Portugal head coach Jorge Jesus has moved to dispel any doubts about Cristiano Ronaldo’s importance to the national team, insisting the veteran forward remains a major symbol for both the side and the country.

Speaking ahead of Portugal’s fixture, Jesus was asked about the ongoing conversation surrounding Ronaldo and his place within the national setup.

The coach made it clear that Ronaldo’s significance goes beyond the pitch, describing the five-time Ballon d’Or winner as a symbol of Portuguese football and the nation itself.

Jesus, however, was not interested in getting into a lengthy discussion before the game. He suggested that there would be enough time to properly address the Ronaldo situation once the match was over.

His comments come amid continued attention on Ronaldo’s role with Portugal, particularly as questions about the future of the 40-year-old continue to generate discussion among supporters.

Ronaldo did not feature in Portugal’s meeting with Denmark, but his absence did little to slow the team down as they secured an emphatic 4-2 victory.

With the result now behind them, attention is likely to return to Ronaldo and what comes next for the Portugal captain, with Jesus indicating that he will have more to say on the matter after the game.

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On Saturday, October 3, 2026, the singer brought his Homecoming Concert to Agodi Gardens, turning the venue into a celebration of his journey, his growing career and the city he continues to call home.

The excitement had been building well before the first performance. FOLA had announced that early-bird tickets were already sold out and more tickets were being made available, while encouraging fans to make the night a proper gathering of friends and family.

There was also something personal about the choice of location. After steadily building his profile across Nigeria, FOLA was returning to the city where his story began. That made the show feel less like a regular tour stop and more like a homecoming in every sense of the word.

The timing could hardly have been more fitting. With his next project, 9, scheduled for release on October 9, the concert arrived just days before another major moment in his career, giving fans a chance to celebrate what he has achieved while getting an early taste of what lies ahead.

And FOLA made sure the music started on a memorable note.

The singer opened his set in a green-and-white agbada, complete with a matching abetiaja cap and traditional beads. He began with an unreleased song, immediately giving the crowd something exclusive before moving into the records they already knew by heart.

Songs including “B4 B4” and “Very Soon“, and You soon took over the venue, with fans singing along and turning the performance into a celebration of FOLA’s recent rise.

B4 B4 came with particularly strong momentum. The Davido and Mayorkun collaboration featuring FOLA had previously spent four consecutive weeks at No. 1 on the Official Nigeria Top 100, adding to a remarkable 2026 run in which FOLA had already picked up three chart-topping records.

That success was evident in the crowd. This was an audience that had followed the music closely and had come prepared to sing every word.

 

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FOLA also brought some familiar faces along for the celebration.

Ayo Maff, TML Vibez, T.I Blaze, Bella Shmurda, Kidd Carder and Magixx all joined the night’s performances, creating a lively mix of some of the younger names currently making waves in Nigerian music.

Bella Shmurda’s appearance carried an added layer given their history. FOLA joined Bella’s Dangbana Republik in 2024, making his presence at the Ibadan show another link between the singer’s past and the career he is building today.

The night also attracted entertainment personalities including Yhemo Lee and Kamo State, adding to the buzz around the event.

But beyond the guest appearances and performances, it was FOLA’s connection with his fans that produced some of the biggest moments.

At one point, the singer brought a supporter on stage after discovering that the fan had tattooed FOLA’s face on his arm. Moved by the gesture, FOLA rewarded him with ₦500,000.

That was not the only example of the relationship between the singer and his supporters. Before the concert, FOLA had also responded to a fan who wanted to attend the show while visiting his father’s family home, offering to arrange an SUV so the fan and his family could attend the event in VIP style.

For FOLA, the Ibadan homecoming came at a moment when his career is moving at a serious pace. His chart success continues to grow, his new project is around the corner, and he heads into the upcoming Headies with 10 nominations, including a Next Rated nod.

So, while the Homecoming Concert was one night in Ibadan, it represented something much bigger for FOLA: a chance to return to where it all started and celebrate just how far the journey has taken him.

 

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The new record had already started making noise before its official release, thanks to snippets Blaqbonez shared online. The previews quickly caught on across social media, with fans turning the sound into dance videos and CapCut edits ahead of the full drop.

