The upbeat Afro-fusion record brings together two artists with strong ties to Ghana’s evolving influence on the global Afropop scene. For MOLIY, the collaboration arrives on the back of the international success of Shake It to the Max (FLY), which has continued to rack up major streaming numbers following its remix earlier this year.

Produced by Nigerian hitmaker Ragee, Comfort finds Mr Eazi returning to the laid-back, mid-tempo sound that has become closely associated with his Banku Music style. The song revolves around affection, reassurance and finding peace in a romantic connection, with Mr Eazi’s relaxed delivery contrasting nicely with MOLIY’s brighter vocal energy.

The pairing also feels natural given Mr Eazi’s long creative history with Ghana’s music scene. His work with producers and artists such as Juls, GuiltyBeatz and KillBeatz helped shape the sound that connected Ghanaian and Nigerian music with audiences far beyond West Africa.

Ahead of its release, Comfort had already started picking up momentum on TikTok, thanks to snippets shared online and growing interest around the collaboration.

The new single adds to Mr Eazi’s steady run of releases in 2026, while continuing his knack for creating music that sits comfortably between Nigerian and Ghanaian influences.

Listen to “Comfort” HERE

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The new single finds the outspoken artiste in familiar territory, using the record to address his critics and anyone attempting to challenge his position in the African music space. With his confidence turned all the way up, Shatta Wale presents himself as an artist who has no plans of slowing down.

Musically, Catch Me If You Can comes with a charged-up dancehall production that blends the raw energy of Jamaican dancehall with elements of contemporary Afropop. Heavy bass, sharp percussion, and tense synth arrangements give the record a restless momentum from start to finish.

Over the aggressive instrumental, Shatta Wale delivers his signature raspy vocals with the kind of force that has become a major part of his stage presence. His chants and commanding delivery add a street-ready quality to the track, making it feel built for loudspeakers and energetic dancehall sessions.

The lyrics are largely centred on confidence, longevity and competition. Shatta Wale uses the song to highlight his years in the industry, financial independence and strong relationship with his fanbase, turning the record into another statement of his staying power.

There is little restraint in his delivery. From the opening moments, he takes an unapologetic approach, throwing shots at his perceived rivals while making it clear that he remains comfortable standing on his own.

With Catch Me If You Can, Shatta Wale once again leans into the fearless personality that has helped make him one of Ghana’s most recognisable dancehall figures. It is loud, confrontational, and full of the raw energy his supporters have come to expect from him.

Listen to “Catch Me If You Can” HERE

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The Konongo-born artist, who has steadily expanded his reach beyond Ghana in recent years, uses the new body of work to reconnect with the raw, introspective sound that has become central to his identity.

Instead of leaning heavily into conventional Afropop formulas, Black Sherif embraces the darker and more theatrical side of his artistry.

Across the EP, he moves through a carefully constructed mix of highlife-inspired trap, stripped-back acoustic textures, and grand orchestral elements. The production gives the songs a cinematic feel, while his gritty vocals remain at the center of each record.

 

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The instrumentation also adds to the project’s dramatic character, with deep basslines, layered guitar patterns, and energetic percussion creating a tense but immersive atmosphere. Each song feels deliberately placed, almost like another chapter in a larger story.

As expected from Black Sherif, the songwriting remains deeply personal. He explores themes surrounding survival, uncertainty, spirituality, and the complicated realities that come with achieving fame at a young age.

He also reflects on the weight of expectations from home while coming to terms with the demands and possibilities of an increasingly global career. Moving comfortably between Twi, English, and Pidgin, the singer and rapper turns those experiences into vivid, emotionally charged stories.

 

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More than just a stopgap release before his next album, SUN SERIF reinforces Black Sherif’s willingness to stay true to the sound and storytelling approach that first separated him from his peers.

With its atmospheric production and unfiltered writing, the EP further establishes the Ghanaian star as one of Africa’s most distinctive musical storytellers, while setting the stage for what could be an even more ambitious album.

