For fans who have followed the duo’s journey, the reunion carries a familiar feeling. Boj and Ajebutter22 have previously shared a strong creative partnership, particularly through projects such as Make E No Cause Fight, and their latest collaboration finds them returning to the laid-back sound that has long defined their chemistry.

“Time Of Our Lives” rides on a smooth, understated production built around subtle drum patterns, warm electric piano melodies, and a steady bassline.

Rather than going for an overly busy arrangement, the record keeps things simple, allowing the groove to breathe and creating an easygoing mood suited to Lagos’ nightlife scene.

The song itself is a playful take on enjoying life, romance and taking things easy. Ajebutter22 brings his familiar conversational rap style, touching on everything from fashion and relationships to everyday Nigerian culture with his usual dry humour and witty observations.

Boj handles the melodic side of the record with a soulful, textured delivery, adding a catchy hook that sits comfortably over the production and balances Ajebutter22’s laid-back verses.

Together, the pair once again demonstrate why their partnership has remained a notable one within Nigeria’s alternative music space. Time Of Our Lives doesn’t try too hard to make a statement; instead, it leans into the effortless chemistry between two artists who clearly understand the sound they created together.

The result is a chilled, replay-friendly record that feels right at home on a late-night Lagos drive, rooftop hangout, or relaxed weekend playlist.

Listen to “Times Of Our Lives.” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Boj and Ajebutter22 Reunite for New Single, “Time Of Our Lives”.

Below are the nominees for the highly anticipated ceremony, which is scheduled to take place in Canada.

Album of the Year

• Catharsis — Fola
• Clarity of Mind — Omah Lay
• G.O.A.T — Erigga
• Morayo — Wizkid
• The Machine Is Coming — Odumodublvck
• This One Is Personal — Tiwa Savage
• No Sign of Weakness — Burna Boy

Best Rap Single

• 2:02PM in London — Odumodublvck
• ACL — Blaqbonez
• Man2Man — Dremo
• PDSTRN — Moshood
• Nkemakonam — Tuff King
• Wuse Tu — Zaylevelten, Mavo
• John Wick — Zhus Jdo

Song of the Year

• Arike — Kunmie
• Hey Jago — Poco Lee, Shoday & Rahman Jago
• Hot Body — Ayra Starr
• Joy Is Coming — Fido
• MMS — Asake & Wizkid
• With You — Davido & Omah Lay

Afrobeats Single of the Year

• Fun — Rema
• Jogodo — Asake & Wizkid
• Laho — Shallipopi
• With You — Davido & Omah Lay
• You — Fola
• Bundle by Bundle — Burna Boy

Best Performer (Live)

• Adekunle Gold — Live at the National Theatre, Lagos
• Asake — Red Bull Symphonic
• Ayra Starr — Global Citizen Festival 2025
• Johnny Drille — Johnny’s Room Live 6
• Ruger — Live at Indigo at The O2, London (2025)

Best R&B Album

• Before We Became Strangers — Kunmie
• Catharsis — Fola
• Qing Madi — I Am the Blueprint
• Love Is a Kingdom — Tems
• Reflection Station — Tay Iwar
• This One Is Personal — Tiwa Savage

Best Recording of the Year

• Arike — Kunmie
• Amaeya — How Do You?
• Rema — Baby (Is It a Crime)
• Omah Lay & Elmah — Coping Mechanism
• Davido & Omah Lay — With You
• Fola — You

Best Alternative Album

• SDC — Afrika Magik
• Sewa — Detox
• BOJ — Duplicity
• Wizard Chan — Healers Chapel
• Scottyolorin — Olorin Pack
• Zaylevelten — Then 1t Got Crazy

