The 16-track album serves as the next chapter in his journey, reflecting his growth from the streets of Lagos to a wider audience.

Rather than starting afresh, Disk 2 builds on the foundation of its predecessor, documenting more of the experiences and ambitions behind TML Vibez’s rise. The project keeps his street-pop identity at the centre while exploring different sounds and musical influences.

The release follows a busy run of singles and collaborations throughout 2026. TML Vibez teamed up with Dapper on “My Type,” joined Victony for “Hello,” linked up with L.A.X on “Magaa” and collaborated with Rybeena on “Sunita.” His latest single, “Diamond or Gold,” also gained early traction, surpassing eight million streams across platforms within its first two weeks.

The album features an expanded lineup of collaborators, including Grammy-winning songwriter Vory, Headies winners Victony and Blaqbonez, Ghanaian singer Lasmid, and rising Nigerian acts Ayo Maff, Shoday and Mavo. Their appearances bring different styles to the project while giving TML Vibez room to explore fresh musical pairings.

 

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Behind the production, GodOmarr takes charge of five tracks, including “Diamond or Gold,” “Shonpe,” and “Eko.” Deobeats, Japh Kenti, Ballertosh and other producers also contribute to the album, while Dopemixx handles mixing and mastering across the project.

Musically, A Street Kid’s Diary (Disk 2) moves between Afrobeats, Afro-soul, R&B and hip-hop, held together by the melodic, understated street-pop approach associated with TML Vibez, popularly known as the Pawon Boi.

With 16 tracks and a broader collection of collaborators, the album adds another chapter to TML Vibez’s developing catalogue while continuing the narrative that introduced listeners to A Street Kid’s Diary.

Tracklist

1. “Eyes On Me”
2. “Delilah” ft. Vory
3. “Hello” ft. Victony
4. “Poku”
5. “Diamond or Gold”
6. “Gentleman”
7. “Shuperu” ft. Ayo Maff & Shoday
8. “Shonpe”
9. “CnF (Gbewa)”
10. “Mashè”
11. “Allow Me” ft. Lasmid
12. “Close To You”
13. “Eko” ft. Blaqbonez
14. “Sexy Mama” ft. Mavo
15. “Burst My Head”
16. “Radio”

Listen to the “A Street Kid’s Diary (Disk 2)” album HERE

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On Saturday, October 3, 2026, the singer brought his Homecoming Concert to Agodi Gardens, turning the venue into a celebration of his journey, his growing career and the city he continues to call home.

The excitement had been building well before the first performance. FOLA had announced that early-bird tickets were already sold out and more tickets were being made available, while encouraging fans to make the night a proper gathering of friends and family.

There was also something personal about the choice of location. After steadily building his profile across Nigeria, FOLA was returning to the city where his story began. That made the show feel less like a regular tour stop and more like a homecoming in every sense of the word.

The timing could hardly have been more fitting. With his next project, 9, scheduled for release on October 9, the concert arrived just days before another major moment in his career, giving fans a chance to celebrate what he has achieved while getting an early taste of what lies ahead.

And FOLA made sure the music started on a memorable note.

The singer opened his set in a green-and-white agbada, complete with a matching abetiaja cap and traditional beads. He began with an unreleased song, immediately giving the crowd something exclusive before moving into the records they already knew by heart.

Songs including “B4 B4” and “Very Soon“, and You soon took over the venue, with fans singing along and turning the performance into a celebration of FOLA’s recent rise.

B4 B4 came with particularly strong momentum. The Davido and Mayorkun collaboration featuring FOLA had previously spent four consecutive weeks at No. 1 on the Official Nigeria Top 100, adding to a remarkable 2026 run in which FOLA had already picked up three chart-topping records.

That success was evident in the crowd. This was an audience that had followed the music closely and had come prepared to sing every word.

 

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FOLA also brought some familiar faces along for the celebration.

Ayo Maff, TML Vibez, T.I Blaze, Bella Shmurda, Kidd Carder and Magixx all joined the night’s performances, creating a lively mix of some of the younger names currently making waves in Nigerian music.

