The 35-year-old made the remarks during an appearance on The BTS Reality Podcast, where he spoke about the importance of personal growth before making lifelong commitments. According to the rapper, many people only begin to develop the emotional, financial, and mental maturity needed for marriage after reaching their 30s.

Falz cautioned singles against letting family expectations, societal norms, or peer pressure dictate the timing of such an important decision. Instead, he encouraged people to focus on understanding themselves and building a solid foundation before taking the next step.

He explained that the twenties should be viewed as a period of exploration and self-discovery, where individuals are free to learn from life’s experiences, develop their careers, and enjoy the different phases of adulthood without the pressure of marriage.

“Getting married in your 30s is the best. Don’t let anyone pressure you into getting married before 30. By 30s, you have gained more life experiences. In your 20s, you are still figuring yourself out. Your 20s are for learning, growing, and enjoying life.

“In your 30s, you combine all the knowledge and try to direct your life. So, it is better to wait till your 30s before getting married,” he said.

While acknowledging that everyone’s journey is different, Falz’s comments add to the ongoing conversation about changing attitudes toward marriage and adulthood.

His view reflects a growing belief among many young professionals that personal development and stability should take priority over meeting traditional timelines.

The rapper’s remarks have since sparked discussion across social media, with many agreeing that marriage should be based on individual readiness rather than external pressure or societal expectations.

“Getting married in your 30s is best. Don’t let anyone pressure you. By then, you’ve gained more life experience. In your 20s, you’re still figuring yourself out. Your 20s are for learning, growing, and enjoying life.”

— Falz pic.twitter.com/vgOa7NMc70

— SKB (@seyikanbai) August 3, 2026

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The highlife star, born Chinedu Okoli, made the revelation during a candid TikTok Live session with fans and friends, where he reflected on his early experiences with intimacy, the emotional challenges that followed, and the people he turned to for guidance.

According to Flavour, everything changed after he lost his virginity at the age of 24. He explained that he became emotionally attached to the woman involved, but after losing contact with her, he found himself battling feelings he did not know how to manage.

“After getting disvirgined at 24, I began to look for the girl that disvirgined me, but at that time, there was no phone. She gave me her email, so I was going to the Cyber Café to email her back and forth. There was no response, so I gave up, and I had never had a girlfriend at the time aside from a normal childhood crush, and nothing happened between us.”

Unable to deal with the situation on his own, the singer said he confided in a friend, who introduced him to adult dance videos that eventually led to a habit he struggled to break.

“I opened up to one of my street guys that the issue is giving me trouble. The guy then told me about Makoupa (a traditional African twerking dance adult content).

“I then went to get the Mapouka CDs. Once everyone had slept in the house, I would watch it prepared. I even used Morning Fresh soap sometimes.”

Flavour described the period as one of the most difficult moments of his life, admitting that the addiction left him feeling drained and ashamed. Determined to find help, he sought advice from his mother’s pastor, hoping spiritual guidance would help him overcome the struggle.

“I did it to the point I didn’t have strength. I was so ashamed and needed to talk to someone. I was looking for someone to talk to because it is not something you can go to your dad or mum to talk about.

“So, I went to see my mother’s pastor and waited for every other person to leave. I entered and opened up to him that I had an issue and had been looking for someone to talk to, and my spirit led me to him.”

The singer said the pastor gave him Bible passages, prayer points, and a 21-day spiritual exercise. However, he admitted that his efforts were short-lived after he relapsed while preparing to perform at a show.

“So I explained everything, and he gave me some prayer points and Bible verses I had to read every day. He gave me verses I had to read for 21 days. Then, I started fasting and all; it wasn’t even up to the weekend. That weekend I had a show, and the moment I started seeing girls’ shapes as I was mounting the stage, I entered the toilet.”

Flavour later sought counsel from an older Cameroonian bassist who was a member of his band. According to the singer, the musician offered a different perspective on his situation and encouraged him to approach it differently.

“It was back to square one. Finally, I mustered the courage and approached one of our Cameroonian band members, an elderly bassist. I opened up to him that the thing had been disturbing me for a long time, and he asked me how long I had been doing it, and I said two years consecutively.

“The bassist then told me the only reason I was caught in it is that I don’t have regular sex with a woman. He stated that seeing the girls at that age, I had to start engaging.

After the whole thing, the man then took me to a brothel because it was difficult to find women, and that’s how the asewo (prostitute) was born.

“Every week from the money I was sprayed, the man would remove some money to deposit. So, after we finish performing, I go knack. Since I started, masturbation stopped.”

