Below are the nominees for the highly anticipated ceremony, which is scheduled to take place in Canada.

Album of the Year

• Catharsis — Fola
• Clarity of Mind — Omah Lay
• G.O.A.T — Erigga
• Morayo — Wizkid
• The Machine Is Coming — Odumodublvck
• This One Is Personal — Tiwa Savage
• No Sign of Weakness — Burna Boy

Best Rap Single

• 2:02PM in London — Odumodublvck
• ACL — Blaqbonez
• Man2Man — Dremo
• PDSTRN — Moshood
• Nkemakonam — Tuff King
• Wuse Tu — Zaylevelten, Mavo
• John Wick — Zhus Jdo

Song of the Year

• Arike — Kunmie
• Hey Jago — Poco Lee, Shoday & Rahman Jago
• Hot Body — Ayra Starr
• Joy Is Coming — Fido
• MMS — Asake & Wizkid
• With You — Davido & Omah Lay

Afrobeats Single of the Year

• Fun — Rema
• Jogodo — Asake & Wizkid
• Laho — Shallipopi
• With You — Davido & Omah Lay
• You — Fola
• Bundle by Bundle — Burna Boy

Best Performer (Live)

• Adekunle Gold — Live at the National Theatre, Lagos
• Asake — Red Bull Symphonic
• Ayra Starr — Global Citizen Festival 2025
• Johnny Drille — Johnny’s Room Live 6
• Ruger — Live at Indigo at The O2, London (2025)

Best R&B Album

• Before We Became Strangers — Kunmie
• Catharsis — Fola
• Qing Madi — I Am the Blueprint
• Love Is a Kingdom — Tems
• Reflection Station — Tay Iwar
• This One Is Personal — Tiwa Savage

Best Recording of the Year

• Arike — Kunmie
• Amaeya — How Do You?
• Rema — Baby (Is It a Crime)
• Omah Lay & Elmah — Coping Mechanism
• Davido & Omah Lay — With You
• Fola — You

Best Alternative Album

• SDC — Afrika Magik
• Sewa — Detox
• BOJ — Duplicity
• Wizard Chan — Healers Chapel
• Scottyolorin — Olorin Pack
• Zaylevelten — Then 1t Got Crazy

Digital Artiste of the Year

• Asake
• Ayra Starr
• BNXN
• Chella
• Fola
• Mavo
• Seyi Vibez
• Wizkid

Next Rated

• Fido
• Fola
• Llona
• Mavo
• Shoday

Best Male Artiste

• Adekunle Gold
• Asake
• Fola
• Mavo
• Rema
• Wizkid
• Burna Boy

Rookie of the Year

• Amma
• Danpapa GTA
• Firstklaz
• Kidd Carder
• NO11
• Priesst
• OG Abbah

Best R&B Single

• 6:35 — Layefa
• How Do You? — Amaeya
• I Love You — Amma
• What You Need — Tems
• Winter & Summer — Magixx
• You4Me — Tiwa Savage

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Best Vocal Performance (Female)

• Layefa — 6:35
• Amaeya — How Do You?
• Sewa — Lagos Lovin
• Qing Madi — Scumbag
• Liya — Skin to Skin
• Tiwa Savage — You4Me

Best Inspirational Single

• Sunmisola Agbebi & Yinka Okeleye — Amioluwa
• Lawrence Oyor — Favour
• Sinach — Idinma (You Are Good)
• Emma OMG — Ko’rin Iyin (I Will Praise You)
• Gaise Baba & Lawrence Oyor — No Turning Back II
• Mercy Chinwo — We Move

Best Vocal Performance (Male)

• Adekunle Gold — I’m Not Done
• Flavour — Orente
• Magixx — Summer & Winter
• Odeal — Patience
• Syemca — Love Egbugomo
• Tay Iwar — Bad Belle

Producer of the Year

• Magicsticks — Jogodo
• P. Priime — MMS
• Ragee — Hot Body
• Sarz — Getting Paid
• Tempoe — With You

Best Collaboration

• CKay & Mavo — Body (Danz)
• Mavo & Wave$tar — Escaladizzy
• Poco Lee, Shoday & Rahman Jago — Hey Jago
• Odumodublvck & Victony — Pity This Boy
• Davido & Omah Lay — With You
• Mr Eazi & King Promise — See What We’ve Done
• Chief Priest & Spyki — Finally

