In a statement released on Wednesday, September 16, Poco Lee’s team acknowledged the people who have assisted the entertainer behind the scenes and urged the public to avoid spreading negative or unverified narratives about the matter.

The statement read:

“Hello Everyone, we would like to publicly acknowledge that Zlatan, along with others, has been extremely supportive and helpful through this matter.

“Their involvement, support, and effort have been vital to moving things forward. We deeply value their ongoing support and dedication, and we kindly request that everyone refrain from spreading negative narratives.”

Zlatan’s acknowledgement comes after Poco Lee himself previously mentioned Burna Boy and Rahman Jago while speaking about the difficult experience he faced in the UK.

Although his management did not reveal the specifics of Zlatan’s involvement, the latest statement makes it clear that the singer has been among those supporting Poco Lee during the legal ordeal.

 

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The situation began in August when reports surfaced that Poco Lee had been detained in the UK over sexual offence allegations. He was subsequently charged with five offenses: two counts of rape, one count of attempted rape, and two counts of assault by penetration.

Throughout the case, Poco Lee’s management has repeatedly stressed that the allegations should not be treated as proof of guilt. The team has also pushed back against unverified reports surrounding the matter, including claims involving alleged drink spiking, stating that such claims were not among the charges before the court.

Poco Lee was granted bail in September after spending several weeks in custody. Although reports later emerged that he had been released and claims circulated that the complainant had withdrawn the case, the legal proceedings remained active.

The next stage of the case is scheduled for February 8, 2027, when the plea hearing will take place, while the trial is expected to commence on March 8, 2027.

For now, Poco Lee’s management continues to appeal for restraint as the case proceeds through the UK legal system, urging the public to allow the appropriate legal process to take its course.

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The British singer made the revelation during an interview with JAM FM Berlin while discussing her new album, the creative process behind the project, and her concerns about artificial intelligence in music.

According to Smith, ‘Alive’ is the oldest song on the album. She explained that Nigerian-British producer P2J had already worked on the record with Wizkid before she was introduced to it.

“P2J had that song with Wiz already, and then I heard it,” she said.

Smith explained that Wizkid’s existing contribution helped shape the direction she eventually took with the song, allowing her to find her own perspective within the record rather than approaching it as a traditional guest feature.

Describing the inspiration behind her part, the singer likened the song to the feeling of travelling towards someone at the beginning of a new relationship.

“It was just reminding me of driving down to meet someone. There’s like a driving force in the song, a pull,” she said.

“Wizkid already made ‘Alive’ with P2J already before P2J played it to me and I actually liked it”

– Jorja Smith pic.twitter.com/BQTklZiSYq

— BASITO (@itzbasito) September 16, 2026

For Smith, that feeling ultimately ties into the theme of discovering new love. The accompanying music video was also filmed in Paris, a setting she felt matched the romantic energy of the track.

The song’s origins also highlight the creative relationship between P2J and Wizkid. The producer has worked closely with the Nigerian superstar across several projects, including much of Made in Lagos, as well as songs from More Love, Less Ego and Morayo.

Away from the music itself, Smith also spoke about the growing challenge of AI-generated content being mistaken for her work. She revealed that even members of her family had been fooled by AI-generated material.

“AI is kind of a scary grey area. Where is this going?” she said.

Smith added that she has been working with her team to monitor the situation and respond whenever fake content claiming to be connected to her surfaces online.

Watch the full interview below:

This post appeared first on Mp3bullet.ng... Read Original post on Jorja Smith Reveals Wizkid’s ‘Alive’ Was Originally His Song.

Nigerian singer Spyro has opened up about a difficult chapter of his childhood, recalling how repeated accusations from his father left a lasting emotional impact on him.

The singer shared the experience during an interview with Arise TV presenter Rufai Oseni, where he spoke about growing up under the strict watch of his father, whom he described as a pastor.

According to Spyro, he was often blamed whenever money went missing in church, with his father allegedly accusing him of stealing in front of other people. He said the public embarrassment became particularly painful when the missing money was eventually found elsewhere.

“My dad is a pastor. He will tell outsiders that this boy is a thief. Once money misses in church, he will point to me. All the public embarrassment, and then when he eventually finds what he’s looking for, he buys you milk.

When we got home, my dad flogged me and left a mark that’s still on my back 22 years later. It broke me because I told this man the truth and I suffered for it.