Digital Artiste of the Year

• Asake
• Ayra Starr
• BNXN
• Chella
• Fola
• Mavo
• Seyi Vibez
• Wizkid

Next Rated

• Fido
• Fola
• Llona
• Mavo
• Shoday

Best Male Artiste

• Adekunle Gold
• Asake
• Fola
• Mavo
• Rema
• Wizkid
• Burna Boy

Rookie of the Year

• Amma
• Danpapa GTA
• Firstklaz
• Kidd Carder
• NO11
• Priesst
• OG Abbah

Best R&B Single

• 6:35 — Layefa
• How Do You? — Amaeya
• I Love You — Amma
• What You Need — Tems
• Winter & Summer — Magixx
• You4Me — Tiwa Savage

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Best Vocal Performance (Female)

• Layefa — 6:35
• Amaeya — How Do You?
• Sewa — Lagos Lovin
• Qing Madi — Scumbag
• Liya — Skin to Skin
• Tiwa Savage — You4Me

Best Inspirational Single

• Sunmisola Agbebi & Yinka Okeleye — Amioluwa
• Lawrence Oyor — Favour
• Sinach — Idinma (You Are Good)
• Emma OMG — Ko’rin Iyin (I Will Praise You)
• Gaise Baba & Lawrence Oyor — No Turning Back II
• Mercy Chinwo — We Move

Best Vocal Performance (Male)

• Adekunle Gold — I’m Not Done
• Flavour — Orente
• Magixx — Summer & Winter
• Odeal — Patience
• Syemca — Love Egbugomo
• Tay Iwar — Bad Belle

Producer of the Year

• Magicsticks — Jogodo
• P. Priime — MMS
• Ragee — Hot Body
• Sarz — Getting Paid
• Tempoe — With You

Best Collaboration

• CKay & Mavo — Body (Danz)
• Mavo & Wave$tar — Escaladizzy
• Poco Lee, Shoday & Rahman Jago — Hey Jago
• Odumodublvck & Victony — Pity This Boy
• Davido & Omah Lay — With You
• Mr Eazi & King Promise — See What We’ve Done
• Chief Priest & Spyki — Finally

Songwriter of the Year

• Adekunle Gold — Many People
• Victony — Cough Syrup (w/ BNXN)
• Wizard Chan — Time Traveler
• Fola — Who Does That?
• Kunmie — Arike
• Amaeya — How Do You?

Afrobeats Album of the Year

• 5ive — Davido
• Captain — BNXN
• Clarity of Mind — Omah Lay
• Fuji — Adekunle Gold
• Morayo — Wizkid
• No Sign of Weakness — Burna Boy

Best Female Artist

• Ayra Starr
• Qing Madi
• Sewa
• Tems
• Teni
• Tiwa Savage

Lyricist on the Roll

• Blaqbonez — ACL
• Dremo — Man2Man
• Modenine — If You Like Gym (w/ Odumodublvck)
• PDSTRN — Moshood
• Ycee — Man2Man Remix (w/ Dremo)

Best Rap Album

• Tuff King — Black Sheepizen (The 13th Disciple)
• A-Q — GE3 (The Beginning)
• Erigga — G.O.A.T
• JeriQ — King
• Blaqbonez — No Excuses
• Odumodublvck — The Machine Is Coming

Best Street-Hop Artiste

• Famous Pluto — Na Scra
• Kashcoming — All My Money
• Poco Lee — Hey Jago (w/ Shoday & Rahman Jago)
• Seyi Vibez — Shaolin
• Shallipopi — Laho
• Tuff King — Nkemakonam
• Rybeena — Gaddem (w/ Shoday)

International Artiste of the Year

• Ciara
• Dave
• Gunna
• Jazmine Sullivan
• Shenseea
• Tiakola

Best Southern African Artist

• ​Ciza 🇿🇦
• ​DJ Maphorisa 🇿🇦
• ​Jazzwrld 🇱🇸
• ​Kabza De Small 🇿🇦
• ​Tyla 🇿🇦
• ​Uncle Waffles 🇸🇿

