Centered on the beauty, movement and the magnetic pull of a woman, “Melody” captures the euphoria of attraction through King Promise’s signature blend of Afrobeats, Highlife and R&B. With an instantly memorable hook that plays on the very idea of a melody, the record celebrates both the feeling of falling for someone and the artist’s gift for creating music that stays with you. It marks the first official single from his anticipated new album, planned for 2027.

The release arrives off the heels of See What We’ve Done, King Promise’s collaborative project with Nigerian superstar Mr Eazi, released in April. Building on a longstanding creative partnership, the project celebrated the duo’s musical chemistry and shared history, further showcasing King Promise’s versatility across contemporary African sounds. With “Melody,” he carries that momentum into a new solo chapter rooted in romance, feel-good rhythms and his unmistakable melodic sensibility

With three acclaimed solo albums, As Promised (2019), 5 Star (2022) and True to Self (2024), King Promise has built a catalogue that connects Ghanaian musical heritage with a global pop sensibility. His international breakthrough, “Terminator,” has amassed more than 265 million streams. With a large majority of streams coming from outside Africa, alongside more than 12 million TikTok creations, the record has helped extend his reach across the UK, Europe, North America, Southeast Asia and beyond.

His collaborative catalogue further reflects that international reach, spanning artists including RAYE, Headie One, Chance the Rapper, Fridayy, Tom Walker, Sean Paul, Wizkid, Davido, Young Jonn, Omah Lay, Ronisia, Frenna and Chivv. Recognized by influential outlets including Billboard, GQ, Complex, BBC Radio 1Xtra and more, King Promise is one of Ghana’s most awarded artists, having received a Headies Award in 2019, earned nominations at the MOBO and Trace Awards in 2025 and again at the 2026 Headies Awards.

Beyond music, King Promise has established himself as a multifaceted entertainer, with a playful comedic persona that resonates with fans and followers, particularly on TikTok. His passion for connecting with audiences extends beyond social media through his live performances and international touring, as well as his work championing Ghanaian talent as the convener of Promiseland Festival.

That connection between music, culture and community was further underscored this month through his partnership with Chelsea FC for the club’s London to the World global cultural campaign. A lifelong Chelsea supporter, King Promise created “Can’t Tame Us,” the club’s official anthem, bringing together his love of football, music and his Ghanaian roots. The accompanying visuals feature the “Rent Paid” Football Tournament hosted by King Promise and Chelsea FC in Accra, marking the first time the club’s new home kit touched African soil, alongside scenes at SDA Park in Nungua, where he grew up playing football.

The collaboration is further explored in Chelsea FC’s mini-documentary, which traces King Promise’s journey back to the streets of Nungua and the community that helped shape his dreams. It also highlights the continued impact of his Rent Paid initiative, connecting his international achievements with his commitment to giving back to the community that raised him.

As King Promise continues to expand his global footprint, “Melody” brings the focus back to the essence of his artistry: creating timeless, feel-good music that connects people through love, rhythm and emotion. Coming off a period marked by international collaborations, cultural milestones and continued global recognition, the single signals the next step in a journey that continues to put Ghanaian music in front of the world.

“Melody” is available now on all digital streaming platforms.

Listen to “Melody” HERE

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Following a difficult period in 2023, when several members departed and the group faced uncertainty about its future, the band has returned with renewed energy and a refreshed lineup of thirteen musicians.

More than just a new release, “Recharge Carré” represents a statement of survival for Bana Capitale. The project captures the spirit of a collective determined to keep moving forward while remaining connected to the musical traditions that shaped its identity. With its lively performances and rich Congolese influences, the EP introduces listeners to a band ready to reclaim its place on the live music scene.

The accompanying music video for the title track adds another dimension to this return, showcasing the group’s refreshed lineup, energetic choreography and unmistakable sense of togetherness.

• “Recharge Carré” Brings Congolese Rumba Back to the Spotlight

At the heart of Bana Capitale’s sound is Congolese Rumba, a style known for its expressive guitar work, melodic arrangements and infectious rhythms. On “Recharge Carré,” the band draws on this musical heritage while embracing a wider African sound that incorporates elements of Konpa and Salsa.

This blend gives the group room to honour established traditions without limiting itself to the past. The guitars help shape the melodic character, while the vocals and rhythm section bring movement and excitement to the performances. The result is music that feels suited to both dedicated followers of Congolese Rumba and listeners discovering the genre for the first time.

Rather than relying on one musical approach, Bana Capitale uses its large ensemble to create a lively, layered sound. With four guitarists, a pianist, six singers and a strong rhythm section, the band has the personnel to deliver rich arrangements and engaging live performances.

