Built around a deeply personal subject, the new single introduces listeners to an artist who is interested in turning genuine emotions and life experiences into music.

Rather than chasing an elaborate studio production, Nzoundi Bell 1er approaches the record from a more personal and independent perspective. Written and recorded using his own resources, without access to a professional recording studio, ‘Luv U Mom’ reflects the sincerity behind his creative process. The circumstances surrounding its creation also give the release an added layer of meaning, as the artist focuses less on the technical environment and more on communicating a message that comes directly from the heart.

At its centre is a celebration of maternal love. The song recognises the many ways mothers contribute to their children’s lives, often making difficult choices and personal sacrifices without expecting anything in return. It is a subject that carries significance across cultures, making ‘Luv U Mom’ a record with the potential to connect with listeners well beyond Cameroon.

• Nzoundi Bell 1er Puts a Mother’s Love Into Music

One of the strongest aspects of ‘Luv U Mom’ is the personal motivation behind its message. Nzoundi Bell 1er draws from his own feelings and experiences to express appreciation for motherhood, giving the song an intimate quality. Instead of approaching the subject as a general celebration, he uses his music to acknowledge the emotional commitment, patience and support that mothers provide throughout their children’s journeys.

The theme is particularly relatable because the relationship between a mother and her child often involves moments that are difficult to fully express. From the early years of upbringing to the encouragement offered during challenging periods, maternal support can become an important source of strength. Nzoundi Bell 1er places these sentiments at the heart of his latest release, creating a song that encourages listeners to recognise and appreciate the people who have stood by them.

There is also something meaningful about the timing of such a musical statement in an industry where songs frequently revolve around romance, ambition, wealth and celebration. ‘Luv U Mom’ shifts attention towards family and gratitude, offering a reminder that some of life’s most important relationships deserve their own place in music.

• An Independent Approach to Afro-Fusion

The recording process behind ‘Luv U Mom’ offers another insight into Nzoundi Bell 1er’s developing identity. Creating the track without a professional studio demonstrates the independent approach he has taken towards sharing his music. While access to professional recording facilities can make a difference to an artist’s sound, the absence of such resources has not stopped him from pursuing an idea that he considers important.

This determination is consistent with the wider story of his musical development. Although he is only now taking serious steps towards establishing himself professionally, the Cameroonian artist has been writing and recording music since 2014. That experience has allowed him to explore different musical directions and gradually develop a catalogue shaped by his personal interests, beliefs and surroundings.

As an emerging Afro-fusion artist, Nzoundi Bell 1er has the opportunity to bring together elements of the sounds he has encountered over the years. His musical journey has included gospel and R&B influences, providing an early foundation for the more varied artistic direction he is now looking to explore.

• From Gospel R&B to a New Musical Chapter

Nzoundi Bell 1er’s earlier releases reveal how strongly family and faith have influenced his songwriting. His first recorded song, ‘Ne pleure pas dad’, was dedicated to his father during a period of illness. Created as a source of encouragement and hope, the track established a personal connection between his music and the people closest to him.

He subsequently explored gospel-inspired themes through songs such as ‘J’ai besoin de ta grâce Seigneur’, ‘It’s My Time’ and ‘Yahweh Merci’. These releases reflected his interest in spiritual expression and R&B, while also helping him build experience as a songwriter and recording artist.

That background makes ‘Luv U Mom’ an interesting continuation of his artistic story. Although the new single focuses on a different family relationship, it maintains the personal approach that characterised his earlier work. His decision to celebrate his mother through music also reinforces the importance of family in his creative journey.

Support from his older brother, Cyrille, has been another important part of his development. Having someone within the family encourage his ambitions has helped sustain his interest in music, particularly as he works towards becoming the first member of his family to establish a recognised career in the industry.

• Nzoundi Bell 1er Looks Beyond Cameroon

His experiences outside his home country have also contributed to the direction he is taking. Following an extended period in China, Nzoundi Bell 1er is now looking to bring together the different musical and cultural influences he has encountered. With encouragement and assistance from fellow artists Lockchou and RomyAmpayeur, he is preparing to give his music greater attention and reach a wider audience.

This next stage represents an important opportunity for an artist who has spent years developing his craft away from the wider spotlight. Rather than presenting himself as someone starting from nothing, Nzoundi Bell 1er arrives with a history of songwriting, experimentation and personal experiences that can inform his future releases.

