Speaking on the I Said What I Said podcast, the 29-year-old artist reflected on how his expectations before entering the industry were quite different from what he eventually experienced.

According to him, the entertainment space is filled with constant temptation, and learning to manage it is a key part of surviving long-term.

“There is a lot of temptation in the music industry. You will see a lot of things, but you are not meant to touch. I used to think I would frolic with a lot of ladies because there are babes everywhere. But when you have about 100 girls talking to you, that is when you need to cultivate discipline. I realised if you want a long career like the Big 3, you have to stay away from too many girls,” he said.

Lojay explained that while the outside world often assumes artists live carefree and uncontrolled lives, the reality is often the opposite. Many, he noted, are actually very intentional about their actions because they understand how quickly reputation and career longevity can be affected.

For him, the lesson has been clear—success in music is not just about talent or hits, but also about discipline, focus, and knowing when to step back from distractions that come with fame.

“I used to think when I become a superstar, I’d carry plenty girls… I even had like 100 in my DM
But I realized if you want a long career like the Big 3, you have to stay away from too many girls”

— Lojay says👀 pic.twitter.com/OohtzNmmXq

— SKB (@seyikanbai) April 12, 2026

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Speaking in an interview with Dose of Society, the two-time Grammy winner explained that before her rise in the industry, she struggled with being overly independent and often kept people at a distance.

As she put it: “Being an artist has changed my life. There are a lot of people that know me. It made me grow, I had to shed a lot of habits that were holding me back—one of those things was my hyper-independency and the thing I do where I push people away. I have now learned to embrace love and just be open, and be free to give love and be vulnerable without feeling odd,” she stated.

For Tems, the journey into music hasn’t just been about global success and accolades—it has also been a process of emotional growth. She explained that constantly being in the public eye and connecting with different people forced her to confront parts of herself she once leaned on as protection.

Now, she says she’s learning to exist in a softer space—one where love, openness, and vulnerability no longer feel like weaknesses, but part of her evolution as both a person and an artist.

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The rapper announced his signature low-key but attention-grabbing style, taking to Instagram to tease the new venture. Alongside a promotional image showing two variants of condoms, he simply let the caption do the talking:

“Okpu by Alobam @okpubyalobam coming soon. Stay strapped.”

No rollout timeline was shared, and details around the full product line remain tightly under wraps for now. Still, the brief reveal was enough to spark conversations online, as fans reacted to the unexpected direction from the “Do I” hitmaker.

While Phyno has not revealed an official launch date or further information about what the brand will offer beyond the teaser, Okpu by Alobam already signals a bold expansion of his personal brand into lifestyle and health-focused products.

 

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Speaking on the Afrobeats Intelligence Podcast, the artist, born Kingsley Chinweike Okonkwo, reflected on a time when he felt unseen despite putting in consistent work and building a growing fanbase.

As he put it: “I grew up in an industry that wasn’t fair to me. There wasn’t any attention given to me at any moment. I was doing a lot that the industry wasn’t recognising.”

He went further to explain how emotionally draining it became at the time: “The fans were the ones who were behind me. I did a lot of work; they were not nominating me for awards. And I cried; I was pained.”

Looking back, KCee said things only began to shift after his split from his former music partner, a period that eventually led to a new phase in his career. Although he released several songs afterwards, it was his 2013 hit Limpopo that became a breakthrough and turning point.

Describing that moment, he said: “When ‘Limpopo’ came, oh, I was in tears. I was like, no, God has answered my prayer. He took me to the global market straight. After all the years I’ve worked with Presh, that’s like the biggest record I’ve ever done.”

That experience, he explained, completely changed how he now approaches validation in the industry.

“Right now, when I win awards, or you don’t nominate me, I don’t care. I prefer the rewards to the awards.”

Today, KCee says he’s more focused on impact than trophies, pointing to the success of his 2024 track Ojapiano as proof that his music still resonates widely without traditional industry backing. He noted how quickly the song caught fire online, especially on TikTok.

“I dropped ‘Ojapiano’ like today, the next day, it was doing 120,000 videos on TikTok in one day. And it happened for seven days non-stop. That’s organic. The white people were vibing to it,” he said.

