Senegalese-American music star Akon has sparked fresh debate about the realities of the entertainment industry after sharing his views on how money is distributed within the music business.

According to Akon, the public often associates fame with wealth, but behind the scenes, many of the biggest financial rewards go to individuals working in other areas of the business.

The singer explained that executives and professionals working behind the scenes often earn more than the artists themselves, even when those artists enjoy global recognition and popularity.

“In the music industry, the artist is the last to get paid. He is the broke one but he is the most famous. If you want to be broke and famous, be the artist. But if you want to make real money go to other sectors of music business, like the producer, songwriter, manager, agent and attorney. There are so many areas in the entertainment field that you can really maximise,” he said.

Akon went on to highlight the importance of understanding the business side of entertainment, suggesting that careers in songwriting, management, production, legal representation, and talent management can often provide stronger financial opportunities than performing itself.

 

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His remarks have once again drawn attention to ongoing conversations about artist compensation, music ownership, royalty structures, and the often-overlooked professionals who help drive the industry’s success behind the scenes.

While many aspiring musicians dream of the spotlight, Akon’s comments serve as a reminder that some of the most lucrative positions in entertainment may exist away from the stage and outside public view.

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Speaking during an interview with The Shade Room, the 53-year-old artist reflected on his earlier lifestyle, explaining that he once found life more manageable when he was involved with multiple partners.

Known for previously expressing support for polygamy, Akon suggested that his personal experience has shaped that perspective over time.

“My life was a lot easier when I had multiple women surrounding me. It is a lot harder with just one woman”, he said.

The comment comes months after his wife of 28 years, Tomeka Thiam, reportedly filed for divorce citing irreconcilable differences—a development that has since brought renewed attention to his personal life.

Now, Akon’s remarks add another layer to ongoing public discussions about relationships, commitment, and the complexities of long-term partnerships, especially under the spotlight of fame.

 

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The 52-year-old singer and producer, born Aliaune Thiam, was reportedly arrested by Chamblee Police on the morning of November 7 after officers discovered an outstanding warrant in his name.

According to reports from TMZ and local authorities, the Locked Up crooner was taken into custody, processed at DeKalb County Jail, and released just a few hours later.

Jail records confirm that Akon was booked and released the same day. His mugshot, which surfaced online, shows him dressed in a black hoodie, wearing a calm, almost stoic expression.

The situation reportedly stems from an earlier bench warrant issued in Roswell, Georgia, tied to a case involving a suspended driver’s license. Court documents reveal that the issue dates back to September, when Akon’s Tesla Cybertruck broke down on the road after a battery failure.

When police arrived to assist, they discovered his license had been suspended due to a missed court appearance for a separate incident in January 2023.

At the time, he was cited for driving with a suspended license and briefly detained. Authorities also noted finding what they described as an “illegal vape” in the vehicle.

Though Akon was released, a warrant was later issued after he failed to appear in court for the citation, resulting in his November 7 arrest.

Fortunately, the ordeal was short-lived. Akon was released within six hours, and as of now, neither he nor his representatives have issued an official statement about the matter.

Despite the minor legal hiccup, the five-time Grammy nominee remains focused on his music and ongoing projects. Best known for timeless global hits like Lonely, Smack That, and I Wanna Love You,

Akon has since evolved into a global entrepreneur and philanthropist. He continues to develop Akon City, his ambitious, futuristic smart city project in Senegal, powered by his own cryptocurrency, Akoin.

While the incident sparked some buzz online, Akon seems unbothered—proving once again that even a temporary setback can’t slow down one of the 2000s’ most influential voices.

#EXCLUSIVE 🚨 Akon has been arrested in Georgia.

Details: https://t.co/6Z6eNiEUPk pic.twitter.com/AuukAb2FEg

— TMZ (@TMZ) November 12, 2025

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Veteran Nigerian music producer and industry executive Olumide Ogunade, widely known as ID Cabasa, has publicly challenged Akon’s recent assertion that he played a foundational role in creating Afrobeats.

Akon, the Senegalese-American singer and music mogul, made headlines after an interview on The Sherri Shepherd Show where he claimed to be instrumental in pushing Afrobeats to the global stage during the late 2000s.

According to him, his early partnerships with Nigerian artists and executives catalysed the genre’s international breakout.

