The new record had already started making noise before its official release, thanks to snippets Blaqbonez shared online. The previews quickly caught on across social media, with fans turning the sound into dance videos and CapCut edits ahead of the full drop.

This time, Blaqbonez switches things up. Rather than leaning heavily into his usual rap delivery, he takes a more melodic and playful approach, riding a bouncy production filled with lively percussion and catchy vocal patterns.

Asake slides into the record with his unmistakable style, complementing Blaqbonez without taking away from the song’s playful energy. Together, they create a record that feels built for the dancefloor and social media in equal measure.

IKEBE 3000 arrives during a busy period for Blaqbonez, following releases such as FYP and BIG PERFORMER, while also serving as another piece of the rollout for his forthcoming project, Nomadinho: 4th Prime.

For Asake, the collaboration adds to another active run of features and releases, coming after notable link-ups with artists including Olamide and Travis Scott.

With two collaborations between Blaqbonez and Asake already making waves, fans may have plenty of reasons to keep an eye on what happens whenever these two get in the studio together.

Listen to “IKEBE 3000” HERE

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The release reunites the pair after their previous collaboration, Apala Disco, which gained even more attention following a remix that featured Wizkid and Seyi Vibez.

This time, they return with another record built around the same cultural foundation but with a fresh, more dancefloor-focused energy.

DJ Tunez takes charge of the production, laying down a heavy Afrobeats rhythm that gives Terry Apala plenty of room to work his signature vocal style. The singer brings the distinctive cadence and percussive delivery associated with his sound, while the production blends traditional Apala elements with the bounce of contemporary Nigerian music.

At the heart of the track is the meeting of old and new. Traditional Yoruba Apala influences sit comfortably alongside modern club-ready production, allowing the cultural character of the genre to remain front and centre without losing its contemporary appeal.

Apala Groove follows DJ Tunez’s Zerry Sound and comes after his recent collaboration with Wizkid on State of Mind. The new record further reflects his continued interest in taking Nigerian sounds beyond their traditional boundaries and introducing them to wider audiences.

For Terry Apala, the collaboration is another opportunity to push his modern interpretation of Apala to a new generation. Together with DJ Tunez, he turns the familiar sound into an energetic record made for both cultural appreciation and the dancefloor.

Listen to “Apala Groove” HERE

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The upbeat Afro-fusion record brings together two artists with strong ties to Ghana’s evolving influence on the global Afropop scene. For MOLIY, the collaboration arrives on the back of the international success of Shake It to the Max (FLY), which has continued to rack up major streaming numbers following its remix earlier this year.

Produced by Nigerian hitmaker Ragee, Comfort finds Mr Eazi returning to the laid-back, mid-tempo sound that has become closely associated with his Banku Music style. The song revolves around affection, reassurance and finding peace in a romantic connection, with Mr Eazi’s relaxed delivery contrasting nicely with MOLIY’s brighter vocal energy.

The pairing also feels natural given Mr Eazi’s long creative history with Ghana’s music scene. His work with producers and artists such as Juls, GuiltyBeatz and KillBeatz helped shape the sound that connected Ghanaian and Nigerian music with audiences far beyond West Africa.

Ahead of its release, Comfort had already started picking up momentum on TikTok, thanks to snippets shared online and growing interest around the collaboration.

The new single adds to Mr Eazi’s steady run of releases in 2026, while continuing his knack for creating music that sits comfortably between Nigerian and Ghanaian influences.

Listen to “Comfort” HERE

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The Igbo-titled record, which translates to God Has Done It, takes a different route from his previous release, I Love You Because. Rather than centering the song around romance, Mr P blends contemporary Afropop with touches of traditional Highlife to create a more reflective sound.

Switching between English and Igbo, the singer focuses on perseverance, hard work and appreciation for the journey so far. The song carries a strong message of faith, with Mr P reflecting on difficult seasons and the progress that has come after them.

Chukwu Mme also gives the OG Forever campaign a broader feel, showing Mr P exploring themes beyond love and celebration. With its thanksgiving-driven message and familiar blend of modern and traditional sounds, the track arrives as an anthem aimed at both everyday listeners and the festive period ahead.

As anticipation continues to build around OG Forever, Mr P is using the new release to remind listeners of the experience and musical identity he has built across his years with P-Square and throughout his solo career.

Listen to “Chukwu Mme” HERE

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The new track sees Lojay tap into a playful Afrobeats sound, built around a catchy Pidgin hook that gives the song its identity and makes it easy to latch onto from the first listen.

Interest around the release had already started building after Lojay shared a 44-second studio clip featuring Davido. The footage quickly got fans talking, especially given the pair’s previous link-up on Sensational alongside Chris Brown in 2023.

On Money Lingo, Lojay keeps things upbeat and direct, blending familiar Afrobeats rhythms with witty lyricism and local expressions. The approach also shows another side of his sound, moving away from the more R&B-influenced direction heard on his 2025 collaboration with Tyla, Memories.