From feeling overlooked to finding viral success and renewed confidence, KCee’s story reflects a full-circle shift—where validation now comes more from the audience than the award stage.

Watch the full interview below:

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On Saturday, April 11, Davido stepped onto the Gobi Stage for his first-ever Coachella performance, marking a major milestone in his global career.

The set ran for about 45 minutes, from 7:50 to 8:35 p.m., and he wasted no time setting the tone, opening with Dami Duro and moving smoothly through a packed catalogue of hits.

Backed by a live band and energetic dancers, Davido delivered a performance that leaned heavily into nostalgia and crowd favorites, including If, Skelewu, and With You.

In one of the standout moments of the set, he brought out Adekunle Gold, with both artists performing a lively medley that featured High.

While Davido held it down on the Gobi Stage, another unexpected wave of excitement was building elsewhere on the festival grounds.

 

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Later that same night, Wizkid and Tems appeared alongside Justin Bieber on the main stage, joining him for a surprise performance of the Essence remix. The moment caught the crowd off guard, especially when Bieber personally introduced Wizkid, triggering one of the loudest reactions of the weekend.

Neither Wizkid nor Tems had been listed on the official lineup, but their appearance quickly became one of the most replayed highlights of the festival.

Coachella 2026—its 25th edition—runs across two weekends from April 10–12 and April 17–19, with headliners including Sabrina Carpenter, Justin Bieber, and Karol G. Davido stood out as the only Nigerian-based act with a dedicated slot on the official lineup, representing Afrobeats on the billed roster.

 

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The contrast between the scheduled performance and the surprise appearances didn’t go unnoticed. While Davido delivered a structured, headline-style set as an official act, Wizkid and Tems’ unannounced entrance with Bieber created a viral, spontaneous moment that dominated online conversation.

In the end, it became one of those festival nights where Afrobeats didn’t just show up—it took over, just in very different ways.

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During a live Twitch session with Nigerian TikTok creator Jarvis, the Mavin Records star spoke candidly about relationships, making it clear that physical appearance isn’t the deal-breaker for her when it comes to choosing someone she likes.

According to her, attraction matters—but it isn’t everything. As she put it: “Yeah, I have a type. You have to have a type,” she said. “To be honest, my type is not too physical like that because you can be fine and not have sense. It is the truth.”

The conversation didn’t stop at relationships alone. Ayra Starr also used the session to share updates about her growing career, revealing that she will soon be making her acting debut.

She explained that the role will be quite different from who she is in real life, as she steps into a completely new character for the project.

She also reflected briefly on a private relationship that influenced her recent track Where Do We Go, hinting at the emotional depth behind the song and the personal dilemma of keeping such moments away from public eyes.

Her comments continue a pattern of openness she has shown over time. In a 2022 interview, she described Nigerians as deeply emotional when it comes to love and music, noting, “I don’t believe love songs cannot be commercially successful. Nigerians are helpless romantics even though we like to pretend that we are not.”

Speaking further about her journey, she praised Mavin Records boss Don Jazzy, saying: “Don Jazzy is a genius, considering what he has done with his career which he started from the scratch. Being able to constantly drink from his unending well of knowledge is a huge privilege.”

She also fondly recalled how her upbringing shaped her creativity. Growing up in a home where music was a constant, she said they often turned creativity into games—writing songs from given words and performing choreographed routines for family members. Those playful moments, she explained, played a huge role in shaping her artistic confidence today.

On her breakout hit Bloody Samaritan, Ayra Starr admitted she wasn’t shocked by the connection people felt to the song, but didn’t expect the global wave it eventually created. She said she was simply having fun during the shoot and posted a clip that unexpectedly turned into a worldwide dance challenge, with fans across different countries joining in.

From music to acting to personal reflections, Ayra Starr continues to show that she’s more than just a voice on a record—she’s a storyteller still evolving in real time.

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His album Fuji is set to get a deluxe treatment in 2026, and from the early details, it’s shaping up to be something special.

Taking to announce the update, the Nigerian star confirmed that the deluxe edition will be released under the title Fuji Xtra, with a scheduled drop date of Friday, May 1, 2026. The news alone was enough to get fans talking, but it didn’t stop there.

