues to suffer significant loss and damage as a direct consequence of your unlawful conduct.”

Blaqbonez’s legal team further alleges that Odumodublvck repeatedly made or amplified statements describing the rapper as a “sexual abuser” and “sexual abusing bastard.” The filing contends that the statements are false, malicious and defamatory, and have caused serious harm to the artist’s reputation.

As part of the suit, Blaqbonez is asking the court to declare the publications defamatory and grant several reliefs, including a perpetual injunction restraining Odumodublvck from making or encouraging further defamatory statements or threats.

The claimant is also requesting an order directing the removal of the alleged defamatory posts from all of Odumodublvck’s social media platforms, as well as a public retraction and apology to be published on his verified accounts and pinned for at least 30 consecutive days.

In addition, the lawsuit seeks a public notice asking Odumodublvck’s supporters to refrain from harassing or intimidating Blaqbonez.

Beyond the ₦2 billion sought as general damages for alleged injury to his reputation, goodwill, and commercial standing, Blaqbonez is also claiming an additional ₦500 million in aggravated damages, arguing that the alleged publications were repeated and malicious.

The suit further seeks ₦50 million to cover legal costs, alongside any additional relief the court may consider appropriate.

The court documents also contain allegations of harassment, assault, battery, unlawful interference, and threats to Blaqbonez’s safety. However, those claims have not been tested before the court.

At the time of publication, Odumodublvck had not publicly responded to the lawsuit. The allegations outlined in the court filings represent Blaqbonez’s claims, and the case remains pending before the courts.

 

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If confirmed, the duo would join an already impressive lineup of Nigerian artists associated with the project, including Burna Boy and Rema, further underlining the growing global reach of Afrobeats and Nigerian music.

Burna Boy recently featured on the tournament’s lead anthem, “Daï Daï,” alongside global pop icon Shakira, while Rema was reported to have appeared on another World Cup track titled “Goals” with Lisa and Anitta.

According to the reported tracklist making the rounds online, Ayra Starr is set to collaborate with American rapper Latto on a song titled “Show Me.” The track is expected to blend Ayra’s signature Afropop melodies with Latto’s energetic rap delivery, creating one of the album’s most anticipated international collaborations.

The reported feature arrives at a significant period in Ayra Starr’s career, following her recent success on the international stage and growing recognition beyond Africa.

🚨 OUT This Friday 🚨

👥 Ayra Starr & Latto

📀 Show Me

*Off the 2026 World Cup Album pic.twitter.com/nwZKuD5V5k

— Ayra Starr HQ (@ayrastarrhq) June 1, 2026

Meanwhile, Odumodublvck is said to be preparing for one of the most surprising collaborations on the project. Reports claim the Abuja-born rapper will appear alongside Brazilian football icon Ronaldinho and Latin music stars Justin Quiles and Lenny Tavárez.

For Odumodublvck, whose music frequently references football culture and legendary players, the reported collaboration would represent a unique meeting point between sport and entertainment on one of the world’s biggest platforms.

While FIFA has yet to officially confirm the full tracklist, the reports have already generated excitement among fans eager to see African artists continue to play a prominent role in the soundtrack of the 2026 FIFA World Cup.

NEW OFFICIAL FIFA WORLD CUP 2026 TRACK FEATURING ⬇️

RONALDINHO
ODUMODUBLVCK
JUSTIN QUILLES
LENNY TAVARES

OUT THIS WEEK🚨 pic.twitter.com/l7rNU8DSM2

— NOTJUSTOK (@NOTJUSTOK) June 1, 2026

Should the rumours prove accurate, the tournament album could become another landmark moment for Nigerian music, placing some of the country’s biggest stars alongside leading names from across the global music industry.

This post appeared first on Mp3bullet.ng... Read Original post on 2 Nigerian artists to join Burna & Rema on the 2026 World Cup album.

Built around a catchy guitar-driven loop, the record finds both artists addressing critics while reaffirming loyalty to their roots and the streets that shaped their rise. The sound leans heavily into gritty rap textures fused with indigenous street-hop energy, creating a restless, chant-like anthem that has quickly begun trending on TikTok.