His ambition to share ‘Luv U Mom’ across Africa and beyond also gives the single a wider purpose. Maternal love is an experience that crosses geographical and cultural boundaries, and the song’s central message provides a natural connection with audiences from different backgrounds.

• ‘Luv U Mom’ Introduces the Heart Behind Nzoundi Bell 1er

As an introduction to Nzoundi Bell 1er’s next musical chapter, ‘Luv U Mom’ offers a clear picture of the values influencing his artistry. It is a release built around appreciation, family and the importance of acknowledging the people who make personal growth possible.

The single also highlights the determination of an artist who has continued developing his craft despite limited resources and a lengthy journey towards pursuing music professionally. His early gospel R&B recordings, experiences in China and growing connections with other musicians have all contributed to the creative path he is now exploring.

There is still plenty of room for Nzoundi Bell 1er to expand his sound and establish a stronger presence within the Afro-fusion scene. However, ‘Luv U Mom’ provides a meaningful starting point for that progression. By choosing a subject rooted in personal experience rather than simply following popular musical trends, he introduces himself through a message that listeners can understand and relate to.

For anyone looking for emerging Cameroonian music with a strong emotional foundation, ‘Luv U Mom’ is worth discovering. It is a sincere celebration of motherhood and a reminder that sometimes the most meaningful songs begin with the people who have shaped our lives.

Listen/Stream HERE

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Arsenal have been handed a welcome boost ahead of their upcoming fixtures, with defender William Saliba returning to full first-team training after spending close to four months recovering from a back injury.

The French centre-back has been unavailable since picking up the injury during France’s World Cup semi-final meeting with Spain in July 2026. His absence has left Mikel Arteta with the task of reshuffling his defensive options during the early stages of the campaign.

However, there is now renewed optimism at the Emirates following Saliba’s return to group training on Tuesday, November 3. The 25-year-old is said to have made encouraging progress during his rehabilitation, reaching the necessary recovery milestones to rejoin his teammates.

Despite the positive development, Arsenal are expected to take a cautious approach with his comeback, ensuring he does not rush back into competitive action before he is fully ready.

His return to training also comes just ahead of Arsenal’s Champions League fixture against Slavia Prague on Wednesday. While it remains unclear whether he will feature in the encounter, his progress suggests that a return to the matchday squad may not be too far away.

In his absence, summer signing Ezri Konsa has stepped up alongside Gabriel Magalhães, delivering impressive performances at the heart of Arsenal’s defence.

Konsa’s contribution has helped maintain stability at the back, but Saliba’s eventual return to full fitness could give Arteta an interesting selection headache as he looks to settle on his preferred defensive partnership.

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The Confederation of African Football (CAF) has released the list of nominees for the 2026 CAF Awards, with Nigeria securing representation in several women’s categories ahead of this year’s ceremony.

The latest shortlist features some of the continent’s standout performers over the past year, recognising their contributions to African football at both individual and national team levels.

Nigeria’s presence is particularly noticeable in the women’s nominations, with Super Falcons goalkeeper Christiana Uzoma making the Goalkeeper of the Year shortlist. Young Nigerian talents Seimeyeha Janet Akekoromowei and Oluwakemi Adegbuyi have also been recognised in the Young Player of the Year category.

The Super Falcons, meanwhile, are among the teams competing for the Women’s National Team of the Year award this year, representing Nigeria on the continental stage.

When is the 2026 CAF Awards?

The 2026 CAF Awards ceremony is scheduled bax December 7 in Lagos, Nigeria, where winners across the categories will be announced.

2026 CAF Women’s Awards: Full List of Nominees

Player of the Year (10 nominees)

• Marine Dafeur – Algeria
• Marie Ngah Manga – Cameroon
• Michaely Bihina – Cameroon
• Monique Ngock – Cameroon
• Portia Boakye – Ghana
• Tabitha Chawinga – Malawi
• Temwa Chawinga – Malawi
• Hanane Aït El Haj – Morocco
• Thembi Kgatlana – South Africa
• Barbra Banda – Zambia

Young Player of the Year (10 nominees)

• Romaine Gandonou – Benin
• Maëva Nyadjou – Cameroon
• Grace-Ruth Sery – Côte d’Ivoire
• N’Sira Ouédraogo – Côte d’Ivoire
• Rose Kadzere – Malawi
• Kautar Azraf – Morocco
• Seimeyeha Janet Akekoromowei – Nigeria
• Oluwakemi Adegbuyi – Nigeria
• Adji Ndiaye – Senegal
• Winfrida Gerald – Tanzania