Bella Shmurda’s appearance carried an added layer given their history. FOLA joined Bella’s Dangbana Republik in 2024, making his presence at the Ibadan show another link between the singer’s past and the career he is building today.

The night also attracted entertainment personalities including Yhemo Lee and Kamo State, adding to the buzz around the event.

But beyond the guest appearances and performances, it was FOLA’s connection with his fans that produced some of the biggest moments.

At one point, the singer brought a supporter on stage after discovering that the fan had tattooed FOLA’s face on his arm. Moved by the gesture, FOLA rewarded him with ₦500,000.

That was not the only example of the relationship between the singer and his supporters. Before the concert, FOLA had also responded to a fan who wanted to attend the show while visiting his father’s family home, offering to arrange an SUV so the fan and his family could attend the event in VIP style.

For FOLA, the Ibadan homecoming came at a moment when his career is moving at a serious pace. His chart success continues to grow, his new project is around the corner, and he heads into the upcoming Headies with 10 nominations, including a Next Rated nod.

So, while the Homecoming Concert was one night in Ibadan, it represented something much bigger for FOLA: a chance to return to where it all started and celebrate just how far the journey has taken him.

 

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On the track, the two artists tell the story of catching feelings despite trying to maintain a tough exterior. Using the catchy phrase “love na malaria” as its central metaphor, the song captures how love can strike unexpectedly and become difficult to escape.

Beyond its playful concept, “Malaria” touches on attraction, vulnerability, commitment, and the drama that often comes with relationships, giving the record a relatable take on the highs and complications of falling for someone.

Ayo Maff & Zinoleesky – Malaria Lyrics

Ma be ru ma foya
Ma be ru ma foya

I’m in love what will I tell to my friends
I’m upset, I’m upset with myself
Cause we dey form hard guy like say
We no get feelings per say
We dey do like osobuo
Read my movement like sensor
Na confession o I too like woman am guilty
Sheybi ami mo mo ohun ojuri
I fit buy you the amiri

Ahn ahn shey pele pele o
We not getting any younger
Butterflies for me belly
With you baby I feel safer o
Butterflies for me belly

I know say you like to form nigga
But love na malaria
E go catch you one day
I know say you like to form nigga
But love na malaria
E go catch you one day
Have been there
Have been there before

Baby don’t deny me
You know say you be my g
Buy you all the nice things
Gucci or the Nike
I don do my findings
Na you be my wifey
Mamacita mamacita
We go dey till 90’s

Make nobody torch my
Make nobody torch my
Oh my woman
Omo mami water Aquafina
Omo for this matter ma fariga

Ahn ahn shey pele pele o
We not getting any younger
Butterflies for me belly
With you baby I feel safer o
Butterflies for me belly

I know say you like to form nigga
But love na malaria
E go catch you one day
I know say you like to form nigga
But love na malaria
E go catch you one day
Have been there
Have been there before

Love na managers but then the girl never dey
Gbas gbas gbos everywhere
I will choose you over them anyway
Say she give me attitude omo my girl e no fair
Nobody really care
Baby o mo pe mo ni fe e

All this relationship people
Them go pour me water
Omo me I just wan dey single
Eni kan ole bo omi se ota
I go buy you designer ah
Oti se di e ta rira
Girl I wan dey see you everytime
We not getting any younger ah ah

Melo melo la fe wi
Choco choco milo
Melo melo la fe wi
Choco choco milo
Melo melo la fe wi
Choco choco milo
Melo melo la fe wi
Choco choco milo

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Released through Oceanstreet Creative and EMPIRE, the midtempo track finds both artists bringing different flavours to the same record. Ayo Maff takes charge with his deeper, weightier delivery, while Zinoleesky adds a more melodic touch, particularly on the chorus.

The collaboration feels like a natural meeting point for two artists who have been making waves in their respective corners of the Nigerian music scene.

Ayo Maff gained wider attention with his Fireboy DML-assisted hit Dealer before building on that momentum with his Maffian EP and establishing himself with his street-focused sound.

