The project presents a sound that is both energetic and cohesive, with each track carrying its own identity while still fitting into a unified sonic direction.

The EP also benefits from strong guest appearances, featuring Blaqbonez, Shoday, and 255, whose contributions add texture, contrast, and extra flavour to the overall listening experience. Their presence helps broaden the EP’s appeal, moving it across different pockets of the Nigerian soundscape.

At its core, Sweet Sins explores themes of desire, temptation, ambition, and emotional conflict, ideas subtly reflected in the title itself. Rather than presenting them in a heavy or overly complex way, Dxtiny weaves these concepts into catchy, accessible songwriting that still carries emotional weight.

Sonically, the project is built on crisp percussion, melodic hooks, and a modern Afro-fusion bounce designed for replay value. It sits comfortably between street-pop and mainstream Afrobeats, a space where competition is intense but creativity thrives for artists able to carve out their own identity.

With Sweet Sins, Dxtiny positions himself within that evolving soundscape, offering a project that is both club-ready and personal-listening friendly. Early impressions suggest an artist steadily refining his lane while pushing toward a more defined musical direction.

Listen to “Sweet Sins” EP HERE

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The rapper disclosed on his official X page while opening up about why he chose not to join the Don Jazzy-led label despite the tempting offer.

According to him, his personality and approach to fame did not fit the expectations that usually come with being signed to a major music company.

Blaqbonez explained that he is naturally reserved when it comes to social media activity and fan engagement, adding that he prefers to keep a low profile online rather than constantly posting content.

“Need to get this off my chest before chanel drops, the reason I didn’t sign to mavin when they were begging me with a million dollars is cos i don’t really like posting, I prefer 1 tweet per year than engaging my fans, I’m too big for that, I’m mysterious,” he stated.

need to get this off my chest before chanel drops, the reason I didn’t sign to mavin when they were begging me with a million dollars is cos i don’t really like posting, i prefer 1 tweet per year than engaging my fans, i’m too big for that, i’m mysterious

— EVERLASTING TAKER (@BlaqBonez) May 21, 2026

His revelation quickly sparked reactions across social media, with many fans debating whether rejecting such a lucrative deal was a bold move or a risky career decision.

Others, however, praised the rapper for staying true to his personality and artistic identity instead of forcing a lifestyle he was uncomfortable with.

Over the years, Blaqbonez has built a reputation for his confident persona, unconventional humour, and unique approach to promoting his music, often standing out as one of the most outspoken voices in Nigeria’s rap scene.

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The record brings together two of Nigeria’s most distinctive modern voices in what feels like a confident, stylish exchange rather than a traditional feature-heavy track.

With both artists already enjoying strong momentum individually, “Chanel” arrives as a polished link-up that highlights their chemistry and shared creative history that dates back to before their mainstream breakthroughs.

Fresh from his sold-out UK tour and continued success from the No Excuses (Deluxe) era, Blaqbonez steps into the track with his usual witty, self-assured rap presence.

On the other side, Asake continues his remarkable run of global hits, bringing his signature Fuji-infused Afrobeats energy that has helped redefine the sound of contemporary Nigerian music.

Sonically, “Chanel” is built on sleek, luxury-inspired production—driven by a smooth bassline, airy synth layers, and a refined rhythm that gives both artists space to shine. Rather than competing for dominance, the track unfolds like a relaxed conversation between two artists reflecting on fame, success, and the lifestyle that comes with it.

Lyrically, both Asake and Blaqbonez lean into themes of luxury, ambition, and pop culture references, name-checking icons like The Fresh Prince of Bel-Air alongside high-end fashion staples such as Cartier and Nike. Beneath the glamor, however, there’s a subtle awareness of the fast-paced nature of success and the importance of living in the moment.

The result is a smooth, infectious record that feels equally at home in upscale nightlife settings and global fashion spaces, further cementing both artists as key voices shaping the sound and culture of modern Afrobeats and hip-hop.

Listen to “Chanel” HERE

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The rapper made the remarks during a chat with YouTuber Korty EO, where he shared his thoughts on how competition, especially among fanbases, fuels longevity in the music industry.

According to Blaqbonez, the constant online back-and-forth between the two camps ensures that both artistes remain in the spotlight, even after spending years at the peak of their careers. In his view, without that tension, maintaining such dominance would be far more difficult.

“Wizkid and Davido can never fade. That hatred is the reason why they will be relevant forever. When they love each other, it is over. Love is for children. Artists can love each other, but the fans should never love each other,” he said.

He further explained that this kind of rivalry keeps conversations alive, drives engagement, and ultimately benefits the artistes involved by keeping them trending across platforms.