Goalkeeper of the Year (10 nominees)

• Chloe N’Gazi – Algeria
• Michaely Bihina – Cameroon
• Cynthia Konlan – Ghana
• Mercy Sikelo – Malawi
• Fatoumata Karantao – Mali
• Khadija Er-Rmichi – Morocco
• Christiana Uzoma – Nigeria
• Adji Ndiaye – Senegal
• Kaylin Swart – South Africa
• Hazel Nali – Zambia

National Team of the Year (10 nominees)

• Algeria
• Cabo Verde
• Cameroon
• Côte d’Ivoire
• Ghana
• Malawi
• Mali
• Morocco
• Nigeria (Super Falcons)
• South Africa

With four Nigerian entries across the women’s categories, the country will have plenty to look forward to when the awards ceremony arrives in December. Attention will now turn to whether the Super Falcons and the nominated players can convert their recognition into silverware on home soil.

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Titled Clarity of Mind (Extended), the updated version brings the album’s tracklist to 16 songs, retaining the original records, including “Artificial Happiness,” “Jah Jah Knows,” “Coping Mechanism,” and “Amen.”

Among the new additions are two international collaborations. American rapper Gunna joins Omah Lay on “Back to Lagos,” while French singer Tiakola features on “Take.” The extended project also introduces two solo records, “Keep Going” and “Holy Ghost Fire.”

The new collaborations bring different international influences into Omah Lay’s sound. While Gunna adds an American hip-hop presence, Tiakola’s melodic approach complements the Nigerian singer’s distinctive vocals, further expanding the album’s musical direction.

The additional tracks also build on the themes explored in the original release, touching on personal growth, spirituality, relationships, and the complexities that come with success. These introspective subjects continue a creative direction Omah Lay has developed since his 2020 EP, Get Layd, and his 2022 debut album, Boy Alone.

The extended release also gives the singer another opportunity to keep the Clarity of Mind album campaign moving, particularly as the remaining dates of his supporting tour have been postponed following a knee ligament injury.

Clarity of Mind (Extended) is now available on all major streaming platforms.

Listen to CLARITY OF MIND (EXTENDED) HERE

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The 15-track project arrives through his Penthauze imprint, marking his first full-length album since 2024’s Full Time Job.

The album brings together an impressive selection of guest artistes from different corners of Nigerian music. Seyi Vibez makes the opening appearance on “Ndu Ka Aku,” followed by Wande Coal on “Ndewo,” Oxlade on “Magret,” and Jeriq on “Ije Enu.” Other featured acts include Lojay, Fireboy DML, Chike, and Flavour, who appears on the previously released “Uzo Ano.”

Production across the project features contributions from Kezyklef, Yung Alpha, Benjamz, and the pairing of Masterkraft and Eagerboy, who worked on “Magret.”

Ahead of the album’s arrival, Phyno had already introduced listeners to some of its material through a series of releases. “Healing” arrived in August 2026, followed by “Beautiful,” which served as the final promotional single. He also released “Na Afa Nna (Freestyle)” and “Uzo Ano” before unveiling the complete project.

 

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Musically, Let That Sink In brings together Phyno’s signature indigenous Igbo rap with elements of highlife, contemporary Afrobeats, hip-hop and R&B. Across its 15 tracks, the rapper moves between his familiar lyrical delivery and more melodic performances, creating room for different sounds and collaborations.

The album also explores themes that go beyond entertainment. While “20 Years To Come” reflects on Nigeria’s realities and the resilience of its people, “Chukwu Okike” takes a more spiritual direction, expressing gratitude and devotion to God. Other tracks touch on relationships, personal growth, faith and everyday experiences.

More than a decade into his career, Phyno has continued to build a strong audience through his distinctive approach to indigenous rap. With Let That Sink In, he brings together the sound that established his name and a new collection of collaborations aimed at connecting with both longtime supporters and newer Afrobeats listeners.

Let That Sink In (LTSI) is now available on major streaming platforms.

Listen to the “Let That Sink In” album HERE

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The release also marks a reunion between Peruzzi and Zlatan, seven years after their previous collaboration, “Bayi Bayi.” Described by Peruzzi as a love song, “INFERNO” blends his familiar melodic delivery with Shoday’s smooth vocals and Zlatan’s energetic rap verses.