The single arrives after the XOXO album era and continues Lojay’s habit of leaning on concise, hook-heavy records that can easily connect with listeners beyond Nigeria.

With Money Lingo, the singer adds another energetic entry to his growing catalogue while keeping the door open for more music from the studio sessions that have already caught listeners’ attention.

Listen to “Money Lingo” HERE

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Released through EMPIRE, the six-track project clocks in at roughly 16 minutes and keeps the guest list tight, with Asake and FOLA joining BNXN across two standout records.

The EP gets underway with Eja Meja, a collaboration with Asake that brings both artists together on the opening track. FOLA takes a different route on Shamaya, while Online gives BNXN the space to carry the project alone.

The latter had already served as the final teaser ahead of the EP, introducing listeners to its themes of quiet confidence and maintaining momentum both at home and beyond Nigeria.

The title “Still In Charge” also extends the creative direction BNXN began exploring with his 2025 sophomore album, CAPTAIN. That project marked another step in his journey toward having greater control over his sound and artistic direction.

 

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The new EP arrives after CAPTAIN and his joint project with Sarz, The Game Needs Us, giving BNXN another release to add to an already active 2026.

Following its release, Still In Charge also made an early appearance on the Apple Music Nigeria albums chart, reflecting the immediate attention around the project. With its compact runtime, selective collaborations and focus on BNXN’s signature vocals, the EP adds another chapter to his steadily evolving Afrobeats catalogue.

Listen to “Still In Charge” EP HERE

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Nigerian singer, songwriter, and record producer Sam Kingpin returns with “Storyteller,” a socially conscious Afro-fusion single that brings attention to the everyday experiences of Nigerians navigating economic hardship, rising living costs, and unfulfilled promises.

More than a song about survival, the record offers a musical reflection on the relationship between ordinary citizens and the people entrusted with leading them.

Originally written and produced in 2016, “Storyteller” has been revisited and reproduced in 2026, giving the song a fresh release while retaining the message that inspired its creation. The result is a record that connects two different periods in Nigeria’s recent history through the experiences of its people.

• A Song Born From Everyday Realities

The story behind “Storyteller” begins with an ordinary night in the studio. While browsing Instagram, Sam Kingpin came across news reports that made him question the relationship between Nigerian leaders and the citizens they represent.

That experience became the starting point for a song that looks beyond headlines and political speeches to focus on the people living through the consequences of decisions made around them.

Rather than delivering a direct political attack, Sam Kingpin approaches the subject through storytelling. He places the experiences of everyday Nigerians at the centre of the record, allowing the wider message to emerge through the struggles, expectations, and hopes of ordinary people.

This approach gives “Storyteller” a personal quality. It does not simply address national issues from a distance; it reflects how those issues affect people trying to earn a living, support their families, and maintain hope for a better future.

One of the most striking aspects of “Storyteller” is the period between its original creation and its release in 2026.

A song first written in 2016 has now returned ten years later, carrying a message that remains connected to conversations about Nigeria’s economic conditions, leadership, and social development.

The decision to reproduce and release the track gives listeners an opportunity to consider how much has changed and what challenges continue to shape everyday life.

At the centre of the record is the idea that political campaigns and promises are only part of a much larger national story. The experiences of citizens provide another perspective, one shaped by the cost of living, access to opportunities, and the daily effort required to keep moving forward.

Sam Kingpin uses music to bring that perspective into focus without losing sight of the people whose experiences inspired the song.

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The new single signals a fresh phase for the Nigerian singer, arriving after her more personal Without You EP. While that project allowed her to explore a softer and more introspective side of her artistry, Tika brings her back to the energetic Afro-house sound that has become closely associated with her name.

Built for movement, the fast-paced record leans heavily on driving percussion and Niniola’s lively vocals.

It is the kind of sound that has helped establish her as one of the prominent figures in Nigeria’s Afro-house movement, with earlier successes such as Maradona playing a major role in that journey. The song has also earned gold and platinum certifications in South Africa.

Niniola, born Niniola Apata, first gained public attention through Project Fame West Africa in 2013 before making her official single debut with Ibadi the following year.

Since then, she has steadily carved out a distinct space within Nigeria’s music scene by combining African rhythms, house influences and powerful vocals.

After exploring a more vulnerable side of her music on Without You, Tika feels like a confident return to familiar territory.

The release also arrives during a busy New Music Friday, sharing the spotlight with releases from artists including Rema, Tiakola and Wizkid’s son Champz.

With its energetic production and unmistakable Niniola touch, Tika opens what looks like another exciting chapter for the Afro-house star.

Listen to “Tika” HERE

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Released through Oceanstreet Creative and EMPIRE, the midtempo track finds both artists bringing different flavours to the same record. Ayo Maff takes charge with his deeper, weightier delivery, while Zinoleesky adds a more melodic touch, particularly on the chorus.