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Afrobeats Album of the Year

• 5ive — Davido
• Captain — BNXN
• Clarity of Mind — Omah Lay
• Fuji — Adekunle Gold
• Morayo — Wizkid
• No Sign of Weakness — Burna Boy

Best Female Artist

• Ayra Starr
• Qing Madi
• Sewa
• Tems
• Teni
• Tiwa Savage

Lyricist on the Roll

• Blaqbonez — ACL
• Dremo — Man2Man
• Modenine — If You Like Gym (w/ Odumodublvck)
• PDSTRN — Moshood
• Ycee — Man2Man Remix (w/ Dremo)

Best Rap Album

• Tuff King — Black Sheepizen (The 13th Disciple)
• A-Q — GE3 (The Beginning)
• Erigga — G.O.A.T
• JeriQ — King
• Blaqbonez — No Excuses
• Odumodublvck — The Machine Is Coming

Best Street-Hop Artiste

• Famous Pluto — Na Scra
• Kashcoming — All My Money
• Poco Lee — Hey Jago (w/ Shoday & Rahman Jago)
• Seyi Vibez — Shaolin
• Shallipopi — Laho
• Tuff King — Nkemakonam
• Rybeena — Gaddem (w/ Shoday)

International Artiste of the Year

• Ciara
• Dave
• Gunna
• Jazmine Sullivan
• Shenseea
• Tiakola

Best Southern African Artist

• ​Ciza 🇿🇦
• ​DJ Maphorisa 🇿🇦
• ​Jazzwrld 🇱🇸
• ​Kabza De Small 🇿🇦
• ​Tyla 🇿🇦
• ​Uncle Waffles 🇸🇿

​Music Video of the Year

• ​Director Pink — 10 Kilo
• ​TG Omori — Afroculture
• ​DK — Bundle by Bundle
• ​Jyde Ajala — Wizard Chan
• ​Meji Alabi — Who’s Dat Girl
• ​Dammy Twitch — With You

​Best Alternative Song

• ​Cyk Baddie — Luwa.mp4 & Jeleel!
• ​Sewa — Lagos Lovin
• ​Wizard Chan — Oliver
• ​Blnde — Omo To Sexy
• ​Wave$tar — Prada Baby
• ​Obongjayar — Sweet Danger
• ​Chief Priest, Boypee & Zoro Swagbag — Summer Adina

Best West African Artiste

• ​Black Sherif 🇬🇭
• ​Himra 🇨🇮
• ​KiDi 🇬🇭
• ​King Promise 🇬🇭
• ​Moliy 🇬🇭
• ​Wally B. Seck 🇸🇳
• ​Stonebwoy 🇬🇭

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Following the momentum of his May release, AFRICAN GIRLS, CKay uses the new album to move away from the darker, emotionally heavy atmosphere that characterised some of his earlier work. Instead, “BANGER BOY” presents him as an artist fully embracing his pop instincts, infectious melodies, and the freedom to experiment across different sounds.

The album blends pop-leaning Afrobeats with Amapiano rhythms, contemporary R&B, and tropical influences, creating a warm and energetic soundscape that runs consistently from beginning to end.

CKay’s production instincts are particularly evident throughout the project, with carefully layered instrumentation and polished arrangements helping each track maintain its own identity while still fitting into the wider album.

Adding to the project’s international appeal is a strong lineup of collaborators, including Phyno, Maleek Berry, King Promise, Mavo, and Kidd Carder. Rather than feeling like a collection of unrelated features, the collaborations complement CKay’s direction and help maintain the album’s seamless, cross-border character.

 

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On the lyrical front, CKay finds room for both fun and vulnerability. “BANGER BOY” touches on the excitement that comes with fame, nightlife, romance, attraction, and the quieter emotions that exist beneath the glamorous lifestyle.

His increasingly refined vocal style adds another layer to the project, with airy falsettos, smooth harmonies, and catchy melodies turning even the simplest hooks into memorable moments.

What makes the album particularly interesting is how comfortably CKay moves between its different moods. One moment, he is delivering an upbeat record built for late-night enjoyment; the next, he pulls listeners into something more intimate and emotionally exposed.

With “BANGER BOY,” CKay proves that his artistic growth is not simply about changing his sound but understanding how to build a complete musical experience.

