Titled Clarity of Mind (Extended), the updated version brings the album’s tracklist to 16 songs, retaining the original records, including “Artificial Happiness,” “Jah Jah Knows,” “Coping Mechanism,” and “Amen.”

Among the new additions are two international collaborations. American rapper Gunna joins Omah Lay on “Back to Lagos,” while French singer Tiakola features on “Take.” The extended project also introduces two solo records, “Keep Going” and “Holy Ghost Fire.”

The new collaborations bring different international influences into Omah Lay’s sound. While Gunna adds an American hip-hop presence, Tiakola’s melodic approach complements the Nigerian singer’s distinctive vocals, further expanding the album’s musical direction.

The additional tracks also build on the themes explored in the original release, touching on personal growth, spirituality, relationships, and the complexities that come with success. These introspective subjects continue a creative direction Omah Lay has developed since his 2020 EP, Get Layd, and his 2022 debut album, Boy Alone.

The extended release also gives the singer another opportunity to keep the Clarity of Mind album campaign moving, particularly as the remaining dates of his supporting tour have been postponed following a knee ligament injury.

Clarity of Mind (Extended) is now available on all major streaming platforms.

Listen to CLARITY OF MIND (EXTENDED) HERE

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The 15-track project arrives through his Penthauze imprint, marking his first full-length album since 2024’s Full Time Job.

The album brings together an impressive selection of guest artistes from different corners of Nigerian music. Seyi Vibez makes the opening appearance on “Ndu Ka Aku,” followed by Wande Coal on “Ndewo,” Oxlade on “Magret,” and Jeriq on “Ije Enu.” Other featured acts include Lojay, Fireboy DML, Chike, and Flavour, who appears on the previously released “Uzo Ano.”

Production across the project features contributions from Kezyklef, Yung Alpha, Benjamz, and the pairing of Masterkraft and Eagerboy, who worked on “Magret.”

Ahead of the album’s arrival, Phyno had already introduced listeners to some of its material through a series of releases. “Healing” arrived in August 2026, followed by “Beautiful,” which served as the final promotional single. He also released “Na Afa Nna (Freestyle)” and “Uzo Ano” before unveiling the complete project.

 

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Musically, Let That Sink In brings together Phyno’s signature indigenous Igbo rap with elements of highlife, contemporary Afrobeats, hip-hop and R&B. Across its 15 tracks, the rapper moves between his familiar lyrical delivery and more melodic performances, creating room for different sounds and collaborations.

The album also explores themes that go beyond entertainment. While “20 Years To Come” reflects on Nigeria’s realities and the resilience of its people, “Chukwu Okike” takes a more spiritual direction, expressing gratitude and devotion to God. Other tracks touch on relationships, personal growth, faith and everyday experiences.

More than a decade into his career, Phyno has continued to build a strong audience through his distinctive approach to indigenous rap. With Let That Sink In, he brings together the sound that established his name and a new collection of collaborations aimed at connecting with both longtime supporters and newer Afrobeats listeners.

Let That Sink In (LTSI) is now available on major streaming platforms.

Listen to the “Let That Sink In” album HERE

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The release also marks a reunion between Peruzzi and Zlatan, seven years after their previous collaboration, “Bayi Bayi.” Described by Peruzzi as a love song, “INFERNO” blends his familiar melodic delivery with Shoday’s smooth vocals and Zlatan’s energetic rap verses.

The record also features background vocals from the Loud Urban Choir, while production is handled by Sensei, Irock Classic and Fresh VDM.

Following its release, the song quickly gained traction on streaming platforms. It climbed to No. 14 on Apple Music Nigeria’s Top Songs chart within approximately 24 hours before reaching the No. 1 position on the platform’s Most Played feed on Friday, October 30, moving up from No. 6 the previous day.

For Peruzzi, the release revisits the collaborative approach that helped establish his name during his time with Davido Music Worldwide (DMW). Meanwhile, Shoday gets another opportunity to expand his reach alongside two established Nigerian acts.