The record also features background vocals from the Loud Urban Choir, while production is handled by Sensei, Irock Classic and Fresh VDM.

Following its release, the song quickly gained traction on streaming platforms. It climbed to No. 14 on Apple Music Nigeria’s Top Songs chart within approximately 24 hours before reaching the No. 1 position on the platform’s Most Played feed on Friday, October 30, moving up from No. 6 the previous day.

For Peruzzi, the release revisits the collaborative approach that helped establish his name during his time with Davido Music Worldwide (DMW). Meanwhile, Shoday gets another opportunity to expand his reach alongside two established Nigerian acts.

With its blend of Afrobeats melodies, street-pop energy, and rap, “INFERNO” brings the three artistes together for a collaboration that has already begun attracting attention. The single is available on all major streaming platforms.

Listen to “INFERNO” HERE

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Running for just over three minutes, the track was produced by Rexxie, who also makes an appearance as a featured artist.

Taking its title from a Yoruba expression that translates to enjoying life, “Jaiye” embraces a familiar celebratory sound associated with Naira Marley’s street-inspired music.

The release also marks his third official single of 2026, following his earlier collaboration with Kizz Daniel on “Ijoba.”

The reunion brings together two names with a long history of successful collaborations. Rexxie has produced some of Naira Marley’s popular records, including “Soapy” and “Tesumole,” making their latest partnership a familiar combination for fans of Nigerian street-pop.

Beyond his work with Naira Marley, Rexxie has continued to build his reputation as a sought-after producer in the Afrobeats scene. He also heads HitxLab Ng, further expanding his influence in music production.

With “Jaiye,” the duo reconnects on a new record that draws on their established creative chemistry. The single is now available on major streaming platforms.

Listen to “Jaiye” HERE

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The track is coming from Mass Appeal and Singitdamnit Music.

Before its official release, M.anifest gave fans an early taste of the collaboration during his Nowhere Cool at 10 anniversary concert in Accra on Saturday.

The event celebrated a decade since the release of his 2016 album, Nowhere Cool, and featured guest appearances from Worlasi, Samini, Kwabena Kwabena, Ko-Jo Cue and Cina Soul. The following day, he announced the single’s release date on X.

In “ROAD RAGE,” the two rappers use the idea of a road trip to reflect on life’s journey, touching on ambition, determination, and the challenges that come with pursuing personal goals.

M.anifest brings his characteristic wordplay and thoughtful lyricism, while Black Sherif adds his emotionally driven delivery to the record.

The collaboration also arrives during a productive period for Black Sherif, who first gained widespread attention in March 2022 with “Kwaku the Traveller.” The song topped the charts in both Ghana and Nigeria, helping establish him as one of the leading voices of his generation.

By bringing their different styles together, M.anifest and Black Sherif deliver a collaboration that connects established Ghanaian hip-hop artistry with a newer wave of talent.

Listen to “Road Rage.” HERE

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The milestone comes 10 years after he made his debut in 2016 with the breakout single “Eleko.”

Produced by longtime collaborator Fresh VDM, “Home Training” explores the different sides of love and how it can influence one’s behaviour. Mayorkun draws inspiration from the familiar Nigerian expression, using the idea of good upbringing and manners to explore what happens when emotions bring out a different side of a person.

The new release also serves as the opening track of his forthcoming EP, Long Live, The Mayor!, with his previously released single “Kaluba” set to close the project. The anniversary celebration therefore extends beyond the new single, offering fans an introduction to the body of work he has prepared for the occasion.

 

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Mayorkun arrives at this milestone following a busy run of releases and collaborations. He recently appeared on “Bumpy Ride,” the tenth track on Harmonise’s 14-track album, after releasing “Kaluba.”

Since making his debut under Davido’s DMW label, the singer has established himself as one of Afrobeats’ recognisable melodic voices. His catalogue includes the albums The Mayor of Lagos (2018) and Back in Office (2021), alongside several successful singles.

With “Home Training” and Long Live, The Mayor!, Mayorkun is celebrating how far he has come while introducing the next chapter of his musical journey.

Listen to “Home Training.” HERE

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Released on October 30, the new Afrobeats track looks beyond the rewards of success to examine the setbacks, sacrifices, and moments of doubt that can shape an artist’s journey.