The album strengthens his reputation as a versatile hitmaker while showing that there is considerably more to his artistry than the melancholic sound that first introduced him to a global audience.

Listen to “Banger Boy” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Ckay Opens a New Chapter With ‘BANGER BOY’ Album.

Nigerian singer, songwriter, and producer CKay has officially announced his highly anticipated third studio album, Banger Boy, setting its release date for August 7, 2026.

The announcement, made via the singer’s social media platforms, signals the beginning of a new era for the Afrobeats star, who has earned global acclaim for blending Afrobeats, R&B and alternative influences into his distinctive sound.

CKay also unveiled an impressive list of guest appearances on the project. Banger Boy will feature collaborations with Mavo, Kidd Carder, Phyno, Maleek Berry and Ghanaian hitmaker King Promise, raising expectations for what promises to be one of his biggest releases yet.

The forthcoming album follows his previous studio projects and arrives as CKay continues to strengthen his reputation as one of Africa’s most successful global music exports.

Over the years, he has built an international fanbase through a string of hit records and emotionally rich songwriting that has resonated with listeners worldwide.

While the full tracklist and production details are yet to be revealed, the confirmation of the album’s title and release date has already generated excitement among fans, with anticipation expected to build ahead of its August 7 release.

 

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Known for his emotionally layered Emo-Afrobeats sound, CKay takes a noticeable creative turn here, shifting away from his signature moody style into something far more energetic and club-driven. The result is a record designed purely for the dancefloor, signalling a new, more upbeat chapter in his sonic journey.

The track, produced by BMH, DJ Khalipha, and CIXXX, is built on an explosive blend of heavy percussion and pulsating basslines that capture the fast-moving energy of Lagos nightlife while also echoing the global club sounds of cities like Miami and Ibiza. From the very first drop, “African Girls” is structured to keep listeners locked into its relentless rhythm.

CKay opens with smooth, laid-back vocals that set a playful, party-ready tone, while Kidd Carder follows with a more aggressive, rhythm-heavy delivery that injects youthful intensity into the record. Together, their contrasting styles create a dynamic balance that keeps the track constantly moving forward.

Lyrically, “African Girls” is a vibrant celebration of beauty, confidence, and the cultural energy of women across the African continent. Rather than a subdued love song, it leans fully into nightlife exuberance, capturing the spirit of freedom and admiration through a club-ready lens.

The chemistry between CKay’s polished pop sensibility and Kidd Carder’s raw, energetic flow gives the song a nostalgic edge reminiscent of mid-2010s global club anthems, while still feeling fresh and distinctly African in identity.

Accompanied by a visually striking music video set against the chaotic glow of Lagos nightlife, “African Girls” positions itself as a strong contender for one of the standout summer records, further showcasing CKay’s willingness to evolve and experiment beyond his established sound.

Listen to “AFRICAN GIRLS” HERE

This post appeared first on Mp3bullet.ng... Read Original post on CKay Teams Up With Kidd Carder On “African Girls”.

The artist, whose real name is Chukwuka Ekweani, shared his story during a Twitch livestream with comedian and content creator Carter Efe, where he reflected on his journey from Kaduna to Lagos in search of success.

According to CKay, his parents were strongly against his decision to go into music, a stance that pushed him to take a bold step at a young age. At just 19, he left home and relocated to Lagos, determined to chase his dreams despite the uncertainty ahead.

He said:

“My parents didn’t want me to do music so I ran away from home in Kaduna when I was 19. I came down to Lagos to chase my passion in music. When I arrived Lagos, I wrote a long letter and sent to my mum via Blackberry. Initially, I was staying with one of my friends. But after sometime, I got a one-room apartment. I was making money as a producer working with four different studios. At some point, I had to dropped out of university at just 100 level to focus on music,” he explained

CKay also revealed that his early days in Lagos were marked by hustle and persistence, as he worked behind the scenes as a producer across multiple studios to support himself.

His breakthrough eventually came in 2018 with the release of his hit track “Container,” which brought him into the spotlight and marked the beginning of his rise in the Nigerian music scene.

Today, his story stands as a testament to risk-taking and determination, highlighting the sacrifices many artists make on their path to success.

This post appeared first on Mp3bullet.ng... Read Original post on CKay Opens Up on Choosing Music Over Family Expectations.

He joined host Nandi Madida via FaceTime to reflect on his fast-moving journey and growing influence.