On “Motion Sickness,” ODUMODUBLVCK delivers his signature deep-toned, aggressive flow, layering intense street storytelling with raw conviction. Zlatan complements him with his trademark bounce, slang-heavy delivery, and infectious rhythm, adding a lighter but equally impactful counterbalance to the record’s intensity.

The track continues ODUMODUBLVCK’s strong 2026 run, following his earlier release “THEY LOVE ME” and arriving after his expansive 23-track debut album INDUSTRY MACHINE, which closed out 2025 with a heavyweight lineup of collaborators including Skepta, Wizkid, Stormzy, Davido, Saweetie, Cash Cobain, Pa Salieu, Giggs, Patoranking, Seun Kuti, and Zlatan.

Lyrically, “Motion Sickness” is packed with street-coded confidence and braggadocio, with both artists trading bars about success, envy, and survival in a competitive industry. ODUMODUBLVCK’s verse leans into intense imagery and emotional grit, while Zlatan injects humour and street wisdom through his energetic ad-libs and punchlines.

“My sweet oroma/ She can go nuts if I use my hot head (Hot head)/ My enemies cry, e don too much e go full for bucket/ Dem go still apply Aboniki balm if dem feel my success/ Odumodublvck guide o, motion too much, ọmọ motion sickness,”

With its viral momentum and street-rooted authenticity, “Motion Sickness” further cements both artists as key voices in Nigeria’s evolving rap and street-hop landscape, blending raw storytelling with mainstream appeal.

Listen to “Motion Sickness” HERE

This post appeared first on Mp3bullet.ng... Read Original post on ODUMODUBLVCK & Zlatan Go Hard On “Motion Sickness”.

During a livestream with Nigerian content creator Enzo, the rapper claimed that many artists intentionally alter their age details to improve their chances of landing record deals, brand partnerships, and commercial opportunities.

According to him, the pressure in the industry often pushes artistes to appear younger, especially because some labels and brands place limits on the age bracket they are willing to invest in.

He said: “I am 32 and I don’t bother myself for getting things right at this age. A lot of artists reduce their age because of record labels and partnership deals. You know a lot of investors in the music industry wouldn’t want to invest in older artists,” he explained.

Odumodublvck’s comments highlight a recurring conversation around image, marketability, and perception in the entertainment industry, where youth is often linked to long-term commercial potential.

His remarks have since added to ongoing debates about transparency and the pressures artists face while trying to break into or sustain success in a highly competitive music landscape.

“I’m 32 and I don’t bite myself for getting things right at this age. A lot of artists reduce their age cause of record labels and partnership deals. You know a lot of investors in the music industry wouldn’t want to invest on older artists”

—Odumodublvck tells Enzo👀 pic.twitter.com/Vo1XlAoWY4

— Beri🌚 (@beri_grizou) April 15, 2026

This post appeared first on Mp3bullet.ng... Read Original post on Odumodublvck Stirs Controversy as He Shares Music Industry Secrets.

Released under Oosha Records and EMPIRE, the record is produced by hitmaker Yung Willis and arrives as a high-energy blend of street gospel and club-ready Afro-street sound. Driven by heavy basslines and a fast-paced rhythm, the track fuses spiritual gratitude with raw, unfiltered street energy.

Zlatan opens the song with his trademark Zanku flair, layering playful ad-libs and infectious confidence over the beat, while still delivering a verse that carries surprising lyrical sharpness. ODUMODUBLVCK follows with his signature deep-toned intensity, injecting grit and commanding presence that elevates the record’s street appeal.

At the center of it all is Fido, whose melodic yet rhythmic delivery ties both contrasting styles together. His performance ensures the track remains accessible to mainstream listeners while still resonating strongly with the street audience that both featured artists dominate.

Despite its spiritual title, “Dance For Jesus” leans heavily into dancefloor energy, creating a bold contrast between its theme of gratitude and its high-octane production. The irony has not gone unnoticed by fans, adding to the song’s viral appeal.

Already gaining traction online, the record is trending across social media platforms, especially TikTok, where a dance challenge has begun to spread rapidly. It also reflects a growing 2026 trend where artists blend religious or spiritual themes with street-hop intensity to create music that is both celebratory and energetic.