Zinoleesky, meanwhile, has become known for his smooth vocals and ability to bring memorable melodies to collaborations, making his pairing with Ayo Maff an interesting blend of contrasting styles.

Rather than overcrowding the record, Malaria keeps both artists firmly at the centre. Their different vocal approaches complement each other, while the song’s recurring love-and-infection concept gives it an easy-to-remember identity.

The release also continues a busy period for both acts, adding another street-pop collaboration to their growing catalogues while giving fans a record that could comfortably travel beyond the genre’s core audience.

Listen to “Malaria” HERE

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The 16-track project sees the Nigerian rap star surrounded by an impressive cast of collaborators, including Teni, Ema Onigah, Maglera Doe Boy, Taves, Pa Salieu, GonaBoy, Jastin Martin, Majeeed, Morien, and Ayo Maff.

Together, they help shape an album that effortlessly blends rap, Afrobeats, soul, and contemporary African sounds while allowing LADIPOE’s storytelling to remain front and centre.

Rather than simply delivering punchlines and clever wordplay, the project takes listeners through themes of identity, purpose, ambition, resilience, faith, and personal growth. The result is a body of work that feels deeply personal yet widely relatable, reflecting an artist who has grown both musically and personally.

The journey begins with Chosen, an emotional opener that combines gospel-inspired instrumentation with reflective lyrics before ending on a touching voice note from the rapper’s mother. From that point, the album moves comfortably between moments of vulnerability and celebration, giving listeners different sides of LADIPOE’s artistry.

Songs like Amazing (Freestyle) reaffirm his reputation as one of Africa’s most gifted lyricists, while collaborations across the album introduce fresh textures without taking attention away from his message. Features from Teni, Maglera Doe Boy, Pa Salieu, taves, Majeeed, Jastin Martin, and Ayo Maff each add their own flavour to the listening experience.

 

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One of the project’s biggest highlights is No Level, where LADIPOE joins forces with British rapper Pa Salieu for a confident, hard-hitting performance over energetic production. Elsewhere, tracks such as Many People, Compose, Jo, and Deeper showcase his ability to balance catchy melodies with meaningful songwriting.

Having already generated excitement with earlier releases including Many People, Motho Waka, and NBA, the album expands on that momentum with a more polished and cohesive sound that reflects the rapper’s evolution.

What ties the project together is its consistency. Every track feels connected, telling another part of LADIPOE’s story while celebrating African creativity without sacrificing artistic depth.

By the final record, REVIVAL stands as more than just another rap album; it is a confident statement from an artist continuing to push the boundaries of Nigerian hip-hop and solidifying his place among the continent’s most influential rap voices.

Listen to “Revival” HERE

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Sitting comfortably at the top is Asake with his 2023 smash hit, “Remember.” The track has now earned the title of the most-streamed song in Spotify Nigeria’s history, reinforcing Asake’s status as one of the country’s most dominant hitmakers.

The announcement comes at a time when Nigeria’s digital music consumption is booming. According to Spotify’s data, local streaming has surged by nearly 300 percent in the last two years alone, a clear sign that Nigerian listeners are fully locked into homegrown sounds.

And when it comes to dominance, Asake didn’t just take the crown; he practically owns the room. The street-pop star occupies four spots in the top ten, underlining his stronghold on the street-pop and Afro-fusion wave.

Trailing closely behind “Remember” at number two is “Dealer” by fast-rising act Ayo Maff, featuring Fireboy DML, a collaboration that blends fresh energy with established star power.

Afrobeats heavyweight Wizkid also makes a strong showing. His upbeat track “Kese (Dance)” ranks at number four, while his joint effort with Asake, “MMS,” secures the ninth spot.

Emerging talent is not left out either. Rising singer Fido claims two entries on the chart with “Awolowo” and “Joy is Coming,” signalling a growing appetite among listeners for emotionally rich, relatable records.

Other notable appearances include “With You” by Davido and Omah Lay, as well as “Doha” by Seyi Vibez.