With its blend of Afrobeats melodies, street-pop energy, and rap, “INFERNO” brings the three artistes together for a collaboration that has already begun attracting attention. The single is available on all major streaming platforms.

Listen to “INFERNO” HERE

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Running for just over three minutes, the track was produced by Rexxie, who also makes an appearance as a featured artist.

Taking its title from a Yoruba expression that translates to enjoying life, “Jaiye” embraces a familiar celebratory sound associated with Naira Marley’s street-inspired music.

The release also marks his third official single of 2026, following his earlier collaboration with Kizz Daniel on “Ijoba.”

The reunion brings together two names with a long history of successful collaborations. Rexxie has produced some of Naira Marley’s popular records, including “Soapy” and “Tesumole,” making their latest partnership a familiar combination for fans of Nigerian street-pop.

Beyond his work with Naira Marley, Rexxie has continued to build his reputation as a sought-after producer in the Afrobeats scene. He also heads HitxLab Ng, further expanding his influence in music production.

With “Jaiye,” the duo reconnects on a new record that draws on their established creative chemistry. The single is now available on major streaming platforms.

Listen to “Jaiye” HERE

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The milestone comes 10 years after he made his debut in 2016 with the breakout single “Eleko.”

Produced by longtime collaborator Fresh VDM, “Home Training” explores the different sides of love and how it can influence one’s behaviour. Mayorkun draws inspiration from the familiar Nigerian expression, using the idea of good upbringing and manners to explore what happens when emotions bring out a different side of a person.

The new release also serves as the opening track of his forthcoming EP, Long Live, The Mayor!, with his previously released single “Kaluba” set to close the project. The anniversary celebration therefore extends beyond the new single, offering fans an introduction to the body of work he has prepared for the occasion.

 

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Mayorkun arrives at this milestone following a busy run of releases and collaborations. He recently appeared on “Bumpy Ride,” the tenth track on Harmonise’s 14-track album, after releasing “Kaluba.”

Since making his debut under Davido’s DMW label, the singer has established himself as one of Afrobeats’ recognisable melodic voices. His catalogue includes the albums The Mayor of Lagos (2018) and Back in Office (2021), alongside several successful singles.

With “Home Training” and Long Live, The Mayor!, Mayorkun is celebrating how far he has come while introducing the next chapter of his musical journey.

Listen to “Home Training.” HERE

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Released on October 30, the new Afrobeats track looks beyond the rewards of success to examine the setbacks, sacrifices, and moments of doubt that can shape an artist’s journey.

Rather than presenting achievement as something that happens overnight, TEEgod uses the song to underline the importance of persistence, hard work, and belief in one’s abilities.

Recorded in Lagos, Nigeria, and produced by Originalbeats, ‘Justice for My Life’ finds the emerging Nigerian artist drawing on the experiences that shaped his pursuit of a music career. Its central message is clear: keep working toward your goals, even when recognition seems distant, and those around you struggle to see your potential.

• TEEgod Turns His Struggles Into Motivation

The track’s most revealing moments come through its lyrics, particularly the line: “They doubted me, I had to do something / I became so good they can’t ignore.” These words capture the frustration of being underestimated while also expressing the confidence that comes from developing one’s craft. There is no suggestion that success is simply a matter of waiting for an opportunity. Instead, TEEgod places the responsibility on the individual to keep improving, take action and make their ambitions difficult to overlook.

This perspective gives ‘Justice for My Life’ a personal quality. Its message is not limited to the music industry; it speaks to anyone working towards a goal while dealing with criticism, financial pressure or a lack of encouragement. TEEgod approaches the subject from the position of someone familiar with having to pause, reconsider and find the determination to continue.

The song also reflects a familiar reality for many independent and emerging Nigerian musicians. Talent and ambition are important, but building a sustainable career can require patience, financial commitment and the willingness to keep creating without immediate rewards. By placing these experiences at the centre of the record, TEEgod gives listeners a reason to connect with its message beyond its motivational theme.