This time, Blaqbonez switches things up. Rather than leaning heavily into his usual rap delivery, he takes a more melodic and playful approach, riding a bouncy production filled with lively percussion and catchy vocal patterns.

Asake slides into the record with his unmistakable style, complementing Blaqbonez without taking away from the song’s playful energy. Together, they create a record that feels built for the dancefloor and social media in equal measure.

IKEBE 3000 arrives during a busy period for Blaqbonez, following releases such as FYP and BIG PERFORMER, while also serving as another piece of the rollout for his forthcoming project, Nomadinho: 4th Prime.

For Asake, the collaboration adds to another active run of features and releases, coming after notable link-ups with artists including Olamide and Travis Scott.

With two collaborations between Blaqbonez and Asake already making waves, fans may have plenty of reasons to keep an eye on what happens whenever these two get in the studio together.

Listen to “IKEBE 3000” HERE

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The release reunites the pair after their previous collaboration, Apala Disco, which gained even more attention following a remix that featured Wizkid and Seyi Vibez.

This time, they return with another record built around the same cultural foundation but with a fresh, more dancefloor-focused energy.

DJ Tunez takes charge of the production, laying down a heavy Afrobeats rhythm that gives Terry Apala plenty of room to work his signature vocal style. The singer brings the distinctive cadence and percussive delivery associated with his sound, while the production blends traditional Apala elements with the bounce of contemporary Nigerian music.

At the heart of the track is the meeting of old and new. Traditional Yoruba Apala influences sit comfortably alongside modern club-ready production, allowing the cultural character of the genre to remain front and centre without losing its contemporary appeal.

Apala Groove follows DJ Tunez’s Zerry Sound and comes after his recent collaboration with Wizkid on State of Mind. The new record further reflects his continued interest in taking Nigerian sounds beyond their traditional boundaries and introducing them to wider audiences.

For Terry Apala, the collaboration is another opportunity to push his modern interpretation of Apala to a new generation. Together with DJ Tunez, he turns the familiar sound into an energetic record made for both cultural appreciation and the dancefloor.

Listen to “Apala Groove” HERE

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The upbeat Afro-fusion record brings together two artists with strong ties to Ghana’s evolving influence on the global Afropop scene. For MOLIY, the collaboration arrives on the back of the international success of Shake It to the Max (FLY), which has continued to rack up major streaming numbers following its remix earlier this year.

Produced by Nigerian hitmaker Ragee, Comfort finds Mr Eazi returning to the laid-back, mid-tempo sound that has become closely associated with his Banku Music style. The song revolves around affection, reassurance and finding peace in a romantic connection, with Mr Eazi’s relaxed delivery contrasting nicely with MOLIY’s brighter vocal energy.

The pairing also feels natural given Mr Eazi’s long creative history with Ghana’s music scene. His work with producers and artists such as Juls, GuiltyBeatz and KillBeatz helped shape the sound that connected Ghanaian and Nigerian music with audiences far beyond West Africa.

Ahead of its release, Comfort had already started picking up momentum on TikTok, thanks to snippets shared online and growing interest around the collaboration.

The new single adds to Mr Eazi’s steady run of releases in 2026, while continuing his knack for creating music that sits comfortably between Nigerian and Ghanaian influences.

Listen to “Comfort” HERE

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The Igbo-titled record, which translates to God Has Done It, takes a different route from his previous release, I Love You Because. Rather than centering the song around romance, Mr P blends contemporary Afropop with touches of traditional Highlife to create a more reflective sound.

Switching between English and Igbo, the singer focuses on perseverance, hard work and appreciation for the journey so far. The song carries a strong message of faith, with Mr P reflecting on difficult seasons and the progress that has come after them.

Chukwu Mme also gives the OG Forever campaign a broader feel, showing Mr P exploring themes beyond love and celebration. With its thanksgiving-driven message and familiar blend of modern and traditional sounds, the track arrives as an anthem aimed at both everyday listeners and the festive period ahead.

As anticipation continues to build around OG Forever, Mr P is using the new release to remind listeners of the experience and musical identity he has built across his years with P-Square and throughout his solo career.

Listen to “Chukwu Mme” HERE

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The new track sees Lojay tap into a playful Afrobeats sound, built around a catchy Pidgin hook that gives the song its identity and makes it easy to latch onto from the first listen.

