The couple had sparked online chatter after a short clip showed what some interpreted as an awkward moment inside a sprinter van after the high-profile fashion event. However, Rihanna has now responded directly, sharing a behind-the-scenes “met recap” video that presents a very different picture of the night.

In the footage posted on Thursday, Rihanna and A$AP Rocky are seen laughing, relaxing, and clearly enjoying each other’s company, effectively dismissing claims of any disagreement.

The video shows Rihanna getting her makeup done while smoking a blunt, while Rocky raises a glass in a celebratory mood. The tone throughout the clip is light and playful, with no visible signs of tension.

Earlier reports from TMZ suggested the perceived awkwardness may have simply been a result of exhaustion after a long day of Met Gala preparations and celebrations, rather than any personal issue between the couple. Sources also clarified that Rihanna’s reaction had nothing to do with Rocky’s interaction with Italian fashion figure Giovanna Battaglia Engelbert, noting the exchange was purely friendly.

The couple’s representative also stepped in to calm speculation, with Backstage Live Event — which originally shared the viral footage — confirming that Rihanna and Rocky are “very much in love” and that there was no conflict during the evening.

Known for their coordinated late arrivals and headline-grabbing fashion choices, the duo once again made a statement at the event. Rihanna arrived in a sculptural Maison Margiela gown she described as “giving oyster,” while A$AP Rocky wore a custom pink Chanel robe, a subtle nod to their daughter, Rocki, born in September 2025.

The pair, who also share sons RZA and Riot, have long been one of pop culture’s most closely watched couples. With Rihanna’s latest post, however, the message from the night appears clear — what fans saw as tension was simply a tired moment, not a troubled relationship.

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The controversy began after Adekunle Gold released “Life of the Faaji,” a track off his newly dropped Fuji Xtra project. On the song, one particular line quickly caught listeners’ attention: “They love my fuji, this no be Fuji Moto.”

For many fans, the reference was interpreted as a subtle dig at Seyi Vibez’s 2025 project Fuji Moto, which also explored Fuji-inspired street-pop sounds. The comparison immediately triggered online debates, with listeners dissecting possible subtext behind the lyric.

Not long after the discussions gained momentum, Seyi Vibez reacted on X (formerly Twitter), strongly expressing his displeasure. In a series of posts, he directly called out Adekunle Gold in unusually harsh terms.

“Adekunle Gold you’re wack. And your swag is wack. Old fool!” he wrote.

He followed up with additional remarks, escalating the situation further: “Adekunle panda Egbon ofo! Egbon ya.”

The exchange has since fuelled conversations across social media, especially given both artists’ recent focus on Fuji-inspired sounds.

Adekunle Gold’s 2025 Fuji album introduced a refined blend of traditional Fuji elements with Afrobeats and pop, while Seyi Vibez’s Fuji Moto leaned into a more street-pop interpretation of the same influence.

The overlapping themes had already drawn comparisons between both projects, but the latest development has now pushed those comparisons into open tension.

As of the time of reporting, Adekunle Gold has not responded publicly to Seyi Vibez’s comments, leaving fans divided and watching closely for what could happen next in the unfolding exchange.

 

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Speaking during an appearance on the Great Day Houston podcast on Wednesday, the singer opened up about family life, his creative partnership with Simi, and the current direction of his Fuji-inspired musical era.

While reflecting on his personal life, Adekunle Gold clarified the viral claim, setting the record straight on the rumours that had gained traction since early 2026.

“It’s interesting to be married to another fantastic songwriter,” he said. “My wife and I didn’t give birth to twins, it’s just internet rumours. We have a son.”

However, his comments also carried a playful undertone, as he suggested the speculation may not have been entirely out of his control, subtly hinting that the narrative might have been encouraged by how he previously framed his posts online.

“It’s interesting to be married to another fantastic song writer and now our daughter is already giving signs that she might be one for the music as well. My wife and I didn’t give birth to twins, it’s just internet rumours, we have a son.”