Flavour’s candid account has sparked widespread conversation online, with many fans reacting to his openness about a deeply personal experience. His story sheds light on the struggles he faced before becoming one of Nigeria’s most celebrated musicians, while also highlighting the different paths he explored in search of a solution.

 

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Speaking during a recent Twitch livestream with streamer and comedian Carter Efe, the award-winning singer encouraged the content creator to continue investing in his Nigerian audience, stressing that lasting international recognition often begins with dominating one’s local market.

“It’s very important to take over your home…The Western validation is good and sweet, but they are looking at your motion here. The motion I have in Yankee (overseas) is because they know in Nigeria, I am the King,” Davido said.

The singer explained that the respect he receives internationally is directly connected to his standing within Nigeria, arguing that foreign audiences and industry players pay close attention to an artist’s influence in their home country before fully embracing them.

To illustrate his point, Davido recalled the experience of Jamaican reggae artist YG Marley, who was surprised by the scale of his popularity during a visit to Nigeria.

According to the Afrobeats star, Marley witnessed firsthand the level of recognition and support he enjoys while the pair were filming the music video for their collaboration Awuke.

Davido’s comments came as he encouraged Carter Efe following the streamer’s disappointment over missing Kai Cenat’s Streamers University in the United States. Efe had secured a place in the highly competitive programme but was unable to attend after failing to obtain a U.S. visa.

The comedian has spoken about the difficulties he faced travelling to the United States, with recent immigration restrictions affecting applicants from several countries, including Nigeria. Davido used the moment to remind him that building a strong presence in Nigeria could ultimately open even bigger opportunities internationally.

For Davido, the message was clear: while global recognition is valuable, true influence starts with earning respect at home. He believes that international success becomes more meaningful and more sustainable when it is built on a solid foundation of local support and cultural relevance.

🚨 Davido speaks on not chasing western validation 🗣️

— “The motion I have in Yankee is because they know that here in Naija, I’m a king. When YG Marley came to Naija and spent two days with me, he said ‘Why do you even come to America? If I had this type of motion somewhere, I… pic.twitter.com/MOrPwE2eXl

— 𝗔𝗟𝗕𝗨𝗠 𝗧𝗔𝗟𝗞𝗦 📀 (@AlbumTalksHQ) August 4, 2026

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During a recent interview with Carter Efe, the Afrobeats superstar disclosed that the song was initially created by Mayorkun and fast-rising singer FOLA before he was invited to contribute a guest verse.

According to Davido, the collaboration took an unexpected turn when Mayorkun eventually handed the record over for inclusion on ORIADÉ.

“They put me on the song. Na Mayorkun & FOLA at first, then Mayorkun sent it to me that he wants me on the song. When I did my verse, Mayorkun said I can have it for my album.”

The revelation gives fans a rare look into how collaborative the creative process can be within the Nigerian music industry, where songs often change direction before reaching the public.

Davido said that B4B4 song was owned by mayorkun and Fola,that mayorkun just gave him the song because he was dropping an album❤️🐐 pic.twitter.com/3yQ4tzRbqq

— 𝔸b𝕒𝕫𝕫 (@abazwhyllzz) August 4, 2026

Davido also disclosed that “B4 B4” nearly missed the final cut for the album. He explained that ORIADÉ had already been completed, and he was still undecided about adding the record until a familiar voice from his camp convinced him otherwise.

“I had already finished the album and I wasn’t sure if ‘B4 B4’ would get on it. But Israel DMW said, ‘Oga the song sweet oh, abeg.’ But at least he didn’t leak it like ‘Flex My Soul,’”

“I wasn’t sure ‘B4 B4’ was going to make the album, but Israel told me the song was too sweet.”

– Davido pic.twitter.com/QoEb5XqGku

— Pulse Nigeria (@PulseNigeria247) August 5, 2026

The lighthearted remark drew laughter during the interview as Davido playfully referenced a previous incident involving his longtime associate, Israel DMW.

Since the album’s release, “B4 B4” has quickly emerged as one of the fan favourites on ORIADÉ, with many listeners praising the chemistry between Davido, Mayorkun, and FOLA.

The singer’s latest revelation has only added to the buzz surrounding the track, while also highlighting Mayorkun’s role in its evolution from an original collaboration with FOLA to one of the defining moments on Davido’s sixth studio album.

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The Mavin Records and Republic Records star announced the release date through a cinematic teaser shared across her social media platforms, where she revealed that the countdown had begun with the caption:

“starrgirl is comingggg. 11 days! are you ready?”