Interest around the release had already started building after Lojay shared a 44-second studio clip featuring Davido. The footage quickly got fans talking, especially given the pair’s previous link-up on Sensational alongside Chris Brown in 2023.

On Money Lingo, Lojay keeps things upbeat and direct, blending familiar Afrobeats rhythms with witty lyricism and local expressions. The approach also shows another side of his sound, moving away from the more R&B-influenced direction heard on his 2025 collaboration with Tyla, Memories.

The single arrives after the XOXO album era and continues Lojay’s habit of leaning on concise, hook-heavy records that can easily connect with listeners beyond Nigeria.

With Money Lingo, the singer adds another energetic entry to his growing catalogue while keeping the door open for more music from the studio sessions that have already caught listeners’ attention.

Listen to “Money Lingo” HERE

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Released through EMPIRE, the six-track project clocks in at roughly 16 minutes and keeps the guest list tight, with Asake and FOLA joining BNXN across two standout records.

The EP gets underway with Eja Meja, a collaboration with Asake that brings both artists together on the opening track. FOLA takes a different route on Shamaya, while Online gives BNXN the space to carry the project alone.

The latter had already served as the final teaser ahead of the EP, introducing listeners to its themes of quiet confidence and maintaining momentum both at home and beyond Nigeria.

The title “Still In Charge” also extends the creative direction BNXN began exploring with his 2025 sophomore album, CAPTAIN. That project marked another step in his journey toward having greater control over his sound and artistic direction.

 

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The new EP arrives after CAPTAIN and his joint project with Sarz, The Game Needs Us, giving BNXN another release to add to an already active 2026.

Following its release, Still In Charge also made an early appearance on the Apple Music Nigeria albums chart, reflecting the immediate attention around the project. With its compact runtime, selective collaborations and focus on BNXN’s signature vocals, the EP adds another chapter to his steadily evolving Afrobeats catalogue.

Listen to “Still In Charge” EP HERE

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The project’s fifth track, “Shamaya,” features FOLA and delivers a confident blend of attraction, desire, romance, and luxury. The song switches effortlessly between Yoruba and English, with both artists leaning into themes of style, self-assurance, and living large.

Anchored by its catchy, repeated “shamaya” refrain, the track has a playful energy that adds to its bold, larger-than-life feel. Read the infectious lyrics below.

BNXN & FOLA – “Shamaya” Lyrics

Intro
Nobody else yes
Nobody else
Nobody else yes
Nobody else

Verse 1: FOLA
O dùn bi Ofensala and I get the stamina
My kele bo s’ìyára
Ma ma le’ra for my cabal
It’s kinda hard to focus I know when the light is on (Light is on)
Put your phone on do not disturb, you know it’s not done
If I say I miss you girl, so don’t you tell me pẹlẹ
Make you pull up don’t dull (Don’t dull je)
You know me I don’t kiss and tell
Baby you high me like I drink Martel
Lose you Ọlọrun ma je
Make you pull up, don’t dull
You know me I don’t kiss and tell

Chorus: FOLA
Wa nipe
Shamaya oh-oh-oh
O ma shamaya oh oh oh
Ko ma ṣe b’ojú bi ti Lagbaja oh-oh-oh
When I pull up in my agbada
Mo ti shamaya oh-oh-oh, o ma shamaya oh oh oh
O dẹ ti mọ bi matter ṣe je
Ma na’wo fun ẹ, Alao Akala
Shamaya oh-oh-oh, o ma shamaya oh-oh-oh
Ko ma ṣe b’ojú bi ti Lagbaja oh-oh-oh
When I pull up in my agbada (Agbada)
Mo ti shamaya oh-oh-oh, o ma shamaya oh-oh-oh
O dẹ ti mọ bi mattеr ṣe je
Ma na’wo fun ẹ, Alao Akala

Verse 2: BNXN
Shamaya oh-oh-oh, o ma shamaya oh-oh-oh
Sweet like jollof, you know you no need promo
Ṣo ma shamaya oh-oh-oh
Balеnciaga from head to toe
Mo sọ pe kẹ ma dan mi wo
O dẹ ti mọ bi matter ṣe jẹ, na selense like I’m your president
….alubarika, uuh
I no rush, I no be animal
….philomena
I too fly o, na me be terminal
E no too cost for my liquor
Telepepe ko to re bọ
If you no like am you go return am it doesn’t matter o
I just want you to