What really stirred anticipation was the reveal of featured acts. The extended project will include appearances from heavyweight rapper Olamide, fast-rising talent Tml Vibez, and singer Simi—a lineup that promises a blend of different sounds and energies.

Fuji Xtra builds on the foundation laid by Fuji, a project that earned praise for how it merged traditional Fuji elements with modern influences like Afrobeats, R&B, and pop. It was another moment that showed Adekunle Gold’s strength in balancing cultural roots with contemporary appeal.

With this deluxe edition, listeners can expect more than just additional tracks. There’s a sense that AG Baby is looking to stretch the story further—adding new layers, new sounds, and fresh perspectives through his collaborators.

Each feature brings its own flavour too. Olamide could inject that raw, street-inspired edge, Tml Vibez offers a youthful, new-school bounce, while Simi’s presence hints at something smooth, emotional, and melodic.

As the countdown begins, Fuji Xtra already feels like more than a follow-up—it’s shaping up to be a fuller, richer continuation of a sound that’s still evolving.

 

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Blaqbonez recently gave a sneak peek of what’s to come in 2026, teasing a new track that brings him together with rising act TML Vibez.

The upcoming single, titled Fine Shyt, is set to arrive on Friday, April 17, 2026, and it’s already stirring conversations online.

The pairing might not have been on many bingo cards, but that’s exactly what’s making it exciting—fans are curious to see how both artists blend their distinct styles on one record.

For Blaqbonez, this move feels right on brand. His reputation for clever wordplay, fearless creativity, and pushing sonic boundaries has kept him firmly in the spotlight as one of the most versatile voices in Nigeria’s rap space.

Meanwhile, Tml Vibez continues his steady rise, carving out a lane with his vibrant sound and youthful flair. With each release, he’s proving why many are tipping him as one of the new school acts worth keeping a close eye on.

If the early teaser is anything to go by, Fine Shyt might just be one of those unexpected collaborations that hits harder than anyone imagined.

Listen to the snippet:

FINE SHYT
FEAT @Tml_vibez
This Friday 💅 pic.twitter.com/wFWXniorI1

— EVERLASTING TAKER (@BlaqBonez) April 13, 2026

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Iboomz makes a strong first impression with his debut EP, ZIDATIFE, a six-track Afro-fusion project that blends deep emotion with catchy rhythms.

This is not just music you listen to casually; it is music you feel. From the very first track, it is clear that this project comes from a real place in the artist’s life.

The EP stands out in today’s Afrobeat and Afro-fusion space for blending storytelling, rhythm, and meaning in a way that is easy to understand, even for younger listeners. Whether you are dancing or thinking about life, ZIDATIFE gives you both.

• What “ZIDATIFE” Really Means

The title ZIDATIFE is very important for understanding the project as a whole. In the Igbo language, it means “to send down something”. Think of it like something good coming from above, like help, blessings, or strength arriving when you need it most.

For Iboomz, this “something” is his music. Each song feels like a message being delivered to the listener. But the title also has a deeper emotional meaning. It is a tribute to his late cousin, a young girl full of life who passed away at just nine years old. Because of this, the EP is not just about sound; it is about memory, love, and keeping someone’s spirit alive.

Listen/Stream HERE

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The Feature Mixer, to the rooftop of Sora Restaurant in Victoria Island, Lagos, turning an evening of culture and connection into a playful speed-dating-style introduction to Spotify features.

The simple idea at the heart of the event was: what if you could meet Spotify features the same way you meet people?
Fast, memorable, and built around real-life moments.

• How it worked

Guests moved through six “feature dates” in quick rotations. Each station was hosted by a charismatic Feature Avatar who guided a tight 3-minute flow:  what the feature is, why you should care, a quick in-app demo, then a teach-back moment so guests could explain it clearly to their audiences.

Creators, cultural tastemakers, and media voices were grouped and guided through question-led interactions anchored in everyday listening scenarios, from commuting and low-signal moments to shared listening and playlist creativity. Between rotations, guests mingled and networked, keeping the energy high throughout the space.