He specifically mentioned signing Wizkid as the first Nigerian act under his label and collaborating with Banky W, suggesting that these moves were pivotal to the evolution of Afrobeats as we know it today.

However, in a recent conversation on Wazobia FM, ID Cabasa pushed back, questioning Akon’s narrative. He acknowledged that Akon did collaborate with Nigerian talents during the genre’s formative years but argued that this involvement doesn’t entitle him to claim authorship of the movement.

Cabasa emphasized that before Akon’s entry into the Nigerian music scene, homegrown stars like 2Face Idibia, 9ice, and Timaya were already making waves and laying the groundwork for what would become the Afrobeats explosion.

He also took issue with Akon’s remarks about Wizkid, countering the claim that Akon “groomed” the young artist. Cabasa clarified that it was Banky W who discovered Wizkid and signed him to Empire Mates Entertainment (EME), which later entered a collaborative partnership with Akon’s label—contrary to Akon’s claim of being the sole catalyst.

Speaking candidly in Pidgin English, ID Cabasa said, “If Akon wan talk say na him discover Afrobeats, e for still talk say na him find 2Face, Timaya, 9ice and all. Na people wey he meet for here tell am say dem big pass. So he just dey feel say na him pioneer Afrobeats business and branding.”

He concluded by stressing that Afrobeats wasn’t the product of any one individual. “Afrobeats no be one person work. E no be invention; na culture,” he said.

ID Cabasa replies Akon for saying that he created Wizkid and Afrobeats. pic.twitter.com/o2pDXXanTD

— 𝐀𝐬𝐚𝐤𝐲𝐆𝐑𝐍 (@AsakyGRN) May 10, 2025

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Senegalese-American music mogul Akon has claimed a pivotal role in launching Wizkid’s international career and shaping the global rise of Afrobeats.

Speaking on the Bagfuel Brigade podcast, Akon recounted his early involvement in the Nigerian music scene, revealing that he signed Wizkid in 2008 when the artist was still a rising local act.

According to Akon, his Konvict Muzik label was instrumental in refining Wizkid’s artistry and expanding his reach beyond Nigeria.

He also mentioned signing the iconic duo P-Square, whom he credits as the first Nigerian group to break into the international music scene under his guidance.

“In 2008, I was in Nigeria building what you now recognize as Afrobeats,” Akon stated. “Wizkid was the first Nigerian artist we officially signed. He was just a local star until we stepped in and helped open doors to a global market.”

Akon emphasized that his involvement introduced the essential business infrastructure that the Nigerian music industry lacked at the time. “They had the creativity, but not the business side. No structure, no system. I brought that in,” he said, asserting that without his early efforts, Afrobeats might not have achieved its current worldwide acclaim.

While acknowledging that he doesn’t seek full credit, Akon confidently claimed that his influence was a catalyst in Afrobeats’ global breakthrough.

Watch the video below:

"I spent my time in Nigeria developing what you see today as Afrobeats… Wizkid was just the local Nigerian star before we touched him and it opened up to a bigger market…"

– Akon pic.twitter.com/ZmhIj1OfK5

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) May 2, 2025

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• ‘I was once bigger than Wizkid and Davido’ – May D claims

Nigerian singer May D recently revisited the peak of his career, claiming that during his prime, he was bigger than music heavyweights Wizkid and Davido.

The singer made this statement during an appearance on the ‘Honest Bunch Podcast,’ where he shared insights into his musical journey and the challenges he faced.

May D recalled that his 2011 hit single ‘Soundtrack‘ outshone Wizkid’s ‘Holla At Your Boy,’ a track widely regarded as one of the year’s biggest hits. “Back then, it was Wiz, David, and I. I even like was bigger,” he stated, underscoring the impact of his hit song at the time.

Then it was Wiz , Davido and I, I was even bigger than both of them, my “Soundtrack” was bigger than Wizkid’s “Holla at your boy”. – Mr May D pic.twitter.com/rA2ysDxBF7

— Oyindamola🙄 (@dammiedammie35) January 13, 2025

During the podcast, May D reminisced about his relationship with Davido. He shared an anecdote about attempting to house the singer when Davido’s father initially banned him from pursuing music.

However, Davido couldn’t stay with May D due to his then-humble living conditions in P-Square’s boys’ quarters.