– Adekunle Gold pic.twitter.com/Q7tZFxkn6R

— Oyindamola🙄 (@dammiedammie35) May 8, 2026

The rumour originally began in January after Adekunle Gold shared a cryptic Snapchat message that read: “Asked God for another child and He blessed me double.” The post quickly went viral, leading many fans to assume the couple had welcomed twins.

Over time, the speculation grew stronger across social media, even though neither he nor Simi had confirmed it.

Beyond the rumours, the singer also used the interview to reflect on his family dynamic, describing Simi as an important creative influence and soundboard in his evolving artistry. He also revealed that their daughter, Deja, is already showing early signs of musical talent.

The conversation comes amid his ongoing Fuji Xtra era, where Adekunle Gold continues to explore more culturally rooted sounds while balancing family life and artistic reinvention.

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Since its arrival, the project has continued to dominate conversations and charts, but its biggest milestone yet comes from Spotify Nigeria, where it recorded the biggest opening week in the platform’s history for a Nigerian album.

According to reported figures, M$NEY pulled in an impressive 55.98 million streams in its first week, surpassing the previous record of 52.8 million set by Wizkid with his album Morayo.

The achievement further strengthens Asake’s growing reputation as one of the most commercially powerful artists in African music, especially within the fast-expanding digital streaming space.

Since its release, M$NEY has not only dominated Spotify but has also sparked widespread engagement across social media, with fans and industry watchers reacting to its performance as one of the strongest album rollouts of the year.

The milestone adds another layer to what has already been a remarkable run for Asake in 2026, a year in which his releases have consistently translated into chart success and global visibility.

Beyond the numbers, the achievement also reflects the wider rise of Afrobeats on global streaming platforms, where Nigerian artists continue to set new benchmarks and compete at the highest level internationally.

With M$NEY still gaining momentum, Asake’s latest record reinforces his position at the forefront of that movement and signals that his commercial influence is only growing stronger.

 

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The announcement, which came directly from the singer, immediately sparked conversations across social media as fans reacted to the unexpected postponement. While some listeners expressed disappointment over having to wait longer, many others remained optimistic, insisting the delay could mean an even more polished body of work.

Although Ayra Starr did not go into detail about the reason behind the change, online speculation has already begun. Some fans believe the postponement may be tied to final production touches, strategic rollout plans, or the addition of surprise collaborations ahead of release day.

The upcoming album is expected to mark another important chapter in the singer’s career, especially following the success of her previous projects that cemented her status as one of the leading voices in Afrobeats and modern African pop music.

Over the last few years, Ayra Starr has steadily evolved from a rising talent into a global music figure, with her sound, fashion, and stage presence helping her build a strong international audience.

Now, with August 14 officially locked in, anticipation surrounding the project appears to be growing even stronger, as fans eagerly wait to see what direction the singer takes in her next era.

 

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The fight, which took place at Chaos in the Ring 4, ended with Carter Efe defeating Portable and walking away with the ₦50 million prize reportedly promised by businessman E-Money.

Since the victory, Carter Efe has continued to attract cash gifts and rewards, including a reported $5,000 payout from cryptocurrency entrepreneur Habby Forex.

Speaking during a livestream session with Whitemoney, Portable claimed the outcome of the match was deliberate, insisting he sacrificed the victory because of the financial stakes.

‎”That’s why I sell that match, for my enemy. I win that match. If na concert I do, they won’t come“, he said.

The singer suggested that many people had placed bets on him to win and implied that defeating Carter Efe could have had financial consequences for those involved.

Portable’s latest comments add another twist to the drama that has surrounded the celebrity bout since its conclusion, especially after he initially accused organisers of bias and unfair judging.

The “Zazoo Zeh” crooner is no stranger to boxing headlines. In 2023, he defeated Charles Okocha in another celebrity fight following a heated dispute linked to an alleged ₦40 million deal.

That match, staged at Landmark Beach during the Heritage Boxing Entertainment event, ended in Portable’s favour after four rounds by unanimous decision.