​Music Video of the Year

• ​Director Pink — 10 Kilo
• ​TG Omori — Afroculture
• ​DK — Bundle by Bundle
• ​Jyde Ajala — Wizard Chan
• ​Meji Alabi — Who’s Dat Girl
• ​Dammy Twitch — With You

​Best Alternative Song

• ​Cyk Baddie — Luwa.mp4 & Jeleel!
• ​Sewa — Lagos Lovin
• ​Wizard Chan — Oliver
• ​Blnde — Omo To Sexy
• ​Wave$tar — Prada Baby
• ​Obongjayar — Sweet Danger
• ​Chief Priest, Boypee & Zoro Swagbag — Summer Adina

Best West African Artiste

• ​Black Sherif 🇬🇭
• ​Himra 🇨🇮
• ​KiDi 🇬🇭
• ​King Promise 🇬🇭
• ​Moliy 🇬🇭
• ​Wally B. Seck 🇸🇳
• ​Stonebwoy 🇬🇭

This post appeared first on Mp3bullet.ng... Read Original post on Full list of nominees for the 2026 Headies Awards.

The release arrives on the heels of her widely praised appearance on KILIMANJARO, further cementing her reputation as one of the most adventurous and innovative creatives in contemporary African music.

With SpaceFuji, Bloody Civilian embraces experimentation, blending diverse influences into a sound that feels both familiar and refreshingly new.

At the heart of the record is a daring fusion of Afrobeats, house music, alternative textures, and traditional Fuji influences. The title itself hints at the song’s vision: a futuristic reimagining of Fuji music that pays homage to cultural roots while pushing sonic boundaries forward.

Built on layered instrumentation, immersive production, and infectious rhythms, SpaceFuji thrives on its ability to balance dancefloor appeal with artistic depth.

Rather than following conventional song structures, the track leans into creative storytelling and rich musical textures, creating an experience that unfolds differently with each listen.

BOJ brings his trademark laid-back charm to the collaboration, delivering smooth melodies that complement the song’s experimental framework. His contribution adds warmth and accessibility, helping bridge the gap between the record’s innovative ideas and its catchy appeal.

Meanwhile, Terry Apala injects the track with a strong cultural identity through his distinctive Fuji-inspired vocal style. His presence grounds the song in tradition, providing a powerful contrast to the futuristic elements woven throughout the production.

Together, the trio craft a record that reflects a growing trend within Nigerian music, one where artists are increasingly drawing from indigenous sounds while embracing contemporary and global influences. The result is a genre-defying collaboration that feels both rooted and progressive.

Musically, SpaceFuji stands out for its rhythmic complexity, vibrant energy, and detailed production. Every layer contributes to an expansive soundscape that rewards repeated listening, offering new details and nuances with each replay.

For Bloody Civilian, the release marks more than just a return to solo music. It signals the beginning of an exciting new chapter for an artist whose creative vision continues to resonate on a global scale. With SpaceFuji, she once again demonstrates her ability to challenge expectations, merging innovation, culture, and storytelling into a compelling musical statement.

Listen to “SpaceFuji” HERE

This post appeared first on Mp3bullet.ng... Read Original post on Bloody Civilian Reunites With the Spotlight on “SpaceFuji”.

The result is Unfinished Business, his third studio album, a 13-track journey that feels like stepping into a time capsule and finding the contents glowing brighter than you remember.

For many Nigerians, ID Cabasa isn’t just a producer; he’s part of the country’s musical DNA. As the mastermind behind Coded Tunes, he helped shape the sound that birthed giants like Olamide, 9ice, and Reminisce.

Those mid-2000s years were the foundation of modern Afrobeats, and with Unfinished Business, Cabasa pulls from that era, “reimagining” his beloved hits with original voices and today’s brightest stars. He’s not simply dropping an album; he’s curating a moving, breathing museum of Nigerian music history.