• A Sound Between Afrobeats and Street-Hop

Musically, TEEgod continues to develop the blend of Afrobeats and rap that defines his approach. His style draws from melodic delivery and the directness of street-hop, allowing him to communicate personal experiences without losing the accessibility of contemporary African pop. This combination reflects the range of influences behind his music, including Lil Wayne, Burna Boy, Wizkid and Drake.

Those influences offer an indication of the different musical directions informing his development. Lil Wayne and Drake represent aspects of modern rap and melodic hip-hop, while Burna Boy and Wizkid provide reference points within the wider Afrobeats landscape. TEEgod brings these inspirations into a sound shaped by his Nigerian background and individual experiences rather than simply following one established formula.

On ‘Justice for My Life’, the emphasis is as much on the message as the musical presentation. The record belongs to the growing space where Afrobeats meets rap-influenced storytelling, with an approach that allows personal reflection and ambition to sit comfortably alongside contemporary African music.

• From ‘Big Believer’ to a Growing Afrobeats Career

TEEgod’s journey helps explain the conviction behind the new single. After stepping away from music during college because of financial difficulties, he returned to pursue his ambitions full-time in 2025. His stage name, derived from the expression “Thank God”, reflects the faith and gratitude that have become part of his artistic identity. He also embraces the name “Big Believer”, which became the title of his 2025 EP.

That project marked an important point in his development, particularly after Nollywood actor and content creator Charles Okocha, popularly known as Mr Phenomenal, showed interest in his music. Their subsequent video collaboration for ‘Gbogbonise’ gave TEEgod an additional moment of visibility and helped bring his work to a wider audience.

He has continued building on that progress in 2026. ‘Mma Mma’, featuring Zyno TopBoy and distributed by Azuri Music, introduced another chapter in his growing catalogue, while ‘Forever’ offered listeners a more emotional side of his songwriting. Together, these releases demonstrate an artist exploring different subjects while maintaining a connection to the experiences that have shaped his outlook.

• ‘Justice for My Life’ Reinforces the Big Believer Mentality

As his third single of 2026, ‘Justice for My Life’ builds on the themes that have consistently informed TEEgod’s music: perseverance, faith, personal growth and the determination to succeed. It does not attempt to present the journey as an easy one. Instead, the song acknowledges that progress can involve disappointment, uncertainty and the need to prove oneself repeatedly.

Its appeal lies in that straightforward message. For listeners navigating their own challenges, TEEgod offers an encouraging reminder that other people’s doubts do not have to determine the outcome of their ambitions. The track also strengthens his position as an emerging Afrobeats and street-hop act interested in turning lived experiences into relatable music.

With Originalbeats handling production and an official visualiser expected to accompany the release, ‘Justice for My Life’ gives TEEgod another opportunity to connect with audiences in Nigeria and beyond. More importantly, it adds to a catalogue that is gradually taking shape around his personal story.

TEEgod is still developing his place in the Afrobeats scene, but his latest release makes his intentions clear. He wants his music to reflect the work behind the ambition, not just the rewards that may eventually follow. On ‘Justice for My Life’, the Big Believer keeps pushing forward, turning doubt into motivation and making the case for staying committed to the journey.

Listen/Stream HERE

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The EP opens with “.com,” where Shallipopi takes an unconventional approach to his songwriting by turning website addresses into street-inspired expressions. References such as “Plutoway.com” and “Bentley.com” become part of his bars about wealth, status, and street credibility.

On “UP (Transovania),” the singer reunites with longtime collaborator Producer X for a space-themed record driven by repetitive chants and rocket-ship references. The song blends imagery of luxury with Shallipopi’s familiar carefree attitude, creating another entry in his distinctive Afro-pluto sound.

Across the project, his laid-back delivery sits comfortably over log-drum-heavy production, while the lyrics revisit familiar themes of money, personal identity, street reputation, and self-expression. Despite its short runtime, WayWard maintains the sound and attitude that have become central to Shallipopi’s musical identity.