If not for the love from my mom and how she was able to constantly balance things up, it affected me because I felt since he believes I’m a terrible child, let me just be terrible,” he recalled.

Spyro also remembered another incident from his school days involving a cleaner who he said scratched his head with her long nails. After reporting the incident to his father, he claimed he was accused of lying and punished instead.

The singer said experiences like these gradually affected the way he viewed himself. According to him, being repeatedly treated as though he was a “terrible child” eventually made him consider embracing the very image that had been placed on him.

Despite the painful memories, Spyro acknowledged the role his mother played in helping him navigate his childhood. He credited her love and support with providing the balance he needed during those difficult years.

Watch the video below:

“I broke up with my dad after I told him a school cleaner scratched my head with her long nails, but he called me a liar. We went to confront her, and she denied knowing me. When we got home, my dad flogged me and left a mark that’s still on my back 22 years later.”

—Spyro https://t.co/a60zjWAMJM

— carter🌚 (@carter8f) September 16, 2026

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Grammy-winning Nigerian singer Tems has opened up about her approach to dating, revealing that she has become more intentional about the kind of romantic situations she is willing to entertain.

The singer shared the perspective while reflecting on her experiences with men and how her outlook on relationships has changed over time.

According to Tems, she has little patience for situations where a man keeps her waiting or fails to show genuine seriousness. However, she suggested that she has moved beyond the stage where such experiences would affect her.

“I don’t like it when guys waste my time. But for me, never again. I don’t have that problem anymore. I’ve left the streets; I wouldn’t even say I was ever on the streets.”

Her comments point to a more deliberate approach to her personal life, with the singer making it clear that she is no longer interested in situations that do not align with where she is in life.

Tems, who has largely kept details of her romantic life out of the public eye, continues to maintain a strong focus on her music and global career while occasionally offering fans glimpses into her personal perspectives.

“I don’t like it when guys waste my time. But for me, never again. I don’t have that problem anymore. I’ve left the streets; I wouldn’t even say I was ever on the streets.” — Tems https://t.co/S05NgZSz7c

— YabaLeftOnline (@yabaleftonline) September 15, 2026

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The singer shared this perspective in a new interview with Apple Music, where she reflected on her place in her artistic journey and the importance of giving herself room to grow naturally.

According to Ayra Starr, she has reached a point where she wants to let the experiences and knowledge she has gathered over the years express themselves through her music rather than overthinking the creative process.

“I’m in the phase where it’s important for me to just allow. Everything I’ve accumulated, let me just allow it to show itself. If you’re looking for perfection, there’s literally AI. What makes me human is my imperfections.”

Her comments highlight a more vulnerable side of the singer, who has continued to evolve since breaking into the Nigerian music scene and establishing herself as one of Afrobeats’ increasingly prominent global voices.

Rather than viewing imperfections as something to hide, Ayra Starr appears to be embracing them as part of what makes her artistry personal and authentic.

The singer’s latest perspective also offers insight into the mindset behind her current creative chapter, as she continues to explore new sounds, experiences, and expressions while growing both as an artist and an individual.

🚨 Ayra Starr in a New Interview with Apple Music:

“I’m in the phase where it’s important for me to just allow. Everything I’ve accumulated, let me just allow it to show itself. If you’re looking for perfection, there’s literally AI. What makes me human is my imperfections.” https://t.co/z4md1OJ0gI

— HYPETRIBE (@hypetribeng) September 15, 2026

This post appeared first on Mp3bullet.ng... Read Original post on Ayra Starr: “What Makes Me Human Is My Imperfections”.

The label, which is home to artists including BlaqBonez, Young Jonn, and M.I Abaga, addressed the allegations in a statement shared on its official X account on Tuesday.

Chocolate City described the claims as false and irresponsible, insisting that the company has operated independently for more than two decades.

The record label specifically denied having any contractual relationship or affiliation with Universal Music Group while also rejecting suggestions that its operations are funded, controlled or directed by a foreign intelligence agency.

According to Chocolate City, its growth has been built around talent development, hard work, and legitimate commercial partnerships rather than external government or intelligence-agency influence.

The company also stressed that the allegations misrepresent the nature of its ownership and business relationships, reaffirming its identity as a Nigerian-owned independent music company.

The statement comes amid wider conversations on social media about the ownership structures and international relationships of African music companies.