At the heart of the project is “Photocopy Reimagined,” a reunion that feels almost cinematic. Hearing 9ice step back onto one of the most important records of his career, now dressed in a 2025 production glow, is goosebump material.

Vector joins him, weaving a verse that respects the original’s message of authenticity while flexing the layered wordplay he’s known for. Cabasa keeps the song’s gritty percussive spirit intact, but everything is sharpened, polished, and tuned for modern speakers. It feels like the “Alapomeji” spirit walked into the future and found its rhythm waiting.

 

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Then there’s “Olufunmi Reimagined,” the track that feels like Cabasa threw a class reunion and a talent show into the same room. Styl-Plus’ iconic ballad is reborn through a powerhouse lineup: BOJ, Joeboy, Fireboy DML, and Odumodublvck.

The contrast is delicious, with Odumodu’s gritty, drill-tinted delivery bouncing off Joeboy’s softness, Fireboy’s emotional depth, and BOJ’s smooth Alté resonance. It shouldn’t work, but it does. Cabasa’s production gives each artist air to breathe, proving just how adaptable his sonic blueprint is.

But perhaps the clearest statement of the album’s purpose comes on “Bere Mi,” where Zlatan and T.I Blaze bring the street-hop energy of today onto a foundation built over a decade ago.

Cabasa uses the collaboration to make a quiet but powerful point: the new wave didn’t appear out of thin air; it grew from roots he helped plant. The album becomes both a reminder and a revelation, linking the past with the present through drums, melodies, and memory.

What makes Unfinished Business shine isn’t just nostalgia. It’s Cabasa’s understanding of his role. He’s not just flipping old records for sentiment; he’s orchestrating experiences. Every feature feels intentional. Every update feels like a respectful dialogue between eras.

 

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The album is warm, cohesive, and carefully crafted the kind of project that makes older fans smile knowingly while giving younger listeners a front-row seat to a history lesson disguised as a playlist.

In the end, Unfinished Business proves a simple truth: great music never really fades. It only waits for the right moment and the right hands to be reintroduced. And for Cabasa, “unfinished” doesn’t mean incomplete. It means the story is far from over.

Listen to Unfinished Business HERE.

This post appeared first on Mp3bullet.ng... Read Original post on ID Cabasa Brings Back the Classics on “Unfinished Business” Album.

And on December 5, 2025, he returned with Duplicity, his sixth studio album, a project that instantly set the Alté community humming with excitement.

The best way to describe Duplicity is to imagine BOJ standing in front of two mirrors, one reflecting his smooth lover-boy charm and the other capturing the rebellious, rockstar edge he rarely shows.

Instead of picking one version of himself, he decided to make an album where both versions coexist.

The result is a project that feels like a midnight confession—honest, stylish, and layered, yet delivered with the effortless detachment that has always made BOJ who he is.

Before the album’s release, he teased fans with two singles that hinted at this dual nature. First came “Contraband,” featuring Olamide, a collaboration that fused street grit with BOJ’s laid-back luxury. Olamide came through with a verse that hit like a quick jab, sharp enough to wake up any sleepy speaker.

Then he dropped “Diamonds” with Mavo, a floating, almost futuristic record where both artists glide over the beat like they’re weightless. Those two songs became the anchors of the album, opposite energies, perfectly balanced.

 

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Production-wise, Duplicity sounds like BOJ walked into a dimly lit studio and told Genio and Blaise Beats, “Let’s make something warm, something rich, something that belongs to nobody else.”

The album trades the typical Afrobeats bounce for muted horns, jazzy chords, and a bassline that rolls rather than jumps. When you listen to a track like “After Hours” featuring Anais Cardot, you can practically picture velvet seats, dim neon lights, and the soft clink of glasses in a room that only opens after midnight. And through it all sits BOJ’s unmistakable voice — that honey-and-gravel tone mixed forward, letting every hum and ad-lib simmer.