Blaqbonez, who is known for his bold takes, added that he personally embraces competition. He described himself as an artist who thrives in competitive spaces, noting that rivalry when it stays within bounds can be a powerful engine for creativity and visibility in the industry.

“Wizkid and Davido can never fade. Artistes can love each other, but the fans should never love each other. If I have that kind of rivalry today, I’m great for the next 10 years.”

— Blaqbonez pic.twitter.com/wivsFaRMYg

— SKB (@seyikanbai) April 19, 2026

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True to his reputation as one of the most strategic self-promoters in the game, the rapper doesn’t just pad the album with filler. Instead, he sharpens the original vision with five new tracks, including the already buzzing HUSTLE KPA $$$ featuring ARTSALGHUL, giving fans a deeper look into what many are calling his current artistic peak.

The new records, like Best Friends and Back On Topping, highlight Blaqbonez’s range. One moment he’s locked into sharp, technical rap delivery, and the next he’s gliding over catchy Afro-fusion hooks that feel built for repeat listens. The deluxe also brings a notable collaboration with Odumodublvck, reinforcing the chemistry between two of the scene’s most distinct voices.

Sonically, the project keeps things dynamic. There’s a steady mix of trap, drill, and high-energy Afrobeats production, ensuring the extended tracklist never feels flat or predictable.

Lyrically, the No Excuses era leans into themes of ambition and accountability. Blaqbonez uses the new material to double down on his confident, no-holds-barred approach, while still leaving room for the humour and self-awareness that have become part of his identity.

Released under Chocolate City, the deluxe has injected fresh life into the original album, pushing it back into active conversation and chart relevance.

For Blaqbonez, this isn’t just an extension—it’s proof of consistency. With No Excuses (Deluxe Edition), he once again shows that beyond the online persona and marketing genius, there’s an artist who knows exactly how to keep his sound—and his moment—alive.

Listen to No Excuses (Deluxe Edition) HERE

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Blaqbonez recently gave a sneak peek of what’s to come in 2026, teasing a new track that brings him together with rising act TML Vibez.

The upcoming single, titled Fine Shyt, is set to arrive on Friday, April 17, 2026, and it’s already stirring conversations online.

The pairing might not have been on many bingo cards, but that’s exactly what’s making it exciting—fans are curious to see how both artists blend their distinct styles on one record.

For Blaqbonez, this move feels right on brand. His reputation for clever wordplay, fearless creativity, and pushing sonic boundaries has kept him firmly in the spotlight as one of the most versatile voices in Nigeria’s rap space.

Meanwhile, Tml Vibez continues his steady rise, carving out a lane with his vibrant sound and youthful flair. With each release, he’s proving why many are tipping him as one of the new school acts worth keeping a close eye on.

If the early teaser is anything to go by, Fine Shyt might just be one of those unexpected collaborations that hits harder than anyone imagined.

Listen to the snippet:

FINE SHYT
FEAT @Tml_vibez
This Friday 💅 pic.twitter.com/wFWXniorI1

— EVERLASTING TAKER (@BlaqBonez) April 13, 2026

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In a recent podcast interview with Pulse Nigeria, the “Wotowoto” hitmaker addressed the lingering tension between both artists, revealing that while the disagreement has been personal, he is not shutting the door on reconciliation.

According to him, his Christian upbringing shapes his outlook on forgiveness.

“My rift with Blaqbonez is personal. But I won’t rule out the possibility of reconciliation because there is nothing God can’t forgive. However, you can only forgive a contrite heart.

“You are sending big artists to come and beg me but because you want to maintain a social image, you don’t want to apologise even in private because you feel I would expose you if you do.

“Real men don’t behave like that. I can’t possibly post someone’s apology online. If you can’t humble yourself, you will be stunted,” the rapper remarked.

Odumodublvck, however, made it clear that no personal apology has been made so far. He alleged that instead of approaching him directly, Blaqbonez has relied on respected figures within the music industry to mediate the situation.

The rapper also rejected claims that their fallout was simply lyrical competition. According to him, the disagreement, which began last year, goes beyond diss tracks and hip-hop rivalry. He accused his colleague of attempting to reframe the issue as a rap feud by releasing songs aimed at him.

While fans continue to speculate about whether peace is truly possible, Odumodublvck’s message was clear: reconciliation is not off the table, but humility must come first.

ADEAYO: Do you think there’s ever a pathway to peace between you and Blaqbonez?

ODUMODUBLVCK: pic.twitter.com/reEb627L3p

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) February 15, 2026

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In a strongly worded statement released by the label, home to heavyweights such as MI Abaga and Blaqbonez, Chocolate City described the alleged incident as a dangerous turning point in what initially started as a lyrical rivalry.

According to the label, the confrontation at Rhythm Unplugged represents an escalation of the long-running feud between Odumodublvck and Blaqbonez, which has largely played out on social media over the past weeks.