Listen to the “Sun Serif” EP HERE

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Veteran Ghanaian musician Delips Apo returns with Romeo and Juliet, a new album that brings together Afro-pop, dancehall, Highlife, and modern African sounds.

Released on June 30, 2026, the project shows that music does not have to follow one period or one style. With decades of experience behind him, Delips Apo uses this album to connect his long musical history with the sound of today’s African music scene.

At the centre of the project is Somemu Yie, a dance-focused song performed in Twi. The record carries a clear message about relationships and the importance of treating people well. Delips Apo reminds listeners that love should not be taken for granted because losing someone can sometimes be the result of not showing them enough care.

• Love, Dance and Clear Message

Romeo and Juliet may have a famous love story as its title, but Delips Apo’s approach is much more direct. The album explores the everyday side of relationships, where love needs attention, respect, and effort.

Somemu Yie gives this message a lively setting. Instead of presenting relationship problems through a sad ballad, Delips Apo places the story over a dancehall-inspired rhythm. This makes the song enjoyable while still giving listeners something to think about.

The use of Twi is also important. It gives the song a strong Ghanaian identity and allows Delips Apo to communicate the message in a language that feels natural to him. At the same time, the danceable production gives the record wider appeal.

One of the biggest strengths of Delips Apo is his experience as a multi-instrumentalist, composer, arranger, producer, and singer. His musical journey began when he was just 16 years old, and he has since worked with more than 15 bands.

That experience is easy to understand when looking at how Somemu Yie was created. Delips Apo started with drums and bass before adding synthesiser sounds, organ parts, percussion, and other rhythms through the keyboard. This approach gives the song a full sound. Instead of relying on a single rhythm, different instruments work together to create movement. The result is music designed not only for headphones but also for dancing and live performances.

• Delips Apo’s Identity

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UK-based Ghanaian artist Ohenemuzik returns with Brownie Girl, a sweet and relaxed love song that brings together the warmth of Ghanaian Highlife and the easy rhythm of modern Afrobeats.

Released on August 14, 2026, the single presents a softer side of the artist, focusing on attraction, love, beauty, and the simple joy of finding someone who feels special.

Rather than making the song overly complicated, Ohenemuzik keeps the message clear. Brownie Girl is about admiring a woman and letting her know how much she means to him. The song moves at a comfortable pace, making it easy to listen to while also giving it enough rhythm for gentle dancing.

• The Highlife Influence Is Clear

At the centre of Brownie Girl is a woman Ohenemuzik sees as more than just someone he finds attractive. He repeatedly refers to her as “Ohemaa,” a Twi word that means Queen. This choice gives the song a strong Ghanaian identity while also showing the respect and affection behind his words.

The use of both English and Twi helps the record feel natural. It also allows Ohenemuzik to connect his Ghanaian roots with the wider African and international audience that continues to enjoy Afrobeats and Highlife.

The song follows a simple romantic journey. It starts with attraction and gradually moves towards stronger feelings. There is no rush. Instead, Ohenemuzik allows the music to take its time, creating the feeling of someone enjoying the early stages of love.

One of the most enjoyable parts of Brownie Girl is the way Ohenemuzik keeps the spirit of Ghanaian Highlife alive while giving it a modern sound.

His musical influences include Ghanaian Highlife legends such as Paapa Yankson, C.K. Mann, Pat Thomas, Nana Fynn, and Kojo Antwi. Their influence can be felt in his love for melody, romance, storytelling, and relaxed musical arrangements.

At the same time, Ohenemuzik also draws inspiration from newer African voices such as Kofi Kinaata and Davido, creating a bridge between classic Ghanaian music and today’s Afrobeats sound.

This combination gives Brownie Girl a sound that can appeal to listeners who enjoy traditional Highlife as well as younger fans who prefer contemporary Afrobeat music.

• A Strong Addition to His Catalogue

Ohenemuzik has already built a name within the Ghanaian diaspora music scene through songs such as Say I Do, Hand of God, Wedding Day, Sunrise in Accra, and Mr. Osei, as well as the album Songs of Songs.