For fans of African live bands, Congolese music and dance-driven rhythms, “Recharge Carré” offers a welcome reminder of how powerful a well-coordinated musical collective can be.

• A Music Video Full of Energy and Movement

The official video for “Recharge Carré” reinforces the message behind the EP. Featuring members of the renewed lineup and spirited choreography, the visual presentation puts the band’s collective identity front and centre.

Its appeal comes from the sense of movement and participation. Instead of presenting the group solely through individual personalities, the video highlights the shared energy that makes a live band distinctive. The musicians, singers and dancers contribute to a celebration of music as a communal experience.

This visual approach also helps introduce audiences to the people behind Bana Capitale’s latest chapter. After the challenges of 2023, showcasing the current lineup gives the release added meaning. It presents a group that has regrouped and is ready to perform, create and connect with listeners again.

The video is therefore more than a companion to the title track. It helps communicate the renewed confidence and enthusiasm that define the band’s comeback.

• Influences From Congolese Music Legends

Bana Capitale’s musical identity sits within a rich tradition shaped by influential Congolese artists. Names such as Werrason, JB Mpiana, Fally Ipupa, Ferre Gola, Papa Wemba and Tabu Ley represent different generations of performers who have helped bring Congolese music to wider audiences.

These artists provide an important cultural backdrop for understanding Bana Capitale’s direction. From the expressive melodies associated with Congolese Rumba to the energetic arrangements and performance styles found in modern Soukous and related sounds, the genre continues to evolve through artists who respect its foundations while adding their own ideas.

Bana Capitale draws on this wider musical heritage while developing its identity as an international live ensemble. Now based in Ivory Coast, the group brings together musicians with distinct contributions, creating a platform for collaboration and a shared appreciation of African music.

Rather than simply repeating the styles of earlier generations, the band’s challenge is to carry their influence forward while building a sound that audiences can recognise as its own. “Recharge Carré” represents another step in that process.

• Thirteen Musicians, One Renewed Purpose

The story behind “Recharge Carré” is central to its significance. Losing a considerable number of members in 2023 could have marked the end of Bana Capitale. Instead, the group has continued with a new thirteen-member formation, demonstrating the commitment required to rebuild a large musical project.

Maintaining a live ensemble of this size takes more than individual talent. It requires coordination, discipline and a shared understanding of the music. With multiple singers, guitarists, a pianist and a dedicated rhythm section, every performer has a role in shaping the overall sound.

The new EP reflects that collective effort. Its release signals that Bana Capitale is looking beyond a difficult period and towards new opportunities for performance, collaboration and international exposure.

For the band, this revival is not simply about returning to the stage. It is about preserving a musical community and continuing to bring Congolese sounds to audiences around the world

Listen/Stream HERE

Watch the video below:

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Rather than focusing on the usual themes of attraction and romance, Bluewhale offers a song shaped by his own journey as a husband and father, giving listeners a more intimate understanding of the man behind the music.

With its gentle sound and heartfelt message, “Abefe” presents a softer side of contemporary Afrobeats. It is a song built around appreciation, emotional connection and the joy of finding someone who changes the meaning of life. Through this release, Bluewhale reminds listeners that some of the most powerful love stories are those experienced in everyday life.

• “Abefe” Is a Personal Story of Love

What makes “Abefe” stand out is the real-life experience behind its creation. Inspired by Bluewhale’s wife and daughter, the song reflects different stages of a family’s journey, from hoping and praying for a child to experiencing pregnancy and preparing to welcome a new life into the world.

The song’s title, chosen in honour of his daughter, adds another layer of meaning to the release. It is more than a romantic gesture; it represents a lasting memory of a special chapter in the artist’s life.

This personal foundation gives “Abefe” an emotional quality that listeners can connect with, whether they are experiencing love themselves, building a family or simply appreciating music that comes from a sincere place. Bluewhale does not need an elaborate storyline to communicate his feelings. The strength of the song lies in the experience that inspired it.

• English and Yoruba Shape “Abefe”

Another notable element of “Abefe” is its blend of English and Yoruba. This combination allows Bluewhale to communicate his feelings in a way that reflects his Nigerian background while remaining accessible to a wider audience.

The Yoruba language adds cultural character and emotional depth, while the English portions help carry the song’s message to listeners who may not speak Yoruba fluently. Rather than treating language as a barrier, the record uses both to create a more personal expression of affection.

Bluewhale’s connection to his Egba Yoruba heritage, rooted in Abeokuta, Ogun State, is an important part of his artistic identity. On “Abefe,” that background sits naturally alongside his contemporary Afrobeats sound, helping the record feel connected to both his culture and his present experiences.