Chocolate City has remained one of the notable names in Nigeria’s entertainment industry, playing a role in the careers of several artistes while expanding its activities across different areas of the African creative economy.

In its response, the label said:

“Our attention has been drawn to false claims circulating about Chocolate City Music. For over 20 years, we have built an independent African business through talent, hard work and legitimate commercial partnerships. Any suggestion that Chocolate City Music is funded, controlled or directed by any foreign intelligence agency or state actor is false and irresponsible.

The content in question also contains a fundamental error: Chocolate City Music has never had, and does not have, any contractual relationship or affiliation with Universal Music Group. Chocolate City Music remains wholly Nigerian-owned, proudly independent, and focused on building lasting value for African creatives and the African creative industries.”

Our attention has been drawn to false claims circulating about Chocolate City Music.

For over 20 years, we have built an independent African business through talent, hard work and legitimate commercial partnerships.

Any suggestion that Chocolate City Music is funded, controlled or directed by any foreign intelligence agency or state actor is false and irresponsible.

The content in question also contains a fundamental error: Chocolate City Music has never had, and does not have, any contractual relationship or affiliation with Universal Music Group.

Chocolate City Music remains wholly Nigerian-owned, proudly independent, and focused on building lasting value for African creatives and the African creative industries.

— CHOCOLATE CITY MUSIC (@choccitymusic) September 15, 2026

This post appeared first on Mp3bullet.ng... Read Original post on Chocolate City Denies CIA Funding, UMG Affiliation Claims.

The entertainer, whose real name is Iweh Odinaka, disclosed this in a video call shared on Sunday, marking his first public comments since being released on bail.

While reflecting on the experience, Poco Lee said Burna Boy remained supportive despite the seriousness of the allegation he was facing. He noted that many people would ordinarily distance themselves from someone caught up in such a situation.

“Nobody would have wanted to associate themselves with something like that, but Burna Boy stood by me, Jago and some of my other guys,” he said.

Poco Lee also explained that he was able to remain mentally composed throughout the period because he maintained that he was innocent of the alleged offence.

BURNA BOY AND POCO LEE LAST NIGHT AFTER HIS RELEASE. 😂😂😂❤️ pic.twitter.com/KEzlIXlDpW

— benny. (@1BENNY7G) September 12, 2026

Rather than focusing solely on his own situation, he said his bigger concern was the effect his absence could have on the people around him, particularly his associate Jago and their business activities.

“I was just being myself. God sees my heart. My only worries were about my people. Jago could not do anything business, and I didn’t want to stress anyone,” he said.

The dancer added that his mindset would have been considerably different if he believed he had actually committed the offence for which he was accused.

“If I was inside there and I did what I was accused of, I would have felt I was paying for my sins, but since I knew I didn’t do what I was accused of, my mind is pure,” he added.

Poco Lee’s legal troubles followed his arrival in the UK in August for the Davido and Friends concert held at Crystal Palace Bowl in London on August 14.

The case remains ongoing, with Snaresbrook Crown Court previously scheduling September 15 for plea and trial preparation proceedings.

Poco Lee has not been convicted of any offence, and the allegation against him remains subject to determination by the court.

“I didn’t do what I was accused of. I got out with the help of Burna Boy, Rahman Jago, and my UK friends” — Poco Lee tells VeryDarkMan via video call. pic.twitter.com/GvYJzh7Dso

— YabaLeftOnline (@yabaleftonline) September 13, 2026

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The YBNL star disclosed this during a live Twitch session while reflecting on his songwriting journey and some of the records he worked on before establishing himself as one of Nigeria’s leading Afrobeats artists.

According to Fireboy, he was part of the songwriting process for Immediately, released by Mystro featuring Wizkid in 2018. The revelation adds an interesting layer to his career, considering the song arrived before his own breakthrough and mainstream recognition.

Fireboy would later gain widespread attention with Jealous, the record that helped introduce his distinctive sound to a much larger audience and set the stage for his rise as a recording artiste.

Beyond his connection to Wizkid, the singer also revealed that he had written songs for another major Nigerian star, Tiwa Savage, during his earlier songwriting years.

However, Fireboy did not reveal the titles of the songs he reportedly wrote for the Afrobeats queen.

The revelation highlights a lesser-known chapter of Fireboy’s journey, showing that his musical career extended beyond performing and recording long before he became a household name.