Rather than presenting achievement as something that happens overnight, TEEgod uses the song to underline the importance of persistence, hard work, and belief in one’s abilities.

Recorded in Lagos, Nigeria, and produced by Originalbeats, ‘Justice for My Life’ finds the emerging Nigerian artist drawing on the experiences that shaped his pursuit of a music career. Its central message is clear: keep working toward your goals, even when recognition seems distant, and those around you struggle to see your potential.

• TEEgod Turns His Struggles Into Motivation

The track’s most revealing moments come through its lyrics, particularly the line: “They doubted me, I had to do something / I became so good they can’t ignore.” These words capture the frustration of being underestimated while also expressing the confidence that comes from developing one’s craft. There is no suggestion that success is simply a matter of waiting for an opportunity. Instead, TEEgod places the responsibility on the individual to keep improving, take action and make their ambitions difficult to overlook.

This perspective gives ‘Justice for My Life’ a personal quality. Its message is not limited to the music industry; it speaks to anyone working towards a goal while dealing with criticism, financial pressure or a lack of encouragement. TEEgod approaches the subject from the position of someone familiar with having to pause, reconsider and find the determination to continue.

The song also reflects a familiar reality for many independent and emerging Nigerian musicians. Talent and ambition are important, but building a sustainable career can require patience, financial commitment and the willingness to keep creating without immediate rewards. By placing these experiences at the centre of the record, TEEgod gives listeners a reason to connect with its message beyond its motivational theme.

• A Sound Between Afrobeats and Street-Hop

Musically, TEEgod continues to develop the blend of Afrobeats and rap that defines his approach. His style draws from melodic delivery and the directness of street-hop, allowing him to communicate personal experiences without losing the accessibility of contemporary African pop. This combination reflects the range of influences behind his music, including Lil Wayne, Burna Boy, Wizkid and Drake.

Those influences offer an indication of the different musical directions informing his development. Lil Wayne and Drake represent aspects of modern rap and melodic hip-hop, while Burna Boy and Wizkid provide reference points within the wider Afrobeats landscape. TEEgod brings these inspirations into a sound shaped by his Nigerian background and individual experiences rather than simply following one established formula.

On ‘Justice for My Life’, the emphasis is as much on the message as the musical presentation. The record belongs to the growing space where Afrobeats meets rap-influenced storytelling, with an approach that allows personal reflection and ambition to sit comfortably alongside contemporary African music.

• From ‘Big Believer’ to a Growing Afrobeats Career

TEEgod’s journey helps explain the conviction behind the new single. After stepping away from music during college because of financial difficulties, he returned to pursue his ambitions full-time in 2025. His stage name, derived from the expression “Thank God”, reflects the faith and gratitude that have become part of his artistic identity. He also embraces the name “Big Believer”, which became the title of his 2025 EP.

That project marked an important point in his development, particularly after Nollywood actor and content creator Charles Okocha, popularly known as Mr Phenomenal, showed interest in his music. Their subsequent video collaboration for ‘Gbogbonise’ gave TEEgod an additional moment of visibility and helped bring his work to a wider audience.

He has continued building on that progress in 2026. ‘Mma Mma’, featuring Zyno TopBoy and distributed by Azuri Music, introduced another chapter in his growing catalogue, while ‘Forever’ offered listeners a more emotional side of his songwriting. Together, these releases demonstrate an artist exploring different subjects while maintaining a connection to the experiences that have shaped his outlook.

• ‘Justice for My Life’ Reinforces the Big Believer Mentality

As his third single of 2026, ‘Justice for My Life’ builds on the themes that have consistently informed TEEgod’s music: perseverance, faith, personal growth and the determination to succeed. It does not attempt to present the journey as an easy one. Instead, the song acknowledges that progress can involve disappointment, uncertainty and the need to prove oneself repeatedly.

Its appeal lies in that straightforward message. For listeners navigating their own challenges, TEEgod offers an encouraging reminder that other people’s doubts do not have to determine the outcome of their ambitions. The track also strengthens his position as an emerging Afrobeats and street-hop act interested in turning lived experiences into relatable music.

With Originalbeats handling production and an official visualiser expected to accompany the release, ‘Justice for My Life’ gives TEEgod another opportunity to connect with audiences in Nigeria and beyond. More importantly, it adds to a catalogue that is gradually taking shape around his personal story.

