At the center of the discussion is Davido, who performed on the Mid Tier Gobi Stage. While standard estimates for that level sit between $100,000 and $500,000, reports suggest Davido may have pushed beyond expectations, with his deal rumored to be close to $1 million for his appearance.

His set, which included hits from across his catalog, also featured a surprise moment when he brought out Adekunle Gold to perform their collaboration High, adding an extra highlight to an already packed performance.

Meanwhile, on the main stage, global superstar Justin Bieber headlined the night and delivered one of the festival’s biggest moments when he brought out Wizkid and Tems for a live performance of Essence (Remix).

Unlike scheduled performers, guest appearances like Wizkid and Tems are typically compensated differently, with payment often handled by the headlining artist rather than the festival itself—making their presence more about impact and visibility than fixed stage fees.

This year’s Coachella has been particularly historic, with headliners reportedly earning between $4 million and $10 million across both weekends, while major non-headliners on the main stage fall within the $1 million to $3 million range. Mid-tier stages like Gobi typically range from $100,000 to $500,000, while emerging acts earn significantly less.

Justin Bieber’s reported $10 million headline payout has also set a new benchmark for the festival, marking one of the highest earnings in Coachella history.

Beyond the stage, the economics of Coachella remain heavily artist-driven. While the festival provides infrastructure such as stages and sound systems, artists are responsible for their own production costs—from lighting design to live bands and touring logistics. Many of these investments, however, are seen as strategic, boosting streaming numbers and increasing future booking fees.

Looking back, African representation has been steadily rising. In Coachella 2025, Rema performed on the Mojave stage alongside acts like Seun Kuti & Egypt 80, further laying the groundwork for Afrobeats’ stronger presence this year.

For Nigerian superstars, Coachella 2026 has gone beyond performances—it has become a statement of global value, influence, and the continued rise of Afrobeats on the world stage.

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Speaking in a recent interview, the Grammy-nominated singer said his playlist reflects no strict boundaries, but rather a blend of sounds he connects with in the moment.

Among those he mentioned was fellow Nigerian star Tems, whose global rise and distinct soulful sound continue to resonate strongly within and beyond Afrobeats.

He also highlighted American R&B icon Chris Brown, a frequent collaborator whose creative relationship with Davido has grown over the years. The two reportedly have over 20 recorded tracks together, with discussions around a potential joint project still ongoing.

Rounding out his list were major US rap figures. Future and Lil Baby, both of whom represent Atlanta’s dominant influence on modern hip-hop—a space Davido has long shown a strong affinity for.

He summed it up in a relaxed way, noting he listens to “everybody,” a reflection of how broad his musical taste has become.

Davido has previously spoken about his admiration for Chris Brown, describing him as an artist he respects deeply both personally and professionally, especially as their studio chemistry continues to expand.

Altogether, his current playlist mirrors his global approach to music—one that moves freely between Afrobeats, R&B, and hip-hop, without borders or limitations.

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Speaking candidly, the singer revealed that he once cheated during a difficult period in their relationship, describing it as a time when things were unsettled between them.

“I was most disappointed in myself when I cheated on my wife when we had a little rift back then before we got married. I thought I could have done better because she’s an amazing person,” he said.

Davido explained that the moment became a turning point for him, forcing him to confront his actions and take responsibility for the hurt caused. According to him, it was one of the rare times he truly felt he had fallen short.

“That was the only time I knew I really messed up, but I have fixed it and we’re married,” he admitted.

He added that since then, he has made conscious efforts to grow and strengthen their relationship, choosing to move forward with a renewed sense of commitment.

In a related reflection, Davido also recently shared how their love story began during their university days, recalling that Chioma initially turned him down before they later reconnected in Lagos—a journey that has now evolved into marriage.

“I was most disappointed in myself when I cheated on my wife. She’s an amazing person, and she didn’t deserve that, I shouldn’t have done it, but I apologized 👏🏼”

~ Davido pic.twitter.com/Ei0YEPD56P

— Yobarnub (@realyobarnub) April 15, 2026

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Speaking during a recent interview, Temi opened up about the communication gap that sometimes arises between them, especially during disagreements. According to her, while tension may be obvious, Mr Eazi often insists that everything is fine, even when he’s clearly upset.

She explained that instead of addressing issues in the moment, he tends to withdraw, only to later express his feelings more indirectly—through detailed messages.