Of course, no BOJ project feels complete without his people. On “Shana,” he reunites with Show Dem Camp and taps Ghanaian star Joey B, creating a record that feels like an Alté homecoming.

The chemistry between BOJ and SDC has been built over the years at this point; they don’t even sound like collaborators; they sound like brothers finishing each other’s thoughts. Joey B adds a new flavor, stretching the Alté spirit across borders.

 

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In the end, Duplicity feels like BOJ making a quiet but confident statement: he’s not chasing whatever sound is trending this week. He’s curating a world and inviting you to step inside a world where the music is smooth, the vibes are intentional, and the contradictions are the beauty.

It’s the kind of album that feels elite without trying too hard, cool without being cold, niche but welcoming.

With Duplicity, BOJ reminds everyone that two truths can exist side by side and that sometimes, the most interesting artists are the ones who embrace both halves of themselves.

Listen to Duplicity HERE.

This post appeared first on Mp3bullet.ng... Read Original post on BOJ Returns in Full Alté Glory With New Album ‘Duplicity’.

The track blends Alte flavor with Afrobeats energy as both artists flex their wealth, confidence, and unwavering focus on the grind.

With its themes of balling, self-belief, and living lavish, the song delivers a vibrant Afro-fusion vibe perfect for listeners who love money-minded, feel-good music.

BOJ & Mavo – Diamonds Lyrics

Intro
Haha, haha-haha-ha
(Yeahh)
Diamond′s on my neck

Verse 1
What’s on my neck?
Diamond′s on my neck
Money keep on calling, all the time, I get my check
Ọmọ òrò mi, na big-big balling
Say na who wan check am?
Dem go deck am, dem go wreck am
T’òbá ṣè wèrèy nibi, ò tẹ
Mò má dá’bẹ ′ru gàn, ọmọ alte

Pre-Chorus
Steady getting mine, no time to be wasting time
Nonstop on the grind, I got money on my mind
Ọmọgè tò fine, if I jam my eye, it′s on sight
Áyè kàn, ò má wá alright, áyé pọr

Chorus
What’s on my neck? (Neck oh)
Diamond′s on my neck (diamond’s on my neck)
Money keep on calling, all the time, I get my check
Ọmọ òrò mi, na big-big balling (b-big balling)
Say na who wan check am?
Dem go deck am, dem go wreck am
T′òbá ṣè wèrèy nibi, ò tẹ
Mò má dá’bẹ ′ru gàn, ọmọ alte

Verse 2
Baby n cho, ṣ’òmá jò?
I dey ball, Oba Goal
I dey cho-cho-cho, on God
My sokoto dey sag
Òwò kun l’ápò mi ò, fá
Nbemona, pè, kò fá
Áyè kàn, ò má wá alright, áyé pọr

Chorus
What′s on my neck? (Neck oh)
Diamond′s on my neck (diamond’s on my neck)
Money keep on calling, all the time, I get my check
Ọmọ òrò mi, na big-big balling (b-big balling)
Say na who wan check am?
Dem go deck am, dem go wreck am (Kilo way)
T′òbá ṣè wèrèy nibi, ò tẹ (Kilo, the baddest)
Mò má dá’bẹ ′ru gàn, ọmọ alte

Verse 3
Diamonds on my neck, no go whine, fit to be desktop
Dia mò gbá, no go dẹmọ again, no gbọ
No cut me when e no go complete
That your ode con dey whine person, pe-pe-pepper, pe
That your ode con dey whine person, pe-pe-pepper, pe
I know I said “I’ll take care of you”
I′ll keep to my word, baby
Believe in me, stop the nonsense (ọmọgè)
Leg on my head (me I no fit follow-)
Pákò person, see, see-see
See who be ájẹbọ, see who dey form big fo- (fo-fo-fo)
Kilolo (Kilo)

Pre-Chorus
Steady getting mine, no time to be wasting time
Nonstop on the grind, I got money on my mind
Ọmọgè tò fine, if I jam my eye, it’s on sight
Áyè kàn, ò má wá alright, áyé pọr

Outro
What’s on my neck? (My neck, my neck)

This post appeared first on Mp3bullet.ng... Read Original post on ‘Diamonds’ Lyrics by BOJ & Mavo.