Since breaking into the mainstream, Fireboy has gone on to release successful albums, earn major collaborations and establish himself as one of the prominent voices of contemporary Nigerian music.

“I wrote “Immediately” by Mystro featuring Wizkid. I have also written songs for and with Tiwa Savage”

– Fireboy DML on his songwriting 🚨 https://t.co/b6xGopQYQ4

— NOTJUSTOK (@NOTJUSTOK) September 13, 2026

This post appeared first on Mp3bullet.ng... Read Original post on Fireboy DML Reveals He Co-Wrote Wizkid’s ‘Immediately’.

The Dangbana Republic singer made the announcement on Thursday, September 10, 2026, confirming that the project will be titled 9 and is scheduled to arrive on October 9, 2026.

The announcement comes as FOLA continues to build momentum following a strong run of collaborations and releases. His recent single, Treat U Right, featuring Ayra Starr, and the Davido- and Mayorkun-assisted B4 B4 have further pushed his name into the spotlight.

Now, with 9 on the horizon, attention will gradually shift towards what the singer has prepared for the project, including its tracklist, guest appearances, and production credits.

FOLA has steadily established himself as one of the emerging voices to watch within Nigeria’s Afrobeats scene, and the new album represents another opportunity for him to showcase how far his sound and artistry have developed.

Interestingly, fans will not have to wait until October for another taste of the project. FOLA also revealed that he would be releasing a new song at midnight on Thursday, giving listeners something to enjoy while they count down to the album.

Explaining the meaning behind the title, 9, FOLA drew inspiration from football, where the number is traditionally worn by the striker leading the attack.

However, the singer has given the number his own interpretation, describing a 9 as “the artist you call when you need a hit.”

With the October 9 release date now confirmed, FOLA’s next chapter officially has a name, and he appears ready to prove that he is the number to call when it is time for a hit.

 

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What started around a social media message from Sarkodie has since developed into a broader conversation about loyalty, professional relationships, and whether both artistes have remained consistent with positions they previously discussed privately.

The latest episode began on September 7 when Sarkodie addressed members of his SarkNation fanbase, encouraging them to support his music without dragging other artists. He warned against fan wars and urged artists not to encourage supporters who attack their colleagues in the name of showing loyalty.

Stonebwoy later responded, questioning whether the message aligned with Sarkodie’s actions and the principles he claimed the rapper had previously discussed with him privately.

According to Stonebwoy, he reached out to Sarkodie after his Royal Albert Hall performance in the UK to congratulate him, with the conversation reportedly lasting more than 10 minutes.

Stonebwoy said the situation became complicated after his own performance at OVO Arena Wembley, when Sarkodie allegedly posted another video that he interpreted as an indirect message. He maintained that only Sarkodie could explain the real intention behind the post.

The Manodzi hitmaker said he eventually contacted Sarkodie after noticing what he described as a series of cryptic social media posts. That conversation, according to Stonebwoy, lasted for more than an hour and touched on industry relationships, personal interactions, and the different ways artists approach certain situations.

Stonebwoy claimed Sarkodie told him that artists could not be forced to follow particular principles and would sometimes make decisions based on what worked for them.

Using that alleged position to question Sarkodie’s public advice, Stonebwoy ended his response with a pointed statement:

“Without PRINCIPLE, advice is an OPINION.”

Sarkodie, however, pushed back strongly against Stonebwoy’s version of events.

In a lengthy response, the rapper denied ever telling Stonebwoy that artists should simply act according to whatever benefits them. He accused his colleague of presenting their private conversation in a way that did not accurately reflect what was discussed.

Sarkodie also rejected the suggestion that his social media posts were directed at Stonebwoy. He questioned why the singer had interpreted the posts as indirect shots and explained that he typically avoids engaging with assumptions based on social media activity.

According to Sarkodie, he only chose to respond publicly because Stonebwoy had directly raised the matter.

The rapper further clarified that his position during their private conversation was about personal choice.

He argued that while people have the right to decide whether to forgive someone or maintain a relationship, they cannot dictate how another person should handle the same situation.

Sarkodie also referenced Stonebwoy’s relationships with individuals who had previously disrespected him. He said he never interpreted Stonebwoy’s association with such people as an endorsement of their actions, stressing that the two artists could maintain mutual respect without necessarily sharing the same opinions or relationships.