In her words:
“I don’t like when Mr Eazi is angry with me… he won’t talk to me for days and when I ask, he says everything is fine then he’ll go to another room and send me a long email of everything he’s angry about… While I was reading it, my body was already becoming hot. So at some point, I can’t even read because I’m so angry. Because imagine I’ve asked this guy 10 times, are you upset with me? Are you upset with me? he said nothing. So honestly, if you’re in the same flat as someone, don’t you think it’s a bit childish to not go up and speak to them? I don’t know why he can’t just shout at me instead…”

Her comments offer a relatable glimpse into how even high-profile couples navigate misunderstandings, highlighting how different communication styles can sometimes create friction—even in close relationships.

“If you’re in the same flat as someone, it’s a bit childish to not go up and speak to them. But he finds it easier to express himself by typing. It would be nice if he could sit down with me and have it out.”

Temi reveals Mr Eazi prefers sending her emails over talking “harsh”… pic.twitter.com/xGOexVi9Mm

— Pulse Nigeria (@PulseNigeria247) April 15, 2026

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Speaking in a recent interview, the Grammy-nominated artist reflected on his early life surrounded by affluence but insisted that none of it shifted his focus away from music.

According to him, his upbringing was filled with comfort and privilege, from expensive cars to constant vacations and designer luxury items, but even with all of that, his mind was firmly set on building a music career.

He said:
“Just that, that’s what drew me closer to music. I just became very obsessed with music, crazy about it. Like, I wasn’t thinking about anything else.

“Like, I don’t care how many billions my dad had, I was living in a house of like, I grew up in a 20-bedroom, 16 to 20-bedroom house.

“You know what I’m saying? Like, cars, everything, it’s always been there. We’ve been going on vacation every year.

My mom used to have all the Birkins, all the Chanel bags. I’ve seen all that since I was a kid, but I just wanted to do music. That’s what God called me for, he said.”

Davido also revealed that his passion for music once pushed him to take a bold step against his father’s wishes, as he left home for nearly a year after being advised to focus more on education.

“I ran away, I wouldn’t say, I left home for almost a year without any money, nothing,” he disclosed.

During that period, he stayed with a friend in a modest one-bedroom apartment—far from the lifestyle he was used to growing up. Despite the drastic change, he remained committed to his dream, repeatedly insisting that music was all he wanted to pursue.

His story adds another layer to his journey, showing how determination and conviction helped shape one of Afrobeats’ biggest global stars.

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During a livestream with Nigerian content creator Enzo, the rapper claimed that many artists intentionally alter their age details to improve their chances of landing record deals, brand partnerships, and commercial opportunities.

According to him, the pressure in the industry often pushes artistes to appear younger, especially because some labels and brands place limits on the age bracket they are willing to invest in.

He said: “I am 32 and I don’t bother myself for getting things right at this age. A lot of artists reduce their age because of record labels and partnership deals. You know a lot of investors in the music industry wouldn’t want to invest in older artists,” he explained.

Odumodublvck’s comments highlight a recurring conversation around image, marketability, and perception in the entertainment industry, where youth is often linked to long-term commercial potential.

His remarks have since added to ongoing debates about transparency and the pressures artists face while trying to break into or sustain success in a highly competitive music landscape.

“I’m 32 and I don’t bite myself for getting things right at this age. A lot of artists reduce their age cause of record labels and partnership deals. You know a lot of investors in the music industry wouldn’t want to invest on older artists”

—Odumodublvck tells Enzo👀 pic.twitter.com/Vo1XlAoWY4

— Beri🌚 (@beri_grizou) April 15, 2026

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Speaking in a recent video, the Mavin Records boss reflected on what he described as a growing trend of poor financial habits among youths, stressing that lifestyle choices often determine whether wealth lasts or disappears quickly.

According to him, a large number of young people tend to spend heavily on non-essential items instead of focusing on long-term value and meaningful investments.

He said:
“The reason Nigerian youths go broke after making a lot of money is because they spend on irrelevant things and things they don’t need. I’ve been blessed enough for a long time to be able to afford any car that I want or even to buy a private jet or whatever but I have more important things to take care of, I have family to take care of… I’d rather invest in other things. There’s nothing that beats investment, including investing in your own self, including going to acquire knowledge of something you can charge people for. Even the Forex I’m learning now, I’m investing in myself,” he stated.