Top 10 Most-Streamed Songs on Spotify Nigeria (All-Time)

1. Remember – Asake
2. Dealer – Ayo Maff ft. Fireboy DML
3. Awolowo – Fido
4. Kese (Dance) – Wizkid
5. Lonely At The Top – Asake
6. Joy is Coming – Fido
7. With You – Davido & Omah Lay
8. Terminator – Asake
9. MMS – Asake & Wizkid
10. Doha – Seyi Vibez

Five years in, Spotify Nigeria’s numbers tell a powerful story. Afrobeats is not just thriving globally; it’s being streamed heavily at home. And if this list is anything to go by, Nigerian listeners know exactly who they want on repeat.

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Over the past year, Ayo Maff has steadily positioned himself as a key voice in the Street-Pop and Afro-Soul crossover lane. Following a string of notable releases in 2025, “God is Working” arrives not just as another song but as a timely message, one that resonates deeply in a period where many are searching for reassurance amid economic strain and personal challenges.

The production of “God is Working” keeps things intentionally simple and grounded. Soulful piano chords lay the emotional foundation, while a steady mid-tempo Afrobeats rhythm carries the song forward. There’s an organic warmth in the arrangement, no excessive layering, no club-driven distractions. The stripped-back approach creates space for Ayo Maff’s textured, emotive vocals to breathe.

Rather than chase high-energy trends, the record feels reflective and intimate. It sounds like a diary entry turned into a melody—honest, unfiltered, and relatable.

 

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Lyrically, Ayo Maff balances pain with perseverance. He acknowledges the struggles that shaped him in the trenches, the doubt, and the setbacks, but frames them within a narrative of faith and divine timing. The hook, “God is Working,” doubles as both reassurance and declaration. It’s the kind of line that sticks, not just because it’s catchy, but because it feels lived-in.

He speaks directly to the everyday hustler, the graduate waiting for opportunity, the entrepreneur battling slow seasons, and the dreamer holding onto belief. The message is simple but powerful: even when progress isn’t visible, something greater is unfolding behind the scenes.

With this release, Ayo Maff further cements his growing influence in what many are now calling the “Street-Gospel” movement music that merges grit with gratitude and hustle with hope. He has managed to strike a rare balance: crafting songs that are commercially appealing without stripping away emotional depth.

 

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Already, “God is Working” is gaining strong organic traction on TikTok, where users are pairing the track with videos celebrating personal milestones, breakthroughs, and quiet wins.

As anticipation builds for his debut album later this year, the single serves as a reminder of Ayo Maff’s unique strength, his ability to transform personal struggle into collective inspiration. If this momentum continues, he won’t just be documenting the hustle; he’ll be defining its soundtrack.

Listen to “God is Working” HERE

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Nigerian superstar Wizkid claimed the top spot with his critically acclaimed album Morayo, released in November 2024.

Following closely behind is Davido’s 5ive, cementing the duo’s continued dominance in the region’s music scene. The list is largely dominated by Nigerian artists, reflecting the country’s strong influence on the Afrobeats genre and broader African music landscape.

Other notable entries include BNXN’s Captain, Burna Boy’s No Sign of Weakness, and Olamide’s self-titled album, which secured fourth, fifth, and sixth places, respectively.

Rapper Odumodublvck achieved a remarkable feat, placing two projects—The Machine Is Coming and Industry Machine on the list.

Rounding out the top 22 albums are releases from Kizz Daniel, Seyi Vibez, Famous Pluto, Ayo Maff, Fola, Zinoleesky, and Barry Jhay, showcasing the diversity and creativity thriving across the Nigerian music scene.