During the conversation, the 22-year-old singer spoke candidly about navigating early success, carving out a distinct artistic identity, and finding his place among Africa’s new wave of Afrobeats talent.

Mavo also touched on working with industry heavyweights Wizkid, Davido, and CKay, describing his rise as one grounded in gratitude, faith, and an unwavering commitment to his craft.

“It’s crazy. I’m overwhelmed, but at the same time I know it’s what I have to do,” Mavo told Apple Music. “I like the drive. I like what I get from what I put in, so I just keep putting it in.”

He went on to explain the inspiration behind his project Kilometer, noting that the title captures the speed and urgency of his ascent.

“Everything was moving so fast,” he said. “So we just said, okay, let’s name it ‘Kilometer’. How many meters can you run? How fast can you run?”

One of the interview’s standout moments came when Mavo discussed his self-created slang and personal “dictionary,” a bold, creative move that highlights his commitment to originality. He revealed that he has built an extensive collection of invented words he calls his “busy lingua,” setting himself apart in an increasingly crowded soundscape.

“I always don’t want to do what everybody’s doing,” he explained. “I had to create my own words. I literally have a dictionary of my own words, and I feel like that’s crazy.”

On collaborating with Afrobeats giants, Mavo remained humble, crediting faith for the opportunities that have come his way.

“God just said take all of these features. Bless the song. Do what you can do for it,” he said.

The singer also hinted at the depth of his unreleased catalogue, revealing that many of his strongest records are still waiting for the right moment. With several projects lined up in the coming months, Mavo promised consistency and momentum, describing the rollout as “back to back.”

In addition, he shared his admiration for South African music and culture, teasing upcoming collaborations with artists from the country. While keeping details under wraps, Mavo confirmed that the songs are already completed and described them as “very serious,” signalling that his cross-continental reach is only just beginning.

This post appeared first on Mp3bullet.ng... Read Original post on Mavo Speaks About Working With Wizkid, Davido & CKay.

On “BADMINTON,” CKAY leans into his strength: crafting emotionally rich music that still feels light on its feet. The song rides on a mellow Afrobeats groove, built with soft percussion, warm synth textures, and laid-back basslines that give it a chilled but addictive bounce.

At its core, the track plays with themes of love, push-and-pull emotions, and relationship mind games, all delivered through CKAY’s silky vocals that balance vulnerability with confidence.

The production is clean, lively, and undeniably dance-friendly. Upbeat percussion patterns, catchy synth melodies, and groovy basslines come together to create a sound that works just as well in the club as it does on the radio.

It’s modern Afrobeats polished with pop sensibilities, designed to pull listeners in from the first few seconds.

 

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Lyrically, “BADMINTON” shines with playful metaphors and clever wordplay. CKAY uses the idea of competition as a metaphor for attraction and romance, mixing flirtation with swagger. The result is a fun, confident record that invites listeners to vibe, move, and emotionally connect at the same time.

Vocally, CKAY is right at home. His smooth melodic runs, expressive ad-libs, and subtle harmonies glide effortlessly over the beat. That signature sing-song delivery, paired with a rhythmic cadence, keeps the energy flowing and makes the track easy to replay.

There’s also an undeniable raw edge to the song. The production is crisp and layered, but it’s the unfiltered, authentic feel that really grabs attention. CKAY’s voice slides over the instrumental with ease, giving the record a street-smart confidence that makes you want to spin it again as soon as it ends.

 

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What truly sets “BADMINTON” apart is how it combines Afrobeat grooves, playful lyricism, and CKAY’s natural melodic talent into one cohesive package. It’s the kind of song that fits perfectly on party playlists, lights up dance floors, and reminds listeners why CKAY remains a standout voice in contemporary Afro-fusion music.

Listen to “Badminton” HERE

Watch the video below:

This post appeared first on Mp3bullet.ng... Read Original post on CKAY Blends Afrobeats, R&B on New Single “BADMINTON”.

Nigerian singer, songwriter, and producer CKay has officially surpassed one billion streams on Spotify with his breakout hit Love Nwantiti, making him one of the few African artists to reach this milestone and the first Nigerian solo act to do so.

The rise of the emotional Afrobeats anthem

Originally an early hit when it dropped in 2019, “Love Nwantiti” (released on CKay’s EP—CKay the First) began as a slow-burn masterpiece that captured a global audience.