Beyond the commentary, Don Jazzy emphasised that financial discipline and continuous self-development are key to long-term stability, noting that investing in skills and knowledge can be just as valuable as financial assets.

For him, the message is simple—wealth isn’t just about how much you make, but how wisely you manage and grow it over time.

“The reason Nigerian youths go broke after making lot of money is because they spend on irrelevant things”

— Don Jazzy pic.twitter.com/LDtbhjyeZM

— GEEZ TV (@geeztvofficial) April 15, 2026

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FIFA President Gianni Infantino confirmed the development in a chat with Semafor, revealing that the performance will feature “more than one” artist. The show’s lineup is being curated by Chris Martin and Coldplay manager Phil Harvey, hinting at a carefully selected, globally appealing roster.

The final is scheduled for July 19, 2026, at MetLife Stadium in New Jersey—temporarily rebranded as New York New Jersey Stadium for the tournament. Organizers are partnering with Global Citizen to deliver what Infantino described as “a historic moment for the FIFA World Cup and a show befitting the biggest sporting event in the world.”

But the halftime show isn’t the only spectacle in the works. FIFA is also planning a full-scale “takeover” of Times Square during the final weekend, turning the iconic New York landmark into part of the tournament’s global celebration.

FIFA President Gianni Infantino tells Semafor that the World Cup’s halftime show will have “more than one” artist performing.

It will be curated by Chris Martin & Coldplay. pic.twitter.com/rINtpSrydV

— Pop Base (@PopBase) April 15, 2026

While the official performer lineup hasn’t been revealed, there’s already strong anticipation around the possible inclusion of Nigerian artists—especially given the continued global rise of Afrobeats.

There’s precedent too. Tems previously made history at the inaugural FIFA Club World Cup final halftime show, sharing the stage with J Balvin and Doja Cat in a performance that reached millions worldwide. That moment signaled a growing recognition of African music on football’s biggest stages.

With Afrobeats now a dominant global force, the 2026 World Cup final could become another defining stage—one where Nigerian stars once again bring their sound to the heart of a worldwide audience.

🚨Tems makes history as the first African artist to perform at the FIFA Club World Cup 2025 – Final Halftime show. pic.twitter.com/hq8AhQk7RE

— HYPETRIBE (@hypetribeng) July 13, 2025

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The singer has officially announced her third studio album, Starr Girl, set to arrive in July 2026—a reveal that instantly sparked excitement across social media and among her growing global fanbase.

For Ayra Starr, this moment feels like the start of another defining chapter. Known for her fearless style, genre-blending sound, and confident storytelling, she has steadily evolved from a breakout act into one of Africa’s most influential young voices.

Starr Girl follows the success of her earlier projects, 19 & Dangerous and The Year I Turned 21, both of which played key roles in shaping her rise and showcasing her artistic growth. While she has yet to unveil the tracklist or featured collaborators, expectations are already high for a project that could stretch her sound even further.

Since emerging under Mavin Records, Ayra Starr has consistently delivered hit records and notable international collaborations, building a reputation that extends well beyond the African music scene.

With its July release timing, Starr Girl is also strategically positioned for the global summer cycle—a period known for defining major hits and cultural moments.

As anticipation continues to build, all eyes are on Ayra Starr to see how she will once again reinvent her sound and strengthen her place on the world stage with Starr Girl.

 

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Leading this year’s nominations are some of the biggest names shaping the sound worldwide, including Burna Boy, Rema, and Wizkid—artists who have consistently pushed African music onto the global stage.

They are joined by Ghanaian-American rising star MOLIY and South African breakout act Tyla, making the category a dynamic mix of established heavyweights and new-generation voices redefining the genre’s reach.

The inclusion of these artists reflects just how expansive Afrobeats—and its related sounds—has become, stretching across continents while continuing to evolve.

Looking back, Tyla made history at the 2025 edition of the awards by winning Favorite Afrobeats Artist, beating out strong contenders like Wizkid, Rema, Tems, and Asake. Her victory marked a significant moment for the South African star, cementing her place in the global conversation.

Wizkid, on the other hand, still holds a special place in the category’s history as its first-ever winner, having claimed the inaugural Favorite Afrobeats Artist award in 2022.