• The features guests met (and why they mattered)

Each station focused on practical application. DJ Bundle explored how listeners shape their own music journeys in real time, while Jam focused on shared queue control. Offline Bundle reflected everyday moments like low-data usage or travel, and the Personalisation Bundle, specifically daylist and Daily Mixes, resonated strongly as guests saw how Spotify adapts to their routines. Mixed Playlists demonstrated seamless track transitions, and Collaborative Playlists explored how listeners contribute and engage together in a shared space.

• The match reveal

The highlight of the evening was the Match Reveal. Based on their answers and behaviour during each feature date, guests received a personalised Top Feature Matches set via printed guide cards. These one-pagers served as take-home explainers, making it easy for attendees to recreate the steps and share accurate “how to” content after the event.

• Closing moments

As the structured sessions wrapped, the atmosphere stayed lively with a DJ set blending Afrobeats and global hits, followed by a high-energy live performance from Lady Donli, closing the night on a cultural high.

By the end of the event, guests could confidently identify the features, explain what they do, and describe when to use them, with feedback reflecting strong engagement and retention. Many described the format as a refreshing, memorable way to learn, because it made product education feel like culture rather than a lesson.

Ultimately, The Feature Mixer proved that Spotify can make feature discovery hands-on, personal, and highly teachable by turning product education into an experience people actually want to participate in.

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The project marks a noticeable shift in direction for the “Minding My Business” crooner, who once rose to fame as one of Mavin Records’ breakout young stars. Now stepping into a more mature phase, Korede Bello presents a refined sound that blends Afro-soul with alt-pop influences, built around his smooth, airy vocal style.

The lead track “Another One” sits at the centre of the 6-track EP, delivering a mid-tempo groove anchored in West African rhythms and layered synth textures. The song explores themes of consistency, emotional commitment, and romantic devotion, wrapped in a polished and contemporary Afropop aesthetic.

Other standout records on the project, including “High Me” and “Not Romantic,” further highlight his evolving artistry and steady output, positioning this release as one of his more focused bodies of work in recent years.

Released under ONErpm, the EP showcases Korede Bello’s growth as a songwriter, as he moves away from the simplicity of his earlier guitar-driven hits into a more structured and sonically rich direction aligned with global Afropop trends. The result is a project that prioritises melody, mood, and vocal layering over high-energy commercial formulas.

Fans have largely welcomed the new era, praising the singer’s improved vocal control and more confident delivery. Many also see Another One as a statement of reinvention, reinforcing Korede Bello’s place as a versatile artist who continues to evolve beyond his early “teen idol” image.

As he continues his journey as an independent act, the EP signals a refreshed identity—one rooted in growth, consistency, and a deeper exploration of sound and emotion.

Listen to “Another One” HERE

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The 9-track EP marks a deeply personal shift for the Fulham FC midfielder, as he attempts to redefine his identity beyond football. According to the concept behind the project, More to Life reflects Iwobi’s desire to explore fame, family, mental health, and the emotional weight that comes with life in professional sports.

The project features an interesting mix of collaborators, including Fido, Giddi, SPKS, and even fellow footballer Amadou Onana, who contributes under the alias 24AM. The result is a genre-blending body of work that merges Afrobeats, UK rap, and Afrowave influences.

Standout moments such as Track 0 (Freestyle) and Joga Bonito showcase a laid-back sonic approach, combining smooth rhythms with conversational delivery that mirrors Iwobi’s calm personality on and off the pitch. The production is polished yet understated, allowing the storytelling to remain the focal point.

On the introspective side, tracks like Letter and Double Double see Iwobi reflect on mental health struggles, criticism from fans, and the pressure of living under constant public scrutiny. The project, in many ways, serves as a personal release valve—offering him space to reclaim his narrative away from football headlines.

While critics note that the EP is still shaping its artistic identity, early reactions from fans have been largely positive, with many praising the courage required for a top-level athlete to cross into music.

Ultimately, More to Life stands as both a creative experiment and a cultural statement, reinforcing a growing trend of elite athletes exploring artistic expression beyond sport.

Listen to “More to Life.” HERE

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