With its mix of faith, fun, and street credibility, “Dance For Jesus” stands out as one of the year’s most talked-about releases.

Listen to “Dance For Jesus” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Fido Drops “Dance For Jesus” With Zlatan & ODUMODUBLVCK.

The lyrics combine introspective moments with raw toughness, reflecting themes of loyalty, dominance, and the constant vigilance required to navigate a hostile environment.

6uff & Odumodublvck – 10 Minutes Lyrics

Praaaaaa
Kala
6uff
Fuck
Yeah

Roll one fat cannabis
Smoke am in 10 minutes
Then start to reminisce
Unlock my memories
Mama dey pray for me
Make I no dey cemetery
Secured amenities
Protect from enemies

Mount like a statue
Virgil van dijk with the tackle
Nonchalant smoking my backwood
Ingest my favorite capsule
A street disciple
Join force with my opps it’s bad move
Egbon na once you go kaput
Tested and approved

Roll one fat cannabis
Smoke am in 10 minutes
Then start to reminisce
Unlock my memories
Mama dey pray for me
Make I no dey cemetery
Secured amenities
Protect from enemies

Protect my enemies
I am their nemeses
Protect from enemies
Yes, how many make de come (po po po po po)
Hehehe me I don carry iron
Yeah

Iron sharpen iron
ODUMODU why you carry gallon
6uff I wan check one polling station down the road
Make I show you code
Fuel your fire
Give you ballot
Omo no need for election
If I lose my opps go need enough protection

Bang your daddy
Bang your mummy
Bang everybody
Even bang your puppy
Chihuahua dey make noise
Pit bull attack
Wawa oya raise voice
Abj get boys
Ballers shooters even killers
Get choice
But all of us choose Cana
Jamie carragher
Cap a lot you can get clattered
For Casablanca I been roll hashish
Unruly pattern
Backy dey my shin guard
Igbo dey my teeth
Everything na him I need

Roll one fat cannabis
Smoke am in 10 minutes
Then start to reminisce
Unlock my memories
Mama dey pray for me
Make I no dey cemetery
Secured amenities
Protect from enemies

Clear road
6uff

This post appeared first on Mp3bullet.ng... Read Original post on “10 Minutes” Lyrics by 6uff Feat. Odumodublvck.

According to data from Nigeria’s leading music chart publication, TurnTable Charts, the singer’s debut and sophomore albums have emerged as the most-streamed records since digital music consumption skyrocketed.

At the very top sits Asake’s 2023 sophomore album ‘Work of Art,’ which has racked up a staggering 661.2M streams. Lauded by both fans and critics, the album continues to appear on the upper echelons of streaming charts, proving its enduring appeal. His debut, ‘Mr Money With The Vibe,‘ isn’t far behind, claiming the second spot with 634M streams, while his third album, ‘Lungu Boy‘, secures the sixth position with 387M streams.

This remarkable dominance underscores Asake’s emergence as an era-defining star, one whose music has reshaped Afrobeats’ soundscape while tipping the industry’s commercial balance in his favor. Spotify Nigeria’s recent data further validates this, naming him the most-streamed artist of all time on the platform since its Nigerian launch in 2021.

Asake first broke into the mainstream with his hit EP ‘Ololade Asake‘ in January 2022. With a vibrant blend of energetic rap flows and smooth Fuji-inflected melodies, alongside producer Magicsticks’ masterful use of log drums, he delivered hit singles that propelled him to superstar status.

With three albums in the top 10, Asake is clearly the king of Nigeria’s streaming era and one of the most defining figures in contemporary Nigerian pop music.

While Asake dominates with three entries in the top six, other Nigerian stars also make their mark. Burna Boy logs three albums, with two landing in the top 10: his 2022 hit-filled album ‘Love, Damini‘ at No. 4 (436.8M streams) and 2023’s ‘I Told Them’ at No. 9 (308M streams). His 2020 Grammy-winning album ‘Twice As Tall‘ rounds out his entries at No. 19 (235.3M streams).