• Bluewhale’s Growth as an Afrobeats Artist

Known by his stage name Bluewhale, Edunjobi Adepoju Olanrewaju began building his musical profile in 2023 with the release of “Amapiano.” Since then, he has continued developing his sound and using music to express experiences drawn from his life.

“Abefe” feels particularly significant because it reflects a new stage in that journey. His experiences as a husband and father provide fresh material for his songwriting, moving his storytelling towards themes of commitment, responsibility and personal growth.

The single also offers a glimpse of the direction listeners may hear on his forthcoming EP. The planned project is expected to explore different periods of his life, bringing together earlier influences and the realities of his current journey as a family man and musician. If “Abefe” is an indication of what is to come, listeners can expect a more personal look at the experiences shaping his artistry.

Beyond his immediate musical ambitions, Bluewhale hopes to establish his own record label in the future, creating opportunities for emerging artists. This goal suggests that his vision extends beyond releasing songs, with an interest in contributing to the growth of the next generation of Nigerian talent.

Listen/Stream HERE

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Produced by AfroLektra, the new record blends Afro-fusion with Afro-R&B, exploring themes of attraction, chemistry, and desire. Gyakie leans into her signature vocal style, delivering a smooth and expressive performance over a rhythm-driven instrumental that complements the song’s intimate feel.

The release also serves as the lead single for her upcoming third EP, The Dawn, offering listeners an early taste of what to expect from the project.

Despite the new partnership, Gyakie remains an independent artiste. FlipTheMusic will continue to oversee her creative direction and career management, while Warner Music Africa takes charge of distribution. The arrangement is expected to help extend her music’s reach across major African markets and other territories.

Since making her debut in 2019 with Love Is Pretty, Gyakie has steadily built a following beyond Ghana, carving out a sound that draws from Afrobeats, contemporary R&B and traditional Ghanaian highlife.

Her breakthrough arrived with Forever, a standout track from her debut EP, Seed. The song gained widespread attention across the continent, eventually earning Platinum certification in South Africa. Its growing popularity also led to a remix featuring Nigerian singer Omah Lay, further strengthening Gyakie’s presence across the African music scene.

With Your Body (Crazy) now out, Gyakie is looking to build on that momentum while preparing for the next phase of her musical journey. The new distribution deal provides an additional platform for her independent operation to reach more listeners without giving up control of her artistic identity.

Listen to “Body (Crazy)” HERE

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Produced by Ozedikus, the revamped version gives the record a fresh feel, with Walker contributing her smooth R&B vocals and Toliver adding his signature melodic approach. The collaboration introduces a new dimension to a song that has already enjoyed impressive commercial success in Nigeria and beyond.

The original version of SLICK has maintained a strong presence on the charts since its release earlier this year. It spent three consecutive weeks at No. 1 on Nigeria’s Official Top 100, marking Victony’s first solo single to reach the summit of the chart. The song also climbed to No. 2 on Billboard’s U.S. Afrobeats Songs chart, where it held that position for three weeks.

The track is part of Victony’s sophomore album, STARLIFE, which arrived in August 2026. The project features appearances from BNXN, Blaqbonez, YKB, Babyboy AV, Fola and Young Jonn, showcasing the singer’s continued growth and willingness to explore different sounds.

The new release also extends Victony’s musical connection with Don Toliver. The American rapper previously appeared on the 2023 remix of Soweto alongside Rema. That version made its way to No. 12 on the UK Official Independent Singles Chart, spending 16 weeks on the chart.

For Toliver, the SLICK remix comes after the release of his album OCTANE, while Victony has continued to push the song through live performances. In September, the Nigerian singer delivered a performance of SLICK on BBC Radio 1Xtra’s Live Lounge.

With Summer Walker bringing her R&B sensibilities and Toliver adding another international dimension to the record, Victony is giving one of his biggest releases of the year another opportunity to connect with listeners across different markets.

Listen to “Slick Remix” HERE

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Released through YBNL Nation and EMPIRE, the album arrives two years after Adedamola, his 2024 project, and finds Fireboy embracing a more confident creative direction over an eclectic mix of instrumentals.

The new body of work features Nigerian acts Lojay and Judah Earl, Jamaican dancehall star Masicka, and South African talents JAZZWRLD and Thukuthela. Their contributions bring different musical textures to a project that further reflects Fireboy’s evolution since his debut.

The album opens with Dear Father, featuring Judah Earl, before moving into By Fire! and CLAAT!, featuring Masicka. Other collaborations include GODDESS with Lojay and IMALI with JAZZWRLD and Thukuthela.