In its official release, Chocolate City stated:

“What began as a rap beef between our artist Blaqbonez & Odumodublvck has devolved into a sustained campaign of harassment, stalking and physical violence that now endangers our entire team.”

The label expressed deep concern over the safety of its employees, stressing that the alleged assault was not an isolated occurrence but part of what it described as a pattern of intimidation directed at its camp.

Although Chocolate City did not publicly name the staff member involved, sources close to the situation suggest the incident may be linked to individuals already connected to the dispute.

This includes Olayinka Osagie Onobun, the label’s Head of A&R, who recently filed a criminal summons against Odumodublvck over allegations of criminal intimidation.

The development has sent shockwaves across the music scene, as a clash once dismissed as online “rap beef” now appears to have spilled into real-life confrontation at one of Nigeria’s biggest music festivals.

Before this, the dispute had been limited to fiery exchanges on X (formerly Twitter) and legal proceedings that reportedly required Odumodublvck to appear before an Abuja Chief Magistrate Court.

Chocolate City’s statement further hinted that stronger legal steps are already being considered.

“We will not stand by while the safety and well-being of our dedicated team members are jeopardized,” the label said, signalling the possibility of additional criminal complaints and civil action.

As of the time of filing this report, Odumodublvck and his representatives have not released any official response to the allegations.

The unfolding situation continues to draw widespread attention, with many in the industry calling for calm, accountability, and a return to resolving disputes without violence.

“Odumodublvck assaulted Blaqbonez at Landmark Beach. He forcefully stole his glasses and took pictures wearing them. Rap beefs are part of hip hop culture. [Physical violence is not].”

– Chocolate City issues statement accusing Odumodublvck of repeated violence and intimidation pic.twitter.com/7C1AOJ451M

— Pulse Nigeria (@PulseNigeria247) December 22, 2025

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The incident unfolded on December 7 at the Delphino Picnic behind the Abuja Velodrome, where Blaqbonez shared the stage with Runtown and Duncan Mighty.

A video circulating online shows parts of the audience booing and throwing objects toward the stage, disrupting his performance. The tension reached its peak during his rendition of “ACL,” a standout track from his October album No Excuses.

Rapper Blaqbonez st0n€d with bottles, cans, water while performing in rival Odumodublvck’s city Abuja pic.twitter.com/ml5ZP2XsYE

— Dockaysworld.NG (@dockaysworld) December 8, 2025

Insiders suggest that the hostility may have been sparked by lingering tensions following Blaqbonez’s online clash with fellow rapper Odumodublvck, coupled with some controversial remarks he recently made on social media.

Despite the chaos, Blaqbonez remained calm and later addressed the incident on Twitter, showcasing his signature humour:

“thought they could stop me from doing acl, i gave them 3 times 😂”

The rapper’s reaction highlighted both his professionalism and his ability to turn a challenging moment into a lighthearted interaction with fans.

thought they could stop me from doing acl, i gave them 3 times 😂 https://t.co/nWPyFImt3s

— EVERLASTING TAKER (@BlaqBonez) December 8, 2025

Recall, Blaqbonez is back in the spotlight, and this time, his latest album, No Excuses, is making another powerful climb, reclaiming the No. 2 spot on the Nigeria Apple Music Top Albums Chart after a fresh wave of fan enthusiasm and streaming momentum.

Since its release, No Excuses has earned widespread acclaim for its mix of versatility and vulnerability, spotlighting Blaqbonez’s trademark wit, unshakable confidence, and ever-evolving artistry.

The album flows effortlessly through Afrobeats, hip-hop, and R&B elements, showcasing just how comfortably the rapper navigates different sounds while staying true to his creative essence.

This post appeared first on Mp3bullet.ng... Read Original post on Blaqbonez Faces Hostile Crowd During Abuja Performance.

Blaqbonez is back in the spotlight, and this time, his latest album, No Excuses, is making another powerful climb, reclaiming the No. 2 spot on the Nigeria Apple Music Top Albums Chart after a fresh wave of fan enthusiasm and streaming momentum.

Since its release, No Excuses has earned widespread acclaim for its mix of versatility and vulnerability, spotlighting Blaqbonez’s trademark wit, unshakable confidence, and ever-evolving artistry.

The album flows effortlessly through Afrobeats, hip-hop, and R&B elements, showcasing just how comfortably the rapper navigates different sounds while staying true to his creative essence.

Songs like ACL, Everlasting Taker, and Consistency featuring AJ Tracey have become fan favorites, driving repeat plays and online chatter.

Listeners have praised the project’s lyrical honesty and emotional depth, with its themes of growth, accountability, and creative liberation resonating deeply across audiences.