Other multiple-entry artists include Davido, whose fourth album ‘Timeless‘ ranks fifth (428M streams), while his fifth album ‘5IVE‘ appears at No. 15 despite being released in 2025. Wizkid claims two spots with his sixth album ‘Morayo‘ at No. 10 (301.4M streams) and ‘Made In Lagos‘ at No. 13 (264.1M streams). Seyi Vibez also features twice: ‘Billion Dollar Baby‘ at No. 8 (331.1M streams) and ‘Thy Kingdom Come‘ at No. 17 (245M streams).

Here’s the full rundown of the Top 20 Most Streamed Albums in Nigeria Since 2020:

1. Asake – ‘Work Of Art’ – 661.2M
2. Asake – ‘Mr Money With The Vibe’ – 634.4M
3. Omah Lay – ‘Boy Alone’ – 512.6M
4. Burna Boy – ‘Love, Damini’ – 436.8M
5. Davido – ‘Timeless’ – 428.5M
6. Asake – ‘Lungu Boy’ – 387.4M
7. ODUMODUBLVCK – ‘EZIOKWU’ – 346.6M
8. Seyi Vibez – ‘Billion Dollar Baby’ – 331.1M
9. Burna Boy – ‘I TOLD THEM’ – 308M
10. Wizkid – ‘Morayo’ – 301.4M
11. Young Jonn – ‘Jiggy Forever’ – 271.6M
12. Kizz Daniel – ‘Maverick’ – 266.4M
13. Wizkid – ‘Made In Lagos’ – 264.1M
14. BNXN – ‘Sincerely, Benson’ – 260M
15. Davido – ‘5ive’ – 252.7M
16. Fireboy – ‘Playboy’ – 246.5M
17. Seyi Vibez – ‘Thy Kingdom Come’ – 245M
18. ⁠MohBad – ‘Blessed’ – 241.9M
19. Burna Boy – ‘Twice As Tall’ – 235.3M
20. Rema – ‘HEIS’ – 230.1M

With numbers like these, Asake has cemented his place not just as a streaming titan but as a game-changer for Nigerian music in the digital age.

 

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The 2026 release sees both artists bringing their distinctive styles to the forefront, blending street-savvy lyricism with catchy melodies and infectious beats.

The song dives into themes of street survival, loyalty, and vigilance in a challenging environment, while also touching on aspects of marijuana culture and the hustle of everyday life.

The lyrics balance introspection with toughness, showcasing both 6uff and OdumoduBlvck’s raw energy and creative versatility.

Fans have been eagerly anticipating the collaboration, given the reputation of both artists in the Nigerian music industry. With “10 Minutes,” listeners can expect a track that highlights the strengths of each performer while delivering a cohesive and memorable sound.

The single is positioned to resonate strongly with hip-hop enthusiasts, combining sharp lyricism, rhythmic intensity, and the kind of street credibility that defines contemporary Nigerian rap.

As 6uff and OdumoduBlvck join forces, “10 Minutes” promises to be more than just a song—it’s a statement, underlining their growing influence and cementing their place in the Nigerian hip-hop landscape.

Listen to “10 Minutes” HERE

This post appeared first on Mp3bullet.ng... Read Original post on 6uff Links Up With OdumoduBlvck on New Track “10 Minutes”.

“They Love Me” is a bold, high-energy rap anthem driven by defiance, dominance, and unapologetic self-confidence. The lyrics center on the idea that even his critics secretly admire and obsess over him despite pretending otherwise.

Packed with street bravado, aggression, and swagger, the track amplifies his larger-than-life persona, influence, and refusal to bend under pressure or criticism.

Odumodublvck – “They Love Me” Lyrics

Enemies love me
Everything wey I do omo fancy am
I dey make dem sick of me
Bring one omo fancidar
Malaria fever cardigan
Bring ten this weather na animal
Odumo you you be angry man
These men their voltage dey on handicap

Enemies love me
Everything wey I do omo fancy am
I dey make dem sick of me
Bring one omo fancidar
Malaria fever cardigan
Bring ten this weather na animal
Odumo you you be angry man
These men their voltage dey on handicap

They love me
They love me
But they’re too shy
To say it
I love him
Ife mi

I pam my Kala
Shoot
Before I duck
Dem say my head e too dey hot
ODUMODU
Boss
Please him dey come
Huh
Pull up like Rick Ross

She loves me
She loves me
But she’s too shy
Her friends say
Make she no dey play odumo track
When dem dey fuck