The song broke out by blending the grooving rhythm of Afrobeats with an emotional feeling and an entrancing melody, a sound CKay himself pioneered and coined as “Emo-Afrobeats,” fusing African rhythms with raw, heartfelt emotion.

The song, which translates to “sweet gentle love” in the Igbo language, communicates an intense desire for a love interest. Its journey from a homegrown Nigerian track to a cultural sensation fueled by countless dance challenges, social virality, and international remixes is proof of the widespread power of its sound.

The song remains a fixture on playlists globally, with over 3.9 million playlist adds and sustained streaming momentum across continents.

A global heartbeat: @ckay_yo officially joins the Spotify #BillionsClub with “love nwantiti (ah ah ah)” as the first solo Nigerian artist. 🎉💚 pic.twitter.com/BqCPgpGLIr

— Spotify Africa (@SpotifyAfrica) December 10, 2025

A solo milestone, a global legacy

Love Nwantiti’s sustained global appeal is undeniable: in the last 28 days alone, listeners from the United States , India,, Indonesia,  Brazil , and the United Kingdom  continue to press play, proof of the track’s staying power well beyond its viral peak.

This achievement places CKay in an elite group of African artists with billion-stream records on Spotify, which includes hits driven by collaborations with Nigerian artists, such as Drake’s One Dance (featuring Wizkid and Kyla), Future’s Wait For U (featuring Drake and Tems), and Rema’s Calm Down (featuring Selena Gomez), and solo song Water, by Tyla.

CKay achieved this historic mark with a solo, non-collaborative lead release by a Nigerian artist. This distinction highlights his unique vision and singular impact as both a writer and performer, making him a true torchbearer for the new generation of African music talent.

“Love Nwantiti” is more than a viral hit; it is a cultural reset. Demonstrating the rich storytelling and emotional depth of his sound, CKay didn’t just break borders, he built a powerful bridge for the global crossover of authentic African music, proving its resonance on the global stage.

CKay’s success is a signal for the future of African music on the global stage. Let us know if you’d like more on CKay’s journey or the song’s global streaming story.

first solo nigerian song to cross 1 BILLION streams…grateful to God and the people involved in this historic success! thank you for streaming 🇳🇬🌍💜✨ pic.twitter.com/ctxYSGvFmY

— 𝑩𝒇. (@ckay_yo) December 10, 2025

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On “BODY (Danz),” CKay delivers his signature velvety melodies and romantic lyricism, while Mavo injects his vibrant Afro-street charisma, creating a perfect fusion of soulful allure and streetwise swagger.

The result is a late-night groove designed for movement, connection, and unfiltered vibe.

Produced by BMH, the track glows with soft, intoxicating drums, airy synths, and a pulsing bassline that keeps the rhythm seductive yet steady. CKay’s vocals glide effortlessly over the production, telling a story of desire and admiration in his usual poetic fashion.

Mavo’s verse brings a fiery contrast, confident, energetic, and rhythmic, adding a fresh layer to the song’s magnetic pull. Together, the duo strikes a balance between intimacy and energy, with BMH’s crisp production and seamless transitions amplifying their vocal synergy.

 

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“BODY (Danz)” marks CKay’s latest offering since his last extended play, “CKay The Second,” and further showcases his ability to evolve while maintaining his signature romantic aura.

For Mavo, it’s another career-defining collaboration, pairing his fast-rising street sound with CKay’s global Afrobeats touch.

A smooth blend of seduction, rhythm, and storytelling, “BODY (Danz)” positions itself as a standout addition to the growing tapestry of Afrobeats love anthems, one that bridges the worlds of soulful melody and street rhythm with effortless finesse.

This post appeared first on Mp3bullet.ng... Read Original post on CKay and Mavo Unite for Sultry New Single “BODY (Danz)”.

Nigerian rapper Blaqbonez has cracked up fans with a hilarious story about how he and fellow artist Ckay accidentally ended up “stranded” in Peckham, South London, during one of their earliest visits to the UK.

Speaking on the In My Opinion podcast, the Cinderella Girl hitmaker recalled how the pair, excited to be in London for the first time, unknowingly booked an Airbnb in the heart of Peckham, thinking they had found a great deal.

“Soon as we land in London, we discovered that the apartment was in Peckham,” Blaqbonez laughed. “I was like, ‘Eh! All the London we’ve been seeing doesn’t look like this!’”