Blaqbonez’s resurgence on the charts is more than a numbers game; it’s proof of his staying power and evolution as one of Nigeria’s most daring and inventive voices in contemporary rap.

With No Excuses, he continues to walk the fine line between mainstream appeal and lyrical authenticity, reaffirming his place among the genre’s leading trailblazers.

Blaqbonez’s “No Excuses” returns to #2(+1) on Apple Music Nigeria Top Albums chart. 📈 pic.twitter.com/WNln4wP6Rm

— THE DEBUT HUB (@thedebuthub) November 10, 2025

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After weeks of speculation and heated online debate, Nigerian rapper Odumodublvck has finally spoken out about his ongoing feud with fellow artist Blaqbonez, describing the saga as “deeply personal” and “painful.”

In a heartfelt statement shared on Monday, November 3, the INDUSTRY MACHINE hitmaker addressed the swirling accusations of violence and misconduct that have dominated social media in recent weeks.

The rapper expressed frustration over how the issue had been “twisted into something it is not,” while calling for empathy and understanding.

For days, social media had been abuzz with rumours of a confrontation between both artists’ camps.

Although neither side confirmed any physical altercation, online conversations amplified by fan commentary, blogs, and industry voices turned the matter into one of the year’s most widely discussed celebrity rifts.

Breaking his silence via his official X (formerly Twitter) page, Odumodublvck posted a lengthy message that shed light on his side of the story:

“The past few weeks have been heavy. My friends and I have been painted in terrible lights, and a deeply personal and painful situation has been twisted into something it is not. For over a year, someone close to me has been subjected to ongoing online abuse, threats, and personal violations, and at different points, efforts were made to amplify that abuse. Watching that play out publicly has been difficult, especially as false narratives and targeted attacks continued.

“Throughout this ordeal, I tried to resolve things the right way. I reached out privately to people with the power and influence to intervene, including label heads, executives, and industry leaders. I believed they would do what was right. But no one helped. Many chose to protect their interests, their artists, and their investments instead of standing up for the truth. When it became clear that no one would protect her, I felt compelled to step in. These actions were not driven by ego or pride, but by anger, frustration, and the need to defend someone I care about who had been tormented for far too long while everyone looked away.

“This issue has now been twisted to look like a ‘rap beef,’ a move to service someone’s career. I said it last year, even when tensions were low, that this is not a rap beef. It’s a personal matter that has been exploited for clout. Reducing a person’s hurt to entertainment is not only insensitive but deeply disrespectful.

“I have always stood for honesty and accountability. I’ve called out those I once respected because when it mattered most, they chose silence. That is not leadership. That is not character.

“At the end of the day, you can decide if your hate for me outweighs your sense of justice. The matter has been addressed, and I have chosen not to revisit it. My focus now is on peace, closure, and moving forward.”

The rapper’s statement appears to be a bid to draw a line under the controversy and refocus public attention on healing rather than hostility.

Though Blaqbonez has yet to issue a formal response, Odumodublvck’s comments have reignited discussions online, with fans divided over whether the matter should have stayed private or been publicly addressed.

For now, the Declan Rice crooner seems intent on moving forward, emphasising peace over conflict and choosing closure over continued confrontation.

See the post below:

TO MY FAMILY, FRIENDS, FANS AND TO WHOM IT MAY CONCERN 🙏🏿❤️

– INDUSTRY MACHINE. pic.twitter.com/MGmHiVOZHf

— INDUSTRY MACHINE ⚙️🇳🇬 (@Odumodublvck_) November 3, 2025

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Nigerian rapper Emeka Akumefule, popularly known as Blaqbonez, has publicly addressed the assault and harassment allegations reportedly lodged against him, marking his first official response since the controversy began.

The rapper is said to be under police investigation following a formal petition accusing him of harassment, cyberstalking, and blackmail after a woman alleged that he targeted her online for rejecting his advances.

According to the petitioner’s legal representatives, Blaqbonez allegedly engaged in emotional harassment and circulated private videos on social media after the complainant turned down his proposal.

They also claimed that two formal letters demanding ₦200 million in damages and a public apology were previously sent to the artist but received no response, prompting the filing of the police petition.

On September 27, 2025, Blaqbonez took to his social media page to address what he described as “recent false allegations,” sharing his own side of the story for the first time.

“For nearly a year, I have stayed silent and endured repeated bullying, physical assaults, and online attacks, believing that the truth would speak for itself,” he wrote.

While the police investigation reportedly continues, the rapper maintained his innocence and vowed to let the facts prove his side of the story.

Here is Blaqbonez’s full statement:

pic.twitter.com/qw050QVAmm

— EVERLASTING TAKER (@BlaqBonez) October 27, 2025

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