I dey my house
Dem find me come house
Dem even come with crowd
Dem dey expect say
Me I go bow
Dem no know me
Me I dey proud

Enemies love me
Everything wey I do omo fancy am
I dey make dem sick of me
Bring one omo fancidar
Malaria fever cardigan
Bring ten this weather na animal
Odumo you you be angry man
These men their voltage dey on handicap

Fuck dem
Whip dem
Jail term
Enslave men
I’m a bad man
From Bendel
Send hell
To these men
I diss men
Before dem wake up I’m on dem
Alignment
I threw two gang signs for one man
Streets law
Dem say my tactics na con man
Shootout for corn flakes
Niggas don dey die for less
Since when I turn man

They love me
They love me
But they’re too shy
To say it
I love him
Ife mi

I pam my Kala
Shoot
Before I duck
Dem say my head e too dey hot
ODUMODU
Boss
Please him dey come
Huh
Pull up like Rick Ross

This post appeared first on Mp3bullet.ng... Read Original post on “They Love Me” Lyrics by Odumodublvck.

In a recent podcast interview with Pulse Nigeria, the “Wotowoto” hitmaker addressed the lingering tension between both artists, revealing that while the disagreement has been personal, he is not shutting the door on reconciliation.

According to him, his Christian upbringing shapes his outlook on forgiveness.

“My rift with Blaqbonez is personal. But I won’t rule out the possibility of reconciliation because there is nothing God can’t forgive. However, you can only forgive a contrite heart.

“You are sending big artists to come and beg me but because you want to maintain a social image, you don’t want to apologise even in private because you feel I would expose you if you do.

“Real men don’t behave like that. I can’t possibly post someone’s apology online. If you can’t humble yourself, you will be stunted,” the rapper remarked.

Odumodublvck, however, made it clear that no personal apology has been made so far. He alleged that instead of approaching him directly, Blaqbonez has relied on respected figures within the music industry to mediate the situation.

The rapper also rejected claims that their fallout was simply lyrical competition. According to him, the disagreement, which began last year, goes beyond diss tracks and hip-hop rivalry. He accused his colleague of attempting to reframe the issue as a rap feud by releasing songs aimed at him.

While fans continue to speculate about whether peace is truly possible, Odumodublvck’s message was clear: reconciliation is not off the table, but humility must come first.

ADEAYO: Do you think there’s ever a pathway to peace between you and Blaqbonez?

ODUMODUBLVCK: pic.twitter.com/reEb627L3p

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) February 15, 2026

This post appeared first on Mp3bullet.ng... Read Original post on Odumodublvck Open to Peace Talks With Blaqbonez, Sets One Condition.

Produced by UCEE, the Abuja-born rapper explores a more flirtatious and playful side while still delivering the raw, gritty energy that has become his signature.

Guest vocals from Valentina Rose introduce a melodic balance, softening his fierce Okpu Agu persona and adding a romantic touch to the record.

Lyrically, the song is a confident ode to love, blending streetwise swagger with romantic charm. ODUMODUBLVCK navigates the highs and lows of affection with wit, creating a contrast between his aggressive Kala-era records and this smoother, more accessible approach.

The production is tight, anchored by deep basslines and a soulful sample that gives the track a sense of movement and warmth, making it perfect for both the club and the playlist.

Musically, “They Love Me” represents a strategic evolution. By fusing his Native House influences with an Afropop-Rap sensibility, ODUMODUBLVCK manages to expand his reach without alienating the loyal fans who fell in love with his Abuja-rooted sound.

Social media has already caught the wave, with fans praising the infectious energy and the chemistry between him and Valentina Rose.

As 2026 unfolds, this single cements ODUMODUBLVCK as a storyteller and performer. He balances braggadocio with vulnerability, proving that he can dominate both the mosh pit and the love playlist.

For longtime followers of Antiworld Gangstars and newcomers alike, “They Love Me” is an irresistible glimpse into a more playful, yet still commanding, side of one of Nigeria’s most explosive talents.

Listen to “They Love Me” HERE

This post appeared first on Mp3bullet.ng... Read Original post on ODUMODUBLVCK Turns Up the Heat with “They Love Me”.