TEEgod is still developing his place in the Afrobeats scene, but his latest release makes his intentions clear. He wants his music to reflect the work behind the ambition, not just the rewards that may eventually follow. On ‘Justice for My Life’, the Big Believer keeps pushing forward, turning doubt into motivation and making the case for staying committed to the journey.

Listen/Stream HERE

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In an account published by Memories FM, a platform dedicated to documenting artists’ personal stories behind their music, BlaqBonez explained how both records came together under very different circumstances before becoming major hits.

• How ‘Chanel’ Was Tested in a London Underground Bar

According to the rapper, “Chanel” was initially recorded in Lagos in February 2026. However, he did not immediately recognise its potential, explaining that he makes music almost every day and did not consider the record particularly special at the time.

That changed in April when he travelled to London for a performance. Instead of attending a conventional nightclub after-party, BlaqBonez took about 20 people from the show to Doña, an underground bar in Dalston, which his cousin had offered to open for the gathering.

During the night, he played some unreleased records through the venue’s sound system, and “Chanel” quickly became the centre of attention. Those present repeatedly asked him to play the song again, giving the rapper his first indication that he might have something special.

Encouraged by the reaction, BlaqBonez recorded himself enjoying the track the following day and shared the video online. The clip attracted significant attention, prompting him to eventually send the record to Asake through Instagram.

Although both artists had previously discussed working together, BlaqBonez had been waiting for the right song to bring to the table. They eventually recorded the collaboration in Nigeria before travelling to London to shoot its music video.

“Chanel” went on to reach No. 1 on the Apple Music Nigeria Top Songs Chart and has since accumulated more than 25.7 million Spotify streams.

• ‘Ikebe 3000’ Was Recorded in Less Than 24 Hours

The story behind “Ikebe 3000” began in June 2026, when BlaqBonez recorded the initial version at a friend’s studio in Lagos.

Unlike the comfortable setting one might expect for a major recording session, the rapper recalled that the studio had no air conditioning. The heat became so uncomfortable that everyone involved had to take off their shirts while working on the song.

BlaqBonez eventually sent the record to Asake in August, after the pair had discussed the success of “Chanel” over the phone and considered creating another collaboration. This time, they wanted something more dance-driven that would explore a different musical direction.

Asake was in Los Angeles following a performance when BlaqBonez sent him the track. The rapper explained that he woke up to a phone call from Asake playing the verse he had just recorded, with the entire turnaround taking less than 24 hours.

The two artistes also experimented with South African Gqom influences while developing the record, although they had no idea how successful it would eventually become.

Following its release, “Ikebe 3000” topped both the Spotify Nigeria Songs Chart and Apple Music Nigeria Songs Chart. It also debuted at No. 5 on the Billboard U.S. Afrobeats Songs chart.

Interestingly, the collaborators kept the record under wraps until its official release, just as they had done with “Chanel.” They later travelled to London to film its accompanying music video.

BlaqBonez also revealed that “Ikebe 3000” holds a special place for Asake, describing it as his favourite among the songs they have made together. The two collaborations have since become significant highlights of BlaqBonez’s recent musical run.

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Afrobeats superstar Davido has given fans a romantic glimpse into his relationship with wife Chioma in the newly released music video for “Already Falling,” featuring a touching proposal scene between the couple.

Released on Wednesday, October 28, 2026, the visuals accompany a track from Davido’s sixth studio album, ORIADÉ, with Chioma taking centre stage in the love-themed storyline.

Throughout the video, the couple share several intimate moments. In one scene, they appear in matching traditional-inspired outfits as Davido serenades his wife, while another captures Chioma behind the steering wheel of a car as the singer performs.

The standout moment comes towards the end, when Davido gets down on one knee beside a lake and presents Chioma with a ring, recreating a marriage proposal despite the couple already being married.

 

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Chioma’s appearance continues a familiar tradition in Davido’s music videos. She previously featured in his 2018 hit “Assurance,” released during their dating years, and later appeared in “1 Milli,” whose 2020 visuals featured a wedding-inspired storyline.

The couple officially tied the knot in a traditional ceremony in Lagos in June 2024 before celebrating their white wedding in Miami, Florida, in August of the same year.

With “Already Falling,” Davido once again brings his real-life relationship into his music, giving fans another romantic visual centred on his marriage to Chioma.

Watch the video below:

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