The announcement arrives just days after the singer shared a personal health update with fans, revealing that she recently underwent a complicated surgery that required her to step back from public appearances to focus on recovery.

 

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Despite the setback, Ayra Starr encouraged her loyal fanbase, known as the Mobstarrs, to continue supporting the album as she prepared for its arrival.

The newly released teaser offers an early glimpse into the visual direction of STARRGIRL. In the clip, Ayra Starr is seen wearing a striking blue mini dress as she walks through a city street before climbing a fire escape and overlooking the skyline.

The video concludes with glowing stars forming the album’s title across the night sky, while a previously unheard song plays in the background, giving fans a preview of the project’s evolving sound.

STARRGIRL follows the release of its lead single, Tornado, featuring FOLA, which dropped in June and introduced listeners to the album’s new creative era. With the full project now just days away, anticipation continues to build among fans eager to hear Ayra Starr’s next musical chapter.

As one of Afrobeats’ fastest-rising global stars, Ayra Starr has consistently expanded her artistic range with each release. The upcoming album is expected to further showcase her growth as both a songwriter and performer while marking her official return following her recent health recovery.

With the release date now locked in, STARRGIRL is poised to become another defining moment in Ayra Starr’s career as she continues to strengthen her place among the leading voices shaping the global Afrobeats movement.

 

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The Grammy-winning singer shared the news with fans via social media, confirming that the highly anticipated show will take place in 2027 while teasing that even more announcements are on the horizon.

“So excited for 2027, London stadium ❤️ 3. MUCH MORE ANNOUNCEMENTS FOR Y’ALL.”

With the announcement, Burna Boy is on course to become the first African artist to headline the 80,000-capacity London Stadium on three separate occasions.

The forthcoming concert follows his landmark sold-out performances at the venue in 2023 and 2024, achievements that further established him as one of the continent’s biggest global stars.

So excited for 2027! London Stadium III and Much More announcements for y’all. 🥇

— Burna Boy (@burnaboy) August 3, 2026

London Stadium has become one of the defining venues of Burna Boy’s career, symbolizing his remarkable rise from an African music sensation to an international touring powerhouse capable of filling some of the world’s largest arenas and stadiums.

Although the exact concert date, ticket sales, and supporting acts have not yet been announced, the singer hinted that fans can expect more exciting updates in the coming months.

The planned return to London Stadium further reinforces Burna Boy’s growing legacy on the global stage, as he continues to break new ground for African artists and expand the international reach of Afrobeats through record-setting live performances.

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The award-winning singer shared the news with fans on Thursday through his Instagram Stories, posting a video that offered a glimpse inside the newly acquired property. Celebrating the achievement alongside his wife, Chioma, Davido also took a moment to express gratitude for the blessings in his life.

“New 🏠 God has been good to us @thechefchi.”

The latest purchase comes at a particularly busy period for the singer, who has spent recent months focused on the rollout of his forthcoming studio album, Oriade.

From promotional appearances and interviews to project-related engagements, Davido has maintained a packed schedule as anticipation continues to build for the release.

While balancing his music career, the Afrobeats star has continued to make strategic investments outside the studio, with the new home further strengthening a property portfolio that already includes several high-end residences.

Known for celebrating major life moments with his fans, Davido’s latest announcement quickly generated reactions across social media, with many congratulating the singer on yet another achievement while applauding his continued success both personally and professionally.

The new mansion not only reflects Davido’s flourishing career but also highlights the rewards of years of consistency in the music industry.

As he prepares to usher in the next chapter with Oriade, the acquisition serves as another reminder of the global success and influence he has built over the years.

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Speaking during an appearance on The Honest Bunch Podcast, the rapper recalled how Burna Boy reached out to him before travelling to Ghana, a gesture he said stood out because it showed respect and trust at a time when the Nigerian star was still finding his footing.

According to Shatta Wale, he welcomed Burna Boy personally, picked him up from the airport, and made sure he was comfortable throughout his stay by providing accommodation, transportation, and support while introducing him to life in Ghana.

“Burna Boy is the only artiste who respectfully called me from Nigeria and told me he was coming to Ghana, that I should come and pick him up at the airport. I have never done that for any artiste before in Nigeria. And I felt some way because I was like, I know Burna Boy, but that time he was in his low time, so we picked him up at the airport and brought him down.

I was showing him the ropes of Ghana like this is my town, I gave him a house, cars, and anything he needed. He wasn’t wasting money in Ghana, but I had this team I was working with, and they were messing up. I actually told them I didn’t want to work with them anymore. All like 7 or 5 of these boys that I sacked were calling every rich man and special person in my life to tell them I’m having sex with their wives,” he said.