Known for his innovative artistry and genre-blending sound, BOJ is taking a bold creative approach with this rollout, releasing songs in pairs to mirror the project’s central theme of duality.

The campaign officially launched on Wednesday, November 12, with the simultaneous release of two singles: “Shana,” a vibrant, rap-infused collaboration featuring Show Dem Camp (SDC) and Ghanaian hitmaker Joey B, and “After Hours,” a silky, late-night groove featuring French-Gabonese singer Anaïs Cardot. The contrasting tracks showcase the album’s multidimensional soundscape, blending Alté, rap, and R&B elements in BOJ’s signature fashion.

Staying true to the Duplicity concept, BOJ plans to continue releasing dual singles leading up to the album’s debut. The next wave, Contraband featuring Olamide and Diamonds featuring Mavo, is already sparking excitement across social media and music circles.

🚨BOJ will release his album titled “DUPLICITY”, on December 5. 📀

— In line with the album title, he’ll be releasing 2 Singles each off the album until it drops

OCT24

SHANA FT. SHOW DEM CAMP & JOEY B
AFTER HOURS FT. ANAIS CARDOT

THIS FRIDAY

CONTRABAND FT. OLAMIDE
DIAMONDS… pic.twitter.com/gX4hZ0Ri5Q

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) November 12, 2025

Visually, BOJ has teased the project with striking minimalist art direction and a black-and-white split-screen motif that underscores the theme of contrast and balance. The aesthetic complements his vision of crafting a story-driven, cohesive body of work rather than a typical playlist-style album.

With Duplicity, BOJ appears ready to cement his status as one of the most forward-thinking voices in Nigeria’s Alté scene bridging experimentation with mainstream appeal while continuing to redefine what modern African music can be.

Fans can now stream Shana and After Hours on all major platforms ahead of the album’s full release in December.

This post appeared first on Mp3bullet.ng... Read Original post on BOJ teases upcoming album with surprising collaborations release.

Show Dem Camp are not just making music anymore; they’re building worlds. Their new visualizer for “Normally,” one of the standout tracks from their latest album Afrika Magik, is another confident step in their ongoing love affair with Nollywood, this time with sharper intent and a knowing sense of humour.

For context, Afrika Magik is a concept album steeped in nostalgia, memory, and the unfiltered boldness of old Nollywood.

The rap duo Wale Davies (Tec) and Olumide Ayeni (Ghost) have often described Nollywood as one of Africa’s bravest cultural revolutions: a generation of dreamers armed with cheap cameras and limitless ambition, crafting stories and stars that outlived their budgets. That same DIY spirit runs through Afrika Magik.

Even before the album’s release, SDC were already setting the mood. They dropped a reimagined version of a classic Nollywood movie poster, the kind that might have featured Jim Iyke squaring up with Mike Ezuruonye, chaos about to erupt in the next frame. That tongue-in-cheek homage was more than a promo tactic; it was a clue to the storytelling blueprint behind the project.

So when the “Normally” visualizer arrived, it made perfect sense. It plays like the calm-before-the-storm party scene, the moment of laughter and light before someone makes a bad decision, and the music knows it before they do.

If you grew up on early-2000s Nollywood, you’ll instantly recognise the vibe. The cramped living room party. The smoky air. The low lighting. The shiny clothes.

The careless joy of young people who don’t know they’re in a movie. Every detail feels intentional, from the glint of the glasses to the retro fits that look straight out of a 2003 home video.

There’s also a clever visual twist: one model styled in a modern, Y2K-inspired look, standing just slightly apart from the rest. It’s a wink to the audience, a reminder that Afrika Magik isn’t pure nostalgia, it’s a remix.