Now, despite his loss to Carter Efe, Portable continues to keep himself firmly in public conversation both inside and outside the ring.

Watch the video below:

@mayormedia4 #portablefan #carterefe #whitemoney ♬ original sound – mayormedia 🚀🥷✨

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The singer made the announcement on Tuesday in Ede during the inauguration of the Imole Youth Campaign Mobilization Team, where he was unveiled as the committee’s chairman.

Addressing supporters at the event, Davido explained that he would be stepping away from his music activities for about two months to focus fully on political mobilization efforts across the state.

“I have put my musical career on hold for two months to come and work for my uncle, not only because he is my uncle but because he is doing a good job and still has more to accomplish. The job is not done,” he said.

The Afrobeats star stressed that youth engagement would play a major role in the election, describing the mobilisation committee as one of the most important arms of the campaign structure.

“We are all here to support him to win the election with our influence. This is one of the most important committees because it focuses on youths,” he added.

Davido also charged members of the team to begin grassroots outreach across Osun’s local government areas, urging them to actively communicate the governor’s achievements and plans to residents.

“Let us carry out door-to-door mobilisation across all local governments, showcasing what the governor has achieved and what he intends to do. Engage people within your communities and communicate the governor’s programmes effectively,” he added.

The move further highlights Davido’s growing involvement in politics and governance conversations, especially within Osun State, where he has consistently shown strong public support for his uncle’s administration.

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The award-winning singer disclosed a recent livestream, where he spoke casually about his educational ambitions while interacting with fans online.

According to Davido, the postgraduate program will not be at Adeleke University, despite assumptions from some followers who believed he might choose the institution founded by his family.

“I want to do my Master’s next year,” he said.

When asked if the programme would be at Adeleke University, the singer replied: “No, in UK, a one-year course in Political science. I have my BSc already.”

Davido further explained that the program would follow the typical one-year structure common with many Master’s degrees in the UK.

The announcement has since sparked reactions online, with fans praising the singer for prioritising education despite his global success in music and business.

Beyond his chart dominance and international accolades, Davido has often spoken proudly about academics. In 2022, he graduated with a bachelor’s degree in music from Adeleke University after previously studying business administration at Babcock University.

For many supporters, the latest revelation adds another layer to the artist’s public image, showing a side that continues to value personal growth alongside fame and entertainment success.

Watch the video below:

“I’m not dropping any music for now—I’m pursuing my master’s in the UK 🇬🇧 in Political Science. I already have my BSc.😳”

—Davido pic.twitter.com/skAMnVJb3M

— carter🌚 (@carter6f) May 6, 2026

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The recognition marks another major milestone for Afrobeats on the global stage, further highlighting the genre’s growing cultural influence beyond Africa.

Davido joins an accomplished 2026 class that includes rapper Ludacris, gospel leader Paul S. Morton, and the late former Atlanta mayor Maynard Jackson.

The induction ceremony is scheduled to take place on June 1 in Atlanta’s Historic Westside, along Martin Luther King Jr. Drive and Northside Drive, just outside Mercedes-Benz Stadium.

Founded through a partnership between the Black American Music Association and the Georgia Entertainment Caucus, the Walk of Fame was created to celebrate individuals and organisations that have significantly shaped Black entertainment and culture across the world.

Since its launch in 2021, the landmark has become home to bronze and gold plaques honouring some of the most influential figures in music and entertainment history.

Davido’s induction places him alongside legendary names such as Michael Jackson, Beyoncé, Usher, Ms. Lauryn Hill, Snoop Dogg, Mary J. Blige, and Tyler Perry, as well as cultural icons like James Brown, Quincy Jones, and Stevie Wonder.

His induction also carries deeper symbolic weight for Afrobeats’ history. Afrobeat pioneer Fela Kuti had previously been honoured by the Walk of Fame, making Davido’s recognition feel like a continuation of African music’s lasting impact on global Black culture.

For many fans, the moment represents more than an individual achievement; it is another sign of how far Nigerian music has traveled, from local streets to some of the world’s most respected cultural platforms.