His previous achievements include recognition from the Ghana Music Awards UK, where he won UK-Based Songwriter of the Year for Say I Do and UK-Based Highlife Artist of the Year in 2023.

Brownie Girl continues that journey while showing another side of his songwriting. It is less about making noise and more about creating a warm feeling that listeners can carry with them.

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The inspirational record celebrates survival, success, and gratitude, reflecting on the remarkable journeys both artists have experienced throughout their careers.

Coming from two artists with decades of influence across the African music landscape, Blessed & Alive carries the feeling of a victory lap. The song highlights themes of perseverance, faith, and staying grounded despite the challenges that come with achieving long-term success.

Built around a smooth Afrobeats rhythm, the track blends warm brass elements, expressive guitar lines, and uplifting melodies to create a sound that feels both nostalgic and refreshing. Its polished production brings back memories of the golden era of African pop while maintaining the modern energy expected from today’s Afrobeats scene.

Rudeboy sets the tone with his powerful vocals, delivering an emotional performance filled with appreciation and reflection. His commanding presence on the chorus captures the message of resilience, as he celebrates the battles overcome and the blessings that have followed throughout his career.

 

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Sarkodie adds his signature touch with a standout rap verse, effortlessly switching between Twi and English as he reflects on his rise from humble beginnings in Tema to becoming one of Africa’s most celebrated hip-hop figures. His contribution adds depth to the record, reinforcing the song’s message of determination and achievement.

More than just a collaboration between two celebrated artists, Blessed & Alive serves as a reminder of the strength of African music and the power of longevity. Rudeboy and Sarkodie deliver a heartfelt anthem that speaks to anyone chasing their dreams, proving that true success is built through patience, resilience, and consistency.

With its inspiring message, timeless production, and strong performances, the track stands as a celebration of legacy while connecting with a new generation of listeners across the continent and beyond.

Listen to “Blessed & Alive” HERE

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After a run of successful collaborations across Africa, the singer shifts the focus back to herself, delivering a deeply personal record that thrives on emotion, simplicity, and vocal brilliance.

From the opening moments, TREASURE creates an intimate atmosphere. The production favours gentle percussion, soft melodies, and a slow-burning Afropop rhythm that allows every lyric to breathe.

Rather than competing with the instrumentation, Gyakie’s voice effortlessly becomes the centerpiece, carrying the weight of the song with warmth and sincerity.

The accompanying visual, directed by Leewyrd for Yawa Multimedia, complements the record’s emotional depth with cinematic storytelling and elegant imagery. Together, the song and video create a listening experience that feels both personal and immersive.

Lyrically, TREASURE is a celebration of unconditional love and appreciation. Gyakie opens up about finding someone who brings peace, comfort and meaning to her life, delivering each line with genuine vulnerability.

Her effortless transition between English and local dialects adds richness to the songwriting, reinforcing the cultural identity that continues to distinguish her music.

What makes the record particularly effective is its restraint. Instead of relying on dramatic production or overly complex lyrics, Gyakie allows honest emotions and beautiful melodies to drive the song forward. The result is a record that feels timeless, relatable and emotionally authentic.

With TREASURE, Gyakie once again proves that she doesn’t need a guest feature to command attention. The single highlights her maturity as a songwriter and vocalist while reaffirming her place among the leading voices of contemporary African music. Elegant, soulful and beautifully executed, it is another impressive addition to a growing catalogue that continues to resonate far beyond West Africa.

Listen to “Treasure” HERE

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Renowned for turning the realities of everyday struggle into powerful musical stories, the artist once again taps into themes of perseverance, faith, and determination, delivering a track that feels both intimate and universally relatable.

The song arrives as a heartfelt reflection on survival and self-belief, with Black Sherif using his signature storytelling style to paint a vivid picture of life’s obstacles and the relentless drive needed to overcome them. Rather than focusing on material success, he shines a light on the emotional and mental battles many young people face while pursuing a better future.