May D revealed that his association with P-Square began in 2008, leading to collaborations on notable tracks like ‘Chop My Money‘ and ‘Do As I Do’ featuring Tiwa Savage. These songs were part of P-Square’s 2011 album, *Invasion*.

According to May D, P-Square didn’t attempt to sign him to their Square Records label until 2011 after he featured on their hit single ‘Chop My Money.‘ Despite this opportunity, negotiations fell apart when he requested clarifications regarding compensation for his previous contributions and matters related to his accommodations.

May D recounted that following his refusal to sign the contract with Square Records, he was asked to leave P-Square’s mansion. He later established his label, Confam Records. Despite the fallout, May D described P-Square as “amazing people” and maintained a favourable view of the duo.

During the podcast, May D disclosed that after meeting Akon during the video shoot for the “Chop My Money (Remix),” the international star expressed interest in signing him. However, he alleged that the contract offered by P-Square at the time ultimately prevented him from pursuing the deal with Akon.

May D addressed past claims that he could have been bigger than Wizkid, explaining that his comments were a reaction to online bullying from Wizkid’s fans. He also hinted at new music coming in 2025, reassuring fans of his continued presence in the industry.

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Popular Nigerian singer May D has shared how he missed a major opportunity to work with American superstar Akon after informing P-Square about the development.

The revelation came during an appearance on the podcast ‘Honest Bunch‘ with Nedu Wazobia and other hosts.

According to May D, P-Square initially had no plans to sign him, only offering to help him gain recognition, similar to their efforts with artists like Jay Martins. However, his song ‘Chop My Money‘ caught Akon’s attention, and the American singer expressed interest in featuring in the track.

May D explained that Akon insisted the music video for the song be shot in the United States, prompting him to fly there.

During his visit, Akon invited him to his office and asked if he had any formal agreement with PSquare.

Upon learning that May D had no binding deal, Akon revealed that he had multiple opportunities lined up for him and even promised to cover his ticket back to the U.S. to begin the projects.

The singer admitted that out of transparency, he informed PSquare about Akon’s offers. However, looking back, he regrets the decision. “If I had known, I wouldn’t have said anything to PSquare,” he stated during the podcast.

 

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Nigerian singer and rapper Raoul John Njeng-Njeng, popularly known as Skales, recently rebuked a social media critic who credited Burna Boy with reviving his career.

The debate kicked off when a user labelled Skales’ career as “dead,” suggesting that its revival was due to Burna Boy’s involvement in the 2017 remix of Skales’ hit track, Temper. The remix, which featured Burna Boy, gained notable attention and was nominated for Best Collaboration at the 2018 Headies Awards.

The critic’s comment read, “This is the more reason why everyone hates you mf. Burnaboy was part of the people that helped your dead career,” Skales quickly countered this claim, stating that while he respects Burna Boy, his success was self-made and driven by his fans and faith, not by Burna Boy or any other individual.

Taking to the social media platform X, Skales clarified: “I’ll defend myself always. I love Burna but don’t ever say he helped me. No one helped me! Only my fans and God’s grace. The collab was mutually beneficial; if it wasn’t, we wouldn’t still perform it separately.”

Listen I will defend myself always … I love Burna but don’t you ever say he helped me … no one helped me! Only my fans and God’s grace .. we do collabo wey all of us benefit from .. if the thing no benefit us we no go Dey perform for our different sets … pic.twitter.com/pbaSF2UMvA

— SKALES (@youngskales) October 27, 2024

This incident follows another recent dispute where Skales denied that Wizkid played a pivotal role in his success. Instead, he credited other artists who genuinely supported his journey.

Ask am make him tell una how … got respect for him but he dint help me … if anything Banky deserves the praise and respect for believing in teenagers https://t.co/2seexiwwtO

— SKALES (@youngskales) October 28, 2024

Skales, who began writing rap songs in 2000, has collaborated with notable artists such as Akon, Banky W, and Falz. Last year, he also spoke about his struggles after leaving Empire Mates Entertainment (EME), the label run by Banky W, as he worked to establish himself independently in the Nigerian music industry.

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Nigerian superstar Burna Boy recently shared a heartfelt reaction to news of South African rapper Da L.E.S’s health struggles. Da L.E.S suffered a stroke in July, during his birthday month, and after a period in the hospital, he is now recovering at home.