With this year’s nominees, the conversation isn’t just about who wins—it’s about how far the genre has come, and the diverse set of artists now carrying Afrobeats into its next global chapter.

 

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The announcement, made on April 14 by CBS and Dick Clark Productions, sees global pop icon Taylor Swift leading the pack with eight nominations—once again proving her dominance on the global stage.

Close behind is a strong group of contenders, including Morgan Wallen, Sabrina Carpenter, Olivia Dean, and rising act sombr, all of whom earned seven nominations each, setting up a tight race across multiple categories.

Also making waves this year is Teyana Taylor, who continues her strong run with a nomination in the Best Female R&B Artist category, adding to her growing list of career milestones.

Fans won’t have to wait long for the big night. The ceremony is scheduled to air live on Memorial Day, Monday, May 25, 2026, from the MGM Grand Garden Arena in Las Vegas. The show will be broadcast on CBS and streamed via Paramount+, kicking off at 8:00 PM ET / 5:00 PM PT.

Hosting duties this year will be handled by entertainment icon Queen Latifah, promising a night filled with star power, standout performances, and unforgettable moments.

With a lineup this stacked, the 2026 AMAs is already building anticipation as fans gear up to see who takes home the biggest awards of the night.

Check out the nominees in each category below:

Artist of the Year

• Bad Bunny
• Bruno Mars
• BTS
• Harry Styles
• Justin Bieber
• Kendrick Lamar
• Lady Gaga
• Morgan Wallen
• Sabrina Carpenter
• Taylor Swift

New Artist of the Year

• Alex Warren
• Ella Langley
• KATSEYE
• Leon Thomas
• Olivia Dean
• sombr

Album of the Year

• AM I THE DRAMA? — Cardi B
• 111xpantia — Fuerza Regida
• Mayhem — Lady Gaga
• I’m The Problem — Morgan Wallen
• The Art of Loving — Olivia Dean
• MUSIC — Playboi Carti
• Man’s Best Friend — Sabrina Carpenter
• So Close To What — Tate McRae
• The Life of a Showgirl — Taylor Swift

Song of the Year

• “Ordinary” — Alex Warren
• “Choosin’ Texas” — Ella Langley
• “Golden” — HUNTR/X (EJAE, Audrey Nuna and Rei Ami)
• “Folded” — Kehlani
• “MUTT” — Leon Thomas
• “I’m The Problem” — Morgan Wallen
• “Man I Need” — Olivia Dean
• “Manchild” — Sabrina Carpenter
• “back to friends” — sombr
• “The Fate of Ophelia” — Taylor Swift

Collaboration of the Year

• “All The Way” — BigXthaPlug and Bailey Zimmerman
• “Gone Gone Gone” — David Guetta, Teddy Swims and Tones And I
• “What I Want” — Morgan Wallen and Tate McRae
• “Stateside” — PinkPantheress and Zara Larsson
• “Amen” — Jelly Roll and Shaboozey

Social Song of the Year

• “No Broke Boys” — Disco Lines and Tinashe
• “Illegal” — PinkPantheress
• “Sally, When The Wine Runs Out” — Role Model
• “CHANEL” — Tyla
• “Lush Life” — Zara Larsson

Best Music Video

• “Gnarly” — KATSEYE
• “Berghain” — ROSALÍA, Björk and Yves Tumor
• “Manchild” — Sabrina Carpenter
• “The Fate of Ophelia” — Taylor Swift
• “CHANEL” — Tyla

Best Soundtrack

• F1 The Album — Various Artists
• Hazbin Hotel: Season Two — Various Artists
• KPop Demon Hunters — Various Artists
• Wicked: For Good — Various Artists
• Wuthering Heights — Charli xcx

Tour of the Year

• Cowboy Carter Tour — Beyoncé
• Grand National Tour — Kendrick Lamar and SZA
• The Mayhem Ball — Lady Gaga
• Oasis Live ’25 Tour — Oasis
• Las Mujeres Ya No Lloran World Tour — Shakira

Breakout Tour

• American Heart World Tour — Benson Boone
• The Sincerely, Tour — Kali Uchis
• Submarine Tour — The Marías
• Am I Okay? Tour — Megan Moroney
• Even in Arcadia Tour — Sleep Token