The release follows his third studio album, Auracle, which arrived in December 2025 with appearances from Wizkid, Burna Boy, Gunna, Swae Lee, Pa Salieu, Young Jonn, and Rauw Alejandro. It also comes after his 2026 single Allergies.

According to figures supplied alongside the release, Shallipopi accumulated more than 440 million streams over the past year.

The Benin City-born artist has also taken his music to international stages, including a headline performance at London’s Electric Brixton, as he continues to expand his reach beyond Nigeria.

Listen to the “Wayward” EP HERE

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The project brings together Larry Gaaga’s experience in music direction and Peruzzi’s melodic versatility, offering listeners two different sounds in one package.

On Off White, Peruzzi takes a smoother approach, delivering laid-back melodies over polished Afro-fusion production. GAGA, meanwhile, switches things up with lively Afrobeats rhythms and catchy hooks, bringing a more energetic sound suited to the dancefloor.

The two tracks highlight the creative connection between both acts, with each song offering a distinct mood. While Off White leans towards relaxed listening, GAGA brings the energy, giving fans a release that moves comfortably between chill moments and party settings.

Listen to “Off White x GAGA” HERE

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Named after the French luxury fashion house, the track connects the idea of luxury and wealth with the desire to escape financial struggles. Mavo blends familiar Nigerian street slang with his evolving sound, turning the pursuit of a better lifestyle into the song’s central theme.

The release follows Shenk Me, his recent collaboration with DJ 808, and adds another entry to what has been a busy year for the rising artiste.

Mavo first gained wider attention with Escaladizzy and has since developed a distinctive musical identity through what he calls “Burbur Music.” He has also created his own vocabulary, known as “Bizzylingua,” which forms part of the personality surrounding his music.

 

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In July 2026, he released Business, a 13-track project that further introduced listeners to his sound and artistic direction. His releases this year have also included the two-track pack Hey Mama and Aura Salad, produced by SSSoundGawd.

On Goyard, Mavo explores atmospheric production, incorporating elements of electronic dance music and alternative R&B to create a sound that differs from conventional street-pop. The release continues his run of new music as he balances his growing career with his studies as a medical student.

Listen to “Goyard” HERE

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The release also comes with confirmation of his upcoming album, Time & Space, scheduled to arrive on November 16, 2026.

The forthcoming project will mark Olamide’s 13th studio album, following his self-titled record, Olamidé, released in 2025. Although details about the album’s tracklist and featured artists remain under wraps, the new single offers fans something to enjoy while they await the full project.

Named after the traditional fermented grain drink popular in parts of Nigeria, Burukutu embraces a lively, street-inspired atmosphere.

The song opens with a party chant before Olamide takes over with his trademark Yoruba flows and rhythmic delivery, touching on hustle, enjoyment, and everyday street culture. Blaisebeatz handles the production, providing an energetic backdrop for the rapper’s performance.

 

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TG Omori brings the record to life with a video built around two contrasting visual settings. In one sequence, Olamide appears in a glowing red corridor wearing a double-breasted suit and dark sunglasses, with his dreadlocks completing the look. Other scenes unfold in an earthy courtyard, where background dancers appear in coordinated white outfits, pillbox hats, and pearl details.

The visuals also feature Olamide playing a saxophone alongside brass musicians, adding another creative element to the video’s presentation.

With Burukutu now available, Olamide has given fans a fresh release ahead of his next album. More details about Time & Space, including its tracklist and potential collaborations, are expected as the November 16 release date approaches.

Listen to “Burukutu” HERE

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Rather than focusing on the usual themes of attraction and romance, Bluewhale offers a song shaped by his own journey as a husband and father, giving listeners a more intimate understanding of the man behind the music.

With its gentle sound and heartfelt message, “Abefe” presents a softer side of contemporary Afrobeats. It is a song built around appreciation, emotional connection and the joy of finding someone who changes the meaning of life. Through this release, Bluewhale reminds listeners that some of the most powerful love stories are those experienced in everyday life.