The collaboration feels like a natural meeting point for two artists who have been making waves in their respective corners of the Nigerian music scene.

Ayo Maff gained wider attention with his Fireboy DML-assisted hit Dealer before building on that momentum with his Maffian EP and establishing himself with his street-focused sound.

Zinoleesky, meanwhile, has become known for his smooth vocals and ability to bring memorable melodies to collaborations, making his pairing with Ayo Maff an interesting blend of contrasting styles.

Rather than overcrowding the record, Malaria keeps both artists firmly at the centre. Their different vocal approaches complement each other, while the song’s recurring love-and-infection concept gives it an easy-to-remember identity.

The release also continues a busy period for both acts, adding another street-pop collaboration to their growing catalogues while giving fans a record that could comfortably travel beyond the genre’s core audience.

Listen to “Malaria” HERE

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The track blends Tiakola’s melodic French rap with Rema’s distinct Afrobeats sound, creating an easy mix of singing, rap, and infectious rhythms. Produced in London, the song gives both artists room to lean into the melodic approach that has become a key part of their music.

Best is part of the 17-track WpointM, which marks another step in Tiakola’s solo journey. Across the project, he moves between French rap and Afrobeats while drawing inspiration from his Congolese roots.

The collaboration had already generated some buzz before the album arrived. Tiakola previously teased his link-up with Rema through the video for Upa Solide, giving fans an early glimpse of what was coming.

Beyond Rema, WpointM features appearances from British singer Jorja Smith, Theodora, Bné and Congolese group Zaïko Langa Langa. The album also follows WpointM – 93120, a six-track pre-release project that dropped on September 24 and included Upa Solide alongside Winter Melo Music featuring Leto.

For Rema, Best adds another international collaboration to an already expanding catalogue. The Nigerian star continues to make moves across different markets, with his growing global profile also reflected in his announced appearance at Afro Nation Portugal 2027 alongside Davido and Fally Ipupa.

With both artists bringing their own flavour to the record, Best feels like a natural meeting point between Tiakola’s European sound and Rema’s global Afrobeats appeal.

Listen to “Best” HERE

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The release comes with a bigger story behind it. After reportedly spending about a decade unable to travel to the UK, the Nigerian singer, songwriter, and producer was granted permission to make the trip for his long-awaited London concert. With that return finally happening, Dear London feels like a musical celebration of the moment.

The EP takes listeners through seven tracks, opening with Destiny and wrapping up with Ws in the Chat. In between are songs such as “By 4,” “Shege,” “Elumelu,” “Glass in the Air,” and “Hold Somebody,” giving the project a blend of romance, ambition, and personal reflection.

One of the project’s notable features is its complete absence of guest appearances. Young Jonn handles all the vocals himself, allowing his melodies, songwriting, and production instincts to take center stage throughout the EP.

Money and ambition remain recurring themes, continuing a thread that has featured heavily across Young Jonn’s music. At the same time, the project explores the more personal side of his London experience, with introspective moments sitting alongside upbeat, rhythm-driven productions.

Dear London follows his 2025 sophomore album, Blue Disco, which opened at No. 1 on Apple Music Nigeria’s albums chart. It also builds on the foundation laid by his 2024 debut album, Jiggy Forever.

Coming shortly after his recent single Let It Go, the new EP adds another chapter to what has been a busy period for Young Jonn. More than just another release, Dear London captures a significant homecoming moment for an artist finally getting his long-awaited London stage.

Listen to “Dear London” HERE

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The Chocolate City hitmaker had been building anticipation for the release through a series of teasers across TikTok and Instagram, giving fans an early taste of what to expect from his upcoming music tape.

Scheduled to arrive on Friday, September 25, 2026, the project comes at a particularly important point in Young Jonn’s current run, with the same date set for his headline concert at OVO Arena Wembley in the UK.

The timing brings both moments together, allowing the new project and the live show to serve as complementary milestones rather than separate events.

On ‘Let It Go’, Young Jonn continues to draw from the musical instincts that have helped shape his career as both an artiste and one of Nigeria’s respected hitmaking producers.

His run as a solo artiste has produced records such as ‘Xtra Cool’ and ‘Dada,’ while his production credits have long established him as an important figure behind some of Afrobeats’ biggest sounds.

The new release therefore feels like more than another standalone single. It arrives as part of a broader transition for Young Jonn, who has successfully moved from being the producer behind major records to commanding attention as a recording artiste and headline performer himself.

‘Let It Go’ also extends the story from his 2025 sophomore album, Blue Disco, which opened at No. 1 on the Apple Music Nigeria albums chart.

With a new tape on the way and a major London concert happening on the same day, Young Jonn is clearly entering another significant phase of his journey and ‘Let It Go’ serves as the first sound of what comes next.

Listen to “Let It Go” HERE

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