Chorus: FOLA & BNXN
Shamaya oh-oh-oh, o ma shamaya oh-oh-oh
Ma ṣe b’ojú bi ti Lagbaja oh-oh-oh
When I pull up in my agbada (Agbada)
Mo ti shamaya oh-oh-oh, o ma shamaya oh-oh-oh
O dẹ ti mọ bi matter ṣe je
Ma na’wo fun ẹ, Alao Akala
Shamaya oh-oh-oh, o ma shamaya oh-oh-oh (Akala, akala)
Ma ṣe b’ojú bi ti Lagbaja oh-oh-oh
When I pull up in my agbada (Agbada)
Mo ti shamaya oh-oh-oh, o ma shamaya oh-oh-oh
O dẹ ti mọ bi matter ṣe je
Ma na’wo fún e, Alao Akala

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The song captures the feeling of putting everyday stress aside, linking up with friends, and simply having a good time. Blending Yoruba and English, Young Jonn paints a picture of late-night partying, drinks, good company, and temporarily escaping the pressures of daily life.

With its easy-going lyrics and celebratory mood, “Let It Go” is a feel-good anthem about living in the moment and choosing enjoyment over worry. Read the lyrics below.

Young Jonn – Let It Go Lyrics

Intro
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah

Verse 1
Looking like a very good day to have some fun
Been a long week and you know sey life tough
So I put the update on the group chat so I know who’s there
O ṣe
Give me the Desperado
Make nobody bother me till tomorrow
I’m on my way to go jaye o
Nobody fi know the location

Chorus
Let it go, let it go
Free all my hoodies and let it go
Pass me the cup and let me feel good
Ọmọ, ọmọ let it go
Let it go, let it go
Free your hoodies, let it go
Pass me the cup and let me feel good
Ọmọ, ọmọ let it go

Refrain
Wah wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah

Verse 2
This live is a movie you’re already know
I dey fight my own battle on a low
Desperado wan carry me dey go
E dey carry me dey go non stop
Oh ah, give me the Desperado
Make no body bother me till tomorrow
I’m on my way to the after partey
Nobody fi know the location

Chorus
Let it go, let it go
Free all my hoodies and let it go
Pass me the cup and let me feel good
Ọmọ, ọmọ let it go
Let it go, let it go
Free your hoodies, let it go
Pass me the cup and let me feel good
Ọmọ, ọmọ let it go

Outro
Wah wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah
Wah wah wah wah wah wah

This post appeared first on Mp3bullet.ng... Read Original post on “Let It Go” Lyrics by Young Jonn.

The project’s latest chart position reflects the strong attention it has received since its release, with BNXN once again leaning into the Afrobeats and Afro-fusion sound that has become central to his catalogue.

Still In Charge also brings together notable collaborations with Asake and FOLA, adding different textures to the singer’s melodic and soulful approach.

The EP further highlights BNXN’s ability to move between different sounds while maintaining the identity that has kept him relevant across streaming platforms.

With the project continuing to climb and attract listeners, BNXN is steadily adding another chapter to an already eventful year, further extending his run among the current generation of Afrobeats acts.

 

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The Afrobeats singer has already made the first move in building the new imprint, announcing Waziyung as the label’s first official signing. The development gives an early glimpse into Zinoleesky’s plans beyond his own music as he begins creating a platform for other emerging artists.

Having established himself as a recording artist, Zinoleesky will now take on the additional responsibility of discovering, developing, and supporting talent under his own banner. Waziyung’s unveiling marks the starting point of what could become a wider roster for Zinodict Music.

The announcement arrives shortly after Zinoleesky teamed up with Ayo Maff on their recent single Malaria, adding another talking point to an already active period for the singer.

With his first artist now on board, attention will naturally turn to Waziyung and the direction Zinoleesky intends to take with Zinodict Music as the new label begins to find its feet.

For Zinoleesky, it is a notable shift from simply being the face of his own music to having a hand in shaping the careers of artists coming behind him.

 

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