Musically, Find A Way is built around a haunting blend of acoustic guitar melodies and atmospheric synth textures that create a reflective yet urgent mood. The sparse but immersive production provides the perfect backdrop for Black Sherif’s unmistakable voice, allowing every lyric and emotion to land with impact.

Throughout the record, the Ghanaian star delivers one of his most passionate vocal performances, effortlessly navigating the song’s emotional weight. His raw delivery adds authenticity to the narrative, making each verse feel less like a performance and more like a personal confession.

Lyrically, the track serves as a declaration of resilience. Black Sherif positions himself as someone determined to keep moving forward regardless of the challenges before him, embracing the belief that there is always a path through adversity. The song explores themes of ambition, sacrifice, uncertainty, and hope, capturing the reality of those striving to rise above difficult circumstances.

Switching seamlessly between English, Pidgin, and Twi, he crafts a story that feels both deeply rooted in his background and accessible to a wider audience. The result is a song that resonates as both a motivational anthem and a personal diary entry.

With Find A Way, Black Sherif continues to strengthen his reputation as one of Africa’s most compelling storytellers. The single not only highlights his growth as an artist but also reinforces his ability to transform life’s struggles into music that inspires, comforts, and connects with listeners across borders.

Listen to “Find A Way” HERE

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Arriving as a powerful continuation of his sonic journey, the 15-track project feels like both a sequel and an elevation, a refined statement from an artist who has spent years shaping his sound across continents and cultures.

With TORCHER II, Stonebwoy leans fully into his reputation as a genre blender. The album moves fluidly between Ghanaian highlife influences, Jamaican dancehall energy, UK Afrowave textures, and modern pop sensibilities, all stitched together with a confident, global polish.

Rather than feeling scattered, the fusion comes off intentional and deeply rooted in his identity as a boundary-crossing African artist.

Sonically, the project is rich and full-bodied. Live instrumentation plays a major role, with bright horn sections cutting through infectious rhythms, while deep, heavy dub-style basslines give the album its pulse and weight.

Across its runtime, Stonebwoy switches moods effortlessly, one moment delivering explosive, club-ready anthems built for movement, and the next slipping into softer, roots-reggae-inspired moments that feel reflective and grounded.

The album also benefits from a carefully curated lineup of collaborators drawn from across Kingston, London, and Lagos, each adding their own flavor without disrupting the overall cohesion of the project. Instead of feeling like guest features for the sake of it, each appearance blends naturally into Stonebwoy’s world, reinforcing the album’s international scope.

Lyrically, Stonebwoy operates with the calm authority of a seasoned storyteller. He moves between uplifting, conscious messaging and celebratory declarations of African identity and global excellence. Switching comfortably between English, Patwa, and Ewe, he reflects on resilience, spiritual grounding, betrayal, family values, and the broader unity of the African diaspora. His delivery carries both emotional weight and veteran confidence — the voice of someone who has lived the journey he’s describing.

Released through Def Jam Recordings Africa, the project has already made strong waves in Ghana, further reinforcing Stonebwoy’s standing as one of the continent’s most consistent and globally relevant musical figures.

More than just another album cycle, TORCHER II feels like a cultural statement, a reminder that Stonebwoy’s creative fire is still burning strong, and his place as a bridge between African sounds and the wider world is only getting more defined in 2026.

Listen to “TORCHER II” HERE

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The nine-track body of work marks another chapter in their long-standing creative relationship, one that has been built on years of collaboration, shared sound, and mutual respect.

It also brings together a series of previously released singles such as That Way, Mariana, and the title track See What We’ve Done, now packaged into a cohesive project.

The album features an impressive lineup of producers including GuiltyBeatz, JAE5, KillBeatz, and AoD, helping to shape a rich sonic blend that moves between Afrobeats, R&B, and pop influences.

Across the project, the two artists explore a wide emotional range—touching on love, reflection, celebration, and personal growth. Tracks like Where Have You Been?, Criminal, and Baby I’m Jealous sit alongside more upbeat records such as Mad Ting and No. 1 Fan, creating a balance between introspection and dance-ready energy.