He maintained that their shared objective should be finding opportunities to succeed together, even when they do not see eye to eye on everything.

Sarkodie also pointed to several instances where he said he had made efforts to maintain a positive relationship with Stonebwoy. These included inviting him to his Royal Albert Hall concert, congratulating him on career achievements, and discussing possible opportunities for them to perform together.

For Sarkodie, those gestures were evidence that there was no underlying hostility towards his colleague. He also expressed disappointment that an issue he believed could have remained private had eventually become a public conversation.

The exchange has once again put the relationship between two of Ghana’s biggest music stars under the spotlight, with fans and industry observers debating their contrasting views on loyalty, principle, professional relationships, and perceived disrespect.

For now, Stonebwoy maintains that his concerns are about consistency and principle, while Sarkodie insists that his words and social media activity have been misunderstood and were never intended as attacks on his colleague.

A lot to unpack here, but first things first there’s no need to say something I never said that artistes should play along so far as it benefits them.

The first thing I asked you when we got on that call, and I still want to ask, is “What is your problem?” If, for any reason,… https://t.co/G5ZsDYYj1p

— Sarkodie (@sarkodie) September 8, 2026

This post appeared first on Mp3bullet.ng... Read Original post on Stonebwoy, Sarkodie Trade Words Online Over Alleged Social Media Shots.

Speaking on the One54 Africa podcast, the singer explained that confirming their genotype compatibility was an important step for him before pursuing a relationship that could eventually lead to marriage and children.

According to Adekunle Gold, he viewed the decision less as a matter of romance and more as a responsibility to the children they could potentially have together.

“There’s no way I would have done that. When we met, the first thing we did, I had to know her genotype or that we match. If we did not… so she’s AA,” he said.

The singer went on to speak about the need for greater awareness around sickle cell disease, particularly among young people who may not know the implications of genotype compatibility when choosing a partner.

“There’s so much awareness that needs to be done, you know, tell people that if you have sickle cell, forget love, you can’t do it. It makes no sense, because you’re about to bring a child to the world and the child is about to be sickly. What’s the point?” he said.

Adekunle Gold further maintained that he would not have gone ahead with marriage if he and Simi had incompatible genotypes. For him, the decision was ultimately about avoiding a situation that could put their future children at risk.

“I wouldn’t have married my wife if she were SS or AS. She’s AA. I don’t think it makes sense to bring a child into this world and they’d be sickly.” — Singer Adekunle Gold https://t.co/FMDGLjJNgi

— Instablog9ja (@instablog9ja) September 10, 2026

His position is also connected to his personal experience with sickle cell disease. Having lived with the condition throughout his life, the singer has consistently used his platform to encourage conversations around genotype testing and sickle cell awareness.

Beyond speaking publicly about the issue, Adekunle Gold has also established a foundation to support people affected by sickle cell disease and raise awareness of the condition.

The singer and Simi have since built a family together after years of friendship and romance, becoming one of Nigeria’s most recognisable celebrity couples while continuing to maintain successful careers in music.

This post appeared first on Mp3bullet.ng... Read Original post on AG Baby Reveals Why He Checked Simi’s Genotype Before Their Relationship.

The news was made public by car dealer Abujacar in a post shared on X on Thursday. According to the dealer, the 2026 Ferrari Purosangue purchased by the singer is valued at an impressive N1.6 billion.

Celebrating the reported acquisition, Abujacar wrote:

“Congratulations, @KizzDaniel, on the acquisition of your brand-new 2026 Ferrari Purosangue, valued at ₦1.6 billion.
An exceptional machine for an exceptional artist. A new chapter in automotive excellence. Welcome to the future,” he wrote.

The Ferrari Purosangue is among the Italian automaker’s most notable luxury models, combining high-performance engineering with an upscale interior and a distinctive design. Its price tag also places it firmly among the more extravagant additions to any celebrity garage.

For Kizz Daniel, the reported purchase adds another major luxury vehicle to the lifestyle surrounding his successful music career, coming as the singer continues to make waves with his music and international presence.

Interestingly, the reported acquisition comes shortly after fellow Afrobeats heavyweight Davido also made headlines over his latest luxury car additions, giving fans yet another reason to talk about the lavish automobile collections of Nigeria’s biggest music stars.

 

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