A reinterpretation of memory through a modern lens. Even the text introducing the artists uses that old-school VCD font, instantly transporting you back to those wooden movie shops that defined the era.

Musically, “Normally,” featuring Joey B and Boj, is pure Show Dem Camp magic: a seamless blend of laid-back hip-hop and Afrobeats groove. It’s a song that fits anywhere in your car, at an after-party, or in your headphones on a slow evening. The beat breathes, the flow is easy, and that unmistakable palmwine essence lingers beneath the modern polish.

That’s the brilliance of SDC, their ability to evolve without ever losing their roots. With “Normally,” they’ve proven once again that they’re not just reminiscing about Nollywood; they’re reimagining it for a new generation.

Watch the video below:

This post appeared first on Mp3bullet.ng... Read Original post on Show Dem Camp Turn Storytellers in “Normally” Visualizer.

In a year where hip-hop legends like Clipse and Mobb Deep have reignited global love for the genre, SDC’s Ghost and Tec stand tall as Africa’s voice in this renaissance, merging lyrical excellence with a distinctly African soul.

Their latest project doesn’t just celebrate African rap; it boldly asserts its place in the global conversation around authentic, lyric-driven music.

Coming off their acclaimed neo-highlife collaboration No Love in Lagos with The Cavemen and Nsikak David, the duo once again evolve their sound. This time, they draw from the golden hues of late-90s Nollywood nostalgia to explore themes of love, self-discovery, and cultural identity.

AFRIKA MAGIK boasts an impressive lineup of collaborators, including Tems, BOJ, Winny, and Mereba, weaving a sonic tapestry of hip-hop, soul, R&B, alté, and Afro-fusion. Each feature adds its own texture, creating an experience that feels both personal and panoramic.

 

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“For us, AFRIKA MAGIK isn’t just an album; it’s a cultural document. A reminder that our stories, in all their beauty and chaos, are magic,” the duo said, reflecting on the album’s deeper purpose.

Across the project, SDC reaffirm their status as elite wordsmiths, balancing hard-hitting bars with emotional introspection and sharp social commentary.

From poetic reflections to hard truths, they prove once again that rap can be as thoughtful as it is thrilling.

 

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Beyond the music, 2024 has been a defining year for the duo. From appearing on Ebro Darden’s show to having a song featured in the first Nigerian film ever to premiere at Cannes, SDC continue to champion African creativity on a global scale.

Ultimately, AFRIKA MAGIK feels like a time capsule, a record that blends nostalgia with now. It’s the sound of two artists who have mastered their craft and still dare to experiment.

The album captures everything that makes Show Dem Camp special: sharp lyricism, fluid storytelling, and a homely yet otherworldly sound.

The best part? You don’t need to be a fan to enjoy it. Every track holds its own, yet everything connects seamlessly. Whether you’re dancing, reflecting, or simply vibing, AFRIKA MAGIK meets you where you are.

 

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With this project, Show Dem Camp haven’t just dropped an album; they’ve dropped a reminder of how effortlessly cool Nigerian rap can sound when it’s done right.

Listen to “AFRIKA MAGIK” HERE.

This post appeared first on Mp3bullet.ng... Read Original post on Show Dem Camp unveil new studio album “AFRIKA MAGIK”.

Unveiled on Thursday, October 30, the announcement captures the duo’s signature creativity and depth. The vibrant cover art shows Tec and Ghost surrounded by intricate, symbolic illustrations that echo the album’s Afrocentric and spiritual themes.

The 17-track project, which includes three interludes, boasts an impressive roster of collaborators from across Africa and beyond.

Fans can look forward to Tems on You Get Me, BOJ and Joey B on Normally, Ajebutter22 on Small Chops & Champers, Moonchild Sanelly on Magik, Moelogo on Lifestyle, Winny on Pele, and Mereba on Masterkey. Other contributors, such as Taves, Lusanda, and Lulu, further enrich the album’s diverse soundscape.