Breakthrough Album of the Year

• The Art of Loving — Olivia Dean
• I Barely Know Her — sombr
• Midnight Sun — Zara Larsson
• Best Throwback Song
• “What’s Up” — 4 Non Blondes
• “Rock That Body” — Black Eyed Peas
• “Iris” — Goo Goo Dolls

Best Vocal Performance

• “Ordinary” — Alex Warren
• “Golden” — HUNTR/X (EJAE, Audrey Nuna and Rei Ami)
• “Abracadabra” — Lady Gaga
• “WHERE IS MY HUSBAND!” — RAYE
• “Die on this Hill” — SIENNA SPIRO

Song of the Summer

• “Fever Dream” — Alex Warren
• “iloveitiloveitiloveit” — Bella Kay
• “SWIM” — BTS
• “Choosin’ Texas” — Ella Langley
• “American Girls” — Harry Styles
• “The Great Divide” — Noah Kahan
• “Stateside” — PinkPantheress and Zara Larsson
• “Homewrecker” — sombr
• “Dracula” — Tame Impala and JENNIE
• “Elizabeth Taylor” — Taylor Swift

Best Male Pop Artist

• Alex Warren
• Benson Boone
• Ed Sheeran
• Harry Styles
• Justin Bieber

Best Female Pop Artist

• Lady Gaga
• Olivia Dean
• Sabrina Carpenter
• Tate McRae
• Taylor Swift

Breakthrough Pop Artist

• KATSEYE
• SIENNA SPIRO
• Zara Larsson

Best Pop Song

• “Ordinary” — Alex Warren
• “Golden” — HUNTR/X (EJAE, Audrey Nuna and Rei Ami)
• “Man I Need” — Olivia Dean
• “Manchild” — Sabrina Carpenter
• “The Fate of Ophelia” — Taylor Swift

Best Pop Album

• Mayhem — Lady Gaga
• The Art of Loving — Olivia Dean
• Man’s Best Friend — Sabrina Carpenter
• So Close To What — Tate McRae
• The Life of a Showgirl — Taylor Swift

Best Male Country Artist

• Jelly Roll
• Luke Combs
• Morgan Wallen
• Riley Green
• Shaboozey

Best Female Country Artist

• Ella Langley
• Kelsea Ballerini
• Lainey Wilson
• Megan Moroney
• Miranda Lambert

Best Country Duo or Group

• Brooks & Dunn
• Old Dominion
• Rascal Flatts
• Treaty Oak Revival
• Zac Brown Band

Breakthrough Country Artist

• Sam Barber
• Tucker Wetmore
• Zach Top
• Best Country Song
• “All The Way” — BigXthaPlug and Bailey Zimmerman
• “Choosin’ Texas” — Ella Langley
• “Just In Case” — Morgan Wallen
• “Happen To Me” — Russell Dickerson
• “Good News” — Shaboozey

Best Country Album

• I Hope You’re Happy — BigXthaPlug
• Cloud 9 — Megan Moroney
• I’m The Problem — Morgan Wallen
• Restless Mind — Sam Barber
• What Not To — Tucker Wetmore

Best Male Hip-Hop Artist

• Don Toliver
• Kendrick Lamar
• Playboi Carti
• Tyler, The Creator
• YoungBoy Never Broke Again

Best Female Hip-Hop Artist

• Cardi B
• Doechii
• GloRilla
• Sexxy Red
• YKNIECE

Breakthrough Hip-Hop Artist

• EsDeeKid
• Monaleo
• PLUTO

Best Hip-Hop Song

• “ErrTime” — Cardi B
• “NOKIA” — Drake
• “wgft” — Gunna, Burna Boy
• “Rather Lie” — Playboi Carti and The Weeknd
• “Take Me Thru Dere” — YKNIECE, Quavo, Metro Boomin and Breskii

Best Hip-Hop Album

• AM I THE DRAMA? — Cardi B
• OCTANE — Don Toliver
• The Last Wun — Gunna
• MUSIC — Playboi Carti
• MASA — YoungBoy Never Broke Again