Early singles from the project have already made notable commercial impact, reportedly surpassing 30 million streams and charting across multiple regions, including Africa, Europe, the UK, and parts of the Middle East.

Speaking on the release, Mr Eazi described the project as something deeply rooted in friendship and shared vision. “We’ve built this from nothing but our brotherhood and belief,” he said. “This album is a celebration of friendship, growth and gratitude.”

King Promise echoed similar sentiments, highlighting the personal nature of their collaboration and the journey that led to the project’s creation.

More than just a joint album, See What We’ve Done stands as a reflection of artistic evolution—capturing two voices that have grown together while still carving out distinct identities in the global Afrobeats landscape.

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The record brings together two of Ghana’s most consistent hitmakers, delivering a celebratory anthem centered on success, hustle, and the rewards of perseverance. From its first listen, the track positions itself as both a motivational tune and a street-ready banger.

Built on lush horn arrangements and steady percussion—hallmarks of Bisa Kdei’s signature sound—“Go n Look” carries a rich traditional foundation. His smooth, melodic vocals glide over the production, while Medikal complements the vibe with his sharp, conversational rap flow, adding a contemporary edge to the record.

At its core, the song encourages listeners to “go and look” at the evidence of their hard work paying off, turning everyday hustle into a moment of pride and celebration. The chemistry between both artists feels natural, shaped by their history of collaboration and shared presence in Ghana’s mainstream music scene.

The release also arrives at a time when Ghanaian music continues to receive renewed global attention, with Highlife-inspired sounds gaining fresh interpretations for younger audiences. Bisa Kdei, widely regarded as one of the genre’s modern custodians, uses this collaboration to bridge generations, bringing Medikal’s street appeal into his traditional sonic world.

Already gaining strong traction on radio in Accra and Kumasi, “Go n Look” is fast becoming a favourite for social gatherings, parties, and celebratory moments.

As West African music continues to evolve, the track stands out for its authenticity and balance—honoring Ghana’s musical roots while embracing a modern, global sound that resonates across audiences.

Listen to “Go n Look,” HERE

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Produced by Joker Nharnah, the track arrives at a moment when the artist is still riding the wave of his widely successful sophomore album Iron Boy. That project not only dominated streaming platforms and charts but also cemented his place as one of Africa’s most compelling voices on the global stage.

With Pop Star, Black Sherif explores a slightly different sonic direction while holding on to the raw honesty that has become his signature. The song captures the pressures that come with fame, while also reflecting the hunger and drive that continue to push him forward.

The release builds on the success of Iron Boy, a project praised for its emotional depth, genre fusion, and storytelling. The album made a strong impact internationally, charting at No. 6 on Spotify UK Top Albums, No. 10 on the Billboard World Albums chart, and No. 5 on Nigeria’s Top 100 albums. It also set a record as the first Ghanaian album to hit 2 million streams on its opening day.

Beyond streaming success, Black Sherif’s Iron Boy Tour saw him sell out venues across North America and Europe in record time, with stops in cities like Washington DC, New York, Los Angeles, Toronto, Amsterdam, Paris, and London—where he achieved back-to-back sold-out shows at Shepherd’s Bush. The tour wrapped up on home soil in Accra with his annual Zaama Disco concert, drawing a crowd of 30,000 fans at the University of Ghana Sports Stadium.

Speaking on the inspiration behind the new single, he said:

“With PopStar, I seek to reclaim the artist and entertainer that I long sought to be before I moved to the city, which then compelled me to be what I had to be”.

Since breaking through globally with “Second Sermon” alongside Burna Boy and his solo hit “Kwaku The Traveller,” Black Sherif has continued to blur genre lines—blending drill, highlife, hip-hop, and Afrobeats into a sound that resonates far beyond Ghana.

With Pop Star, he not only extends that momentum but also signals the start of what could be a defining year, with more music, performances, and creative ventures expected throughout 2026.

Listen to “PopStar” HERE

Watch the video below:

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