On Friday, Burna Boy took to Instagram Stories to express his sorrow upon hearing the news from media personality Tbo Touch. Burna revealed feeling deeply saddened by Da L.E.S’s condition, especially as he currently can’t be in South Africa to support his friend directly.

The relationship between Burna Boy and Da L.E.S goes back years, intertwined with memories that also include the late rapper AKA. Despite past tensions due to issues like xenophobia, Burna Boy’s message emphasized the need to move beyond past divisions.

Posting while on tour with Akon, Burna shared, “My only pain right now is not being in South Africa with Da L.E.S. @tbotouch let me know what’s going on last night at the show.” He concluded with a powerful call for reconciliation, saying, “It’s time to fix this sh*t now.”

Burna’s words reflect his desire for unity and healing within the industry, highlighting his enduring connection with Da L.E.S and the need for support and solidarity across borders.

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Here are some of the top stars who attended the listening party for the multiple award-winning singer D’Banj’s fifth studio album, “The Entertainer: D’Sequel.” The event was a star-studded affair, with many Nigerian celebrities turning out to support the music icon and celebrate the album’s release.

D’Banj recently hosted the listening party in Lagos to introduce his highly anticipated album, “The Entertainer: D’Sequel,” a follow-up to his 2008 hit “Entertainer.”

This new album features collaborations with a diverse lineup of Nigerian and international artists, including Wyclef Jean, Awilo Logomba, Youssou N’Dour, Akon, and Phyno.

The lively celebration saw D’Banj share previews of the album and express deep appreciation to those who have supported him throughout his career.

He also paid tribute to the Mo’Hits crew—Don Jazzy, Wande Coal, D’Prince, Dr. Sid, and Kayswitch—acknowledging their significant influence on his musical journey.

Among the celebrities in attendance were Bella Shmurda, Phyno, Odumodublvck, Larry Gaaga, Peruzzi, and many more.

Moment phyno Fino joined D’Banj on stage at his 'The Entertainer' album listening party, last night 🎉 pic.twitter.com/YhICDRlGba

— 𝙀𝙉𝙏𝙀𝙍𝙏𝘼𝙄𝙉𝙈𝙀𝙉𝙏 𝘿𝘼𝙄𝙇𝙔 🇳🇬 (@Entdaily001) August 16, 2024

Larry Gaaga out for D’Banj at ‘THE ENTERTAINER’ album listening party happening in Lagos pic.twitter.com/ELIxAxs9fp

— NOTJUSTOK (@NOTJUSTOK) August 16, 2024

Moment Peruzzi Vibes joined D’banj on stage at his ‘The Entertainer’ album listening party🔥🔥🔥 pic.twitter.com/lWtrVP4U8t

— NOTJUSTOK (@NOTJUSTOK) August 16, 2024

Bella Shmurda & Odumodublvck on stage with D’banj at The Entertainer D’Sequel album listening party 😂🔥 pic.twitter.com/4IUSZiRwAD

— OLAMIDE 🌸💖 (@Olamide0fficial) August 16, 2024

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In “The Entertainer: The Sequel,” D’banj showcases his artistic evolution while remaining true to his roots. The album features a masterful blend of Afrobeats and global sounds, with collaborations from a diverse array of artists, including Grammy award-winner Wyclef Jean, Congolese legend Awilo Logomba, American superstar Akon, South African megastar DJ Maphorisa, and Nigerian talents such as Phyno, Timaya, Kayswitch, Zlatan, Peruzzi, Bhadboi Oml, and Chechi Sarai.

This album celebrates D’banj’s two-decade-long career and his continued relevance in the music industry. With its infectious rhythms, catchy melodies, and well-crafted lyrics, “The Entertainer: The Sequel” further cements D’banj’s legacy as a pioneer in pushing the boundaries of African music.

Beyond the music, D’banj is also engaging with his fans through a series of live performances and fan-focused events to celebrate the album’s release.

These include intimate concerts, meet-and-greet sessions, and mentoring opportunities, allowing him to connect with his audience on a personal level.

With “The Entertainer: The Sequel,” D’banj has once again affirmed his position as a trailblazer in the African music industry. The album is a testament to his enduring appeal, and both longtime fans and new listeners are sure to be impressed.

Listen Up!!

STREAM AND GET HERE

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