Best R&B Artist

• Bruno Mars
• Chris Brown
• Daniel Caesar
• PARTYNEXTDOOR
• The Weeknd

Best Female R&B Artist

• Kehlani
• Summer Walker
• SZA
• Teyana Taylor
• Tyla

Breakthrough R&B Artist

• Leon Thomas
• Mariah the Scientist
• Ravyn Lenae

Best R&B Song

•  “I Just Might” — Bruno Mars
• “It Depends” — Chris Brown and Bryson Tiller
• “Folded” — Kehlani
• “MUTT” — Leon Thomas
• “BURNING BLUE” — Mariah the Scientist

Best R&B Album

• The Romantic — Bruno Mars
• SWAG — Justin Bieber
• MUTT — Leon Thomas
• HEARTS SOLD SEPARATELY — Mariah the Scientist
• Finally Over It — Summer Walker

Best Male Latin Artist

• Bad Bunny
• Junior H
• Peso Pluma
• Rauw Alejandro
• Tito Double P

Best Female Latin Artist

• Gloria Estefan
• KAROL G
• Natti Natasha
• ROSALÍA
• Shakira

Best Latin Duo or Group

• Clave Especial
• Fuerza Regida
• Grupo Firme
• Grupo Frontera
• Julión Álvarez y su Norteño Banda

Breakthrough Latin Artist

• Beéle
• Kapo
• Netón Vega

Best Latin Song

• “NUEVAYoL” — Bad Bunny
• “Ojos Tristes” — benny blanco, Selena Gomez, The Marías
• “Marlboro Rojo” — Fuerza Regida
• “ME JALO” — Fuerza Regida
• “LATINA FOREVA” — KAROL G

Best Latin Album

• 111xpantia — Fuerza Regida
• Tropicoqueta — KAROL G
• Mi Vida Mi Muerte — Netón Vega
• DINASTÍA — Peso Pluma and Tito Double P
• Lux — ROSALÍA

Best Rock/Alternative Artist

• Deftones
• Linkin Park
• The Marías
• Sleep Token
• Twenty One Pilots

Breakthrough Rock/Alternative Artist

• Geese
• Gigi Perez
• sombr

Breakthrough Rock/Alternative Song

• “The Great Divide” — Noah Kahan
• “Up From the Bottom” — Linkin Park
• “back to friends” — sombr
• “Ensenada” — Sublime
• “Dracula” — Tame Impala

Breakthrough Rock/Alternative Album

• Even in Arcadia — Sleep Token
• I Barely Know Her — sombr
• Deadbeat — Tame Impala
• Breach — Twenty One Pilots
• With Heaven On Top — Zach Bryan

Best Dance/Electronic Artist

• Calvin Harris
• David Guetta
• Fred again…
• ILLENIUM
• John Summit

Best Male K-Pop Artist

• ATEEZ
• BTS
• ENHYPEN
• Stray Kids
• TOMORROW X TOGETHER

Best Female K-Pop Artist

• aespa
• BLACKPINK
• ILLIT
• LE SSERAFIM
• TWICE

Best Afrobeats Artist

• Burna Boy
• MOLIY
• Rema
• Tyla
• WizKid

Best Americana/Folk Artist

• Lord Huron
• The Lumineers
• Mumford & Sons
• Noah Kahan
• Tyler Childers

This post appeared first on Mp3bullet.ng... Read Original post on American Music Awards 2026 nominees: Full list released.

While reflecting on the Afrobeats albums that have shaped his generation, the Understand hitmaker gave a heartfelt shoutout to Burna Boy, specifically highlighting his 2018 project Outside.

“See, don’t play with Burna Boy… it’s definitely one of Burna’s. My favorite Burna album is Outside. I’m not going to say it’s the greatest, but it’s my favorite,” he said.

For Omah Lay, Outside stands out as a defining body of work in Burna Boy’s catalogue—one that played a key role in shaping the artist’s global identity and pushing Afrobeats further onto the world stage.

 

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But the conversation didn’t end on a reflective note. In the same interview, Omah Lay shifted into a more assertive stance when discussing his own place in the genre.

“I am the greatest Afrobeats artiste of the decade. I am the greatest,” he declared.

He was quick, however, to clarify that his definition of greatness isn’t tied to commercial success or popularity metrics.

“Well, you can say numbers, and personality, and the level of fame, and stardom, maybe you would not consider me. When it comes to the art itself, I am the greatest.”

The comments once again highlight Omah Lay’s dual persona—deeply appreciative of the artists who paved the way, while still unapologetically confident about his own artistic identity and contribution to the sound of a new Afrobeats generation.

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