Things got even funnier when the duo proudly told friends they were “in London,” only to get confused reactions.

“They’d ask, ‘Where are you?’ and we’d say, ‘Peckham.’ Then they’d go, ‘Aye bro, what you doing in the ends?’”

At the time, the rappers had no idea that “the ends” was slang for a rough neighborhood. “That’s when we knew we couldn’t stay there,” Blaqbonez said, laughing as he recalled how they packed their bags immediately and started looking for another place.

He added that they ended up “doing mandatory walking” across the city, dragging their luggage around while searching for new accommodation. When asked if he’s ever been back to Peckham since, Blaqbonez burst into laughter:

“Never again! Once bitten, twice shy.”

The interview clip has since gone viral across social media, with fans calling it one of the funniest celebrity travel stories of the year.

Many praised Blaqbonez for his unfiltered storytelling, while others joked that “every Nigerian’s first trip to London has a Peckham plot twist.”

Blaqbonez tells the story of how he and Ckay found themselves in Peckham🤣 pic.twitter.com/tsnoxwCfp2

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) October 21, 2025

This post appeared first on Mp3bullet.ng... Read Original post on Blaqbonez Shares Story of Being Stuck in Peckham with Ckay.

The much-anticipated track is scheduled to arrive this Thursday, October 23, 2025, and is already generating buzz online.

The singer broke the news with a 31-second teaser video that offered fans a quick but electrifying taste of what’s to come.

The short clip captures CKay and Mavo jamming out with electric guitars and a live band, hinting at a daring mix of Afrobeats and rock influences.

With fast camera cuts, striking lights, and a stylish setup that includes a classic green convertible, the teaser suggests the music video will be nothing short of cinematic.

Mavo, the young talent behind the viral hit ‘Escaladizzy’, is known for his street-rooted Burbur Music sound. In the teaser, he steps out in a red suit and beret, bringing a bold contrast to CKay’s signature moody vibe, a combination that promises a fiery yet playful chemistry on screen and in sound.

The collaboration comes on the heels of CKay’s recently released album EMOTIONS, which cemented his reputation as one of Afrobeats’ most versatile voices. With his knack for blending genres and global appeal, fans are eager to see how he and Mavo will fuse their unique energies on BODY.

From its rock-inspired instrumentation to the high-octane visuals teased so far, BODY already feels like a bold step forward for both artists and one that could easily become one of the most talked-about Afrobeats drops of the week.

CKAY × MAVO
BODY

🚨OUT ON THURSDAY🚨 pic.twitter.com/Dp4yFpSRQs

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) October 20, 2025

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Released on the 2nd of October 2025, under the Dangbana Republik imprint, the project feels less like just another record and more like a landmark chapter in Bella’s journey, rooted in his Lagos hustle and the battles he has conquered along the way.

‘Sanity‘ is built on contrasts: the chaos of the streets against the serenity of survival, traditional rhythms rubbing shoulders with futuristic beats.

Executive produced by the Dangbana Republik team, the album stitches together trap-heavy production, Afrobeats energy, and Yoruba-rooted instrumentation like talking drums and agidigbo, creating a sound that honours Nigerian heritage while reaching for global ears.

Bella doesn’t walk this path alone. The album is a communal effort, with appearances from K1 De Ultimate, CKay, Seyi Vibez, King Promise, and more.

 

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Their contributions amplify the project’s depth without dimming Bella’s raw, gravelly voice the anchor that gives every track weight, whether he’s flexing on a party anthem or baring scars on slower cuts.

Highlights abound: “Appraisal” opens the record with a meditative reflection on resilience; “Bounce” featuring Seyi Vibez explodes with infectious energy built for nightclubs; “Fuji Fusion” with K1 De Ultimate offers a rare, generational meeting point of Fuji improvisation and street-pop edge; while “Bygone” with CKay softens the tempo into an R&B-inspired haze of nostalgia.

Songs like “Holy Jah” and “Pain” provide quiet, spiritual reprieve—proof that behind the street bravado lies introspection and faith.

With ‘Sanity,’ Bella Shmurda cements himself as more than just a hitmaker he emerges as a voice for the underdog, carrying the pulse of the streets into Afrobeats’ global expansion.

The LP is available now on all major streaming platforms, ready to soundtrack everything from Lagos street corners to stages across the world.

Listen to Sanity HERE.

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