While Lord of Ajasa is credited as one of the first rappers to pioneer rapping in Yoruba, Dagrin is seen as the rapper that made Yoruba rap songs cool and popularized them, paving way for artists like Olamide and Reminisce.

Today we would be looking at the best rap verses from Dagrin on songs in which he was featured on.

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123 (Remix)- DJ Neptune

This was one of the best tracks that Dagrin ever featured on. “123” is still one of the best rap songs to come out of the Nigerian rap community. Despite being surrounded by other prolific English rappers like M.I Abaga and Naeto C, Dagrin didn’t fail to deliver.

Turn Me Around- Kenny St Brown (KSB)

Dagrin might be street but just like most artists, he has reverence for the divine being. Produced by Sheyman, “Turn Me Around” shows Dagrin paying reverence to God for his success. I wish he was featured on more gospel songs before his death.

Mercies Of The Lord Remix-Oritse Femi

Dagrin’s verse on this song is one of his best. It’s as good as any verse Dagrin ever dropped. It had everything and in his usual manner, he never strayed from the central theme and topic of the song.

Lowkey, ‘Mercies of the Lord Remix,’ was bigger than the original because of Dagrin.

Ako Mi Ti Poju-Naeto C

Ako Mi Ti Poju is the second song Dagrin and Naeto C collaborated on. For some reason, this song is one of Dagrin‘s underrated collaboration. But when it comes down to it, it displays his ability to discuss the vanity with his trademark roots in archetypal Hip-Hop.

At the beginning of Dagrin’s verse, the beat switches to announce his arrival on the song to which he doesn’t disappoint with lyrical wordplays

The part of, “Mo lo sa ATM, mo gba gbem, Mo mu Sagem, so I call all of them…” will always be impressive.

Owo Ati Swagga- Cartiair

In 2009, Nigerian rapper, Cartiair dropped what is now clear was a trap song. It was the smash hit single, ‘Owo Ati Swagger,’ with the beat sampled from Lil Wayne’s 2008 “Milli” song, the song glorified all things prim, proper and bougie.

While the song was a successful hit the remix was unsurprisingly not as big. However, Dagrin’s verse on the song is unforgettable. While the song dropped in December 2009, it did not really take off till after Dagrin passed.

He took the beat and dropped a delivery that merged the central theme of braggadocio and vanity with impressive bars. It’s hard to forget his wordplay with the metaphors of the crotch, Gucci, Prada, Barbers and Clippers and how he was not, ‘a rapper, but a lyrical tyrant.’

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Champion(Remix)- General Pype

The first time most people heard the name Barack O’ Grin was from this song. On this song, Dagrin raised the bar so high with his verse leaving his imprint on the song despite it having artists like Vector, Naeto C, Sasha P and GT on it.

Emi Ni- Ruggedman

Released in 2010 off Ruggedman’s “Untouchable” album, “Emi Ni” is one of the last songs Dagrin did before his death.

“Emi Ni” is a Yoruba phrase word that means “It’s Me” in English. With two strong verses, Dagrin reminds people why he is a lyrical monster. The Music video was released after the passing of Dagrin.

KabaKaba- Konga

On “KabaKaba“, Fuji and Hip-Hop meet to produce an eargasm. Dagrin opens the song with a fire verse.

Efimile-YQ

Produced by the late Dokta Frabz, Dagrin raps about envy and how people are on his case to explain his source of wealth.

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Kosorombe-Dipp

“Kosorombo” is another underrated Dagrin’s feature. The love song had the rapper spitting out promises enough to flutter a woman’s heart.

Notable Mentions

1. Lord of Ajasa – Virus
2. Ajuju- Fimile Jo
3. Reminisce- Gbabe
4. Teeblaq-Oti Yapa
5. Oluwe- Ewe Lowo
6. Laylow – Meet Me At The Top
7. 9ice – Loni Ni
8. Sossick – Jor O
9. Tilla Man – Get Low
10. Iceberg Slim – I Made It
11. Jazzman- Olofin erekere

Dagrin best rap verses on songs he was featured on

• 123 (Remix)- DJ Neptune
• Turn Me Around- Kenny Saint Brown
• Mercies of the Lord(Remix)- Oritse Femi
• Ako Mi Ti Poju- Naeto C
• Owo Ati Swagga- Cartiair
• Champion-General Pype
• Emi Ni- Ruggedman
• Kabakaba-Konga
• Efimile-YQ
• Kosorombe-DIPP

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What is an album? Albums are the compilation of recorded tracks, supplied as a unit on any digital means, such as CD, Data, and other electronic devices, in the Nigerian music industry, album culture has been a thing.

Album culture is simply the traditional style of how an artist publishes their records to the audience, at a given pace, depending on their personal or managerial preference, Artiste either publish Singles or Albums,

Note! Albums are not just a bunch of irregular tracks and/or perhaps a random“hits songs” collection, rather a sonically coordinated piece with a directed theme, a smooth album must have a unique flow, sounds, and arrangement, in this context; a unique sound doesn’t connote monotonous sound, it simply the connection from instrumentals to balance the chord, harmonizing from the intro to the outro of a project.

At the early stage between the 2000s and 2010s, the industry literally embraced the album culture, producing sonically cohesive projects at various random.

This was the case in the early 2000s to late 2000s with artists like African China, Danfo Drivers (Moutain Black & Late Mad Melon), Olu Maintain, 2Baba, Timaya, Faze, Rooftop MCs, 9ice, P-Square, D’banj, Lagbaja, Mode 9, Banky W, Omawunmi, Wande Coal, Flavour, Edris, Eldee, Jazzman, all embracing the album culture.

In the early 2010’s artists like Duncan Mighty, Wizkid, Olamide, Burna Boy, Phyno followed suits with the traditional style.

Single’s style of record publishing in the Nigerian music industry gradually became a thing during the CDs to electronic medium evolution, around the first quarter of the last decade, with Tekno leading the movement.

However, an artiste may wake up and decide to share his work, or officially announce a released date for a single, even without making it a promotional
copy of any forthcoming project.

Mainstream artists that dominated with singles include Tekno, Runtown, and Davido partially. Tekno‘s debut album was released in 2020, almost 6 to 7years after gaining prominence.  At the time of his entrance into the music scene he released about 10 hit singles, the reason is best known to him or his management.

Runtown, on the other hand, wasn’t an album artiste basically, Having released his first album in 2015, his next project was released in 2020.

Davido was also known for his singles regardless of his debut project, reasons were because most of his records did well independently as a single and not as a whole, for example, Dami Duro, IF, Fall were all singles from his album that made serious wave independently, he broke the jinx with back to back release of two projects ‘A Good Time‘ and ‘A Better Time‘ in a consecutive year (2019/2020).

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The second half of the last decade was dominated by single releases, such as songs like Pana by Tekno, Mad over you by Runtown, If, Fall, Fia by Davido, Manya by Wizkid, Wo by Olamide, and so on.
It became a norm and trendy that made releasing an album looks like time-wasting to up and coming artists,

In 2019/2020 was a revolution for the Nigerian music industry, all the artists stormed the scene with projects, artists like Burna Boy, Davido, Wizkid, Tiwa Savage, Tekno, Olamide, Phyno, Flavour, Timaya, Runtown, Yemi Alade, Fireboy, Brymo, Patoranking, 2baba, L.A.X, Moelogo, Rekaado Banks dropped a project (EPs and Albums), embracing the album culture wave.

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It was indeed a cultural reset for the industry which yielded and encouraged the up-and-coming artists to start thinking about publishing projects.

Albums or EPs dish out the depth of a creative project, it touches every part and shows the full artistic prowess of a musician.

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