“Morayo” album by @wizkidayo has been named the #1 Top Album of 2025 in Sub-Saharan Africa on Apple Music…

— A massive milestone for Africa’s most influential artist. pic.twitter.com/M2rGOIJKpG

— ChartsAfrica 📊 (@chartsafrica) December 2, 2025

Apple Music Top Albums in Sub-Saharan Africa – 2025

1. Morayo – Wizkid
2. 5ive – Davido
3. Ntsako – Kelvin Momo
4. Captain – BNXN
5. No Sign of Weakness – Burna Boy
6. Olamide – Olamide
7. Thato Ma Yodimo – Kelvin Momo
8. Bab’Motha – Kabza De Small
9. Children of Africa – Seyi Vibez
10. Ngomoya – DJ Maphorisa, Xduppy
11. ‘Catharsis’ – FOLA
12. ‘Shakur’ (deluxe) – TI Blaze
13.  ‘Gen Z’ – Zinoleesky
14. ‘Lindiwe’ (deluxe) – Nontokozo Mkhize
15. The Machine Is Coming’ – Odumodublvck
16. ‘031 Studio Camp 2.0’ – Dlala Thukszin
17. ‘Uncle K: Lemon Chase’ – Kizz Daniel
18. ‘Industry Machine’ – Odumodublvck
19. ‘Uzama The 3rd’ – Famous Pluto
20. ‘Iron Boy’ – Black Sheriff
21. ‘Prince of the Street’ – Ayo Maff
22. ‘Barrystar Vol 1’ (deluxe) – Barry Jhay

The full 22-album list underscores the continued impact of Nigerian and African artists in shaping the sound of the continent and beyond.

Top albums of 2025 in Sub-Saharan Africa on Apple Music:

1️⃣ Morayo — Wizkid 🇳🇬
2️⃣ 5ive — Davido 🇳🇬
3️⃣ Ntsako — Kelvin Momo 🇿🇦
4️⃣ CAPTAIN — BNXN 🇳🇬
5️⃣ No Sign Of Weakness — Burna Boy 🇳🇬
6️⃣ Olamidé — Olamide 🇳🇬
7️⃣ Thato Ya Modimo — Kelvin Momo 🇿🇦
8️⃣ Bab’motha — Kabza De Small 🇿🇦… pic.twitter.com/Vp2hBNHBUM

— THE DEBUT HUB (@thedebuthub) December 2, 2025

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Rising Nigerian musician Ayo Mafoluku, popularly known as Ayo Maff, has opened up about his acting debut in Nollywood, revealing how his experience in music videos inspired him to explore the film industry.

Speaking at the NECLive 2025 panel, Ayo Maff shared that working on music videos gave him a firsthand look at the craft of acting and sparked a desire to try his hand on the big screen.

“I wanted to see myself in a movie. I was happy to take this role and embrace the opportunity,” he said, referring to his part in Chris Ihedero’s upcoming film.

The filmmaker, Chris Ihedero, also commended Maff for his professionalism and creativity on set, noting that working with him was a thoroughly positive experience.

Ayo Maff’s transition from music to film highlights the growing trend of multi-talented artists in Nigeria, who are successfully bridging the gap between the country’s booming music and film industries.

Acting has always been my second love” – Ayo Maff on his first movie role.

Ayo Mafoluku, popularly known as Ayo Maff in the music industry, revealed that acting has long been a secondary passion as he made his debut on the big screen. Speaking at the NECLive 2025 panel on… pic.twitter.com/wa2LHURw30

— Netng (@theNETng) November 28, 2025

Recall, Ayo Maff’s debut album, Prince of the Street, surges to No. 1 on the Apple Music Top Albums chart in Nigeria, a career-defining milestone for the emerging street-pop sensation.

The 13-track project, which offers a fusion of street narratives, emotional storytelling, and genre-blending melodies, now sits just behind industry heavyweight Olamide, whose latest self-titled album holds the top position.

Taking to social media with humour and humility, Ayo Maff made a lighthearted request to the YBNL boss via X (formerly Twitter), writing: “Baddo abeg commot for that number one small make I screenshot.”

Olamide, known for supporting younger artists, responded with a warm “Congrats, bro,” drawing praise from fans for his continued mentorship in the industry.

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The snippet, released on Wednesday, October 15, 2025, immediately sparked excitement among fans fondly called the Maffians as they took to social platforms to celebrate what many believe could be one of his biggest releases yet.