Production credits read like a who’s who of African talent, featuring Guiltybeatz, Spax, Genio, and Yinka Bernie, with mastering by Gerhard Westphalen.

The album is already generating strong anticipation, as fans expect SDC to deliver another thought-provoking body of work, following their acclaimed Clone Wars mixtape series and Palmwine Music album projects, which played a key role in shaping Nigeria’s Alté and conscious rap movements.

With Afrika MAGIK, Show Dem Camp appear ready to dive even deeper into African narratives through storytelling, rhythm, and collaboration. Given their track record, this release is shaping up to be one of the standout rap projects of 2025.

 

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The announcement arrived alongside a visually stunning teaser that immediately sparked excitement among fans online.

Set against moody blue lighting and cinematic visuals, the short clip captures BOJ in his signature calm and confident vibe before the title “Duplicity” flashes boldly in red, confirming both the name and date of the album.

Following the success of his last project, 12 Summers, this new body of work marks another defining chapter in BOJ’s journey as one of the leading architects of Nigeria’s Alté movement.

Renowned for his effortless blend of Afrobeats, R&B, and Palmwine-inspired grooves, BOJ has built a reputation for crafting music that balances rhythm with reflective storytelling.

“Duplicity” is expected to carry that same creative DNA soulful yet experimental and is rumored to feature some exciting collaborations that reflect the evolution of African alternative music.

As anticipation builds, fans are counting down to December 5, when BOJ is set to deliver what could easily become one of the standout Alté releases of the year.

 

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In other news, singer BOJ has opened up about the artists who shaped his sound and continue to inspire his creative journey, a blend of personal favorites and industry icons who, in his words, define the evolution of Nigerian music.

During a recent chat on the Madame Joyce podcast, the Money & Laughter crooner reflected on the musicians who have influenced his artistry over the years.

He spoke with visible admiration for soul-folk legend Asa, describing her as one of his biggest inspirations.

“I love Aṣa a lot, that’s like one of my favourite artistes,” BOJ said, expressing deep respect for her timeless voice and unmatched contribution to Nigerian music.

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• BOJ names his favorite artists and shares the inspiration behind his sound

Nigerian Alté singer BOJ has opened up about the artists who shaped his sound and continue to inspire his creative journey, a blend of personal favorites and industry icons who, in his words, define the evolution of Nigerian music.

During a recent chat on the Madame Joyce podcast, the Money & Laughter crooner reflected on the musicians who have influenced his artistry over the years. He spoke with visible admiration for soul-folk legend Asa, describing her as one of his biggest inspirations.

“I love Aṣa a lot, that’s like one of my favourite artistes,” BOJ said, expressing deep respect for her timeless voice and unmatched contribution to Nigerian music.

His remark sparked a lighthearted moment on the show when the host admitted she didn’t know who Asa was, a confession that left BOJ both amused and eager to explain her legacy.

He went on to highlight Asa’s influence on generations of Nigerian artists and how her music helped pave the way for the rise of more soulful, alternative sounds.

Expanding on his list of inspirations, BOJ also named Afrobeats powerhouses Wizkid, Davido, and Burna Boy, along with industry trailblazers like Don Jazzy, D’Banj, and M.I Abaga. According to him, these artists embody different eras of Nigerian music that continue to shape its evolving soundscape.

For BOJ, the connection between the old and new is what makes Nigerian music so rich. His reflections serve as a reminder that the Alté movement, often celebrated for its creativity and experimentation, is built on a strong foundation laid by legends like Asa while drawing energy from today’s global Afrobeats stars.

BOJ: … I love Aṣa a lot, that’s like one of my favourite artistes.

MADAME JOYCE: Is it bad that I don’t know who that is?

BOJ: pic.twitter.com/KrVo30dg7y

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) October 10, 2025

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