The Ghanaian musician alleged that after dismissing several members of his entourage, the former associates launched a smear campaign against him, contacting influential people in his circle and spreading damaging allegations.

Shatta Wale claimed Burna Boy was among those targeted, alleging that the former team members falsely accused him of having an affair with a woman Burna Boy had travelled to Ghana with.

According to him, the allegations were never discussed directly, but he noticed a sudden change in their relationship.

“They told Burna Boy that I was f*cking his girl he brought to Ghana, and he just bought it. I had billionaire friends they called. They wanted to break me to everybody. When he left me in Ghana, things still went well. And when I saw Burna moving to places, I was always messaging him, and he didn’t reply. I didn’t know they told him that, and he decided not to talk to me.”

Although Shatta Wale did not indicate whether the two artists have since reconciled, his account offers fresh insight into what he believes led to the end of a friendship that once saw them support each other both personally and professionally.

“I was treating Burna Boy in Ghana like a king… They told Burna Boy I was fvc>ing the girl he brought to Ghana…His mom is like my mother…”

– Shatta Wale pic.twitter.com/KKzRYABi1r

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) July 27, 2026

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Speaking during an interview with the BBC, the award-winning singer explained that she explored several stage names early in her career but eventually realized they carried expectations she wasn’t comfortable with.

“One of the names that I had played with in my early days was Electra, but I changed my mind because I felt that the minute you hear Electra, you already expect me to be electrifying, and I didn’t want people to see me coming or overexpect.

I wanted them not to know what’s coming, and then I tried another name, Ginger, but the problem is, in Nigeria, when you say ginger, it means energy, and I’m just telling everybody who I am before they meet me.”

Rather than settling for a stage identity, Alade said she sought divine guidance before ultimately deciding that her given name best reflected her purpose and personal journey.

“I had a moment where I just sat on the idea, and I honestly just reached out to God and just asked, ‘Please lead me,’ and the reckoning that came to me was that I needed to stick to my birth name because it had a huge meaning behind it.

Opeyemi means ‘thanks be to God,’ and Alade means ‘the one who holds the crown.’ I feel like that embodies who I am, so I held on to it.”

The singer also shared how her relationship with fans across Africa inspired her to make her music more accessible by recording songs in multiple languages. According to her, the idea came after witnessing the passion of audiences who sang along to her music despite not understanding English or her native languages.

“The first language I translated my music into was French, and it was born out of curiosity. I felt a very strong connection with many French-speaking African fans when I saw them in the front row of my concerts, singing my songs even though they didn’t speak English or any of my native languages.

So I thought to myself, why don’t I do something very dear to them and show them I truly love them? That’s where my desire to start translating my music came from. I later went on to translate my music into Swahili and Portuguese.”

Reflecting on the evolution of the music industry, Alade acknowledged that women today are receiving greater acceptance than in previous years. However, she stressed that there is still more work to be done to achieve stronger female representation across the industry.

According to the singer, the journey has not necessarily become easier for women, but opportunities have gradually expanded. She encouraged more women to step forward and continue breaking barriers, noting that increased participation is key to creating a more balanced and inclusive music industry.

Yemi Alade has built a reputation as one of Africa’s most internationally recognised performers, with her multilingual approach helping her connect with audiences across the continent and beyond. Her latest reflections offer a glimpse into the intentional decisions that have shaped both her identity and her enduring success in the global music scene.

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The appointment also sees her become the first woman to executive produce a soundtrack of this scale, further expanding her influence beyond recording and performing.

In addition to overseeing the soundtrack’s creative direction, Tems recorded three brand-new original songs for the project, giving fans fresh music while helping shape the sonic identity of one of the year’s most anticipated movie releases.

The soundtrack also boasts an impressive lineup of Nigerian stars, with Ayra Starr, BNXN, and Fireboy DML contributing to the project. Their inclusion, alongside Tems’ leadership, reinforces the growing influence of Afrobeats on the global entertainment stage.

Acclaimed filmmaker Gina Prince-Bythewood revealed why Tems was the natural choice to lead the soundtrack, applauding her creativity and the quality of the final body of work.

“I wanted Tems to curate the soundtrack. I wanted her to executive produce it. She’s actually the first woman to executive produce a soundtrack at this level, which is incredible. She put together an epic soundtrack. There are absolutely no skips… The soundtrack is so amazing, and I’m so proud of Tems, who had never done this before and created something truly extraordinary.”