The short video is dark, bold, and atmospheric, featuring red neon lights, a countdown timer, and gritty street visuals that perfectly align with Ayo Maff’s raw, street-inspired aesthetic. It captures a quick scene of the singer performing alongside a female dancer before the title “Tension” dramatically flashes across the screen.

Ayo Maff, who broke through earlier this year with his debut album Prince of the Street, has earned acclaim for his unique ability to fuse Afrobeats, street-pop, and emotionally charged storytelling.

The teaser for “Tension” suggests a continuation of that sound: intense, rhythmic, and unapologetically real.

While no official release date has been confirmed, the countdown imagery hints that the drop is imminent. Fans are already counting down the days, calling “Tension” one of the most anticipated singles to close out 2025.

AYO MAFF
TENSION

🚨NEW SNIPPET🚨 pic.twitter.com/aQ0Ryb5zXz

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) October 15, 2025

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The album announcement, accompanied by striking cover art, underscores Blaqbonez’s ambition to create a project with both local depth and global appeal. Featuring an impressive 15 guest artists and a diverse lineup of producers, No Excuses is set to merge UK rap energy with West African rhythms, delivering a sound that’s bold, experimental, and boundary-breaking.

Among the standout collaborations, UK rap star AJ Tracey joins Blaqbonez on Consistency, while Pa Salieu brings his unique flair to Aura 4 Aura. Nigerian rap legends Olamide and Phyno also lend their star power on Despacito and W For Wetego, respectively.

The guest list continues with appearances from Bella Shmurda, Ayo Maff, Barry Jhay, Zinoleesky, Valiant, The Kazez, Melissa, Leostaytrill, Kindlynxsh, Brotherkupa, and Wave$tart, an impressive blend of voices that reflect Blaqbonez’s collaborative spirit.

 

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Behind the scenes, the production lineup is equally stellar, featuring Jae5, Telz, Kofo Sound, Black Culture, Blaisebeatz, Magicsticks, Ramoni, ILON, DJ808, and BMH names known for crafting some of the continent’s biggest hits.

From introspective cuts like Everlasting Taker to the confident and triumphant Star Life II, No Excuses promises a showcase of Blaqbonez’s growth, versatility, and global vision.

Blending witty lyricism, relatable storytelling, and genre-fluid soundscapes, the project follows his acclaimed albums Sex Over Love and Young Preacher, which solidified him as one of Africa’s most innovative rap voices.

As fans eagerly count down to Friday’s release, excitement continues to build for what could be Blaqbonez’s most defining moment yet, a project that not only celebrates his evolution but also reaffirms his position among Africa’s most dynamic and forward-thinking artists.

 

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Veteran Afropop star 9ice has showered praise on a new wave of Nigerian artists, commending their originality, lyrical depth, and fearless creativity in pushing the boundaries of Afrobeats.

In a recent interview captured on video, the Gongo Aso hitmaker expressed admiration for emerging acts such as Fola, Ayo Maff, Shoday, Rybeena, and Fido, singling out Fido’s latest single, Joy Is Coming, as a standout example of the evolving Nigerian soundscape.

“I love a whole lot of them,” 9ice said. “Their style is quite different, and at least, they are testing that topic that people are running away from.”

He highlighted Joy Is Coming as a refreshing deviation from the overused themes of romance and nightlife in contemporary Afrobeats.

“It’s not about girls now — and everybody loves it,” he noted, adding that having a distinct creative identity is what defines longevity in the industry. “Once you have your own niche, that’s it.”

9ice’s endorsement carries weight, given his pivotal role in shaping the sound of modern Nigerian pop music through classics like Street Credibility and Photocopy.

His acknowledgment of the new generation signals a shift toward more introspective, experimental storytelling within the Afrobeats movement.

As Nigeria’s music scene continues to evolve, 9ice’s recognition serves as a nod of approval to young artists who are rewriting the rules and proving that authenticity still reigns supreme.

 

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