 

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In a viral clip making the rounds on social media, Portable spoke candidly about the impact both artists had on his journey, drawing a sharp line between what he described as opportunity and advice.

Reflecting on his breakthrough moment, the singer credited Olamide with playing a decisive role in changing his life, particularly through their collaboration on his hit track “Zazoo Zehh,” which propelled him into the spotlight.

Portable said: “The very first day I met Olamide, he gave me a verse. He didn’t buy me food, he gave me my future.”

However, his comments took a different turn when addressing his encounter with Davido. According to Portable, their interaction did not translate into the kind of support he was hoping for at the time.

He said: “You took me to a restaurant to eat and that’s where you started giving me bad advice. If you wanted to help, you’d have helped.”

The remarks have since generated mixed reactions online, with fans debating Portable’s perspective while revisiting the roles both Olamide and Davido have played in supporting emerging talents within the Nigerian music industry.

As with many of his public statements, Portable’s comments have added another layer to ongoing conversations about mentorship, opportunity, and what true support looks like for rising artists navigating the industry.

“Davido never helped me, he only gave me lot of bad advice and bought food for me the first time we met in a restaurant. Second time we met in a club, he bought alcohol for me but never gave me a verse”

– Portable pic.twitter.com/t5dpgWYqv4

— BASITO (@itzbasito) May 5, 2026

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Dropped on May 1, 2026, the project has quickly grown into one of the biggest African releases of the year, sparking conversations across streaming platforms and pushing Asake into yet another historic chapter of his career.

One of the standout milestones came in the United Kingdom, where M$NEY soared to No. 1 on the Apple Music chart. The feat didn’t just add another trophy to his cabinet; it also made him the first African artist to have five different projects reach the top spot on UK Apple Music.

That achievement carries extra weight considering how pivotal the UK has been to his rise. Over the years, Asake has built a strong connection with listeners there, from sold-out shows to consistent chart success. This latest milestone shows that his fanbase in the region remains both loyal and influential.

But the momentum didn’t stop in the UK.

On Spotify, Asake reached a new career peak by becoming the highest-charting African act ever on the platform’s Global Top Artists ranking. The accomplishment marks a significant moment not just for him, but for African music on the global stage.

His presence was also strongly felt across broader digital metrics, with reports placing him at No. 15 on the World’s Global Digital Artists list, a reflection of just how widely M$NEY is being streamed across different platforms.

Taken together, these numbers tell a bigger story. Since breaking into the mainstream, Asake has built a reputation for consistency, speed, and impact, delivering projects that don’t just trend but reshape conversations around Afrobeats.

With M$NEY, he reinforces that position. The album isn’t just another successful release; it’s a statement of sustained dominance in the streaming era.

At a time when Nigerian music continues to expand its global footprint, Asake finds himself right at the centre of that movement, setting new benchmarks and showing just how far African pop can go.

 

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The singer was billed to headline an event at Secret Place Ikate Elegushi alongside Zlatan Ibile as part of the venue’s fifth anniversary celebration. However, despite a strong turnout of fans, Davido was unable to make it to the show.

Reactions quickly followed both at the venue and online, as attendees waited for the award-winning artist who never took the stage.

Addressing the situation the following day via Instagram, Davido explained that the setback was beyond his control, linking it to broader logistical issues affecting travel.

“The world happened to me yesterday. These wars around the world have really started penetrating. Finding fuel was a problem yesterday to even fly. Everything had to be rescheduled,” he said.

He went on to express regret to fans who showed up for the performance, assuring them that efforts are already underway to make up for the missed appearance.

“To my fans that pulled up… sorry I missed it. We’re going to run it back again soon,” he added.

Davido also extended congratulations to the organisers of the event, reaffirming his support while promising a return at a later date.

The incident highlights growing concerns around aviation fuel supply and rising operational costs, issues that have begun to affect flight schedules and logistics in different parts of the world, with ripple effects now reaching the entertainment scene.

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