 

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The remaining tracks are C’EST LA VIE, ONE MAN REGIMENT, KILOWI, ONAZO!, S.L.U.T (SEX LOVE UNDERSTANDING TRUST), LIGHT OF DAWN, MIMI NAWE and FIGHTING.

Fireboy first established his sound with his 2019 debut album, Laughter, Tears and Goosebumps, which notably arrived without guest features. Since then, projects such as APOLLO (2020), Playboy (2022) and Adedamola (2024) have charted his progression as an artist willing to explore different styles and musical identities.

Ahead of the release, the singer shared THE RED COUCH SESSION: ZUKO! on YouTube, offering fans a closer look at the album’s concept, title, and rollout.

With ZUKO!, Fireboy adds another chapter to his catalogue, bringing together sounds from different parts of the world while continuing to expand his musical identity.

Listen to the “Zuko!” album HERE

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Released through Chocolate City Music, the album features an impressive lineup of collaborators, including Asake, who appears on two tracks, alongside Victony, Ruger, TML Vibez, Igwe Aka and Monochrome.

The project follows a strong run for Blaqbonez, led by CHANEL featuring Asake, which became his first No. 1 single on Nigeria’s Official Top 100. Their follow-up collaboration, IKEBE 3000, further raised expectations for the album.

NOMADINHO: 4TH PRIME opens with I LOVE THIS, featuring Igwe Aka, before moving through tracks such as CA$H EVERYDAY, BIG PERFORMER and MAZZA.

 

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Other songs on the album include YAHOOZE featuring Victony, FYP featuring Monochrome, JUSTINA featuring Ruger and FINESSE YOU featuring TML Vibez.

Across the project, Blaqbonez blends his rap roots with Afrobeats influences, using the diverse guest appearances to explore different sounds while maintaining his place in Nigeria’s hip-hop scene.

Listen to the “NOMADINHO: 4TH PRIME” album HERE

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The 16-track album serves as the next chapter in his journey, reflecting his growth from the streets of Lagos to a wider audience.

Rather than starting afresh, Disk 2 builds on the foundation of its predecessor, documenting more of the experiences and ambitions behind TML Vibez’s rise. The project keeps his street-pop identity at the centre while exploring different sounds and musical influences.

The release follows a busy run of singles and collaborations throughout 2026. TML Vibez teamed up with Dapper on “My Type,” joined Victony for “Hello,” linked up with L.A.X on “Magaa” and collaborated with Rybeena on “Sunita.” His latest single, “Diamond or Gold,” also gained early traction, surpassing eight million streams across platforms within its first two weeks.

The album features an expanded lineup of collaborators, including Grammy-winning songwriter Vory, Headies winners Victony and Blaqbonez, Ghanaian singer Lasmid, and rising Nigerian acts Ayo Maff, Shoday and Mavo. Their appearances bring different styles to the project while giving TML Vibez room to explore fresh musical pairings.

 

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Behind the production, GodOmarr takes charge of five tracks, including “Diamond or Gold,” “Shonpe,” and “Eko.” Deobeats, Japh Kenti, Ballertosh and other producers also contribute to the album, while Dopemixx handles mixing and mastering across the project.

Musically, A Street Kid’s Diary (Disk 2) moves between Afrobeats, Afro-soul, R&B and hip-hop, held together by the melodic, understated street-pop approach associated with TML Vibez, popularly known as the Pawon Boi.

With 16 tracks and a broader collection of collaborators, the album adds another chapter to TML Vibez’s developing catalogue while continuing the narrative that introduced listeners to A Street Kid’s Diary.

Tracklist

1. “Eyes On Me”
2. “Delilah” ft. Vory
3. “Hello” ft. Victony
4. “Poku”
5. “Diamond or Gold”
6. “Gentleman”
7. “Shuperu” ft. Ayo Maff & Shoday
8. “Shonpe”
9. “CnF (Gbewa)”
10. “Mashè”
11. “Allow Me” ft. Lasmid
12. “Close To You”
13. “Eko” ft. Blaqbonez
14. “Sexy Mama” ft. Mavo
15. “Burst My Head”
16. “Radio”

Listen to the “A Street Kid’s Diary (Disk 2)” album HERE

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The release follows his September track Big Shot, adding another entry to his catalogue as the year moves towards its final stretch.

Co-produced by Izzy Beatzz and Masterkraft, Settings combines heavy bass, punchy drums and traditional Igbo elements. One of its defining features is the Oja flute, played by Ojadili Igbo, which gives the production a distinct indigenous feel.