The director’s praise highlights the confidence placed in Tems to create a soundtrack capable of matching the scale and emotion of the film. Her new role reflects a significant step in her artistic journey, showcasing her ability to lead major creative projects beyond the recording studio.

Adding further star power to the production, Burna Boy has been appointed executive music consultant, working alongside Tems to help shape the overall musical direction of the soundtrack.

 

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Speaking on the collaborative effort behind the project, Prince-Bythewood also shared details of the carefully assembled lineup.

“Then Burna Boy came on board as the executive music consultant. We’ve got three new Tems tracks. We’ve got Fireboy DML, BNXN (Benson), and Ayra Starr.”

Adapted from Tomi Adeyemi’s bestselling fantasy novel, Children of Blood and Bone has already generated enormous anticipation ahead of its release. With some of Nigeria’s biggest music stars contributing to its soundtrack, the film is expected to make an even stronger impact globally, while further cementing Afrobeats’ growing presence in Hollywood and international cinema.

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The 13-track album brings together a blend of solo performances and carefully selected collaborations, highlighting Davido’s continued commitment to bridging African music with global influences. The feature list includes Black Sherif, Mayorkun, FOLA, Llona, Leon Thomas, Aya Nakamura, NO11, Jazzwrld, and GL_CEEJAY.

The official tracklist for “Oriade” includes On the Road; Amazing Grace featuring Black Sherif; Julie; Constantly; I Know Who I Be With featuring Jazzwrld and GL_CEEJAY; Gimme Dat Ting With featuring NO11; B4 B4 With featuring Mayorkun and FOLA; Already Falling; Tell Everybody featuring Leon Thomas; Yaya featuring Aya Nakamura; Zanzibar; Guide; and My Light With featuring Llona.

ORIADÉ 👑

The kingdom expands. Featuring musical royalty from top to bottom.

Full album out this Friday! CD pre-orders available now. Which track are you most excited to hear first? pic.twitter.com/RUfTjSrJI9

— Davido (@davido) July 28, 2026

The reveal gives fans their clearest picture yet of what to expect from the album, with the tracklist showcasing a balance between personal records and collaborations that span different musical styles and regions. Familiar collaborators sit alongside fresh creative partnerships, adding to the anticipation surrounding the release.

Within minutes of the announcement, “Oriade” became a major talking point across social media as fans began sharing their excitement over the featured artists and debating which songs could emerge as early favorites.

Collaborations such as “Amazing Grace” with Black Sherif, “B4 B4” featuring Mayorkun and FOLA, and Yaya with Aya Nakamura have already sparked widespread conversation.

As anticipation continues to build, “Oriade” is shaping up to be another significant chapter in Davido’s career, with expectations high that the project will further reinforce his status as one of Afrobeats’ leading global stars.

 

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The Grammy-winning singer is scheduled to perform in the city on December 22, although the venue is yet to be announced.

The Lagos concert forms part of the singer’s ambitious 34-date A*POP World Tour, which was unveiled on Monday in support of her sophomore album, A*POP, released on July 24. Presented by Live Nation, the tour marks Tyla’s biggest international outing to date and her first headline run spanning Europe, North America, and Africa.

For fans in Nigeria, the announcement represents another major milestone in Tyla’s rapidly growing career. After spending the last few years building a global audience, the singer is now set to headline some of the world’s biggest cities before returning to the African continent to close out the tour.

The journey begins on October 12 in Paris before making its way through several European destinations, including Amsterdam, London, Glasgow, Manchester, Brussels, Berlin, Stockholm, Oslo and Copenhagen.

 

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From there, Tyla heads to North America, kicking off that leg on November 12 in Sacramento with additional performances scheduled in San Francisco, Vancouver, Chicago, Boston, New York, Houston, Los Angeles, and Las Vegas.

Lagos will serve as the opening stop for the African leg of the tour. Following the Nigerian performance, Tyla is expected to perform in Cape Town on January 4, 2027, before concluding the continental run in Johannesburg on January 9, 2027.

The upcoming tour also signals a significant step up from her previous live outings. While her We Wanna Party Tour in 2025 focused exclusively on Asia, and earlier appearances largely supported promotional activities, the A*POP World Tour is her first full-scale headline tour across multiple continents.

Fans hoping to secure a spot at the Lagos show won’t have to wait long. Artist presale tickets become available on Wednesday, July 29, while general ticket sales begin on Friday, July 31, at 10 a.m. local time, with additional ticketing and tour details available through Tyla’s official platforms.

 

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