• “Abefe” Is a Personal Story of Love

What makes “Abefe” stand out is the real-life experience behind its creation. Inspired by Bluewhale’s wife and daughter, the song reflects different stages of a family’s journey, from hoping and praying for a child to experiencing pregnancy and preparing to welcome a new life into the world.

The song’s title, chosen in honour of his daughter, adds another layer of meaning to the release. It is more than a romantic gesture; it represents a lasting memory of a special chapter in the artist’s life.

This personal foundation gives “Abefe” an emotional quality that listeners can connect with, whether they are experiencing love themselves, building a family or simply appreciating music that comes from a sincere place. Bluewhale does not need an elaborate storyline to communicate his feelings. The strength of the song lies in the experience that inspired it.

• English and Yoruba Shape “Abefe”

Another notable element of “Abefe” is its blend of English and Yoruba. This combination allows Bluewhale to communicate his feelings in a way that reflects his Nigerian background while remaining accessible to a wider audience.

The Yoruba language adds cultural character and emotional depth, while the English portions help carry the song’s message to listeners who may not speak Yoruba fluently. Rather than treating language as a barrier, the record uses both to create a more personal expression of affection.

Bluewhale’s connection to his Egba Yoruba heritage, rooted in Abeokuta, Ogun State, is an important part of his artistic identity. On “Abefe,” that background sits naturally alongside his contemporary Afrobeats sound, helping the record feel connected to both his culture and his present experiences.

• Bluewhale’s Growth as an Afrobeats Artist

Known by his stage name Bluewhale, Edunjobi Adepoju Olanrewaju began building his musical profile in 2023 with the release of “Amapiano.” Since then, he has continued developing his sound and using music to express experiences drawn from his life.

“Abefe” feels particularly significant because it reflects a new stage in that journey. His experiences as a husband and father provide fresh material for his songwriting, moving his storytelling towards themes of commitment, responsibility and personal growth.

The single also offers a glimpse of the direction listeners may hear on his forthcoming EP. The planned project is expected to explore different periods of his life, bringing together earlier influences and the realities of his current journey as a family man and musician. If “Abefe” is an indication of what is to come, listeners can expect a more personal look at the experiences shaping his artistry.

Beyond his immediate musical ambitions, Bluewhale hopes to establish his own record label in the future, creating opportunities for emerging artists. This goal suggests that his vision extends beyond releasing songs, with an interest in contributing to the growth of the next generation of Nigerian talent.

Listen/Stream HERE

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Produced by Ozedikus, the revamped version gives the record a fresh feel, with Walker contributing her smooth R&B vocals and Toliver adding his signature melodic approach. The collaboration introduces a new dimension to a song that has already enjoyed impressive commercial success in Nigeria and beyond.

The original version of SLICK has maintained a strong presence on the charts since its release earlier this year. It spent three consecutive weeks at No. 1 on Nigeria’s Official Top 100, marking Victony’s first solo single to reach the summit of the chart. The song also climbed to No. 2 on Billboard’s U.S. Afrobeats Songs chart, where it held that position for three weeks.

The track is part of Victony’s sophomore album, STARLIFE, which arrived in August 2026. The project features appearances from BNXN, Blaqbonez, YKB, Babyboy AV, Fola and Young Jonn, showcasing the singer’s continued growth and willingness to explore different sounds.

The new release also extends Victony’s musical connection with Don Toliver. The American rapper previously appeared on the 2023 remix of Soweto alongside Rema. That version made its way to No. 12 on the UK Official Independent Singles Chart, spending 16 weeks on the chart.

For Toliver, the SLICK remix comes after the release of his album OCTANE, while Victony has continued to push the song through live performances. In September, the Nigerian singer delivered a performance of SLICK on BBC Radio 1Xtra’s Live Lounge.

With Summer Walker bringing her R&B sensibilities and Toliver adding another international dimension to the record, Victony is giving one of his biggest releases of the year another opportunity to connect with listeners across different markets.

Listen to “Slick Remix” HERE

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