Over the beat, Zoro delivers sharp verses, moving between Igbo, English and Pidgin with the assertive flow that has become a signature of his music.

The song centres on confidence, success and the lifestyle that comes with personal progress. Zoro draws on punchlines and familiar proverbs to drive home his message, while the repetitive hook gives the track a lively, crowd-friendly quality that could translate well to live performances.

The production also brings together several contributors. Songwriter Only1Klem co-wrote the record and provides additional vocals alongside Ruffcoin. Mr Tee Albino handles the outro, while Selebobo takes charge of the mixing and mastering.

With Settings, Zoro continues to build on the sound that has distinguished him in Nigeria’s rap scene. Previous records such as Ogene with Flavour and Achikolo with Phyno have highlighted his ability to blend contemporary hip-hop with indigenous influences, and this latest release follows that same path.

Rather than moving away from his roots, Zoro doubles down on them, delivering a confident record that celebrates Igbo musical identity while keeping its focus firmly on modern rap.

Listen to “Setting” HERE

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Featuring Cynthia Ifie on the hook, the record finds him trading confrontation for a more vulnerable form of storytelling.

The song touches on themes that have become familiar in Vector’s personal and musical journey. Having spoken about raising his daughters and the influence of his late father, the rapper brings those experiences into focus once again, building on the introspective direction explored on his album Teslim: The Energy Still Lives in Me.

Cynthia Ifie plays a key role in shaping the song’s emotional tone. Her soulful vocals give the chorus a warm, gospel-inspired feel, providing a gentle contrast to Vector’s carefully structured verses. Their contributions complement each other naturally, allowing the song’s message to take centre stage.

The production follows the same restrained approach. Soft acoustic elements blend with mellow hip-hop drums, while subtle strings and warm electric piano melodies add depth without overwhelming the vocals. The arrangement leaves enough space for Vector’s intricate rhyme patterns while keeping the focus on the personal story behind the record.

Running for approximately three minutes and 50 seconds, Dad & Dot continues Vector’s tradition of using hip-hop to explore subjects beyond the usual themes of competition and status. It pairs his technical lyricism with an accessible, reflective sound that should resonate with listeners drawn to more personal music.

With this release, Vector offers another reminder of his range as an artist, showing that his pen can carry just as much weight when he turns inward as when he steps into battle-rap mode.

Listen to “Dad & Dot” HERE

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The Nigerian singer keeps things light and rhythmic, blending his signature delivery with a polished Afrobeats sound that feels equally suited to a relaxed listen or a late-night groove.

On the lyrical side, Da Da explores familiar themes around relationships, everyday life in the city and the drive to make something of oneself. WurlD moves comfortably between conversational Pidgin and catchy melodic lines, giving the record a personal feel without making it overly heavy.

The production keeps the focus firmly on his voice. Warm percussion, subtle bass lines, layered synths and crisp drum patterns give the song its bounce, while the uncluttered arrangement allows the chorus to stand out. It is a measured blend of intimacy and movement, with enough rhythm to carry the track beyond casual listening.

The release also reflects the sound WurlD has continued to develop over the years, bringing together Afropop, R&B and electronic influences. Rather than straying too far from his established style, Da Da builds on the melodic approach that has helped distinguish his music.

The single follows his recent run of releases, including Outside with Walshy Fire and collaborations involving Marioo and Sarz. With Da Da, WurlD adds another record to his catalogue, offering fans a fresh groove for their playlists.

Listen to “Da Da” HERE

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Moving away from the hard-hitting rap he’s known for, the Nigerian rapper leans into melody and romance on the new release.

The song blends Igbo, Pidgin and English, allowing Phyno to express love and appreciation in a way that feels personal and familiar. Known for making Igbo rap a defining part of his sound, he brings that same identity to Beautiful, this time using it to tell a story of affection and gratitude.

Beyond its romantic message, the single also gives fans another glimpse into Phyno’s next album. The rapper is preparing to release the project on October 30, 2026, with Beautiful serving as one of the records leading into the full-length release.

The rollout started in July with the Na Afa Nna freestyle, which Phyno introduced with the caption “Road to the album.” He followed it up with Uzo Ano, a collaboration with fellow Nigerian star Flavour, before switching gears with this latest release.

Beautiful offers a different mood from the earlier releases, highlighting the range Phyno is bringing into this new chapter. It also continues the journey that began with Full Time Job, his fifth studio album, released in October 2024.

With the October 30 release date approaching, Beautiful adds another piece to the build-up, giving listeners a taste of Phyno’s more melodic side while anticipation grows for his next album.

Listen to “Beautiful” HERE

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